Yale Center for British Art

Creator:
Sir Alfred J. Munnings, 1878–1959, British
Title:
Start at Newmarket: Study No. 4
Date:
ca. 1947
Materials & Techniques:
Oil on panel
Dimensions:
36 x 72 1/4 inches (91.4 x 183.5 cm)
Inscription(s)/Marks/Lettering:
Signed in brown paint, lower left: "A.J. Munnings"
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Copyright Status:
© Estate of Sir Alfred Munnings
Accession Number:
B1996.22.34
Classification:
Paintings
Collection:
Paintings and Sculpture
Subject Terms:
horses (animals) | animals | uniform | jockey cap | riding habit | study (visual work) | jockeys | sportsmen | equestrians | athletes | racecourse | competition | race (event)
Associated Places:
England | United Kingdom | Europe | Suffolk | Newmarket
Currently On View:
Not on view
Exhibition History:
Munnings - Out in the Open (National Sporting Library and Museum, 2013-04-24 - 2013-09-15)

The Mastery of Munnings (National Museum of Racing and Hall of Fame, 2000-07-08 - 2000-09-05)
Publications:
Munnings, Out in the Open : the open-air works of Sir Alfred James Munnings (English, 1878-1959) , National Sporting Library and Museum, Middleburg, VA, 2013, pp. viii, 75, 94-95, 129, pl. 55, NJ18.M9625 M8 2013 (YCBA)

My favourite painting : Start at Newmarket : Study No 4 by Sir Alfred Munnings, Country Life, vol. 221, October 18, 2023, p. 46, S3 .C68 Oversize (YCBA)

Paul Mellon's Legacy : a passion for British art [large print labels], , Yale Center for British Art, New Haven, CT, 2007, v. 1, N5220 M552 P381 2007 OVERSIZE (YCBA)
Gallery Label:
Alfred Munnings was the most accomplished painter of horses of his generation and self-consciously fashioned himself as the heir of the great tradition of British sporting art. He frequently tackled the subject of horses and jockeys jostling before the start of a race but remarked upon how difficult it was to capture the moment: “Orange satin, cerise-and-white, blue-and-yellow, emerald green—a large field waiting, regrouping. At each start, determining to retain the picture in my mind, too often an incident, something a horse is doing, distracts, and once again my purpose is thwarted.” Despite his misgivings, this painting is a masterpiece of movement and the constrained equine energy about to be released. Gallery label for installation of YCBA collection, 2016
Link:
https://collections.britishart.yale.edu/catalog/tms:1543