Stowe House, Buckinghamshire: Design for Ceiling and Wall Decoration
Date:
between 1728 and 1732
Materials & Techniques:
Graphite, pen and black and brown ink, brown and gray wash on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 15 1/8 x 12 1/2 inches (38.4 x 31.8 cm)
Inscription(s)/Marks/Lettering:
Inscribed in pen and black ink, center: ’26:0’ and ’36:0’; dimensions of door at lower center labeled in pen and black ink: ‘3.9’ and ‘7.6’; elevation at center right labeled in pen and black ink: ‘2.8’, ’26.0’
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Stowe house | England | Buckingham | Buckinghamshire | United Kingdom | Europe
Currently On View:
Not on view
Exhibition History:
William Kent 1686-1748 : Designing Georgian Britain (The Bard Graduate Center for Studies in the Decorative Arts, 2013-09-19 - 2014-02-16)William Kent 1686-1748 : Designing Georgian Britain (Victoria and Albert Museum, 2014-03-22 - 2014-07-13)The Architect and the British Country House (The Octagon Museum, 1985-11-05 - 1986-04-06)The Architect and the British Country House (National Academy Museum & School, 1986-05-04 - 1986-06-20)The Architect and the British Country House (High Museum of Art, 1986-08-03 - 1986-09-27)
Publications:
Susan Weber, William Kent, designing Georgian Britain , Yale University Press, 2013, pp. 206, 207, 624, cat. no. 82, fig. 8.27, NJ18.K364 W53 2013 OVERSIZE (YCBA)John Wilmerding, Essays in honor of Paul Mellon, collector and benefactor : Essays, , National Gallery of Art, Washington, DC & Hanover, NH, 1986, p. 148, fig. 13, N7442.2 M455 1986 (YCBA)
Gallery Label:
From the 1730s until his death in 1749, Sir Richard Temple, first Viscount Cobham (1675–1749) commissioned numerous designs for interior alterations to Stowe House as well as garden temples and other embellishments to the landscape from William Kent. This design proposes an ornately decorated ceiling for a hall at Stowe. As a reference to the patron's distinguished military career, the central oval features an idealized representation of Lord Cobham accepting a sword from Mars, and the theme is continued in the coving with martial trophies flanking an all’antica portrait of the patron. It is not known if the design in this drawing was ever executed as rooms within the house have since been altered. --- It appears as though the drawing is the work of both Kent and his assistant, Henry Flitcroft, having been laid out in black pen by Flitcroft and altered by Kent. The precise details of the ceiling ornament as well as the rough alterations in brown pen are in Kent’s own hand. The modifications, suggesting adding sculptural reliefs to the room, were probably added when the architect presented his design to the client. Gallery label for installation of YCBA collection, 2014