YUAG European Galleries (Yale University Art Gallery, 2023-12-01 - 2025-01-15)In a New Light: Paintings from the Yale Center for British Art (Yale University Art Gallery, 2023-03-24 - 2023-12-03)Figuring Women - The Female in Modern British Art (Yale Center for British Art, 2008-03-28 - 2008-06-08)"Brilliant Effects" [ Jewels ] (Yale Center for British Art, 2003-07-10 - 2004-01-10)Frederick Sandys and the Pre-Raphaelites (Norwich Castle Museum, 2001-10-06 - 2002-01-06)
Publications:
Advertisement [Phillips London], Burlington Magazine, vol 133, London, August 1991, inside cover, B1 B87 133 OVERSIZE (YCBA)Art Reporduction, Burlington Magazine, vol. 133, August 1991, inside cover, N1 B87 OVERSIZE (YCBA)Stephen Calloway, The cult of beauty : the aesthetic movement 1860-1900, V&A Publishing, London, 2011, pp. 160, 162, pl. 142, N6767.5 A3 C85 2011 OVERSIZE (YCBA)William S. A. Dale, Portrait by Fred Sandys, Burlington Magazine, vol 107, May 1965, p. 252, N1 B87 OVERSIZE (YCBA) Also available online at JSTORBetty Elzea, A Singular Man : A documented life of the artist Frederick Sandys: 1829-1904, , Unicorn Press, Nowich, UK, 2023, pp. 92, 360, NJ18 .Sa577 E49 2023 (YCBA)Betty Elzea, Frederick Sandys 1829-1904, A Catalogue Raisonne , Antique Collectors' Club, Woodbridge, 2001, pp. 18, 23, 52, 184, no. 2.A.87, pl. 25, NJ18 Sa577 A12 E59 2001 (YCBA)Fine Arts, Era, London, 11 November 1866, p. 6, Available online: 19th Century British Library NewspapersFrederick Sandys, Art Journal, March 1884, pp. 73-78, J10 Ar74 OVERSIZE (YCBA) Also available online at British PeriodicalsFrench Gallery, Fourteenth Annual Winter Exhibition of Pictures, the Contributions of British Artists ... at the French Gallery , W. S. Johnson, London, 1866, p. 189, Not Available at YaleCharlotte Gere, Jewellery in the age of Queen Victoria, a mirror to the world , British Museum, London, 2010, pp. 184-85, fig. 138, NK7309.8 G46 2010 OVERSIZE (YCBA)J. M. Gray, Frederick Sandys and the Wood-cut Designers of Thirty Years Ago, Century Guild Hobby Horse, London, October 1888, p. 155, Available online: British PeriodicalsMatthew Hargraves, "Yale Center for British Art joins Art UK", ArtUK, 24 June 2019, https://artuk.org/discover/stories/yale-center-for-british-art-joins-art-ukObservations on Art, Speaker: The Liberal View, 13 February 1904, p. 471, Available online: British PeriodicalsOur Library Table, Mercury and Daily Post, Bristol, England, 23 December 1896, p. 3, Available online: 19th Century British Library NewspapersPaul Mellon's Legacy : a passion for British art [large print labels], , Yale Center for British Art, New Haven, CT, 2007, v. 1, N5220 M552 P381 2007 OVERSIZE (YCBA)Sip of Royal Sherry, The Times (London), London, 16 November 1991, p. 13, Available online: Times Digital Archive Also available on Microfilm: Film An T482 (SML)Thomas Tuohy, Frederick Sandys, British Art Journal, vol 3, London, Spring 2002, p. 83, N6761 B74 OVERSIZE (YCBA) Also available online at JSTOREsther Wood, Consideration of the Art of Frederick Sandys, Archibald Constable and Company, Limited, London, 1897, pp. 47, 63, NJ18 Sa577 W6 OVERSIZE (YCBA)
Gallery Label:
Lady Grace Charlotte Rose was the daughter of Captain Winterton Snow of the Madras Army and the wife of Sir William Anderson Rose, whose portrait Frederick Sandys also painted, along with several other members of the family. The armorial shield and crest in the top right of this picture carries the Rose family motto: “Constant and true.” Sandys was associated with the Pre-Raphaelite Brotherhood, and in this portrait, he bypassed the British portrait tradition exemplified by Joshua Reynolds and Thomas Gainsborough to draw on early Netherlandish and German paintings. Eclectic influences inform the details, from her gold jewelry and the jar in the foreground, which are modeled on antiquarian designs, to the traditional Japanese figures that appear on the screen behind her. These appropriations reflect Sandys’s sympathies with both Pre-Raphaelitism and aestheticism, including James McNeill Whistler and Albert Moore, who were similarly invested in strongly decorative effects and Eastern motifs. Gallery label for installation of YCBA collection, 2016