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William Blake The Horse
William Blake, 1757–1827
The Horse
ca. 1805
Not on view
Samuel Palmer An Ancient Barn at Shoreham
Samuel Palmer, 1805–1881
An Ancient Barn at Shoreham
undated
Samuel Palmer Cornfield and Church by Moonlight
Samuel Palmer, 1805–1881
Cornfield and Church by Moonlight
early 1830s
Samuel Palmer A Cottage among Trees, Shoreham
Samuel Palmer, 1805–1881
A Cottage among Trees, Shoreham
undated
Samuel Palmer The Timber Wain
Samuel Palmer, 1805–1881
The Timber Wain
between 1833 and 1834
George Stubbs Horses Fighting
after George Stubbs, 1724–1806
Horses Fighting
undated
Joseph Mallord William Turner Villa d'Este
Joseph Mallord William Turner, 1775–1851
Villa d'Este
ca. 1796
Joseph Mallord William Turner Rome from Monte Mario
Joseph Mallord William Turner, 1775–1851
Rome from Monte Mario
ca. 1818
Joseph Mallord William Turner Barnard Castle
Joseph Mallord William Turner, 1775–1851
Barnard Castle
ca. 1825
Joseph Mallord William Turner View of Hampton Court, Herefordshire, from the Northwest
Joseph Mallord William Turner, 1775–1851
View of Hampton Court, Herefordshire, from the Northwest
ca. 1806
Joseph Mallord William Turner Andernach
Joseph Mallord William Turner, 1775–1851
Andernach
1817
Joseph Mallord William Turner Lake Geneva and Mount Blanc
Joseph Mallord William Turner, 1775–1851
Lake Geneva and Mount Blanc
1802 to 1805
Edward Lear Catania
Edward Lear, 1812–1888
Catania
1847
Edward Lear Bavella, Corsica
Edward Lear, 1812–1888
Bavella, Corsica
ca. 1868
William Blake The Shepherd (Plate 4)
Print made by William Blake, 1757–1827
The Shepherd (Plate 4)
1789
William Blake The Little Black Boy (Plate 6)
Print made by William Blake, 1757–1827
The Little Black Boy (Plate 6)
1789
William Blake The Ecchoing Green (Plate 8)
Print made by William Blake, 1757–1827
The Ecchoing Green (Plate 8)
1789
William Blake Night (Plate 30)
Print made by William Blake, 1757–1827
Night (Plate 30)
1789
William Blake Laughing Song (Plate 14)
Print made by William Blake, 1757–1827
Laughing Song (Plate 14)
1789
William Blake The Lamb (Plate 18)
Print made by William Blake, 1757–1827
The Lamb (Plate 18)
1789
William Blake The Divine Image (Plate 24)
Print made by William Blake, 1757–1827
The Divine Image (Plate 24)
1789
William Blake "To labours mighty, with vast strength..." (Plate 11)
Print made by William Blake, 1757–1827
"To labours mighty, with vast strength..." (Plate 11)
1804 to 1820
William Blake "His face and bosom with petrific hardness..." (Plate 38)
Print made by William Blake, 1757–1827
"His face and bosom with petrific hardness..." (Plate 38)
1804 to 1820
William Blake "And One stood forth from the Divine Family..." (Plate 37)
Print made by William Blake, 1757–1827
"And One stood forth from the Divine Family..." (Plate 37)
1804 to 1820
William Blake The Author Writing (Design 105)
William Blake, 1757–1827
The Author Writing (Design 105)
between 1797 and 1798
William Blake The plowman homeward plods his weary way, And leaves the world to darkness, and to me..." (Design 107)
William Blake, 1757–1827
The plowman homeward plods his weary way, And leaves the world to darkness, and to me..." (Design 107)
between 1797 and 1798
William Blake "Oft did the harvest to their sickle yield..." (Design 109)
William Blake, 1757–1827
"Oft did the harvest to their sickle yield..." (Design 109)
