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9901. Sketch of Monnikendam in Distance

Sketch of Monnikendam in Distance
Creator:
Print made by Sir Frank Short, 1857–1945
Date:
1892
Materials & Techniques:
Etching on wove paper
Dimensions:
Sheet: 3 × 9 7/8 inches (7.6 × 25.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

9902. Kwakelburg, Edam

Kwakelburg, Edam
Creator:
Print made by Sir Frank Short, 1857–1945
Date:
1892
Materials & Techniques:
Etching on wove paper
Dimensions:
Sheet: 4 7/8 × 2 3/4 inches (12.4 × 7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

9903. Canterbury Cathedral from the meadows

Canterbury Cathedral from the meadows
Creator:
Print made by Sir Frank Short, 1857–1945
Date:
1930
Materials & Techniques:
Etching on laid paper
Dimensions:
Sheet: 9 3/4 × 13 5/8 inches (24.8 × 34.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

9904. Memorial to Henry Flitcroft from Teddington Church

Memorial to Henry Flitcroft from Teddington Church
Creator:
Daniel Lysons, 1762–1834
Date:
between 1796 and 1811
Materials & Techniques:
Pen and black and watercolor over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 7/8 × 10 5/8 inches (37.8 × 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9905. Memorial to Sir George Carey from Drayton Church

Memorial to Sir George Carey from Drayton Church
Creator:
Daniel Lysons, 1762–1834
Date:
between 1796 and 1811
Materials & Techniques:
Pen and black ink and watercolor over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 3/4 × 10 3/4 inches (37.5 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9906. Memorial to Two Cousins both Named Elizabeth Isaak from Hanworth Church

Memorial to Two Cousins both Named Elizabeth Isaak from Hanworth Church
Creator:
Daniel Lysons, 1762–1834
Date:
between 1796 and 1811
Materials & Techniques:
Pen and black ink and watercolor over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 1/8 × 11 inches (38.4 × 27.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9907. Memorial to Reverand Joseph Trapp from Harlington Church

Memorial to Reverand Joseph Trapp from Harlington Church
Creator:
Daniel Lysons, 1762–1834
Date:
between 1796 and 1811
Materials & Techniques:
Pen and black ink and watercolor over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 1/8 × 11 inches (38.4 × 27.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9908. Memorial to John William from Harlington Church

Memorial to John William from Harlington Church
Creator:
Daniel Lysons, 1762–1834
Date:
between 1796 and 1811
Materials & Techniques:
Pen and black ink and watercolor over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 1/4 × 11 1/8 inches (38.7 × 28.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9909. Memorial to Thomas and Ann Felows from Hillingdon Church

Memorial to Thomas and Ann Felows from Hillingdon Church
Creator:
Daniel Lysons, 1762–1834
Date:
between 1796 and 1811
Materials & Techniques:
Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 × 10 5/8 inches (35.6 × 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9910. Deucalion and Pyrrha after the Flood

Deucalion and Pyrrha after the Flood
Creator:
Print made by Lydia Bates, active 1784
Date:
1784
Materials & Techniques:
Etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 11 1/2 x 16 1/4 inches (29.2 x 41.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

9911. Views in England, Scotland and Wales: Tour in Scotland; Dunkeld

Views in England, Scotland and Wales: Tour in Scotland; Dunkeld
Creator:
Amos Green, 1735–1807
Date:
1803
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9912. Views in England, Scotland and Wales: Tour in Scotland; Corie Lin; one of the Falls of the Clyde

Views in England, Scotland and Wales: Tour in Scotland; Corie Lin; one of the Falls of the Clyde
Creator:
Amos Green, 1735–1807
Date:
1803
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9913. Eton from the Thames

Eton from the Thames
Creator:
attributed to David Cox, 1783–1859
Date:
between 1800 and 1829
Materials & Techniques:
Watercolor and graphite, with scratching out on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 8 3/8 x 13 1/8 inches (21.3 x 33.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9914. Mount Honey, Fonthill, Wiltshire

Mount Honey, Fonthill, Wiltshire
Creator:
William Rider, active 1824–1849
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 1/4 × 7 5/8 inches (13.3 × 19.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9915. The North Terrace, Looking East

The North Terrace, Looking East
Creator:
Paul Sandby, 1731–1809
Date:
ca. 1765
Materials & Techniques:
Gouache and watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 1/8 x 21 1/4 inches (38.4 x 54 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9916. The Norman Gate and Deputy Governor's House

