Art in Focus : William III (Yale Center for British Art, 2011-04-08 - 2011-07-31)This Other Eden : British Paintings from the Paul Mellon Collection at Yale (Art Gallery of New South Wales, 1998-05-01 - 1998-07-05)This Other Eden : British Paintings from the Paul Mellon Collection at Yale (Queensland Art Gallery, 1998-07-15 - 1998-09-06)This Other Eden : British Paintings from the Paul Mellon Collection at Yale (Art Gallery of South Australia, 1998-09-16 - 1998-11-15)
Publications:
Susan J. Barnes, Van Dyck, a complete catalogue of the paintings , The Paul Mellon Centre for Studies in British Art, New Haven, 2004, pp. 561-2, Cat. No. IV.169, pl. IV 169, NJ18 D985 A12 B27 2004 + (YCBA)British Art at Yale, Apollo, vol.105, April 1977, pp. 240-241, pl. 1, N1 .A54 + OVERSIZE (YCBA)Christie's Sale Catalogue : 25 June 1971, Christie's, 1971, p. 14-15, Lot 10, Sales Catalogues (YCBA)Malcolm Cormack, Concise Catalogue of Paintings in the Yale Center for British Art, Yale Center for British Art, New Haven, CT, 1985, pp. 90-91, N590.2 .A83 (YCBA)Lionel Cust, Anthony Van Dyck: an historical study of his life and works ..., G. Bell & Sons, London, 1905, J18 D984 900Cb2 + (SML)Elizabeth Honig, Van Dyck and Britain: London, Burlington Magazine, Vol. 151,no.1274, May 2009, pp. 327-29, N1 B87 + (YCAB)Julia Marciari-Alexander, This other Eden : Paintings from the Yale Center for British Art, , Yale Center for British Art, New Haven, CT, 1998, pp. 30-31, no. 4, ND1314.3 Y36 1998 (YCBA)John McDonald, A Feast of Mellon, Sydney Morning Herald, May 9, 1998, p. 14, ProQuest News & Newspapers : Global NewsstreamPaul Mellon's Legacy : a passion for British art [large print labels], , Yale Center for British Art, New Haven, CT, 2007, v. 3, N5220 M552 P381 2007 OVERSIZE (YCBA)Nicholas Penny, Duveen's French frames for British pictures, Burlington Magazine, Vol. CLI, no. 1275, June 2009, p. 392, N1 B87 + OVERSIZE (YCBA)Research Notes: Van Dyck's English Portraits used Allegory, Historian Says, Chronicle of Higher Education, October 1987, p. A5, Film S694 (SML)Sacheverell Sitwell, Van Dyck: An Appreciation, Burlington Magazine for Connoisseurs, vol. 79,no.465, December 1941, pp. 174-77, N1 B87 + OVERSIZE (YCBA) Also available online at JSTORTwo Portraits by Van Dyck (Full page reproductions), American Magazine of Art, vol. 20, no. 6, June 1929, pp. 326, J10 M27 (LSF)Van Dyck, des meisters gemèalde in 537 abbildungen; herausgegeben von Emil Schaeffer. , bd. 13, Deutsche verlags-anstalt, Stuttgart und Leipzig, 1909, p. 376, NJ18 D985 A12 S32 (YCBA)Ellis Waterhouse, An Impressive Panorama of British Portraiture, Apollo, v. 105, no. 182, April 1977, pp. 240-1, pl. 1, N1 A54 + (YCBA) Another copy of this article may be found in a separately bound and catalogued copy of this issue located on the Mellon Shelf [call number : N5220 M552 A7 1977 + (YCBA)]William III, Yale Center for British Art, New Haven, CT, 2011, p. 22, V2340John Wilmerding, Essays in honor of Paul Mellon, collector and benefactor : Essays, , National Gallery of Art, Washington, DC & Hanover, NH, 1986, pp. 382-387, N7442.2 M455 1986 (YCBA)Yale Center for British Art, Selected paintings, drawings & books, Yale University Press, New Haven, CT, 1977, p. 4, N590.2 A82 (YCBA)
Gallery Label:
Anthony Van Dyck, a pupil of Peter Paul Rubens, spent most of the 1630s working in London. He imported a sophisticated style of portrait painting characterized by loose brushwork and the relaxed and elegant demeanor he gave his sitters. When this portrait was painted, Newport was at the height of his influence. In 1634, Charles I made Newport master of the ordnance, putting him in charge of supplies such as gunpowder and making him very wealthy. Van Dyck’s portrait casts Newport as a powerful but reserved commander, gazing outward from a position just outside his military tent. His helmet, cast in shadow, rests on the table within while soldiers arm for battle behind him. Newport was a historically divisive character: an early royal favorite, he was allied with the king’s critics by the beginning of the Civil War. After the Restoration, he was stripped of his offices and his reputation lapsed into obscurity. Gallery label for installation of YCBA collection, 2022