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Materials & Techniques black ink
Remove constraint Materials & Techniques: black inkCredit Line Yale Center for British Art, Paul Mellon Collection
Remove constraint Credit Line: Yale Center for British Art, Paul Mellon CollectionOn-site Access Accessible by appointment in the Study Room
Remove constraint On-site Access: Accessible by appointment in the Study RoomSearch Results
1
- Arab Horsemen, One Brown and One Gray Horse
- 1965
2
- Arab Horsemen, Two Grey Horses
- 1965
3
- Moving Up to Challenge
- 1963
4
- Over the Bank, Exmoor
- ca. 1895
5
- Huntsman and Hounds
- ca. 1896
6
- A Harrow in the Orchard
- ca. 1896
7
- A Cow Lodge with a Mossy Roof
- ca. 1829
8
- Opening the Fold: Early Morning
- ca. 1880
9
- An Ancient Barn at Shoreham
- undated
10
- The Valley of Vision
- undated
11
- Cornfield and Church by Moonlight
- early 1830s
12
- Underriver Hills, near Sevenoaks, Kent, from the Grounds of J. Herries, Esq
- ca. 1840
13
- A Cottage among Trees, Shoreham
- undated
14
- The Timber Wain
- between 1833 and 1834
15
- Brighton Beach Looking West
- undated
16
- A View on the Orwell
- undated
17
- Horses Fighting
- undated
18
- Grotesque Male Head
- undated
19
- Grotesque Female Head
- undated
20
- Grotesque Male Head
- undated
21
- Grotesque Male Head
- undated
22
- Grotesque Male Head
- undated
23
- Grotesque Male Head
- undated
24
- Grotesque Male Head
- undated
25
- Grotesque Male Head
- undated
26
- Grotesque Male Head
- undated
27
- Grotesque Female Head
- undated
28
- Grotesque Female Head
- undated
29
- Grotesque Male Head
- undated
30
- Grotesque Male Head
- undated
31
- Grotesque Female Head
- undated
32
- Grotesque Female Head
- undated
33
- Ship Aground, Brighton, with the Chain Pier Beyond
- 1830
34
- Rome from Monte Mario
- ca. 1818
35
- Lake Geneva and Mount Blanc
- 1802 to 1805
36
- Leeds
- 1816
37
- Villa d'Este
- ca. 1796
38
- View of Hampton Court, Herefordshire, from the Northwest
- ca. 1806
39
- Barnard Castle
- ca. 1825
40
- Andernach
- 1817
41
- The Capo Sant' Angelo, Amalfi
- ca. 1885
42
- Illustration to Tennyson's "The Gardener's Daughter:" Mount Lebanon, Syria - `A Cedar spread his dark green layers of shade'
- undated
43
- Illustration to Tennyson's "You Ask Me Why": Areka Palms, Ratanapooru, Ceylon - `I will see before I die The Palms and Temples of the South'
- undated
44
- Bavella, Corsica
- ca. 1868
45
- The Dead Sea, 16 and 17 April 1858
- April 16 and 17, 1858
46
- Catania
- 1847
47
- Abu Simbel, 11-11:30 am, 8 February 1867 (374)
- 1867
48
- "I have heard Jerusalems groans..." (Plate 82)
- 1804 to 1820
49
- "Highgates heights & Hampsteads..." (Plate 84)
- 1804 to 1820
50
- "Became a Space & an Allegory..." (Plate 85)
- 1804 to 1820
51
- "I see thy Form O lovely mild Jerusalem..." (Plate 86)
- 1804 to 1820
52
- "Condens'd his Emanations..." (Plate 9)
- 1804 to 1820
53
- "The Feminine separates from the Masculine..." (Plate 90)
- 1804 to 1820
54
- "It is easier to forgive an enemy..." (Plate 91)
- 1804 to 1820
55
- "What do I see! The Briton Saxon Roman Norman..." (Plate 92)
- 1804 to 1820
56
- "Enitharmon heard. She raised her head like the mild Moon..." (Plate 93)
- 1804 to 1820
57
- "Albion cold lays on his Rock..." (Plate 94)
- 1804 to 1820
58
- "As the Sun & Moon lead forward the Visions of Heaven & Earth..." (Plate 96)
- 1804 to 1820
59
- "Awake! Awake Jerusalem..." (Plate 97)
- 1804 to 1820
60
- "Then each an Arrow flaming from his Quiver..." (Plate 98)
- 1804 to 1820
61
- "All Human Forms identified... The End of The Song of Jerusalem" Colophon (Plate 99)