The Norman Gate and Deputy Governor's House
Creator:
Paul Sandby, 1731–1809
Date:
ca. 1765
Materials & Techniques:
Gouache on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 15 1/8 x 21 1/4 inches (38.4 x 54 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9917. Mountainous Landscape

Mountainous Landscape
Creator:
Amos Green, 1735–1807
Date:
1803
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9918. Views in England, Scotland and Wales; Tour in Scotland: Distant View of Keswick and Basenth Waite

Views in England, Scotland and Wales; Tour in Scotland: Distant View of Keswick and Basenth Waite
Creator:
Amos Green, 1735–1807
Date:
1803
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9919. A Girl with a Watering Can facing left: Sarah Hough, Mrs. T.P. Sandby's Nursery Maid

A Girl with a Watering Can facing left: Sarah Hough, Mrs. T.P. Sandby's Nursery Maid
Creator:
Paul Sandby, 1731–1809
Date:
ca. 1805
Materials & Techniques:
Gray wash, pen and gray ink and graphite on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 5 3/8 x 3 1/2 inches (13.7 x 8.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9920. Views in England, Scotland and Wales; Tour in Scotland: Near Lowdoor

Views in England, Scotland and Wales; Tour in Scotland: Near Lowdoor
Creator:
Amos Green, 1735–1807
Date:
1803
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9921. View on the Line of the Liverpool and Manchester Railway

View on the Line of the Liverpool and Manchester Railway
Creator:
Isaac Shaw, active 1830
Date:
ca. 1830
Materials & Techniques:
Brown wash, brown ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 1/8 × 8 5/8 inches (15.6 × 21.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9922. Study of a Pianist and Bass Player

Study of a Pianist and Bass Player
Creator:
Walter Richard Sickert, 1860–1942
Date:
undated
Materials & Techniques:
Black chalk and white chalk on medium, moderately textured, blue wove paper
Dimensions:
Sheet: 15 7/8 x 11 1/4 inches (40.3 x 28.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9923. Bridge over the Irwell and Entrance into Manchester

Bridge over the Irwell and Entrance into Manchester
Creator:
Isaac Shaw, active 1830
Date:
ca. 1830
Materials & Techniques:
Brown wash, brown ink, and graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 6 1/2 × 8 5/8 inches (16.5 × 21.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9924. Letter with Sketches: a Man at a Table, a Man Pointing a Stick and Other Slight Sketches

Letter with Sketches: a Man at a Table, a Man Pointing a Stick and Other Slight Sketches
Creator:
George Cruikshank, 1792–1878
Date:
undated
Materials & Techniques:
Graphite, pen and black ink, and watercolor on medium, slightly textured, blue laid paper
Dimensions:
Sheet: 8 3/8 x 7 3/4in. (21.3 x 19.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9925. Views in England, Scotland and Wales: Furness Abbey

Views in England, Scotland and Wales: Furness Abbey
Creator:
Amos Green, 1735–1807
Date:
1803
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9926. Views in England, Scotland and Wales: Colwith Force

Views in England, Scotland and Wales: Colwith Force
Creator:
Amos Green, 1735–1807
Date:
1803
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9927. Chinese Youth Weaving

Chinese Youth Weaving
Creator:
Thomas Stothard, 1755–1834
Date:
undated
Materials & Techniques:
Watercolor and pen and gray ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 x 8 1/2in. (22.9 x 21.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9928. Spa, Germany - a road flanked by a high bank

Spa, Germany - a road flanked by a high bank
Creator:
Robert Streatfeild, 1786–1852
Date:
undated
Materials & Techniques:
Graphite, pen and ink, and watercolor on medium, smooth, cream wove paper
Dimensions:
Sheet: 7 7/8 × 10 7/8 inches (20 × 27.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9929. Views in England, Scotland and Wales: Conway Castle

Views in England, Scotland and Wales: Conway Castle
Creator:
Amos Green, 1735–1807
Date:
1803
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9930. Views in England, Scotland and Wales: The Pass of Penmanmawr

Views in England, Scotland and Wales: The Pass of Penmanmawr
Creator:
Amos Green, 1735–1807
Date:
1803
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9931. Boulogne, France - a Mill in a Wooded Valley

