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Joseph Mallord William Turner Ship Aground, Brighton, with the Chain Pier Beyond
Joseph Mallord William Turner, 1775–1851
Ship Aground, Brighton, with the Chain Pier Beyond
1830
Joseph Mallord William Turner View of Hampton Court, Herefordshire, from the Northwest
Joseph Mallord William Turner, 1775–1851
View of Hampton Court, Herefordshire, from the Northwest
ca. 1806
Joseph Mallord William Turner Andernach
Joseph Mallord William Turner, 1775–1851
Andernach
1817
William Blake "But when they saw Albion fall'n..." (Plate 20)
Print made by William Blake, 1757–1827
"But when they saw Albion fall'n..." (Plate 20)
1804 to 1820
William Blake "To the Public. After my three years slumber..." (Plate 3)
Print made by William Blake, 1757–1827
"To the Public. After my three years slumber..." (Plate 3)
1804 to 1820
William Blake "His western heaven with rocky clouds..." (Plate 31)
Print made by William Blake, 1757–1827
"His western heaven with rocky clouds..." (Plate 31)
1804 to 1820
William Blake "Leaning against the pillars..." (Plate 32)
Print made by William Blake, 1757–1827
"Leaning against the pillars..." (Plate 32)
1804 to 1820
William Blake "Bath, healing City!..." (Plate 45)
Print made by William Blake, 1757–1827
"Bath, healing City!..." (Plate 45)
1804 to 1820
William Blake "Why wilt thou give to her a Body..." (Plate 12)
Print made by William Blake, 1757–1827
"Why wilt thou give to her a Body..." (Plate 12)
1804 to 1820
William Blake "One hair nor particle of dust..." (Plate 14)
Print made by William Blake, 1757–1827
"One hair nor particle of dust..." (Plate 14)
1804 to 1820
William Blake "They saw their Wheels rising up poisonous..." (Plate 43)
Print made by William Blake, 1757–1827
"They saw their Wheels rising up poisonous..." (Plate 43)
1804 to 1820
William Blake "The Atlantic Mountains where Giants dwelt..." Chapter 2 Tailpiece (Plate 50)
Print made by William Blake, 1757–1827
"The Atlantic Mountains where Giants dwelt..." Chapter 2 Tailpiece (Plate 50)
1804 to 1820
William Blake Frontispiece. Albion's Angel (Plate 1)
Print made by William Blake, 1757–1827
Frontispiece. Albion's Angel (Plate 1)
1793
William Blake "The Terror Answered: I am Orc, wreath'd round the accursed tree..." (Plate 10)
Print made by William Blake, 1757–1827
"The Terror Answered: I am Orc, wreath'd round the accursed tree..." (Plate 10)
1793
William Blake Title Page. America, A Prophecy (Plate 2)
Print made by William Blake, 1757–1827
Title Page. America, A Prophecy (Plate 2)
1793
William Blake "Arise 'O Rintrah eldest born..." (Plate 9)
Print made by William Blake, 1757–1827
"Arise 'O Rintrah eldest born..." (Plate 9)
1794
William Blake "Appear to the Americans upon the cloudy night..." (Plate 6)
Print made by William Blake, 1757–1827
"Appear to the Americans upon the cloudy night..." (Plate 6)
1793
William Blake "The shrill winds wake!..." (Plate 6)
Print made by William Blake, 1757–1827
"The shrill winds wake!..." (Plate 6)
1794
William Blake Elizabeth. "Girt with many a Baron bold..." (Design 63)
William Blake, 1757–1827
Elizabeth. "Girt with many a Baron bold..." (Design 63)
between 1797 and 1798
William Blake "O'er thy country hangs The scourge of Heav'n..." (Design 59)
William Blake, 1757–1827
"O'er thy country hangs The scourge of Heav'n..." (Design 59)
between 1797 and 1798
William Blake "Headlong, from the mountain's height, Deep in the roaring tide he plung'd to endless night." (Design 65)
William Blake, 1757–1827
"Headlong, from the mountain's height, Deep in the roaring tide he plung'd to endless night." (Design 65)
