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Materials & Techniques black ink
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1
- Oberon and Titania
- 1837
2
- Arab Horsemen, One Brown and One Gray Horse
- 1965
3
- Moving Up to Challenge
- 1963
4
- Arab Horsemen, Two Grey Horses
- 1965
5
- Over the Bank, Exmoor
- ca. 1895
6
- A Harrow in the Orchard
- ca. 1896
7
- An Ancient Barn at Shoreham
- undated
8
- Opening the Fold: Early Morning
- ca. 1880
9
- A Cottage among Trees, Shoreham
- undated
10
- A Cow Lodge with a Mossy Roof
- ca. 1829
11
- Underriver Hills, near Sevenoaks, Kent, from the Grounds of J. Herries, Esq
- ca. 1840
12
- The Valley of Vision
- undated
13
- The Timber Wain
- between 1833 and 1834
14
- Brighton Beach Looking West
- undated
15
- A View on the Orwell
- undated
16
- Horses Fighting
- undated
17
- Ship Aground, Brighton, with the Chain Pier Beyond
- 1830
18
- Leeds
- 1816
19
- Villa d'Este
- ca. 1796
20
- Rome from Monte Mario
- ca. 1818
21
- Barnard Castle
- ca. 1825
22
- View of Hampton Court, Herefordshire, from the Northwest
- ca. 1806
23
- Andernach
- 1817
24
- Lake Geneva and Mount Blanc
- 1802 to 1805
25
- Illustration to Tennyson's "You Ask Me Why": Areka Palms, Ratanapooru, Ceylon - `I will see before I die The Palms and Temples of the South'
- undated
26
- Gebel Sheikh Eredi
- 1867
27
- Just above Ekhmim
- 1867
28
- Near Gezir Shendowiel
- 1867
29
- River pass, between barren rock cliffs
- 1867
30
- The Dead Sea, 16 and 17 April 1858
- April 16 and 17, 1858
31
- Negadeh
- 1867
32
- Karnak, 9:30 pm, 22 January 1867 (212)
- 1867
33
- El Areesh (Torrens Ægypti)
- 1867
34
- Brown's Parakeet
- 1832
35
- Near Daboad
- 1867
36
- Karnak, 10:00 pm, 22 January 1867 (213)
- 1867
37
- Abu Seer
- 1867
38
- Abu Simbel, 11-11:30 am, 8 February 1867 (374)
- 1867
39
- Shelaal, 2:30 am, 29 January 1867 (260)
- 1867
40
- Shelaal, 5:30 am, 29 January 1867 (264)
- 1867
41
- Abu Seer
- 1867
42
- Abu Seer
- 1867
43
- Near Aswan
- 1867
44
- The Shepherd (Plate 4)
- 1789
45
- The Little Black Boy (Plate 6)
- 1789
46
- The Ecchoing Green (Plate 8)
- 1789
47
- Night (Plate 30)
- 1789
48
- Frontispiece (Plate 1)
- 1793
49
- Laughing Song (Plate 14)
- 1789
50
- The Lamb (Plate 18)
- 1789
51
- The Divine Image (Plate 24)
- 1789
52
- "In happy copulation; if in evening mild, wearied with work..." (Plate 10)
- 1793
53
- Jerusalem, Frontispiece (Plate 1)
- 1804 to 1820
54
- "Into the Furnaces & into the valleys of the Anvils of Death..." (Plate 10)
- 1804 to 1820
55
- Jerusalem, Tailpiece (Plate 100)
- 1804 to 1820
56
- Jerusalem, Plate 28 Proof Impression
- ca. 1820
57
- "To labours mighty, with vast strength..." (Plate 11)
- 1804 to 1820
58
- "And Hand & Hyle rooted into Jerusalem..." (Plate 15)
- 1804 to 1820
59
- "His Spectre divides & Los in fury compells it to divide..." (Plate 17)
- 1804 to 1820
60
- "From every-one of the Four Regions..." (Plate 18)
- 1804 to 1820
61
- "His Children exil'd from his breast..." (Plate 19)
