<< YCBA Home Yale Center for British Art Yale Center for British Art << YCBA Home

YCBA Collections Search

Search Constraints

Start Over
You searched for:

Height [cm] Unknown

Remove constraint Height [cm]: Unknown

Search Results

Joseph Mallord William Turner [One from] 158 reproductions of works by JMW Turner consisting of chromolithographs, photogravures, etc.
after Joseph Mallord William Turner, 1775–1851
[One from] 158 reproductions of works by JMW Turner consisting of chromolithographs, photogravures, etc
Joseph Mallord William Turner Arch of Septimius Severus
after Joseph Mallord William Turner, 1775–1851
Arch of Septimius Severus
Joseph Mallord William Turner [One from] 158 reproductions of works by JMW Turner consisting of chromolithographs, photogravures, etc.
after Joseph Mallord William Turner, 1775–1851
[One from] 158 reproductions of works by JMW Turner consisting of chromolithographs, photogravures, etc
Joseph Mallord William Turner [One from] 158 reproductions of works by JMW Turner consisting of chromolithographs, photogravures, etc.
after Joseph Mallord William Turner, 1775–1851
[One from] 158 reproductions of works by JMW Turner consisting of chromolithographs, photogravures, etc
Joseph Mallord William Turner [One from] 158 reproductions of works by JMW Turner consisting of chromolithographs, photogravures, etc.
after Joseph Mallord William Turner, 1775–1851
[One from] 158 reproductions of works by JMW Turner consisting of chromolithographs, photogravures, etc
Joseph Mallord William Turner The Roman Campagna, with Ponte Salario and the Confluence of the Tiber and Aniene Rivers
after Joseph Mallord William Turner, 1775–1851
The Roman Campagna, with Ponte Salario and the Confluence of the Tiber and Aniene Rivers
c.1819
Joseph Mallord William Turner Vesuvius in Repose
after Joseph Mallord William Turner, 1775–1851
Vesuvius in Repose
Joseph Mallord William Turner [One from] 158 reproductions of works by JMW Turner consisting of chromolithographs, photogravures, etc.
after Joseph Mallord William Turner, 1775–1851
[One from] 158 reproductions of works by JMW Turner consisting of chromolithographs, photogravures, etc
Joseph Mallord William Turner [One from] 158 reproductions of works by JMW Turner consisting of chromolithographs, photogravures, etc.
after Joseph Mallord William Turner, 1775–1851
[One from] 158 reproductions of works by JMW Turner consisting of chromolithographs, photogravures, etc
Joseph Mallord William Turner [One from] 158 reproductions of works by JMW Turner consisting of chromolithographs, photogravures, etc.
after Joseph Mallord William Turner, 1775–1851
[One from] 158 reproductions of works by JMW Turner consisting of chromolithographs, photogravures, etc
Joseph Mallord William Turner Approach to Venice
after Joseph Mallord William Turner, 1775–1851
Approach to Venice
Joseph Mallord William Turner St. Mary's Redcliffe, Bristol
after Joseph Mallord William Turner, 1775–1851
St. Mary's Redcliffe, Bristol
1814
Joseph Mallord William Turner Crossing the Brook
after Joseph Mallord William Turner, 1775–1851
Crossing the Brook
Joseph Mallord William Turner Heidelberg With A Rainbow
after Joseph Mallord William Turner, 1775–1851
Heidelberg With A Rainbow
Joseph Mallord William Turner Modern Italy - The Pifferari
after Joseph Mallord William Turner, 1775–1851
Modern Italy - The Pifferari
Joseph Mallord William Turner Norham Castle, on the River Tweed, 1816
after Joseph Mallord William Turner, 1775–1851
Norham Castle, on the River Tweed, 1816
Joseph Mallord William Turner Italinate Landscape, with Travellers Resting
after Joseph Mallord William Turner, 1775–1851
Italinate Landscape, with Travellers Resting
1899
Joseph Mallord William Turner Hedging and Ditching
Print made by Joseph Mallord William Turner, 1775–1851
Hedging and Ditching
1812
Joseph Mallord William Turner Scene in the Campagna
Print made by Joseph Mallord William Turner, 1775–1851
