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Materials & Techniques black ink

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Creator Gender male

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Creator Blake, William, 1757–1827

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William Blake The Horse
William Blake, 1757–1827
The Horse
ca. 1805
Not on view
William Blake The Shepherd (Plate 4)
Print made by William Blake, 1757–1827
The Shepherd (Plate 4)
1789
William Blake The Little Black Boy (Plate 6)
Print made by William Blake, 1757–1827
The Little Black Boy (Plate 6)
1789
William Blake The Ecchoing Green (Plate 8)
Print made by William Blake, 1757–1827
The Ecchoing Green (Plate 8)
1789
William Blake Night (Plate 30)
Print made by William Blake, 1757–1827
Night (Plate 30)
1789
William Blake Frontispiece (Plate 1)
Print made by William Blake, 1757–1827
Frontispiece (Plate 1)
1793
William Blake Laughing Song (Plate 14)
Print made by William Blake, 1757–1827
Laughing Song (Plate 14)
1789
William Blake The Lamb (Plate 18)
Print made by William Blake, 1757–1827
The Lamb (Plate 18)
1789
William Blake The Divine Image (Plate 24)
Print made by William Blake, 1757–1827
The Divine Image (Plate 24)
1789
William Blake "In happy copulation; if in evening mild, wearied with work..." (Plate 10)
Print made by William Blake, 1757–1827
"In happy copulation; if in evening mild, wearied with work..." (Plate 10)
1793
William Blake Jerusalem, Frontispiece (Plate 1)
Print made by William Blake, 1757–1827
Jerusalem, Frontispiece (Plate 1)
1804 to 1820
William Blake "Into the Furnaces & into the valleys of the Anvils of Death..." (Plate 10)
Print made by William Blake, 1757–1827
"Into the Furnaces & into the valleys of the Anvils of Death..." (Plate 10)
1804 to 1820
William Blake Jerusalem, Tailpiece (Plate 100)
Print made by William Blake, 1757–1827
Jerusalem, Tailpiece (Plate 100)
1804 to 1820
William Blake Jerusalem, Plate 28 Proof Impression
Print made by William Blake, 1757–1827
Jerusalem, Plate 28 Proof Impression
ca. 1820
William Blake "To labours mighty, with vast strength..." (Plate 11)
Print made by William Blake, 1757–1827
"To labours mighty, with vast strength..." (Plate 11)
1804 to 1820
William Blake "And Hand & Hyle rooted into Jerusalem..." (Plate 15)
Print made by William Blake, 1757–1827
"And Hand & Hyle rooted into Jerusalem..." (Plate 15)
1804 to 1820
William Blake "His Spectre divides & Los in fury compells it to divide..." (Plate 17)
Print made by William Blake, 1757–1827
"His Spectre divides & Los in fury compells it to divide..." (Plate 17)
1804 to 1820
William Blake "From every-one of the Four Regions..." (Plate 18)
Print made by William Blake, 1757–1827
"From every-one of the Four Regions..." (Plate 18)
1804 to 1820
William Blake "His Children exil'd from his breast..." (Plate 19)
Print made by William Blake, 1757–1827
"His Children exil'd from his breast..." (Plate 19)
1804 to 1820
William Blake "But when they saw Albion fall'n..." (Plate 20)
Print made by William Blake, 1757–1827
"But when they saw Albion fall'n..." (Plate 20)
1804 to 1820
William Blake "O Vala! O Jerusalem! do you delight in my groans..." (Plate 21)
Print made by William Blake, 1757–1827
"O Vala! O Jerusalem! do you delight in my groans..." (Plate 21)
1804 to 1820
William Blake "And there was heard a great lamenting in Beulah..."; Chapter 1 Tailpiece (Plate 25)
Print made by William Blake, 1757–1827
"And there was heard a great lamenting in Beulah..."; Chapter 1 Tailpiece (Plate 25)