between 1797 and 1798
William Blake "Somevillage-Hampden, that with dauntless breast, The little tyrant of his fields withstood..," (Design 111)
William Blake, 1757–1827
"Somevillage-Hampden, that with dauntless breast, The little tyrant of his fields withstood..," (Design 111)
between 1797 and 1798
William Blake "Some kindred spirit shall inquire thy fate, Haply some hoary-headed swain may say..." (Design 113)
William Blake, 1757–1827
"Some kindred spirit shall inquire thy fate, Haply some hoary-headed swain may say..." (Design 113)
between 1797 and 1798
William Blake "Cytherea's Day..." (Design 45)
William Blake, 1757–1827
"Cytherea's Day..." (Design 45)
between 1797 and 1798
William Blake Nurse's Song (Plate 22)
Print made by William Blake, 1757–1827
Nurse's Song (Plate 22)
1789
William Blake On Anothers Sorrow (Plate 24)
Print made by William Blake, 1757–1827
On Anothers Sorrow (Plate 24)
1789
William Blake "Headlong, from the mountain's height, Deep in the roaring tide he plung'd to endless night." (Design 65)
William Blake, 1757–1827
"Headlong, from the mountain's height, Deep in the roaring tide he plung'd to endless night." (Design 65)
between 1797 and 1798
William Blake "A wond'rous boy shall Rinda bear, Who ne'er shall comb his raven hair..." (Design 83)
William Blake, 1757–1827
"A wond'rous boy shall Rinda bear, Who ne'er shall comb his raven hair..." (Design 83)
between 1797 and 1798
William Blake The Lamb (Plate 8)
Print made by William Blake, 1757–1827
The Lamb (Plate 8)
1789
William Blake "Where ignorance is bliss, 'Tis folly to be wise." (Design 21)
William Blake, 1757–1827
"Where ignorance is bliss, 'Tis folly to be wise." (Design 21)
between 1797 and 1798
William Blake "A brace of warriors... rustling in their silks and tissues..."(Design 27)
William Blake, 1757–1827
"A brace of warriors... rustling in their silks and tissues..."(Design 27)
between 1797 and 1798
William Blake The Purple Year awaking from the Roots of Nature (Design 3)
William Blake, 1757–1827
The Purple Year awaking from the Roots of Nature (Design 3)
between 1797 and 1798
William Blake "Hark, how each giant -oak, and desert-cave, Sigh to the torrent's awful voice beneath!..." (Design 57)
William Blake, 1757–1827
"Hark, how each giant -oak, and desert-cave, Sigh to the torrent's awful voice beneath!..." (Design 57)
between 1797 and 1798
William Blake Songs of Innocence, Frontispiece (Plate 1)
Print made by William Blake, 1757–1827
Songs of Innocence, Frontispiece (Plate 1)
1789
William Blake The Divine Image (Plate 12)
Print made by William Blake, 1757–1827
The Divine Image (Plate 12)
1789
William Blake Chapter 4 Frontispiece (Plate 76)
Print made by William Blake, 1757–1827
Chapter 4 Frontispiece (Plate 76)
1804 to 1820
William Blake "The secret coverts of Albion & the hidden places of America..." (Plate 49)
Print made by William Blake, 1757–1827
"The secret coverts of Albion & the hidden places of America..." (Plate 49)
1804 to 1820
William Blake Preludium. "Of the primeval Priests assum'd power..." (Plate 2b)
Print made by William Blake, 1757–1827
Preludium. "Of the primeval Priests assum'd power..." (Plate 2b)
1794
William Blake The Little Girl Lost (Plate 20)
Print made by William Blake, 1757–1827
The Little Girl Lost (Plate 20)
1789
William Blake "So cried he, rending off his robe & throwing down his scepter..." (Plate 14)
