Joseph Wright of Derby, 1734–1797, British, active in Italy (1773–75)
Title:
Academy by Lamplight
Date:
1769
Materials & Techniques:
Oil on canvas
Dimensions:
50 x 39 3/4 inches (127 x 101 cm)
Inscription(s)/Marks/Lettering:
Label on verso, center, handwritten: “Loan | Joseph Wright | of Derby | Academy by | Lamplight”
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Copyright Status:
Public Domain
Accession Number:
B1973.1.66
Classification:
Paintings
Collection:
Paintings and Sculpture
Subject Terms:
nymph | education | genre subject | chairs | curtain | costume | statue | drawing | sculpture | sketching | gladiator | Hellenistic art | academy | woman | men | light | shadow | artists | students | boy | columns (architectural elements) | shell | Borghese Gladiator, ca. 100 BC, by Agasias of Ephesos (Greek sculptor, active ca. 100 BCE)
Currently On View:
Not on view
Exhibition History:
Fascino e Mito dell'Italia (Villa Reale di Monza, Milano, Italy, 2015-04-22 - 2015-08-30)No More Fog at the Channel - Holbein to Hockney - 500 Years of British Art (Fundación Juan March, 2012-10-05 - 2013-01-20)Joseph Wright of Derby in Liverpool (Yale Center for British Art, 2008-05-22 - 2008-08-30)An American's Passion for British Art - Paul Mellon's Legacy (Yale Center for British Art, 2007-04-18 - 2007-07-29)An American's Passion for British Art - Paul Mellon's Legacy (Royal Academy of Arts, 2007-10-20 - 2008-01-27)After the Antique (Musée du Louvre, 2000-10-16 - 2001-01-15)This Other Eden : British Paintings from the Paul Mellon Collection at Yale (Art Gallery of New South Wales, 1998-05-01 - 1998-07-05)This Other Eden : British Paintings from the Paul Mellon Collection at Yale (Queensland Art Gallery, 1998-07-15 - 1998-09-06)This Other Eden : British Paintings from the Paul Mellon Collection at Yale (Art Gallery of South Australia, 1998-09-16 - 1998-11-15)Joseph Wright of Derby (Musée du Louvre, 1990-05-17 - 1990-07-23)Joseph Wright of Derby (The Metropolitan Museum of Art, 1990-09-06 - 1990-12-02)Joseph Wright of Derby (Tate Britain, 1990-02-07 - 1990-04-22)The Pursuit of Happiness - A View of Life in Georgian England (Yale Center for British Art, 1977-04-19 - 1977-09-18)
Publications:
Academy by Lamplight, Gazette Des Beaux-Arts, vol. 81, January 1973, sup. 22, N2 G3 OVERSIZE (HAAS)Academy by Lamplight, Domus, no. 516, November 1972, p. 50, N4 D6 OVERSIZE (HAAS)Arts Council of Great Britain, The age of neo-classicism : the 14th exhibition of the council of Europe, Royal Academy & UIA : 9 September - 19 November 1972, London, 1972, p. 180, no. 282, pl. 34, NX452.5 N4 A33 (YCBA)Elizabeth E. Barker, George Romney's Early Candlelight Pictures, Transactions of the Romney Society, vol. 5, 2000, p. 32, NJ18 R65 T7 2000 (YCBA)Elizabeth E. Barker, Joseph Wright of Derby in Liverpool, Yale University Press, Liverpool New Haven, 2007, pp. 50-2, 159, 161, cat. 32, fig. 48, NJ18 W95 B36 2007 + (YCBA)John Baskett, Paul Mellon's Legacy: a Passion for British Art: Masterpieces from the Yale Center for British Art, , Yale Center for British Art, New Haven, CT, 2007, p. 260, no. 41, N5220 M552 P38 2007 OVERSIZE (YCBA)David Bindman, The History of British Art, Yale Center for British Art, New Haven, CT, 2008, pp. 198-199 (v.2), fig. 127, N6761 +H57 2008 Oversize (YCBA)Albert Boime, Art in an age of revolution, 1750-1800, v. 1, University of Chicago