1804 to 1820
William Blake "Jerusalem, Chapter 2. Every ornament of perfection..." (Plate 28)
Print made by William Blake, 1757–1827
"Jerusalem, Chapter 2. Every ornament of perfection..." (Plate 28)
1804 to 1820
William Blake "Then the Divine Vision like a silent Sun..." (Plate 29)
Print made by William Blake, 1757–1827
"Then the Divine Vision like a silent Sun..." (Plate 29)
1804 to 1820
William Blake "To the Public. After my three years slumber..." (Plate 3)
Print made by William Blake, 1757–1827
"To the Public. After my three years slumber..." (Plate 3)
1804 to 1820
William Blake "And the Two that escaped..." (Plate 30)
Print made by William Blake, 1757–1827
"And the Two that escaped..." (Plate 30)
1804 to 1820
William Blake "His western heaven with rocky clouds..." (Plate 31)
Print made by William Blake, 1757–1827
"His western heaven with rocky clouds..." (Plate 31)
1804 to 1820
William Blake "Elevate into the Region of Brotherhood..." (Plate 34)
Print made by William Blake, 1757–1827
"Elevate into the Region of Brotherhood..." (Plate 34)
1804 to 1820
William Blake "Hampstead Highgate Finchley Hendon Muswell Hill..." (Plate 16)
Print made by William Blake, 1757–1827
"Hampstead Highgate Finchley Hendon Muswell Hill..." (Plate 16)
1804 to 1820
William Blake Jerusalem: The Emanation of The Giant Albion, Title Page (Plate 2)
Print made by William Blake, 1757–1827
Jerusalem: The Emanation of The Giant Albion, Title Page (Plate 2)
1804 to 1820
William Blake "Albion thy fear has made me tremble..." (Plate 22)
Print made by William Blake, 1757–1827
"Albion thy fear has made me tremble..." (Plate 22)
1804 to 1820
William Blake "Jerusalem! Jerusalem! deluding shadow of Albion!..." (Plate 23)
Print made by William Blake, 1757–1827
"Jerusalem! Jerusalem! deluding shadow of Albion!..." (Plate 23)
1804 to 1820
William Blake "What have I said? What have I done?..." (Plate 24)
Print made by William Blake, 1757–1827
"What have I said? What have I done?..." (Plate 24)
1804 to 1820
William Blake "Then the Divine hand found the Two Limits..." (Plate 35)
Print made by William Blake, 1757–1827
"Then the Divine hand found the Two Limits..." (Plate 35)
1804 to 1820
William Blake Frontispiece, Europe. A Prophecy
Print made by William Blake, 1757–1827
Frontispiece, Europe. A Prophecy
ca. 1820
William Blake "Why wilt thou give to her a Body..." (Plate 12)
Print made by William Blake, 1757–1827
"Why wilt thou give to her a Body..." (Plate 12)
1804 to 1820
William Blake "And that toward Eden, four..." (Plate 13)
Print made by William Blake, 1757–1827
"And that toward Eden, four..." (Plate 13)
1804 to 1820
William Blake "One hair nor particle of dust..." (Plate 14)
Print made by William Blake, 1757–1827
"One hair nor particle of dust..." (Plate 14)
1804 to 1820
William Blake "Such visions have appeared to me..."; Chapter 2 Frontispiece (Plate 26)
Print made by William Blake, 1757–1827
"Such visions have appeared to me..."; Chapter 2 Frontispiece (Plate 26)
1804 to 1820
William Blake "To the Jews..." (Plate 27)
Print made by William Blake, 1757–1827
"To the Jews..." (Plate 27)
1804 to 1820
William Blake "Leaning against the pillars..." (Plate 32)
Print made by William Blake, 1757–1827
"Leaning against the pillars..." (Plate 32)
1804 to 1820
William Blake "Turning his back to the Divine Vision..." (Plate 33)
Print made by William Blake, 1757–1827
"Turning his back to the Divine Vision..." (Plate 33)
1804 to 1820
William Blake "His face and bosom with petrific hardness..." (Plate 38)