Print made by William Blake, 1757–1827
"So cried he, rending off his robe & throwing down his scepter..." (Plate 14)
1793
William Blake Preludium. "The shadowy daughter of Urthona stood before red Orc..." (Plate 3)
Print made by William Blake, 1757–1827
Preludium. "The shadowy daughter of Urthona stood before red Orc..." (Plate 3)
1793
William Blake "In the flames stood & view'd the armies drawn out in the sky..." (Plate 16)
Print made by William Blake, 1757–1827
"In the flames stood & view'd the armies drawn out in the sky..." (Plate 16)
1793
William Blake "Over the hills, the vales, the cities, rage the red flames fierce..." (Plate 18)
Print made by William Blake, 1757–1827
"Over the hills, the vales, the cities, rage the red flames fierce..." (Plate 18)
1793
William Blake "Silent as despairing love, and strong as jealousy..." (Plate 4)
Print made by William Blake, 1757–1827
"Silent as despairing love, and strong as jealousy..." (Plate 4)
1793
William Blake "In thunders ends the voice. Then Albions Angel wrathful burnt..." (Plate 9)
Print made by William Blake, 1757–1827
"In thunders ends the voice. Then Albions Angel wrathful burnt..." (Plate 9)
1793
William Blake "Her Henry's holy shade..." (Design 15)
William Blake, 1757–1827
"Her Henry's holy shade..." (Design 15)
between 1797 and 1798
William Blake "To chase the rolling circle's speed..." (Design 17)
William Blake, 1757–1827
"To chase the rolling circle's speed..." (Design 17)
between 1797 and 1798
William Blake A Widower and Children (Design 35)
William Blake, 1757–1827
A Widower and Children (Design 35)
between 1797 and 1798
William Blake "Brush'd by the hand of rough Mischance, Or chill'd by Age..." (Design 5)
William Blake, 1757–1827
"Brush'd by the hand of rough Mischance, Or chill'd by Age..." (Design 5)
between 1797 and 1798
William Blake A Welch Bard (Design 53)
William Blake, 1757–1827
A Welch Bard (Design 53)
between 1797 and 1798
William Blake The Bard Weaving Edwards Fate (Design 55)
William Blake, 1757–1827
The Bard Weaving Edwards Fate (Design 55)
between 1797 and 1798
William Blake "Oft woo'd the gleam of Cynthia silver-bright... Where willowy Camus lingers with delight!..." (Design 97)
William Blake, 1757–1827
"Oft woo'd the gleam of Cynthia silver-bright... Where willowy Camus lingers with delight!..." (Design 97)
between 1797 and 1798
William Blake Spring (Plate 26)
Print made by William Blake, 1757–1827
Spring (Plate 26)
1789
William Blake Spring, from Songs of Innocence
Print made by William Blake, 1757–1827
Spring, from Songs of Innocence
ca. 1795
William Blake The Shepherd, from Songs of Innocence
Print made by William Blake, 1757–1827
The Shepherd, from Songs of Innocence
ca. 1795
William Blake The Little Black Boy (Plate 30)
Print made by William Blake, 1757–1827
The Little Black Boy (Plate 30)
1789
William Blake The Entrance Front of Hayley's House at Eartham
William Blake, 1757–1827
The Entrance Front of Hayley's House at Eartham
1801
J. Hadley The Severn-Henbury Village and Blaize Castle from the road in the Mill
Attributed to J. Hadley, active 1730–1758
The Severn-Henbury Village and Blaize Castle from the road in the Mill
undated
George Lothian Hall The South Barracks, Gibraltar
George Lothian Hall, 1825–1888
The South Barracks, Gibraltar
1844
Sir John Gilbert Enter Malvolio, Crossgartered...
Sir John Gilbert, 1817–1897
Enter Malvolio, Crossgartered..