Scene in the Campagna
1812
Joseph Mallord William Turner Sheep Washing, Windsor
Print made by Joseph Mallord William Turner, 1775–1851
Sheep Washing, Windsor
1812
Joseph Mallord William Turner Little Devil's Bridge over the Russ above Altdorft, Switzerland
Print made by Joseph Mallord William Turner, 1775–1851
Little Devil's Bridge over the Russ above Altdorft, Switzerland
1812
Joseph Mallord William Turner Crowhurst
Print made by Joseph Mallord William Turner, 1775–1851
Crowhurst
1812
George Romney Figure Composition Study 20
George Romney, 1734–1802
Figure Composition Study 20
undated
William Blake 'And vapid; sense and reason shew the door' (Page 72)
Print made by William Blake, 1757–1827
'And vapid; sense and reason shew the door' (Page 72)
1797
William Blake May-Day in London
Print made by William Blake, 1757–1827
May-Day in London
1784
William Blake Beggar's Opera, Act III
Print made by William Blake, 1757–1827
Beggar's Opera, Act III
1790
William Blake 'The goddess bursts in thunder and in flame' (Page 95)
Print made by William Blake, 1757–1827
'The goddess bursts in thunder and in flame' (Page 95)
1797
William Blake The Christian Triumph; Title Page
Print made by William Blake, 1757–1827
The Christian Triumph; Title Page
1797
William Blake 'Swift on his downy pinion flies from woe' (Page 1)
Print made by William Blake, 1757–1827
'Swift on his downy pinion flies from woe' (Page 1)
1797
William Blake 'Till at Death's toll, whose restless iron tongue' (Page 7)
Print made by William Blake, 1757–1827
'Till at Death's toll, whose restless iron tongue' (Page 7)
1797
William Blake 'Its favours here are trials, not rewards' (Page 12)
Print made by William Blake, 1757–1827
'Its favours here are trials, not rewards' (Page 12)
1797
William Blake 'The present moment terminates our sight' (Page 13)
Print made by William Blake, 1757–1827
'The present moment terminates our sight' (Page 13)
1797
William Blake 'Emblem of that which shall awake the dead' (Page 19)
Print made by William Blake, 1757–1827
'Emblem of that which shall awake the dead' (Page 19)
1797
William Blake 'Like that, the dial speaks; and points to thee' (Page 33)
Print made by William Blake, 1757–1827
'Like that, the dial speaks; and points to thee' (Page 33)
1797
William Blake 'Love, and love only, is the loan for love' (Page 37)
Print made by William Blake, 1757–1827
'Love, and love only, is the loan for love' (Page 37)
1797
William Blake 'Angels should paint it, angels ever there' (Page 40)
Print made by William Blake, 1757–1827
'Angels should paint it, angels ever there' (Page 40)
1797
William Blake 'One radiant mark, – the death-bed of the just' (Page 41)
Print made by William Blake, 1757–1827
'One radiant mark, – the death-bed of the just' (Page 41)
1797
William Blake Night the Third. Narcissa; Title Page
Print made by William Blake, 1757–1827
Night the Third. Narcissa; Title Page
1797
William Blake 'Ungrateful, shall we grieve their hovering shades' (Page 55)
Print made by William Blake, 1757–1827
'Ungrateful, shall we grieve their hovering shades' (Page 55)
1797
William Blake 'Trembling each gulp, lest death should snatch the bowl' (Page 57)
Print made by William Blake, 1757–1827
'Trembling each gulp, lest death should snatch the bowl' (Page 57)
1797
William Blake 'This King of Terrors is the Prince of Peace' (Page 63)
Print made by William Blake, 1757–1827
'This King of Terrors is the Prince of Peace' (Page 63)
1797
William Blake 'Till death, that mighty hunter, earths them all' (Page 70)
Print made by William Blake, 1757–1827
'Till death, that mighty hunter, earths them all' (Page 70)
1797
William Blake 'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)
Print made by William Blake, 1757–1827
'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)
1797
William Blake 'Is lost in love! thou great Philanthropist' (Page 87)
Print made by William Blake, 1757–1827
