Henry VI, Part III: Act II, Scene V, A Field of Battle near Towton . .
1803
10002
Print made by Jean B. Michel, active 1803
King Henry VI, Part III: Act V, Scene VII (Queen Bess Presenting King Edward . . . with Their Infant Son)
1791
10003
Jean B. Michel, active 1803
Henry VI, Part III: Act IV, Scene V, A Park Near Middlham Castle in Yorkshire
1803
10004
Isaac Taylor, 1759–1829
Henry VIII, Act I, Scene IV, York Place--Cardinal Wolsey, etc
1803
10005
Print made by Robert Thew, 1758–1802
King Richard III: Act III, Scene I (The Meeting of Edward V and His Brother, Richard, Duke of York)
1789
10006
Robert Thew, 1758–1802
Henry VIII: Act III, Scene I, A Room in the Queen's Apartments
1803
10007
Robert Thew, 1758–1802
Henry VIII, Act IV, Scene II, Abbey of Leicester. Wolsey, Northumberland, and Attendants, Abbot of Leicester, etc
1803
10008
Print made by unknown artist
View of one Wing of Fountainebleau, taken from the Court of Fountains
10009
And Johann G. Facius, 1750–after 1802
Antony and Cleopatra, Act III, Scene IX, The Palace in Alexandria . .
1803
10010
Robert Thew, 1758–1802
Timon of Athens, Act IV, Scene III, A Wood--Timon, Phyrma, etc
1803
10011
Thomas Kirk, 1765–1797
Titus Andromicus, Act IV, Scene I, Titus' House
1803
10012
James Caldwall, 1739–1819
Coriolanus, Act IV, Scene III, Coriolanus, etc
1803
10013
Thomas Ryder, 1746–1810
Othello, Act II, Scene i, A Platform --- Desdemona, Othello etc
1803
10014
Joseph Collyer, 1748–1827
Henry VIII, Act V, Scene IV, The Palace
1803
10015
Print made by Thomas Ryder, 1746–1810
Othello, Act II, Scene I, A Platform -- Desdemona, Othello etc
1803
10016
Print made by Francis Legat, 1755–1809
Hamlet, Act IV, Scene v, Elsinore --King, Queen, Laertes, Ophelia, etc
1803
10017
Jake Chapman, born 1966
Untitled
1999
10018
Jake Chapman, born 1966
Untitled
1999
10019
Jake Chapman, born 1966
Untitled
1999
10020
Jake Chapman, born 1966
Untitled
1999
10021
Jake Chapman, born 1966
Untitled
1999
10022
Jake Chapman, born 1966
Untitled
1999
10023
Jake Chapman, born 1966
Untitled
1999
10024
Jake Chapman, born 1966
Untitled
1999
10025
Jake Chapman, born 1966
Untitled
1999
10026
Jake Chapman, born 1966
Untitled
1999
10027
Jake Chapman, born 1966
Untitled
1999
10028
Jake Chapman, born 1966
Untitled
1999
10029
Jake Chapman, born 1966
Untitled
1999
10030
Jake Chapman, born 1966
Untitled
1999
10031
Jake Chapman, born 1966
Untitled
1999
10032
Jake Chapman, born 1966
Untitled
1999
10033
Jake Chapman, born 1966
Untitled
1999
10034
Jake Chapman, born 1966
Untitled
1999
10035
Jake Chapman, born 1966
Untitled
1999
10036
Jake Chapman, born 1966
Untitled
1999
10037
Jake Chapman, born 1966
Untitled
1999
10038
Jake Chapman, born 1966
Untitled
1999
10039
Jake Chapman, born 1966
Untitled
1999
10040
Jake Chapman, born 1966
Untitled
1999
10041
unknown artist
The Fountain of Domes at Versailles has it's name from 2 adjacent Temples of white Marble which are 75 feet square and 20 feet high, and curiously embellisht with trophies of War, & with a group of Boys on their Domes, all of gilt metal..