between 1797 and 1798
William Blake Introduction (Plate 34)
Print made by William Blake, 1757–1827
Introduction (Plate 34)
1794
William Blake Frontispiece (Plate 1)
Print made by William Blake, 1757–1827
Frontispiece (Plate 1)
1793
William Blake Title Page, Visions of the Daughters of Albion (Plate 2)
Print made by William Blake, 1757–1827
Title Page, Visions of the Daughters of Albion (Plate 2)
1793
William Blake "And this the form of mighty Hand..." (Plate 70)
Print made by William Blake, 1757–1827
"And this the form of mighty Hand..." (Plate 70)
1804 to 1820
William Blake "To the Christians..." (Plate 77)
Print made by William Blake, 1757–1827
"To the Christians..." (Plate 77)
1804 to 1820
William Blake "The Four Zoa's clouded rage..." (Plate 74)
Print made by William Blake, 1757–1827
"The Four Zoa's clouded rage..." (Plate 74)
1804 to 1820
William Blake "I have mock'd those who refused cruelty..." (Plate 81)
Print made by William Blake, 1757–1827
"I have mock'd those who refused cruelty..." (Plate 81)
1804 to 1820
William Blake "What do I see! The Briton Saxon Roman Norman..." (Plate 92)
Print made by William Blake, 1757–1827
"What do I see! The Briton Saxon Roman Norman..." (Plate 92)
1804 to 1820
William Blake Jerusalem, Chapter 4. "The Spectres of Albions Twelve Sons..." (Plate 78)
Print made by William Blake, 1757–1827
Jerusalem, Chapter 4. "The Spectres of Albions Twelve Sons..." (Plate 78)
1804 to 1820
William Blake "Rose up against me thundering..." (Plate 8)
Print made by William Blake, 1757–1827
"Rose up against me thundering..." (Plate 8)
1804 to 1820
William Blake "I have heard Jerusalems groans..." (Plate 82)
Print made by William Blake, 1757–1827
"I have heard Jerusalems groans..." (Plate 82)
1804 to 1820
William Blake "Corruptability appears upon thy limbs..." (Plate 83)
Print made by William Blake, 1757–1827
"Corruptability appears upon thy limbs..." (Plate 83)
1804 to 1820
William Blake "Oft did the harvest to their sickle yield..." (Design 109)
William Blake, 1757–1827
"Oft did the harvest to their sickle yield..." (Design 109)
between 1797 and 1798
William Blake A Shepherd Reading the Epitaph (Design 115)
William Blake, 1757–1827
A Shepherd Reading the Epitaph (Design 115)
between 1797 and 1798
William Blake A Genius Driving Away "Comus & his midnight-crew..." (Design 95)
William Blake, 1757–1827
A Genius Driving Away "Comus & his midnight-crew..." (Design 95)
between 1797 and 1798
William Blake "Leaning from her golden cloud, The venerable Marg'ret see!..." (Design 99)
William Blake, 1757–1827
"Leaning from her golden cloud, The venerable Marg'ret see!..." (Design 99)
between 1797 and 1798
William Blake The Lamb (Plate 8)
Print made by William Blake, 1757–1827
The Lamb (Plate 8)
1789
William Blake "A wond'rous boy shall Rinda bear, Who ne'er shall comb his raven hair..." (Design 83)
William Blake, 1757–1827
"A wond'rous boy shall Rinda bear, Who ne'er shall comb his raven hair..." (Design 83)
between 1797 and 1798
William Blake Fiery the Angels rose, & as they rose deep thunder roll'd..." (Plate 13)
Print made by William Blake, 1757–1827
Fiery the Angels rose, & as they rose deep thunder roll'd..." (Plate 13)
1793
William Blake "In the flames stood & view'd the armies drawn out in the sky..." (Plate 16)
Print made by William Blake, 1757–1827
"In the flames stood & view'd the armies drawn out in the sky..." (Plate 16)
1793
William Blake "The morning comes, the night decays, the watchmen leave their stations..." (Plate 8)
Print made by William Blake, 1757–1827
"The morning comes, the night decays, the watchmen leave their stations..." (Plate 8)
