William Blake, 1757–1827, BritishText by Thomas Gray, 1716–1771, British
Title:
A Welch Bard (Design 53)
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Inscription(s)/Marks/Lettering:
Inscribed in black ink upper right: "1"; on verso in black ink upper left: "2"
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Copyright Status:
Public Domain
Accession Number:
B1992.8.11(27)
Classification:
Drawings & Watercolors
Collection:
Prints and Drawings
Subject Terms:
hawks | animal art | dead | beard | bodies | bird | literary theme | religious and mythological subject | rocks (landforms) | flames | stars | water | broken | men | man | text | leaf | trees | lyre | harp | figurehead | gown
Currently On View:
Not on view
Exhibition History:
Art in Focus : Wales (Yale Center for British Art, 2014-04-04 - 2014-08-10)William Blake (Tate Britain, 2000-11-02 - 2001-02-04)
Publications:
Colin Cross, Blake revealed, William Blake : Discovery of a Masterwork , Observer, vol. 12, November 21, 1971, pp. 19-23, V 1245 Detached from Observer colour magazineJohn Russell, Blake the Craftsman, Art , Sunday Times, Issue no. 7749, December 12, 1971, p. 27, Sunday Times Digital ArchiveArnold Fawcus, Unknown Watercolours by William Blake, Illustrated London News, vol. 259, No. 6881, December 25, 1971, pp. 45-46, 49-51, Illustrated London News Historical ArchiveYale Center for British Art, Wales, New Haven, 2014, p. 21, V2519 (YCBA)
Gallery Label:
Thomas Gray’s poem “The Bard,” published in 1757, imagines a confrontation between the English conqueror Edward I and the last bard of Wales. Edward has ordered the Welsh bards put to death in order to suppress their telling of history. The Bard curses Edward and prophesies his ultimate defeat upon the return of Welsh rule, before throwing himself into the river Conway, a final act of defiance. The poem became extremely popular, helping to create an idea of Welsh mountains as synonymous with liberty. Gallery label for Art in Focus: Wales (Yale Center for British Art, 2014-04-04 - 2014-08-10)