Print made by William Blake, 1757–1827
"His face and bosom with petrific hardness..." (Plate 38)
1804 to 1820
William Blake "Bath who is Legions..." (Plate 41)
Print made by William Blake, 1757–1827
"Bath who is Legions..." (Plate 41)
1804 to 1820
William Blake "They saw their Wheels rising up poisonous..." (Plate 43)
Print made by William Blake, 1757–1827
"They saw their Wheels rising up poisonous..." (Plate 43)
1804 to 1820
William Blake "With one accord in love sublime..." (Plate 44)
Print made by William Blake, 1757–1827
"With one accord in love sublime..." (Plate 44)
1804 to 1820
William Blake "Bath, mild Physician of Eternity..." (Plate 46)
Print made by William Blake, 1757–1827
"Bath, mild Physician of Eternity..." (Plate 46)
1804 to 1820
William Blake "From Camberwell to Highgate where the mighty Thames shudders along..." (Plate 47)
Print made by William Blake, 1757–1827
"From Camberwell to Highgate where the mighty Thames shudders along..." (Plate 47)
1804 to 1820
William Blake "Reuben return'd to his place, in vain..." (Plate 36)
Print made by William Blake, 1757–1827
"Reuben return'd to his place, in vain..." (Plate 36)
1804 to 1820
William Blake "And One stood forth from the Divine Family..." (Plate 37)
Print made by William Blake, 1757–1827
"And One stood forth from the Divine Family..." (Plate 37)
1804 to 1820
William Blake "Jerusalem, Chapter 1. Of the Sleep of Ulro!..." (Plate 4)
Print made by William Blake, 1757–1827
"Jerusalem, Chapter 1. Of the Sleep of Ulro!..." (Plate 4)
1804 to 1820
William Blake "Los shudder'd at beholding Albion..." (Plate 40)
Print made by William Blake, 1757–1827
"Los shudder'd at beholding Albion..." (Plate 40)
1804 to 1820
William Blake "Thus Albion sat, studious of others..." (Plate 42)
Print made by William Blake, 1757–1827
"Thus Albion sat, studious of others..." (Plate 42)
1804 to 1820
William Blake "By Satan's Watch-fiends tho' they search..." (Plate 39)
Print made by William Blake, 1757–1827
"By Satan's Watch-fiends tho' they search..." (Plate 39)
1804 to 1820
William Blake "Bath, healing City!..." (Plate 45)
Print made by William Blake, 1757–1827
"Bath, healing City!..." (Plate 45)
1804 to 1820
William Blake Windsor Terrace, a Boy Contemplating a Distant View of Eton College (Design 13)
William Blake, 1757–1827
Windsor Terrace, a Boy Contemplating a Distant View of Eton College (Design 13)
between 1797 and 1798
William Blake The Author Writing (Design 105)
William Blake, 1757–1827
The Author Writing (Design 105)
between 1797 and 1798
William Blake The plowman homeward plods his weary way, And leaves the world to darkness, and to me..." (Design 107)
William Blake, 1757–1827
The plowman homeward plods his weary way, And leaves the world to darkness, and to me..." (Design 107)
between 1797 and 1798
William Blake Title Page, The Pindaric Genius Receiving His Lyre (Design 1)
William Blake, 1757–1827
Title Page, The Pindaric Genius Receiving His Lyre (Design 1)
between 1797 and 1798
William Blake "Nor fear the rocks, nor seek the shore..." (Design 101)
William Blake, 1757–1827
"Nor fear the rocks, nor seek the shore..." (Design 101)
between 1797 and 1798
William Blake "Oft did the harvest to their sickle yield..." (Design 109)
William Blake, 1757–1827
"Oft did the harvest to their sickle yield..." (Design 109)
between 1797 and 1798
William Blake "Malignant Fate sat by, and smil'd, The slipp'ry verge her feet beguil'd..." (Design 11)
William Blake, 1757–1827
"Malignant Fate sat by, and smil'd, The slipp'ry verge her feet beguil'd..." (Design 11)