10042
Jake Chapman, born 1966
Untitled
1999
10043
Jake Chapman, born 1966
Untitled
1999
10044
Jake Chapman, born 1966
Untitled
1999
10045
Jake Chapman, born 1966
Untitled
1999
10046
Thomas Bowles III, ca. 1712–1767
A View of Somerset House with St. Mary's Church in the Strand London
10047
Henry Thomas Alken, 1785–1851
"Scraps", no. 35: Mounted Mameluke with Bamboo Spear
undated
10048
Henry Thomas Alken, 1785–1851
"Scraps", no. 22: Hunting, Unkennelling with Two Riders Watching
undated
10049
Henry Thomas Alken, 1785–1851
Head of a Foxhound, in Profile Right
undated
10050
Henry Thomas Alken, 1785–1851
Head and Neck of a Frightened Horse, Left Profile
undated
10051
Henry Thomas Alken, 1785–1851
Head and Shoulders of a Collie Dog, Wearing a Leash or Tether, Sketchy Sheep in Background
undated
10052
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Have a Notion You Must Either Pull Him Over or Persuade Him to Pull You Back Again'
between 1831 and 1832
10053
Henry Thomas Alken, 1785–1851
Heads and Necks of Two Horses Wearing Bridles, Right Profiles
undated
10054
Eric Gill, 1882–1940
Adam and Eve
1926
10055
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Have a Notion That I Don't Look Unlike Mazeppa'
between 1831 and 1832
10056
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'My Notion is We Shall Get Him up Pretty Shortly What is Your Notion? I've Worked so Hard that I Hav'nt a Notion in Me'
between 1831 and 1832
10057
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'It's My Notion That This is the Only Way to Get Her Along'
between 1831 and 1832
10058
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Have a Notion This Bridge Will A-Bridge My Sport'
between 1831 and 1832
10059
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'My Good Fellows Have You any Notion Where You Can Get a Saw'
between 1831 and 1832
10060
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'This Gives Me a Notion it's Better to "Look Before You Leap" '
between 1831 and 1832
10061
Henry Thomas Alken, 1785–1851
"Sporting Notions:" 'Hav'nt You a Notion That Tthis is the Best Mode of Monveyance Over a brook? and I Think by the Look of the Fellow he Never Had Any Thing so Neat in His Thing-a-My Before'
between 1831 and 1832
10062
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field": Getting Away: 'Let's Take the Lead'
undated
10063
Henry Thomas Alken, 1785–1851
Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities": 'Lift me Up! Tie me in my Chair! Fill my Glass'
undated
10064
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Check: 'What the Devil Do You Do Here..'
undated
10065
Henry Thomas Alken, 1785–1851
Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities": 'Mr. Jorrocks's Surprize on Seeing the Paris Diligence, "My Vig, Here's Wombwell's Wildbeast show" '
undated
10066
Henry Thomas Alken, 1785–1851
Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities": "Water, I do Declare with Worms in it"
undated
10067
Henry Thomas Alken, 1785–1851
"Doing the Thing: and the Thing Done:" Doing the Thing Well - [giving Dribblers the go bye]
1818
10068
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Leap: 'That Will Shut Out Many, and Make the Thing Select'
undated
10069
Henry Thomas Alken, 1785–1851
"Doing the Thing: and the Thing Done:" Doing it No How
1818
10070
Henry Thomas Alken, 1785–1851
"Doing the Thing: and the Thing Done:" Morning. Turning Out in Prime Twig. Doing the Least you Can
1818
10071
Henry Thomas Alken, 1785–1851
"Doing the Thing: and the Thing Done:" Doing the Down Leap
