Memorial to Henry Flitcroft from Teddington Church
between 1796 and 1811
9905
Daniel Lysons, 1762–1834
Memorial to Sir George Carey from Drayton Church
between 1796 and 1811
9906
Daniel Lysons, 1762–1834
Memorial to Two Cousins both Named Elizabeth Isaak from Hanworth Church
between 1796 and 1811
9907
Daniel Lysons, 1762–1834
Memorial to Reverand Joseph Trapp from Harlington Church
between 1796 and 1811
9908
Daniel Lysons, 1762–1834
Memorial to John William from Harlington Church
between 1796 and 1811
9909
Daniel Lysons, 1762–1834
Memorial to Thomas and Ann Felows from Hillingdon Church
between 1796 and 1811
9910
Print made by Lydia Bates, active 1784
Deucalion and Pyrrha after the Flood
1784
9911
Amos Green, 1735–1807
Views in England, Scotland and Wales: Tour in Scotland; Dunkeld
1803
9912
Amos Green, 1735–1807
Views in England, Scotland and Wales: Tour in Scotland; Corie Lin; one of the Falls of the Clyde
1803
9913
attributed to David Cox, 1783–1859
Eton from the Thames
between 1800 and 1829
9914
William Rider, active 1824–1849
Mount Honey, Fonthill, Wiltshire
undated
9915
Paul Sandby, 1731–1809
The North Terrace, Looking East
ca. 1765
9916
Paul Sandby, 1731–1809
The Norman Gate and Deputy Governor's House
ca. 1765
9917
Amos Green, 1735–1807
Mountainous Landscape
1803
9918
Amos Green, 1735–1807
Views in England, Scotland and Wales; Tour in Scotland: Distant View of Keswick and Basenth Waite
1803
9919
Paul Sandby, 1731–1809
A Girl with a Watering Can facing left: Sarah Hough, Mrs. T.P. Sandby's Nursery Maid
ca. 1805
9920
Amos Green, 1735–1807
Views in England, Scotland and Wales; Tour in Scotland: Near Lowdoor
1803
9921
Isaac Shaw, active 1830
View on the Line of the Liverpool and Manchester Railway
ca. 1830
9922
Walter Richard Sickert, 1860–1942
Study of a Pianist and Bass Player
undated
9923
Isaac Shaw, active 1830
Bridge over the Irwell and Entrance into Manchester
ca. 1830
9924
George Cruikshank, 1792–1878
Letter with Sketches: a Man at a Table, a Man Pointing a Stick and Other Slight Sketches
undated
9925
Amos Green, 1735–1807
Views in England, Scotland and Wales: Furness Abbey
1803
9926
Amos Green, 1735–1807
Views in England, Scotland and Wales: Colwith Force
1803
9927
Thomas Stothard, 1755–1834
Chinese Youth Weaving
undated
9928
Robert Streatfeild, 1786–1852
Spa, Germany - a road flanked by a high bank
undated
9929
Amos Green, 1735–1807
Views in England, Scotland and Wales: Conway Castle
1803
9930
Amos Green, 1735–1807
Views in England, Scotland and Wales: The Pass of Penmanmawr
1803
9931
Robert Streatfeild, 1786–1852
Boulogne, France - a Mill in a Wooded Valley
undated
9932
Amos Green, 1735–1807
Views in England, Scotland and Wales: Snowdon, from Capel Cerrig
1803
9933
attributed to Richard Dadd, 1817–1886
A Seated Figure on Horseback
undated
9934
Amos Green, 1735–1807
Views in England, Scotland and Wales: Near Capel Cerrig
1803
9935
Amos Green, 1735–1807
Views in England, Scotland and Wales: Conway Castle
1803
9936
Thomas Sully, 1783–1872
Color Guide, Based on Varley's List of Colors
between 1814 and 1838
9937
Thomas Sully, 1783–1872
Hilly Landscape
undated
9938
Amos Green, 1735–1807
