William Blake, 1757–1827, BritishText by Thomas Gray, 1716–1771, British
Title:
"Headlong, from the mountain's height, Deep in the roaring tide he plung'd to endless night." (Design 65)
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Inscription(s)/Marks/Lettering:
Inscribed in black ink upper right: "13"; in graphite center: "x"; on verso in black ink upper center: "The Fatal Sisters | 1. The Three Fatal Sisters | 2. A Muse | 3. Sigtryg with the Silken beard | 'Persons of Horseback riding full speed toward | a hill & seeming to Enter into it' | 5. Iron sleet of arrowy shower | Hurtles in the darkend air' | 6. 'Shafts for shuttle dipd in gore | Shoot the trembling cords along' | 7. 'We the reins to Slaughter give' | 8. The Fatal Sisters riding thro the Battle. they | are called in Some Northern poems | 'Choosers of the Slain' | 9 'Hurry Hurry to the field' | 10. A Battle."
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Copyright Status:
Public Domain
Accession Number:
B1992.8.11(33)
Classification:
Drawings & Watercolors
Collection:
Prints and Drawings
Subject Terms:
clouds | sky | sitting | branches | sheep | goats | literary theme | religious and mythological subject | harp | text | cliff | ocean | grass | mountains | trees | shepherd | men | man | water
Currently On View:
Not on view
Exhibition History:
Art in Focus : Wales (Yale Center for British Art, 2014-04-04 - 2014-08-10)
Publications:
Colin Cross, Blake revealed, William Blake : Discovery of a Masterwork , Observer, vol. 12, November 21, 1971, pp. 19-23, V 1245 Detached from Observer colour magazineJohn Russell, Blake the Craftsman, Art , Sunday Times, Issue no. 7749, December 12, 1971, p. 27, Sunday Times Digital ArchiveArnold Fawcus, Unknown Watercolours by William Blake, Illustrated London News, vol. 259, No. 6881, December 25, 1971, pp. 45-46, 49-51, Illustrated London News Historical ArchiveYale Center for British Art, Wales, New Haven, 2014, pp. 14, 21, V2519 (YCBA)
Gallery Label:
Thomas Gray’s poem “The Bard,” published in 1757, imagines a confrontation between the English conqueror Edward I and the last bard of Wales. Edward has ordered the Welsh bards put to death in order to suppress their telling of history. The Bard curses Edward and prophesies his ultimate defeat upon the return of Welsh rule, before throwing himself into the river Conway, a final act of defiance. The poem became extremely popular, helping to create an idea of Welsh mountains as synonymous with liberty. In 1797 and 1798, the visionary artist William Blake created a series of exquisite illustrations to accompany Gray’s text. Some of the most vivid images highlight the narrative trajectory of the poem. The title page presents a composed Bard, draped in robes and holding his harp. As the poem progresses, the Bard develops a frenetic energy, his hair wild and his eyes lit with passion. The final page shows the Bard, barely colored, almost a force of nature, committing suicide in the Conwy. Gallery label for Art in Focus: Wales (Yale Center for British Art, 2014-04-04 - 2014-08-10)