Lady Lloyd and Her Son, Richard Savage Lloyd, of Hintlesham Hall, Suffolk
Date:
between 1745 and 1746
Materials & Techniques:
Oil on canvas
Dimensions:
25 x 30 inches (63.5 x 76.2 cm)
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Copyright Status:
Public Domain
Accession Number:
B1981.25.293
Classification:
Paintings
Collection:
Paintings and Sculpture
Subject Terms:
sitting | woman | family | son | bench | hat | shawls | conversation piece | portrait
Currently On View:
Not on view
Exhibition History:
Thomas Gainsborough (Ferrara, Italy) (Ferrara Galleries of Modern & Contemporary Art, 1998-06-07 - 1998-08-30)Painting in England 1700-1850 - From The Collection of Mr. and Mrs. Paul Mellon (Yale University Art Gallery, 1965-04-15 - 1965-06-20)
Publications:
John Baskett, Painting in England: 1700-1850: the collection of English paintings formed by Mr and Mrs Paul Mellon : on exhibition at the Museum of Fine Arts, Richmond, until August 18th, , Connoisseur, Vol. 153, London, June 1963, pp. 100, 101, N1 C75 + (YCBA)Hugh Belsey, Thomas Gainsborough: The portraits, fancy pictures and copies after old masters, Yale University Press, New Haven, CT, p. 561, cat. 596, NJ18.G16 B453 2019 (LC) Oversize (YCBA)Mark Bills, Early Gainsborough: 'From the Obscurity of a Country Town', Gainsborough's House Society, Sudbury, Suffolk, United Kingdom, p. 95, fig. 12, NJ18.G16 B55 2018 (LC) Oversize (YCBA)British Art at Yale, Apollo, vol.105, April 1977, pp. 259-260, fig. 9, N1 .A54 + OVERSIZE (YCBA)Malcolm Cormack, Concise Catalogue of Paintings in the Yale Center for British Art, Yale Center for British Art, New Haven, CT, 1985, pp. 96-97, N590.2 .A83 (YCBA)Ralph Edwards, Georgian Conversation Pictures, Apollo, v.105, no. 182, April 1977, pp. 259-60, fig. 9, N1 A54 105:2 + (YCBA) Another copy of this article may be found in a separately bound and catalogued copy of this issue located on the Mellon Shelf [call number : N5220 M552 A7 1977 + (YCBA)]Catherine M. Gordon, British paintings Hogarth to Turner, Frederick Warne, London, 1981, p. 24, ND466 .G67 (YCBA)James Hamilton, Gainsborough A Portrait, Weidenfeld and Nicolson, London, pl. 10, NJ18.G16 H36 2017 (YCBA)John T. Hayes, Thomas Gainsborough, Ferrara Arte, , 1998, pp. 64-65, no. 1, NJ18 G16 H485 1998 + (YCBA)Luke Herrmann, The Paul Mellon Collection at Burlington House, Connoisseur, vol. 157, December 1964, p. 214, N1 C75 + OVERSIZE (YCBA)Painting in England 1700-1850 : collection of Mr. & Mrs. Paul Mellon : Exhibition at the Virginia Museum of Fine Arts, , , Virginia Museum of Fine Arts, Richmond, VA, 1963, p. 123 (v.1), no. 232, pl. 112, ND466 V57 v.1-2 (YCBA)Painting in England 1700-1850 from the Collection of Mr. and Mrs. Paul Mellon, The Royal Academy of Arts Winter Exhibition 1964-65., , Royal Academy of Arts, London, UK, 1964, p. 62 (v.1), no. 225, N5220.M45 R69 1964 (YCBA)Ellis Waterhouse, Preliminary Check List of Portraits by Thomas Gainsborough, Volume of the Walpole Society, vol. 33, 1948-1950, p. 70, N12 W35 A12 + (YCBA)Alice Winchester, English Conversation Pieces from the Mellon Collection, Antiques, vol. 83, April 1963, p. 447, NK1125 A3 v. 83 OVERSIZE (HAAS)Yale University Art Gallery, Painting in England, 1700-1850, from the collection of Mr. and Mrs. Paul Mellon : [exhibition at] Yale University Art Gallery, April 15-June 20, 1965, , vol. 1, W. Clowes and sons, New Haven, 1965, p. 25 (v.1), no. 90, ND466 Y35 (YCBA)