'Is lost in love! thou great Philanthropist' (Page 87)
1797
William Blake 'That touch, with charm celestial heals the soul' (Page 90)
Print made by William Blake, 1757–1827
'That touch, with charm celestial heals the soul' (Page 90)
1797
William Blake 'When faith is virtue, reason makes it so' (Page 92)
Print made by William Blake, 1757–1827
'When faith is virtue, reason makes it so' (Page 92)
1797
William Blake 'Tis greatly wise to talk with our past hours' (Page 31)
Print made by William Blake, 1757–1827
'Tis greatly wise to talk with our past hours' (Page 31)
1797
William Blake 'Teaching, we learn; and giving, we retain' (Page 35)
Print made by William Blake, 1757–1827
'Teaching, we learn; and giving, we retain' (Page 35)
1797
William Blake 'Where sense runs savage broke from reason's chain' (Page 46)
Print made by William Blake, 1757–1827
'Where sense runs savage broke from reason's chain' (Page 46)
1797
William Blake 'As if the sun could envy, check'd his beam' (Page 49)
Print made by William Blake, 1757–1827
'As if the sun could envy, check'd his beam' (Page 49)
1797
William Blake 'The vale of death! that hush'd cimmerian vale' (Page 54)
Print made by William Blake, 1757–1827
'The vale of death! that hush'd cimmerian vale' (Page 54)
1797
William Blake 'The Sun beheld it – No, the shocking scene' (Page 75)
Print made by William Blake, 1757–1827
'The Sun beheld it – No, the shocking scene' (Page 75)
1797
William Blake 'The longest night though longer far, would fail' (Page 15)
Print made by William Blake, 1757–1827
'The longest night though longer far, would fail' (Page 15)
1797
William Blake Night the Second. On Time, Death, and Friendship; Title Page (Page 17)
Print made by William Blake, 1757–1827
Night the Second. On Time, Death, and Friendship; Title Page (Page 17)
1797
William Blake 'We censure nature for a span too short' (Page 23)
Print made by William Blake, 1757–1827
'We censure nature for a span too short' (Page 23)
1797
William Blake 'Behold him, when past by; what then is seen' (Page 25)
Print made by William Blake, 1757–1827
'Behold him, when past by; what then is seen' (Page 25)
1797
William Blake 'What, though my soul fantastick measures trod' (Page 4)
Print made by William Blake, 1757–1827
'What, though my soul fantastick measures trod' (Page 4)
1797
William Blake 'Disease invades the chastest temperence' (Page 10)
Print made by William Blake, 1757–1827
'Disease invades the chastest temperence' (Page 10)
1797
William Blake 'The thunder, if in that the Almighty dwells' (Page 80)
Print made by William Blake, 1757–1827
'The thunder, if in that the Almighty dwells' (Page 80)
1797
William Blake 'His hand the good man fastens on the skies' (Page 86)
Print made by William Blake, 1757–1827
'His hand the good man fastens on the skies' (Page 86)
1797
William Blake 'O treacherous conscience! while she seems to sleep" (Page 27)
Print made by William Blake, 1757–1827
'O treacherous conscience! while she seems to sleep" (Page 27)
1797
William Blake 'If angels tremble, 'tis at such a sight' (Page 93)
Print made by William Blake, 1757–1827
'If angels tremble, 'tis at such a sight' (Page 93)
1797
William Blake Original Wrapper to The Book of Thel
William Blake, 1757–1827
Original Wrapper to The Book of Thel
1789
William Blake The Complaint, and the Consolation; or, Night Thoughts
Print made by William Blake, 1757–1827
The Complaint, and the Consolation; or, Night Thoughts
1797
Frederick Christian Lewis the Elder View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud 1802; Plate 13 Views in Paris, the Emanuel Volume tracing of the plate B1981.25.2622
View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud 1802; Plate 13 Views in Paris, the Emanuel Volume tracing of the plate B1981.25.2622
1802
unknown artist This Typographic Specimen to the Memory of William Caxton
unknown artist
This Typographic Specimen to the Memory of William Caxton
John Preston Neale The Quadrangle of the Royal Exchange