1863
Harold Gilman Romney Marsh
Harold Gilman, 1876–1919
Romney Marsh
undated
Wenceslaus Hollar A View from St. Mary's, Southwark, Looking Towards Westminster
Wenceslaus Hollar, 1607–1677
A View from St. Mary's, Southwark, Looking Towards Westminster
ca. 1638
Charles Gore Chamonix, Mer de Glace
Charles Gore, 1729–1807
Chamonix, Mer de Glace
between 1778 and 1779
Amos Green Pass of Glyndiffis
Amos Green, 1735–1807
Pass of Glyndiffis
undated
Thomas Hearne Windsor Castle
Thomas Hearne, 1744–1817
Windsor Castle
undated
Moses Griffith View of Erthig, Denbigshire, Wales
Moses Griffith, 1747–1819
View of Erthig, Denbigshire, Wales
undated
Moses Griffith View of Erthig, Denbigshire, Wales
Moses Griffith, 1747–1819
View of Erthig, Denbigshire, Wales
undated
Samuel Howitt Country Folk with a Child, Beside a River
Samuel Howitt, 1756–1822
Country Folk with a Child, Beside a River
undated
Samuel Howitt Hearne's Oak, Windsor Forest
Samuel Howitt, 1756–1822
Hearne's Oak, Windsor Forest
undated
Samuel Howitt A Park Landscape with Shepherd and Sheep
Samuel Howitt, 1756–1822
A Park Landscape with Shepherd and Sheep
1793
Thomas Hearne The Ruins of Leiston Abbey
Thomas Hearne, 1744–1817
The Ruins of Leiston Abbey
1781
Thomas Hearne River Landscape with Figures
Thomas Hearne, 1744–1817
River Landscape with Figures
undated
Thomas Hearne The Bayswater Turnpike
Thomas Hearne, 1744–1817
The Bayswater Turnpike
undated
Thomas Hearne Farmhouse and Buildings by a Stream
Thomas Hearne, 1744–1817
Farmhouse and Buildings by a Stream
undated
Thomas Hearne Giant Oaks
attributed to Thomas Hearne, 1744–1817
Giant Oaks
undated
John Buckler FSA The Spanish Pointer
John Buckler FSA, 1770–1851
The Spanish Pointer
ca. 1799
Thomas Peploe Wood Roslyn Castle - a wooded river landscape
Thomas Peploe Wood, 1817–1845
Roslyn Castle - a wooded river landscape
1839
Paul Sandby Couple in a Farmyard
Paul Sandby, 1731–1809
Couple in a Farmyard
1782
Henry Monro A Wooded Track
Henry Monro, 1791–1814
A Wooded Track
1813
Dr. Thomas Monro Landscape with Trees and two Figures
Dr. Thomas Monro, 1759–1833
Landscape with Trees and two Figures
undated
John Hamilton Mortimer Two Heads in a Roundel
attributed to John Hamilton Mortimer, 1740–1779
Two Heads in a Roundel
undated
Nicholas Pocock View from Ashton Meadows, Bristol
Nicholas Pocock, 1740–1821
View from Ashton Meadows, Bristol
1791
Robert Adam Study for a Stable Court of Kirkdale, Wigtownshire, Scotland
Robert Adam, 1728–1792
Study for a Stable Court of Kirkdale, Wigtownshire, Scotland
between 1770 and 1780
John James Barralet View of Lucan House
John James Barralet, 1747–1815
View of Lucan House
1782
John Martin Adam and Eve
attributed to John Martin, 1789–1854
Adam and Eve
undated
John Martin The Rising of the Waters
Attributed to John Martin, 1789–1854
The Rising of the Waters
undated
John Martin Cain and Abel
Attributed to John Martin, 1789–1854
Cain and Abel
undated
James Malton Preparatory drawing for Design 21, Plate 19 of A Collection of Designs for Rural Retreats
James Malton, 1761–1803
Preparatory drawing for Design 21, Plate 19 of A Collection of Designs for Rural Retreats
1802
James Malton Preparatory drawing for Design 1, Plate 1 of A Collection of Designs for Rural Retreats
James Malton, 1761–1803
Preparatory drawing for Design 1, Plate 1 of A Collection of Designs for Rural Retreats
1802
John Hamilton Mortimer Three Soldiers in Armour Sitting on Stone Blocks
John Hamilton Mortimer, 1740–1779
Three Soldiers in Armour Sitting on Stone Blocks
undated
Henry Morton Old Buildings at Hastings
Henry Morton, ca. 1807–1825
Old Buildings at Hastings
after 1819
Charles Tomkins Boston Manor, Brentford, Middlesex
Charles Tomkins, 1757–1823
Boston Manor, Brentford, Middlesex
undated
James Wyatt Design for an Unidentified Country House
James Wyatt, 1746–1813
Design for an Unidentified Country House
ca. 1800
William Henry Bartlett Richmond
William Henry Bartlett, 1809–1854
Richmond
undated