Press, Chicago, 1987, p. 235, N6425 N4 B65 1987 (YCBA)Joseph Burke, The Iconography of the Enlightenment in English Art, Sydney University Press for the Australian Academy of the Humanities, 1970, p. 14, N6766 B87Malcolm Cormack, Concise Catalogue of Paintings in the Yale Center for British Art, Yale Center for British Art, New Haven, CT, 1985, pp. 260-261, N590.2 .A83 (YCBA)Matthew Craske, Joseph Wright of Derby : Painter of darkness, The Paul Mellon Centre for Studies in British Art, New Haven, 2020, pp. 98-100, fig. 55, NJ18.W95 C72 2020+ (YCBA)David A. Cross, George Romney : Patterns of Friendship, Transactions of the Romney Society, vol. 1, 1996, p. 20, NJ18 R65 T7 2000 (YCBA)Jean-Pierre Cuzin, D'après l'antique, Paris, Musée du Louvre, 16 octobre 2000-15 janvier 2001 , Réunion des Musées Nationaux, Paris, 2000, no. 153, N7432.5.C6 D37 2000 (Haas)Judy Egerton, Joseph Wright of Derby, 1734-1797, Londres, Tate Gallery, 7 fâevrier-22 avril 1990 ; Paris, Galeries nationales du Grand Palais, 17 mai-23 juillet 1990 ; New York, Metropolitan Museum of Art, 6 septembre-2 dâecembre 1990 , Réunion des Musées Nationaux, Paris, 1990, pp. 52-4, no. 12, NJ18 W95 +E5414 1990 Oversize (YCBA)Judy Egerton, Wright of Derby, Tate Publishing, London, 1990, pp. 63-64, no. 23, no. 23, NJ18 W95 +E54 1990 Oversize (YCBA)Catherine M. Gordon, British paintings Hogarth to Turner, Frederick Warne, London, 1981, p. 78, ND466 .G67 (YCBA)Martha Hamilton-Phillips, Joseph Wright of Derby in Liverpool, (Book Review) , Eighteenth Century Life, vol. 24, Baltimore, MD, Spring 2010, p. 110, 18 Ei44L v. 34 (LEWIS WALPOLE)Matthew Hargraves, 'Candidates for fame', the Society of Artists of Great Britain, 1760-1791 , The Paul Mellon Centre for Studies in British Art, New Haven, CT, 2005, p. 97, N12 S637 H37 2005 (YCBA)Matthew Hargraves, Joseph Wright of Derby and the Society of Artists of Great Britain, British Art Journal, Vol. 11, no. 1, 2010 (Spring), pp. 56, 59, Pl. 4, N6761 B74 OVERSIZE (YCBA) Also available on line (ORBIS)Francis Haskell, The Most beautiful statues, the taste for antique sculpture 1500-1900 : an exhibition held at the Ashmolean Museum from 26 March to 10 May 1981 , Ashmolean Museum, Oxford, 1981, p. 29, NB85 M67 (YCBA)Joseph Wright of Derby An Academy by Lamplight, Sotheby's, London, p. 5, p. 6, p. 8 (detail), p. 10-11, p. 15, p. 21, V 2763 (YCBA)Joseph Wright of Derby in Liverpool, May 22 - August 31, 2008. , Yale Center for British Art, New Haven, CT, 2008, p. 8, V 2193 (YCBA)Stephen Leach, Joseph Wright and the final farewell, Cambridge Scholars Publishing, Newcastle upon Tyne, 2023, pp. 66, 67, fig. 5.1, NJ18 W95 L43 2023 (YCBA)Julia Marciari-Alexander, This other Eden : Paintings from the Yale Center for British Art, , Yale Center for British Art, New Haven, CT, 1998, pp. 58-9, no. 17, ND1314.3 Y36 1998 (YCBA)Benedict Nicolson, Joseph Wright of Derby : Painter of Light, Paul Mellon Foundation for British Art, London, New York, 1968, pp. 234 (v. 1), lot 189, pl. 60, NJ18 W95 +N53 Oversize (YCBA)Ellwood Parry, Some Distant Relatives and American Cousins of Thomas Eakins' Children at Play, American Art Journal, vol. 18, Winter 1986, pp. 23-4, fig. 3, Avaialble online through JSTOR N8595 A618 (HAAS)Paul Mellon's Legacy : a passion for British art [large print labels], , Yale Center for British Art, New Haven, CT, 2007, v. 3, N5220 M552 P381 2007 OVERSIZE (YCBA)Ronald Paulson, Breaking and remaking, aesthetic practice in England, 1700-1820 , Rutgers University Press, New Brunswick, 1989, p. 225, no. 26, BH221 G72 P38 1989 (YCBA)Ronald Paulson, Hogarth's harlot, sacred parody in Enlightenment England , Johns Hopkins University Press, Baltimore, Md., 2003, pp. 145, 160-1, fig. 39, BR758 P38 2003 (YCBA)Ronald Paulson, The beautiful, novel, and strange, aesthetics and heterodoxy , Johns Hopkins University Press, Baltimore, 1996, pp. 93, 298, PR858 A74 P38 1996 (YCBA)J. H. Plumb, The pursuit of happiness : a view of life in Georgian England : an exhibition selected from the Paul Mellon collection, , Yale Center for British Art, New Haven, 1977, pp. 20, 48, 102, no. 80, N6766 Y34 1977 (YCBA)Martin Postle, Joseph Wright of Derby, Liverpool and New Haven , Burlington Magazine, The Burlington Magazine Publications Ltd., April 2008, p. 278, N1 B87 150:2 OVERSIZE (YCBA)Society of Artists of Great Britain, A catalogue of the pictures, sculptures, designs in architecture, models, drawings, prints, &c. exhibited at the great room in Spring-Garden, Charing-Cross, May the First, 1769, by the Society of Artists of Great-Britain : the Tenth Year of Exhibiting, , William Bunce, 1769, p. 13, no. 197, N5055 S6 C3 v. 1 (RARE BOOKS, YCBA) Also Available Online (18th Century Collections Online - Gale)David H. Solkin, Joseph Wright of Derby and the Sublime Art of Labor, Representations, vol. 83, Summer 2003, pp. 167, 192 n.3, NX1 R46 (SML)David H. Solkin, Joseph Wright of Derby and the Sublime Art of Labor, Representations, vol. 83, Summer 2003, pp. 167, 192 n.3, http://www.jstor.org/stable/10.1525/rep.2003.83.1.167David H. Solkin, Painting for money, the visual arts and the public sphere in eighteenth-century England , The Paul Mellon Centre for Studies in British Art, New Haven, 1993, pp. 239-246, no. 80, N5205.7 G7 S65 1993 (YCBA)Treasure island : British art from Holbein to Hockney, Fundación Juan March, Madrid, 2012, pp. 168-9, 322, no. 58, N6761 .T74 2012 Oversize (YCBA)Nadia Tscherny, George Romney : Flaxman modelling the bust of Hayley, Yale Center for British Art, New Haven, 1985 ?, p. 7, no. 16, V 0101 (YCBA)William Vaughan, British painting, the Golden Age from Hogarth to Turner , Thames and Hudson, London, 1999, p. 104, no. 64, ND466 V28 1999 (YCBA)Giles Waterfield, Mr. Mellon, RA : the magazine for the Friends of the Royal Academy, No. 96, Autumn 2007, p. 71, V 1905 (YCBA)
Gallery Label:
This painting presents an imaginary art academy. A group of young male artists, representing an ideal community bound by fraternal affection, gather around a plaster cast of the Nymph with a Shell. In Wright’s day, the contemplation of art was regarded as a civilizing act, softening rough manners and unruly appetites and making the beholder a more virtuous person. Wright contrasts the refining influence of the nymph with the Borghese Gladiator statue in the background, which represents rough and aggressive masculinity. Eighteenth-century British culture was forever seeking ways to paper over the cracks within its commercial society, and Wright’s paintings frequently suggest the power of art to reconcile disparate social and political interests. Wright exhibited this picture with the Society of Artists in 1769, where it was praised warmly by the critics. Gallery label for installation of YCBA collection, 2016