Yale Center for British Art

Creator:
Engraved by William Woollett, 1735–1785, British

Etched by John Browne, 1741–1801, British

after Richard Wilson, 1713/4–1782, British, active in Italy (1750–56)
Title:
Celadon and Amelia
Date:
1766
Materials & Techniques:
Line engraving and etching on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 18 1/4 x 22 3/8 inches (46.4 x 56.8 cm)
Inscription(s)/Marks/Lettering:
Inscribed in graphite, lower right: "Woollett"; inscribed on verso in graphite, center left: "F/T/ - "; lower left: "IR-784/455 | No. 114.2 | no/ 35"
Credit Line:
Yale Center for British Art, Yale University Art Gallery Collection
Copyright Status:
Public Domain
Accession Number:
B1984.21.455
Classification:
Prints
Collection:
Prints and Drawings
Subject Terms:
cities | bridge (built work) | villas | castles | hills | rivers | science | lightning | shepherds | ruins | literary theme | sheep | clouds | storms
Currently On View:
Not on view
Publications:
Matthew Craske, Joseph Wright of Derby : Painter of darkness, The Paul Mellon Centre for Studies in British Art, New Haven, 2020, p. 291, fig. 189, NJ18.W95 C72 2020+ (YCBA)

Martin Postle, Richard Wilson and the transformation of European landscape painting, Yale University Press, New Haven, 2014, pp. 132, 133, 284, 286, no. 101, fig. 110, NJ18.W72 R53 2014 OVERSIZE (YCBA)
Link:
https://collections.britishart.yale.edu/catalog/tms:20857