John Preston Neale, 1771/80–1847
The Quadrangle of the Royal Exchange
undated
Luigi Balugani Paesto 2nd period
Luigi Balugani, 1737–1770
Paesto 2nd period
James Heath Cerastes
James Heath, 1757–1834
Cerastes
1789
James Heath Nisser Werk
James Heath, 1757–1834
Nisser Werk
1789
James Heath Nisser Tokoor
James Heath, 1757–1834
Nisser Tokoor
1789
James Heath Bee Cuckoo
James Heath, 1757–1834
Bee Cuckoo
1790
James Heath Rachamah
James Heath, 1757–1834
Rachamah
1790
James Heath Section of the Canja
James Heath, 1757–1834
Section of the Canja
1789
James Heath Arab Shekh, Tribe Beni Koreish
James Heath, 1757–1834
Arab Shekh, Tribe Beni Koreish
1789
Thomas Worlidge Self Portrait
Thomas Worlidge, 1700–1766
Self Portrait
1752
Benjamin West Sketchbook of Figure and Composition Studies
Benjamin West, 1738–1820
Sketchbook of Figure and Composition Studies
Benjamin West Sketchbook of Figure, Landscape and Animal Studies
Benjamin West, 1738–1820
Sketchbook of Figure, Landscape and Animal Studies
James Bruce No. 1 Temple of Ceres Legitera
James Bruce, 1730–1794
No. 1 Temple of Ceres Legitera
James Bruce No. 3 Minerva Polias and Neptune the King
James Bruce, 1730–1794
No. 3 Minerva Polias and Neptune the King
Archibald Robertson No. 3 and 4 in the 8 stages of growth of the Surinam Frog
Archibald Robertson, 1748–1788
No. 3 and 4 in the 8 stages of growth of the Surinam Frog
1796
Archibald Robertson No. 5 and No. 6 in the 8 stages of growth of the Surinam Frog
Archibald Robertson, 1748–1788
No. 5 and No. 6 in the 8 stages of growth of the Surinam Frog
1769
Archibald Robertson No.1 and No. 2 in the 8 stages of growth of the Surinam Frog
Archibald Robertson, 1748–1788
No.1 and No. 2 in the 8 stages of growth of the Surinam Frog
1796
Archibald Robertson No. 7 and No. 8 in the 8 stages of growth of the Surinam Frog
Archibald Robertson, 1748–1788
No. 7 and No. 8 in the 8 stages of growth of the Surinam Frog
1796
unknown artist Pearls
unknown artist
Pearls
1789
James Heath Rhinoceros of Africa
James Heath, 1757–1834
Rhinoceros of Africa
1789
James Heath Hyoena
James Heath, 1757–1834
Hyoena
1790
James Heath Lynx
James Heath, 1757–1834
Lynx
1789
James Heath Fennec
James Heath, 1757–1834
Fennec
1789
James Heath Tsaltsalya / El Adda
James Heath, 1757–1834
Tsaltsalya / El Adda
1789
unknown artist Volume of 21 watercolors and two hand touched lithographs of continental scenes
unknown artist
Volume of 21 watercolors and two hand touched lithographs of continental scenes
George Moutard Woodward The Compliments of the Season
George Moutard Woodward, ca. 1760–1809
The Compliments of the Season
Francesco Bartolozzi Prospero Disarming Ferdinand, Act I, Scene II
Francesco Bartolozzi, 1728–1815
Prospero Disarming Ferdinand, Act I, Scene II
1793
Thomas Trotter The Storm
Thomas Trotter, ca. 1750–1803
The Storm
1788
Francis Jukes Distant View of the Fall of Lowdore, with part of Keswick Lake in Cumberland
Francis Jukes, 1747–1812
Distant View of the Fall of Lowdore, with part of Keswick Lake in Cumberland
1796
Francis Chesham The Magnanimous Attack on El Muros Fort and Town by His Majesty's Frigate 'La Loire'
Francis Chesham, 1749–1806
The Magnanimous Attack on El Muros Fort and Town by His Majesty's Frigate 'La Loire'
1805
unknown artist Wynnstay Theatre
unknown artist
Wynnstay Theatre
1781
Charles Hunt Ad Montem at Eton. (With this print is an admission ticket to the Royal Enclosure on a board inscribed the Last Montem 1844, and an Order of the Day
Charles Hunt, 1803–1877
Ad Montem at Eton. (With this print is an admission ticket to the Royal Enclosure on a board inscribed the Last Montem 1844, and an Order of the Day
Francis Jukes View of the Grange at the Entrance of Borrowdale in Cumberland
Francis Jukes, 1747–1812
View of the Grange at the Entrance of Borrowdale in Cumberland
1796
Thomas Sutherland Nottingham Market Place
Thomas Sutherland, ca. 1785–1838
Nottingham Market Place
undated