Views in England, Scotland and Wales: Upper Park Cascade
1803
9939
Amos Green, 1735–1807
Views in England, Scotland and Wales: Landscape with Stream
1802
9940
Amos Green, 1735–1807
Views in England, Scotland and Wale: View near Bolton Abbey
1802
9941
Thomas Sully, 1783–1872
Cottage
undated
9942
Richard Dadd, 1817–1886
Landscape with Cottages, Broadmoor
1873
9943
Thomas Sully, 1783–1872
Landscape with Trees and Mountains, Lake in Foreground
undated
9944
Amos Green, 1735–1807
Views in England, Scotland and Wales: Park Cascade
1803
9945
Amos Green, 1735–1807
Views in England, Scotland and Wales: Transient effect on Skodow and c., on returning from the fall of Lowdoor, July 30, 1805
1805
9946
Amos Green, 1735–1807
Views in England, Scotland and Wales: Beyond Barden Tower
1803
9947
Amos Green, 1735–1807
Views in England, Scotland and Wales: Evening gleam at Lowdoor
9948
Amos Green, 1735–1807
Views in England, Scotland and Wales: Watenlath, August 30, 1802
9949
Thomas Sully, 1783–1872
Landscape Scene From Hilltop, Looking into Sunlit Valley
undated
9950
Amos Green, 1735–1807
Views in England, Scotland and Wales: Upper part of the Fall of Lowdoor, A Study from Nature
1803
9951
Thomas Sully, 1783–1872
Landscape with Building Structure
ca. 1805
9952
Thomas Sully, 1783–1872
Hints for Composition by Varley - 1805
1805
9953
Amos Green, 1735–1807
Views in England, Scotland and Wales: Chepstow Castle, October 15, 1802
1802
9954
Amos Green, 1735–1807
Views in England, Scotland and Wales: The Devil's Bridge near Aberystwith, Cardiganshire, September 1804
1804
9955
Amos Green, 1735–1807
Views in England, Scotland and Wales: Scene at the Devil's Bridge
9956
Amos Green, 1735–1807
Views in England, Scotland and Wales: Caerphilly Castle, Glamorganshire
9957
Amos Green, 1735–1807
Views in England, Scotland and Wales: Scene from the Inn at Devil's Bridge with the Fall of the Rhydal
1804
9958
Amos Green, 1735–1807
Views in England, Scotland and Wales: Bowdar Stone Borrowdale, August 30, 1802
1802
9959
Amos Green, 1735–1807
Views in England, Scotland and Wales: Inn at the Devil's Bridge, with the Fall of the Mynach
1804
9960
Amos Green, 1735–1807
Views in England, Scotland and Wales: Part of the Fall of the Mynach
9961
Amos Green, 1735–1807
Views in England, Scotland and Wales: Brecknoch
9962
Amos Green, 1735–1807
Views in England, Scotland and Wales: From a Picture in the Duke of Devonshire's House at Londesbro'
9963
Amos Green, 1735–1807
Views in England, Scotland and Wales: Prebend's Bridge at Durham
1799
9964
Amos Green, 1735–1807
Views in England, Scotland and Wales: Darley Pond, Buttercoomb Moor
9965
Amos Green, 1735–1807
Views in England, Scotland and Wales: In Londesbro' Park
9966
Amos Green, 1735–1807
Views in England, Scotland and Wales: Vue de la Caverne de St. Beat, sur le Lac De Thun
between 1796 and 1808
9967
Amos Green, 1735–1807
Views in England, Scotland and Wales: Copied from a Picture in the Duke of Devonshire's House at Londesbro'
9968
Print made by Thomas Girtin, 1775–1802
The Water Mill above the Bridge at Charenton 1803; Plate 20 from Views in Paris, the Emanuel Volume tracing of the plate B181.25.2629