1793
William Blake "Unwilling I look up to heaven! unwilling count the stars!..." (Plate 4)
Print made by William Blake, 1757–1827
"Unwilling I look up to heaven! unwilling count the stars!..." (Plate 4)
1794
William Blake "Albions Angel rose upon the Stone of Night..." (Plate 12)
Print made by William Blake, 1757–1827
"Albions Angel rose upon the Stone of Night..." (Plate 12)
1794
William Blake Abraham and Isaac
William Blake, 1757–1827
Abraham and Isaac
1799 to 1800
William Blake Christ Giving Sight to Bartimaeus
William Blake, 1757–1827
Christ Giving Sight to Bartimaeus
1799 to 1800
William Blake The Parable of the Wise and Foolish Virgins
William Blake, 1757–1827
The Parable of the Wise and Foolish Virgins
ca. 1825
William Blake Moses Receiving the Law
William Blake, 1757–1827
Moses Receiving the Law
ca. 1780
John Malchair Road Between Hills
pupil of John Malchair, 1730–1812
Road Between Hills
undated
Henry Monro A Wooded Track
Henry Monro, 1791–1814
A Wooded Track
1813
Jacob More A View at Terracina
Jacob More, 1740–1793
A View at Terracina
1778
John Nixon At Brighton, 1804: Three Women, Child and Man Looking Out to Sea
John Nixon, ca. 1760–1818
At Brighton, 1804: Three Women, Child and Man Looking Out to Sea
1804
Richard Bentley A Prospect of Vapourland
Richard Bentley, 1708–1782
A Prospect of Vapourland
1759
Sir Robert Smirke the younger Design for London Bridge Approach
Print made by Sir Robert Smirke the younger, 1781–1867
Design for London Bridge Approach
between 1827 and 1835
Thomas Hearne A View on the Island of Antigua: the English Barracks and Saint John's Church Seen from the Hospital
Thomas Hearne, 1744–1817
A View on the Island of Antigua: the English Barracks and Saint John's Church Seen from the Hospital
ca. 1775
Giovanni Battista Borra Monte delle Beatitudini
Giovanni Battista Borra, 1713–1770
Monte delle Beatitudini
ca. 1750
Giovanni Battista Borra View of the Valley of Laodicea
Giovanni Battista Borra, 1713–1770
View of the Valley of Laodicea
ca. 1750
Giovanni Battista Borra View of Maglova Aqueduct
Giovanni Battista Borra, 1713–1770
View of Maglova Aqueduct
ca. 1750
Giovanni Battista Borra Stromboli
Giovanni Battista Borra, 1713–1770
Stromboli
1750
Paul Nash Landscape
Paul Nash, 1889–1946
Landscape
undated
Isaac Taylor Town and Country Magazine - Frontispiece for Vol. IV, 1772
Isaac Taylor, 1730–1807
Town and Country Magazine - Frontispiece for Vol. IV, 1772
undated
Henry Haseler Sidmouth from Offshore
Henry Haseler, active 1814–1825
Sidmouth from Offshore
ca. 1815
John White Abbott A View of Core's Library, Dawlish, Devon
John White Abbott, 1763–1851
A View of Core's Library, Dawlish, Devon
1837
John Renton A Mountain Landscape with a Shepherd
John Renton, 1774–c.1841
A Mountain Landscape with a Shepherd
undated
Benjamin West A Squall off a Mountainous Coast
Benjamin West, 1738–1820
A Squall off a Mountainous Coast
undated
Nicholas Pocock The Ranger, Private Ship of War, with her Prizes
Nicholas Pocock, 1740–1821
The Ranger, Private Ship of War, with her Prizes
1780
Thomas Shotter Boys The North-West Porch of Salisbury Cathedral
Thomas Shotter Boys, 1803–1874
The North-West Porch of Salisbury Cathedral
1832
Thomas Shotter Boys Le Pont Royal, Paris
Thomas Shotter Boys, 1803–1874
Le Pont Royal, Paris
ca. 1828
Edward Francis Burney Pamphilia
Edward Francis Burney, 1760–1848
Pamphilia
undated
William Callow Landscape after Wynants (in the Louvre)
William Callow, 1812–1908
Landscape after Wynants (in the Louvre)
undated
Edward Francis Burney Mowbray Park
Edward Francis Burney, 1760–1848
Mowbray Park
undated