between 1797 and 1798
William Blake "Somevillage-Hampden, that with dauntless breast, The little tyrant of his fields withstood..," (Design 111)
William Blake, 1757–1827
"Somevillage-Hampden, that with dauntless breast, The little tyrant of his fields withstood..," (Design 111)
between 1797 and 1798
William Blake A Shepherd Reading the Epitaph (Design 115)
William Blake, 1757–1827
A Shepherd Reading the Epitaph (Design 115)
between 1797 and 1798
William Blake "Some kindred spirit shall inquire thy fate, Haply some hoary-headed swain may say..." (Design 113)
William Blake, 1757–1827
"Some kindred spirit shall inquire thy fate, Haply some hoary-headed swain may say..." (Design 113)
between 1797 and 1798
William Blake "An ancient pile of building stands... there Employed the power of Fairy hands" (Design 25)
William Blake, 1757–1827
"An ancient pile of building stands... there Employed the power of Fairy hands" (Design 25)
between 1797 and 1798
William Blake "At the chapel-door stand sentry... (Design 31)
William Blake, 1757–1827
"At the chapel-door stand sentry... (Design 31)
between 1797 and 1798
William Blake "Cytherea's Day..." (Design 45)
William Blake, 1757–1827
"Cytherea's Day..." (Design 45)
between 1797 and 1798
William Blake "To him the mighty mother did unveil Her awful face..." (Design 49)
William Blake, 1757–1827
"To him the mighty mother did unveil Her awful face..." (Design 49)
between 1797 and 1798
William Blake "Yet oft before his infant eyes would run Such forms as glitter in the Muse's ray..." (Design 51)
William Blake, 1757–1827
"Yet oft before his infant eyes would run Such forms as glitter in the Muse's ray..." (Design 51)
between 1797 and 1798
William Blake The Pensive Selima, "Her ears of jet, and emerald eyes, She saw; and purr'd applause..." (Design 9)
William Blake, 1757–1827
The Pensive Selima, "Her ears of jet, and emerald eyes, She saw; and purr'd applause..." (Design 9)
between 1797 and 1798
William Blake Nurse's Song (Plate 22)
Print made by William Blake, 1757–1827
Nurse's Song (Plate 22)
1789
William Blake On Anothers Sorrow (Plate 24)
Print made by William Blake, 1757–1827
On Anothers Sorrow (Plate 24)
1789
William Blake "Fell thirst and famine scowl A baleful smile upon their baffled guest..." (Design 61)
William Blake, 1757–1827
"Fell thirst and famine scowl A baleful smile upon their baffled guest..." (Design 61)
between 1797 and 1798
William Blake "Headlong, from the mountain's height, Deep in the roaring tide he plung'd to endless night." (Design 65)
William Blake, 1757–1827
"Headlong, from the mountain's height, Deep in the roaring tide he plung'd to endless night." (Design 65)
between 1797 and 1798
William Blake Sigtryg with the Silken Beard (Design 69)
William Blake, 1757–1827
Sigtryg with the Silken Beard (Design 69)
between 1797 and 1798
William Blake "Midst the tide, Two angel forms were seen to glide..." (Design 7)
William Blake, 1757–1827
"Midst the tide, Two angel forms were seen to glide..." (Design 7)
between 1797 and 1798
William Blake "Hurry, hurry, to the field!" Design 75)
William Blake, 1757–1827
"Hurry, hurry, to the field!" Design 75)
between 1797 and 1798
William Blake "Him the dog of darkness spied..." (Design 79)
William Blake, 1757–1827
"Him the dog of darkness spied..." (Design 79)
between 1797 and 1798
William Blake The Prophetess Rising from Her Grave (Design 81)
William Blake, 1757–1827
The Prophetess Rising from Her Grave (Design 81)
between 1797 and 1798