- 1804 to 1820
62
- Title Page, The Pindaric Genius Receiving His Lyre (Design 1)
- between 1797 and 1798
63
- "Nor fear the rocks, nor seek the shore..." (Design 101)
- between 1797 and 1798
64
- The Mourner at the Tomb (Design 103)
- between 1797 and 1798
65
- The Author Writing (Design 105)
- between 1797 and 1798
66
- The plowman homeward plods his weary way, And leaves the world to darkness, and to me..." (Design 107)
- between 1797 and 1798
67
- "Malignant Fate sat by, and smil'd, The slipp'ry verge her feet beguil'd..." (Design 11)
- between 1797 and 1798
68
- "Her Henry's holy shade..." (Design 15)
- between 1797 and 1798
69
- "My Lade rose, and with a grace– She smil'd, and bid him come to dinner..." (Design 33)
- between 1797 and 1798
70
- A Widower and Children (Design 35)
- between 1797 and 1798
71
- The Beginning of Poesy. The Blind Begging Bard (Design 41)
- between 1797 and 1798
72
- "The laughing flowers, that round them blow, Drink life and fragrance as they flow..." (Design 43)
- between 1797 and 1798
73
- "Cytherea's Day..." (Design 45)
- between 1797 and 1798
74
- "To him the mighty mother did unveil Her awful face..." (Design 49)
- between 1797 and 1798
75
- "Brush'd by the hand of rough Mischance, Or chill'd by Age..." (Design 5)
- between 1797 and 1798
76
- "Corruptability appears upon thy limbs..." (Plate 83)
- 1804 to 1820
77
- "Repelling weeping Enion blind & age-bent..." (Plate 87)
- 1804 to 1820
78
- "Los answer'd sighing like the Bellows of his Furnaces..." (Plate 88)
- 1804 to 1820
79
- "Tho divided by the Cross & Nails & Thorns & Spear..." (Plate 89)
- 1804 to 1820
80
- "Oft did the harvest to their sickle yield..." (Design 109)
- between 1797 and 1798
81
- "Somevillage-Hampden, that with dauntless breast, The little tyrant of his fields withstood..," (Design 111)
- between 1797 and 1798
82
- "Some kindred spirit shall inquire thy fate, Haply some hoary-headed swain may say..." (Design 113)
- between 1797 and 1798
83
- A Shepherd Reading the Epitaph (Design 115)
- between 1797 and 1798
84
- Windsor Terrace, a Boy Contemplating a Distant View of Eton College (Design 13)
- between 1797 and 1798
85
- "To chase the rolling circle's speed..." (Design 17)
- between 1797 and 1798
86
- A Circular Dance (Design 23)
- between 1797 and 1798
87
- "And purple tyrants vainly groan..." (Design 37)
- between 1797 and 1798
88
- "With screaming Horror's funeral cry, Despair, and fell Disease, and ghastly Poverty..." Design 39)
- between 1797 and 1798
89
- "Where shaggy forms o'er ice-built mountains roam..." (Design 47)
- between 1797 and 1798
90
- "To the Christians..." (Plate 77)
- 1804 to 1820
91
- Jerusalem, Chapter 4. "The Spectres of Albions Twelve Sons..." (Plate 78)
- 1804 to 1820
92
- "My tents are fall'n! my pillars are in ruins!..." (Plate 79)
- 1804 to 1820
93
- "Rose up against me thundering..." (Plate 8)
- 1804 to 1820
94
- "Encompass'd by the frozen Net..." (Plate 80)
- 1804 to 1820
95
- "I have mock'd those who refused cruelty..." (Plate 81)
- 1804 to 1820
96
- "Ambition this shall tempt to rise, The whirl the wretch from high..." (Design 19)
- between 1797 and 1798
97
- "Where ignorance is bliss, 'Tis folly to be wise." (Design 21)
- between 1797 and 1798
98
- "An ancient pile of building stands... there Employed the power of Fairy hands" (Design 25)
- between 1797 and 1798
99
- "A brace of warriors... rustling in their silks and tissues..."(Design 27)
- between 1797 and 1798
100
- "Up stairs in a whirlwind rattle..." (Design 29)
- between 1797 and 1798