- 1804 to 1820
62
- "But when they saw Albion fall'n..." (Plate 20)
- 1804 to 1820
63
- "O Vala! O Jerusalem! do you delight in my groans..." (Plate 21)
- 1804 to 1820
64
- "And there was heard a great lamenting in Beulah..."; Chapter 1 Tailpiece (Plate 25)
- 1804 to 1820
65
- "Jerusalem, Chapter 2. Every ornament of perfection..." (Plate 28)
- 1804 to 1820
66
- "Then the Divine Vision like a silent Sun..." (Plate 29)
- 1804 to 1820
67
- "To the Public. After my three years slumber..." (Plate 3)
- 1804 to 1820
68
- "And the Two that escaped..." (Plate 30)
- 1804 to 1820
69
- "His western heaven with rocky clouds..." (Plate 31)
- 1804 to 1820
70
- "Elevate into the Region of Brotherhood..." (Plate 34)
- 1804 to 1820
71
- "Hampstead Highgate Finchley Hendon Muswell Hill..." (Plate 16)
- 1804 to 1820
72
- Jerusalem: The Emanation of The Giant Albion, Title Page (Plate 2)
- 1804 to 1820
73
- "Albion thy fear has made me tremble..." (Plate 22)
- 1804 to 1820
74
- "Jerusalem! Jerusalem! deluding shadow of Albion!..." (Plate 23)
- 1804 to 1820
75
- "What have I said? What have I done?..." (Plate 24)
- 1804 to 1820
76
- "Then the Divine hand found the Two Limits..." (Plate 35)
- 1804 to 1820
77
- Frontispiece, Europe. A Prophecy
- ca. 1820
78
- "Why wilt thou give to her a Body..." (Plate 12)
- 1804 to 1820
79
- "And that toward Eden, four..." (Plate 13)
- 1804 to 1820
80
- "One hair nor particle of dust..." (Plate 14)
- 1804 to 1820
81
- "Such visions have appeared to me..."; Chapter 2 Frontispiece (Plate 26)
- 1804 to 1820
82
- "To the Jews..." (Plate 27)
- 1804 to 1820
83
- "Leaning against the pillars..." (Plate 32)
- 1804 to 1820
84
- "Turning his back to the Divine Vision..." (Plate 33)
- 1804 to 1820
85
- "His face and bosom with petrific hardness..." (Plate 38)
- 1804 to 1820
86
- "Bath who is Legions..." (Plate 41)
- 1804 to 1820
87
- "They saw their Wheels rising up poisonous..." (Plate 43)
- 1804 to 1820
88
- "With one accord in love sublime..." (Plate 44)
- 1804 to 1820
89
- "Bath, mild Physician of Eternity..." (Plate 46)
- 1804 to 1820
90
- "From Camberwell to Highgate where the mighty Thames shudders along..." (Plate 47)
- 1804 to 1820
91
- "Reuben return'd to his place, in vain..." (Plate 36)
- 1804 to 1820
92
- "And One stood forth from the Divine Family..." (Plate 37)
- 1804 to 1820
93
- "Jerusalem, Chapter 1. Of the Sleep of Ulro!..." (Plate 4)
- 1804 to 1820
94
- "Los shudder'd at beholding Albion..." (Plate 40)
- 1804 to 1820
95
- "Thus Albion sat, studious of others..." (Plate 42)
- 1804 to 1820
96
- "By Satan's Watch-fiends tho' they search..." (Plate 39)
- 1804 to 1820
97
- "Bath, healing City!..." (Plate 45)
- 1804 to 1820
98
- Windsor Terrace, a Boy Contemplating a Distant View of Eton College (Design 13)
- between 1797 and 1798
99
- The Author Writing (Design 105)
- between 1797 and 1798
100
- The plowman homeward plods his weary way, And leaves the world to darkness, and to me..." (Design 107)
- between 1797 and 1798