William Blake "A wond'rous boy shall Rinda bear, Who ne'er shall comb his raven hair..." (Design 83)
William Blake, 1757–1827
"A wond'rous boy shall Rinda bear, Who ne'er shall comb his raven hair..." (Design 83)
between 1797 and 1798
William Blake The Bard Singing Owen's Praise (Design 89)
William Blake, 1757–1827
The Bard Singing Owen's Praise (Design 89)
between 1797 and 1798
William Blake "Fear to stop, and shame to fly..." (Design 91)
William Blake, 1757–1827
"Fear to stop, and shame to fly..." (Design 91)
between 1797 and 1798
William Blake The Lamb (Plate 8)
Print made by William Blake, 1757–1827
The Lamb (Plate 8)
1789
William Blake The Mourner at the Tomb (Design 103)
William Blake, 1757–1827
The Mourner at the Tomb (Design 103)
between 1797 and 1798
William Blake "Ambition this shall tempt to rise, The whirl the wretch from high..." (Design 19)
William Blake, 1757–1827
"Ambition this shall tempt to rise, The whirl the wretch from high..." (Design 19)
between 1797 and 1798
William Blake "Where ignorance is bliss, 'Tis folly to be wise." (Design 21)
William Blake, 1757–1827
"Where ignorance is bliss, 'Tis folly to be wise." (Design 21)
between 1797 and 1798
William Blake A Circular Dance (Design 23)
William Blake, 1757–1827
A Circular Dance (Design 23)
between 1797 and 1798
William Blake "A brace of warriors... rustling in their silks and tissues..."(Design 27)
William Blake, 1757–1827
"A brace of warriors... rustling in their silks and tissues..."(Design 27)
between 1797 and 1798
William Blake "Up stairs in a whirlwind rattle..." (Design 29)
William Blake, 1757–1827
"Up stairs in a whirlwind rattle..." (Design 29)
between 1797 and 1798
William Blake The Purple Year awaking from the Roots of Nature (Design 3)
William Blake, 1757–1827
The Purple Year awaking from the Roots of Nature (Design 3)
between 1797 and 1798
William Blake "The laughing flowers, that round them blow, Drink life and fragrance as they flow..." (Design 43)
William Blake, 1757–1827
"The laughing flowers, that round them blow, Drink life and fragrance as they flow..." (Design 43)
between 1797 and 1798
William Blake "Where shaggy forms o'er ice-built mountains roam..." (Design 47)
William Blake, 1757–1827
"Where shaggy forms o'er ice-built mountains roam..." (Design 47)
between 1797 and 1798
William Blake "Hark, how each giant -oak, and desert-cave, Sigh to the torrent's awful voice beneath!..." (Design 57)
William Blake, 1757–1827
"Hark, how each giant -oak, and desert-cave, Sigh to the torrent's awful voice beneath!..." (Design 57)
between 1797 and 1798
William Blake "O'er thy country hangs The scourge of Heav'n..." (Design 59)
William Blake, 1757–1827
"O'er thy country hangs The scourge of Heav'n..." (Design 59)
between 1797 and 1798
William Blake Elizabeth. "Girt with many a Baron bold..." (Design 63)
William Blake, 1757–1827
Elizabeth. "Girt with many a Baron bold..." (Design 63)
between 1797 and 1798
William Blake The Three Fatal Sisters (Design 67)
William Blake, 1757–1827
The Three Fatal Sisters (Design 67)
between 1797 and 1798
William Blake "Iron sleet of arrowy shower Hurtles in the darkened air..." (Design 71)
William Blake, 1757–1827
"Iron sleet of arrowy shower Hurtles in the darkened air..." (Design 71)
between 1797 and 1798
William Blake "We the reins to slaughter give..." (Design 73)
William Blake, 1757–1827
"We the reins to slaughter give..." (Design 73)
between 1797 and 1798
William Blake The Serpent who Girds the Earth (Design 77)
William Blake, 1757–1827
The Serpent who Girds the Earth (Design 77)
between 1797 and 1798