Edward Francis Burney View at Margate
Edward Francis Burney, 1760–1848
View at Margate
undated
John Warwick Smith The Lakes of Llanberis - from the Road from Caernarfon Going to Llanberis, Caernarfonshire
John Warwick Smith, 1749–1831
The Lakes of Llanberis - from the Road from Caernarfon Going to Llanberis, Caernarfonshire
July 14, 1792
Giovanni Battista Borra Scutari
Giovanni Battista Borra, 1713–1770
Scutari
ca. 1750
Giovanni Battista Borra Scoglio di Silla nel Faro di Mesina
Giovanni Battista Borra, 1713–1770
Scoglio di Silla nel Faro di Mesina
ca. 1750
Sir James Thornhill Design for a Ceiling at Addiscombe: Bacchus and Ariadne
Sir James Thornhill, 1675–1734
Design for a Ceiling at Addiscombe: Bacchus and Ariadne
undated
Edward Francis Burney Apollo and Phaeton
Edward Francis Burney, 1760–1848
Apollo and Phaeton
undated
Nicholas Pocock The River Avon: with Passing Vessels
Nicholas Pocock, 1740–1821
The River Avon: with Passing Vessels
1785
James Ward Snowdon, an Approaching Storm
James Ward, 1769–1859
Snowdon, an Approaching Storm
1853
William P. Sherlock View Across the Thames for Greenwich Park
William P. Sherlock, c.1780–1850
View Across the Thames for Greenwich Park
1795
Robert Smirke Bachanalia Scene
Robert Smirke, 1752–1845
Bachanalia Scene
undated
Willey Reveley Views in the Levant: Temple Ruins at Paestum
Willey Reveley, 1760–1799
Views in the Levant: Temple Ruins at Paestum
ca. 1785
Willey Reveley Views in the Levant: Landscape With Hills in Distance (page from a sketchbook)
Willey Reveley, 1760–1799
Views in the Levant: Landscape With Hills in Distance (page from a sketchbook)
ca. 1785
John Martin The Daughters of Jerusalem Weeping by the Waters of Babylon
John Martin, 1789–1854
The Daughters of Jerusalem Weeping by the Waters of Babylon
1834
John Martin Christ Stilling the Tempest
Attributed to John Martin, 1789–1854
Christ Stilling the Tempest
undated
Samuel Owen Ships on a Stormy Sea
Samuel Owen, 1768–1857
Ships on a Stormy Sea
1836
Samuel Owen Sailing Ships and Small Boats in Rough Sea off the Coast
Samuel Owen, 1768–1857
Sailing Ships and Small Boats in Rough Sea off the Coast
undated
Henry Monro High Street at Bushey, Hertfordshire
Henry Monro, 1791–1814
High Street at Bushey, Hertfordshire
1812
James Wyatt Design for an Unidentified Country House
James Wyatt, 1746–1813
Design for an Unidentified Country House
ca. 1800
Sir James Thornhill Design for a Mythological Scene, with Jupiter and Juno
Sir James Thornhill, 1675–1734
Design for a Mythological Scene, with Jupiter and Juno
undated
unknown artist Sketch for the Oil Painting "The Conversion of St. Paul"
unknown artist
Sketch for the Oil Painting "The Conversion of St. Paul"
undated
Sir James Guthrie Landscape with Trees
Sir James Guthrie, 1859–1930
Landscape with Trees
undated
Harold Gilman Romney Marsh
Harold Gilman, 1876–1919
Romney Marsh
undated
Harold Gilman Romney Marsh
Harold Gilman, 1876–1919
Romney Marsh
undated
Dominic Serres Shipping in Southampton Water, off Calshott Castle
Dominic Serres, 1722–1793
Shipping in Southampton Water, off Calshott Castle
undated
Thomas Shotter Boys View Near Arundel Castle
Thomas Shotter Boys, 1803–1874
View Near Arundel Castle
1823 and 1874
Humphry Repton West Hill, the seat of D.H. Rucker
Humphry Repton, 1752–1818
West Hill, the seat of D.H. Rucker
undated
James Wyatt Design for Little Frogmore: Elevation
James Wyatt, 1746–1813
Design for Little Frogmore: Elevation
1791
George Barret Jr. The Needles from Alum Bay
George Barret Jr., 1767–1842
The Needles from Alum Bay
undated
John Linnell Job's Despair
circle of John Linnell, 1792–1882
Job's Despair
undated