London and the emergence of a European art market, 1780-1820 , [2019]
- Title(s):
- London and the emergence of a European art market, 1780-1820 / edited by Susanna Avery-Quash and Christian Huemer.
- Published/Created:
- Los Angeles : The Getty Research Institute, [2019]
©2019 - Physical Description:
- xii, 291 pages : illustrations (chiefly color) ; 26 cm.
- Holdings:
- Reference LibraryN8600 .L66 2019 (LC)Accessible in the Reference Library [Hours]
Note: Please contact the Reference Library to schedule an appointment [Email ycba.reference@yale.edu] - Full Orbis Record:
- http://hdl.handle.net/10079/bibid/14701404
- Classification:
- Books
- Notes:
- Includes bibliographical references and index.
"This volume employs a diverse methodological range to explore the commercial milieu of art sales and collecting around the years 1780-1820, when London became the primary hub of international art sales"--Provided by publisher. - Subject Terms:
- Art -- Collectors and collecting -- England -- London -- History -- 18th century.Art -- Collectors and collecting -- England -- London -- History -- 19th century.Art -- Collectors and collecting.Art -- Economic aspects -- Europe -- History -- 18th century.Art -- Economic aspects -- Europe -- History -- 19th century.Art -- Economic aspects.Art auctions -- Europe -- History -- 18th century.Art auctions -- Europe -- History -- 19th century.Art auctions.Art dealers -- Europe -- History -- 18th century.Art dealers -- Europe -- History -- 19th century.Art dealers.England -- London.Europa.Europe.Kunsthändler.Kunstmarkt.London.
- Form/Genre:
- History.
- Export:
- XML
- Acknowledgments
- Foreword / Thomas w. Gaehtgens and Nicholas Penny
- Introduction / Susanna Avery-Quash and Christian Huemer
- Patterns
- Introduction to part one / Neil De Marchi
- English and French auctions in a troubled period, 1780-1820: a quantitative analysis of volume, price, and taste based on the Getty Provenance Index(r) databases / Peter Carpreau
- British buying patterns at auction sales, 1780-1800: did the influx of European art have an impact on the British public's preferences? / Bénédicte Miyamoto
- International dealer networks and triangular art trade between Paris, Amsterdam, and London / Hans J. Van Miegroet, Hilary Cronheim, and Bénédicte Miyamoto
- The export of works of art from Italy to the United Kingdom, 1792-1830 / Guido Guerzoni
- The taste for eighteenth-century French paintings: internationalization and homogenization of demand on the London art market around 1800 / Olivier Bonfait
- Collections
- Introduction to part two / Malcolm Baker
- From private to national: exhibiting fine arts in London around 1800 / Camilla Murgia
- The evolution of the print market and its impact on the art market, 1780-1820 / David Alexander
- Angelica Kauffman: the acquisition and dispersal of an artist's collection, 1782-1825 / Wendy Wassyng Roworth
- The dispersal of the Orléans collection and the British art market / Susanna Avery-Quash and Nicholas Penny
- The Trumbull sale of 1797: players in the Paris-London art market during the French Revolution / Sarah Bakkali
- Selling the collection of Welbore Ellis Agar in 1806 / Rebecca Lyons
- Agents
- Introduction to part three / Filip Vermeylen
- From jack-of-all-trades to professional: the development of the early modern picture dealer in eighteenth-century London / Julia Armstrong-Totten
- James Christie: auctioneer and more / Francis Russell
- Pierre-Joseph Lafontaine and his exploitation of European art market imbalances in Paris and London, 1795-1815 / Carole Blumenfeld
- Thomas Hope and Gioacchino Marini: "Roman agent of English gentlemen" / Maria Celeste Cola
- Commercial agents of Spanish painting in the United Kingdom, 1780-1820 / Ana María Fernández García
- Selected bibliography
- Biographical notes on the contributors
- Illustration credits
- Index.