1803
9969
after Thomas Girtin, 1775–1802
On the Banks of the Marne below the Bridge at Charenton 1803; Plate 19 from Views in Paris, the Emanuel Volume tracing of the plate B1981.25.2628
1803
9970
Robert Dighton, 1752–1814
A Lesson Westward - or A Morning Visit to Betsy Cole
1782
9971
Thomas Sully, 1783–1872
Town Scene on River
undated
9972
Thomas Sully, 1783–1872
Landscape with Canal and Lock; Figures at Lock
undated
9973
Thomas Sully, 1783–1872
Fishermen at a Mountain Stream
undated
9974
Thomas Sully, 1783–1872
Augt 15th. Conway Castle
undated
9975
Thomas Sully, 1783–1872
Rocky Landscape, Large Tree Trunk in Foreground
undated
9976
Thomas Sully, 1783–1872
Landscape with Castle in Background
undated
9977
Robert Dighton, 1752–1814
Margaret Nicholson Attempting to Assassinate His Majesty, George III, at the Garden Entrance of St. James's Palace, 2nd August 1786
1786
9978
Thomas Sully, 1783–1872
Two Drawings on One Sheet: Landscape With Tree in Foreground and Mountains in Distance - Hobbema and Ruysdael's Principle (no. 5); Figure in interior Scene - Teniers and Ostade's Principle (no. 6)
undated
9979
Thomas Sully, 1783–1872
Mountain Scene with Stream, Cows and Figures
undated
9980
Robert Dighton, 1752–1814
Bachelor's Hall
undated
9981
Thomas Sully, 1783–1872
Two Drawings on One Sheet: Landscape with Figure Reclining Against Hill - Titian and Venetian School (no. 7); Landscape - Variety of Watercolor Washes (no. 8)
undated
9982
Thomas Sully, 1783–1872
Two Drawings on One Sheet: Landscape - Color Wash, Titian (no. 9); Landscape - color wash, Rubens (no. 10)
undated
9983
Thomas Sully, 1783–1872
Two Drawings on One Sheet: Landscape with Large Cliff in Foreground - Cuyp's Principle (no. 3); Landscape with Tree in Foreground, Mountains in Distance - Both's Principle (no. 4)
undated
9984
Thomas Sully, 1783–1872
Two Drawings on One Sheet: Sky Study - Turner's Principle (no. 11); Landscape With Hills and Tree (no. 12)
undated
9985
Thomas Sully, 1783–1872
Two Drawings on One Sheet: Landscape with Castle - Modern Manner (no. 13); Landscape with Figures in Foreground (no. 14)
undated
9986
Thomas Sully, 1783–1872
Landscape with Knoll with Trees, Figure on Horseback
undated
9987
attributed to Charles Claude Pyne, 1802–1878
View of St. Catherine's Hill near Guildford
undated
9988
Thomas Henry Wyatt, 1807–1880
Jedburgh Parish Church
undated
9989
Samuel Woodforde, 1763–1817
A Bard and a Shepherd
undated
9990
Jack Butler Yeats, 1871–1957
The Red Pony
undated
9991
Isaac Weld, 1774–1856
View of Niagara Falls with Two Figures on Rock in Right Foreground
between 1795 and 1797
9992
John Downman, 1750–1824
Mrs. Ives of Catton
1780
9993
Isaac Weld, 1774–1856
View of the Falls of Niagara
between 1795 and 1797
9994
Le Blond & Co., 1819–1894
Stolen Pleasures
9995
Le Blond & Co., 1819–1894
Lake Katrine, Scotland
9996
Henry Edridge, 1769–1821
Windsor Castle from the Brocas
1802
9997
George Frederic Watts, 1817–1904
Study for a Head of a Child
ca. 1860
9998
Print made by Thomas Gaugain, 1748–1812
Diligence and Dissipation: The Wanton Dying in Poverty and Disease Visited by the Modest Girl (Plate 9)