Curley, John J., A conspiracy of images , [2013]
- Title(s):
- A conspiracy of images : Andy Warhol, Gerhard Richter, and the art of the Cold War / John J. Curley.
- Published/Created:
- New Haven ; London : Yale University Press, [2013]
©2013 - Physical Description:
- 279 pages : illustrations (some color) ; 26 cm
- Holdings:
- Rare Books and ManuscriptsN6490 .C87 2013Yale Center for British Art, Gift of John J. Curley[Request]
- Copyright Status:
- Copyright Not Evaluated
- Full Orbis Record:
- http://hdl.handle.net/10079/bibid/11737408
- Classification:
- Books
- Notes:
- "Jacket illustrations: (front) Andy Warhol, 'Red Explosion (Atomic Bombs),' 1963 (fig. 135), and Gerhard Richter, 'Uncle Rudi (Onkel Rudi),' 1965 (fig. 102); (back) John McHale, 'Forms of Coding, 1955.' (fig. 17)."--Title page verso.
Includes bibliographical references and index. - Subject Terms:
- Art and society -- History -- 20th century.Art, Modern -- 20th century -- Themes, motives.Cold War -- Influence.Richter, Gerhard, 1932– -- Criticism and interpretation.Warhol, Andy, 1928–1987 -- Criticism and interpretation.
- Form/Genre:
- Dust jackets.
- Export:
- XML
- Introduction. The art that came in from the cold
- Failures of containment: the case of postwar abstraction
- The development of Andy Warhol's pop eye
- Socialist realism and Gerhard Richter's 'third way'
- Paranoid styles: Warhol's and Richter's conspiracy theories of painting
- The uncontained image: the politics of Warhol's and Richter's blur
- Conclusion. Art and illusion: Cold War art history.
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