1818
10072
Henry Thomas Alken, 1785–1851
"Doing the Thing: and the Thing Done:" Doing it Somehow
1818
10073
Henry Thomas Alken, 1785–1851
"Doing the Thing: and the Thing Done:" The Down Leap Done
1818
10074
Henry Thomas Alken, 1785–1851
"Doing the Thing: and the Thing Done:" Afternoon. Returning Home in Fine Trim. Doing the Most you Can
1818
10075
Henry Thomas Alken, 1785–1851
"Sporting Discoveries, or the Miseries of Driving:" ... Up and Down, or the Endeavor to Discover Which Way Your Horse is Inclined to Come Down, Backwards or Forwards
undated
10076
Henry Thomas Alken, 1785–1851
"Some Do and Some Don't: It is All a Notion:" Getting into a Difficulty
between 1848 and 1851
10077
Alphonse Legros, 1837–1911
Group de Fermiers
undated
10078
Henry Thomas Alken, 1785–1851
"Sporting Discoveries, or the Miseries of Driving..." You Discover that the Reins are Under His Tail
undated
10079
Henry Thomas Alken, 1785–1851
"Sporting Discoveries, or the Miseries of Driving ..." You Discover you Have Overlooked a Small Post on you Whip Hand
undated
10080
Henry Thomas Alken, 1785–1851
"Some Do and Some Don't: It is All a Notion:" Getting Over a Difficulty
between 1848 and 1851
10081
Henry Thomas Alken, 1785–1851
"Some Do and Some Don't: It is All a Notion:" Getting a Dive
between 1848 and 1851
10082
Henry Thomas Alken, 1785–1851
"Some Do and Some Don't: It is All a Notion:" Getting into a Bog
between 1848 and 1851
10083
Henry Thomas Alken, 1785–1851
Symptoms: of Taking Lessons, of Having Had Enough, of Earnest, of Fun
between 1822 and 1827
10084
Henry Thomas Alken, 1785–1851
Symptoms: of Being Drawn, of a Fine Song, of Troting, of Being In, of Being Out, of a Recoil
between 1822 and 1827
10085
Henry Thomas Alken, 1785–1851
"Some Do and Some Don't: It is All a Notion:" Getting Home
between 1820 and 1821
10086
Henry Thomas Alken, 1785–1851
Drawing for "Specimens of Riding near London:" The Pleasure of Riding in Company. One Would Stop if the Other Could
between 1809 and 1823
10087
Henry Thomas Alken, 1785–1851
Drawing for "Specimens of Riding Near London:" Fancy - View Near Gray's Inn Road
between 1809 and 1823
10088
Henry Thomas Alken, 1785–1851
Symptoms: of Being Wanted, of Anxiety, of a Has Been, of Duck Catching
between 1822 and 1827
10089
Henry Thomas Alken, 1785–1851
Symptoms: of Sporting Friends Likely-to Go Together, of a Double Entendre, of Sporting Friends Likely-to Seperate, of Sure to HIt the Mark
between 1822 and 1827
10090
Henry Thomas Alken, 1785–1851
Symptoms: of a Great One, of a Fine One, of a Queer One, of a Save All, of a View on Brighton Cliff, of Just Got Over a Gate,
between 1822 and 1827
10091
Henry Thomas Alken, 1785–1851
Symptoms: of Tragedy, of Comedy, of What Do You Say, of Can't You Hear, of the Ornamental, of the Old Story,
between 1822 and 1827
10092
William Ward, 1766–1826
John Crichton Stuart, second Marquess of Bute
10093
Henry Thomas Alken, 1785–1851
Symptoms: of The Manager's Judgement, of Being on Board a Packet, of Having Enough to Live Upon, of the Laddle Mis-Placed
between 1822 and 1827
10094
Henry Thomas Alken, 1785–1851
Two Pointers, Facing Left
undated
10095
Henry Thomas Alken, 1785–1851
Two Pointers, Facing Right with a Sportsman
undated
10096
Peter Casteels, 1684–1749
Three Greyhounds in a Room
undated
10097
Hablot Knight Browne, 1815–1882
Point-to-Point Racing
undated
10098
Harold Hitchcock, born 1914
Thundersley
1977
10099
Henry William Bunbury, 1750–1811
An Illustration of H. Bunbury ('Geoffrey Gambado'), "An Academy for Grown Horsemen: 'A Bit of Blood'