Boulogne, France - a Mill in a Wooded Valley
Creator:
Robert Streatfeild, 1786–1852
Date:
undated
Materials & Techniques:
Watercolor, graphite, and pen and ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 × 7 1/2 inches (12.7 × 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9932. Views in England, Scotland and Wales: Snowdon, from Capel Cerrig

Views in England, Scotland and Wales: Snowdon, from Capel Cerrig
Creator:
Amos Green, 1735–1807
Date:
1803
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9933. A Seated Figure on Horseback

A Seated Figure on Horseback
Creator:
attributed to Richard Dadd, 1817–1886
Date:
undated
Materials & Techniques:
Watercolor, gouache, and graphite on thick, rough, beige wove paper
Dimensions:
Sheet: 10 x 7 7/8 inches (25.4 x 20 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9934. Views in England, Scotland and Wales: Near Capel Cerrig

Views in England, Scotland and Wales: Near Capel Cerrig
Creator:
Amos Green, 1735–1807
Date:
1803
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9935. Views in England, Scotland and Wales: Conway Castle

Views in England, Scotland and Wales: Conway Castle
Creator:
Amos Green, 1735–1807
Date:
1803
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9936. Color Guide, Based on Varley's List of Colors

Color Guide, Based on Varley's List of Colors
Creator:
Thomas Sully, 1783–1872
Date:
between 1814 and 1838
Materials & Techniques:
Watercolor, with pen and brown ink on medium, moderately textured, beige laid paper
Dimensions:
Sheet: 11 1/2 × 9 1/2 inches (29.2 × 24.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9937. Hilly Landscape

Hilly Landscape
Creator:
Thomas Sully, 1783–1872
Date:
undated
Materials & Techniques:
Watercolor on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 3 9/16 × 4 5/8 inches (9 × 11.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9938. Views in England, Scotland and Wales: Upper Park Cascade

Views in England, Scotland and Wales: Upper Park Cascade
Creator:
Amos Green, 1735–1807
Date:
1803
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9939. Views in England, Scotland and Wales: Landscape with Stream

Views in England, Scotland and Wales: Landscape with Stream
Creator:
Amos Green, 1735–1807
Date:
1802
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9940. Views in England, Scotland and Wale: View near Bolton Abbey

Views in England, Scotland and Wale: View near Bolton Abbey
Creator:
Amos Green, 1735–1807
Date:
1802
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9941. Cottage

Cottage
Creator:
Thomas Sully, 1783–1872
Date:
undated
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 4 1/2 × 5 15/16 inches (11.4 × 15.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9942. Landscape with Cottages, Broadmoor

Landscape with Cottages, Broadmoor
Creator:
Richard Dadd, 1817–1886
Date:
1873
Materials & Techniques:
Watercolor, gouache, and graphite on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 9 3/4 x 14 7/8 inches (24.8 x 37.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9943. Landscape with Trees and Mountains, Lake in Foreground

Landscape with Trees and Mountains, Lake in Foreground
Creator:
Thomas Sully, 1783–1872
Date:
undated
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 5 13/16 × 10 5/16 inches (14.8 × 26.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9944. Views in England, Scotland and Wales: Park Cascade

Views in England, Scotland and Wales: Park Cascade
Creator:
Amos Green, 1735–1807
Date:
1803
Materials & Techniques:
Watercolor
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9945. Views in England, Scotland and Wales: Transient effect on Skodow and c., on returning from the fall of Lowdoor, July 30, 1805

Views in England, Scotland and Wales: Transient effect on Skodow and c., on returning from the fall of Lowdoor, July 30, 1805
Creator:
Amos Green, 1735–1807
Date:
1805
Materials & Techniques:
Watercolor
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9946. Views in England, Scotland and Wales: Beyond Barden Tower

Views in England, Scotland and Wales: Beyond Barden Tower
Creator:
Amos Green, 1735–1807
Date:
1803
Materials & Techniques:
Watercolor
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9947. Views in England, Scotland and Wales: Evening gleam at Lowdoor

Views in England, Scotland and Wales: Evening gleam at Lowdoor
Creator:
Amos Green, 1735–1807
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9948. Views in England, Scotland and Wales: Watenlath, August 30, 1802

Views in England, Scotland and Wales: Watenlath, August 30, 1802
Creator:
Amos Green, 1735–1807
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9949. Landscape Scene From Hilltop, Looking into Sunlit Valley

Landscape Scene From Hilltop, Looking into Sunlit Valley
Creator:
Thomas Sully, 1783–1872
Date:
undated
Materials & Techniques:
Watercolor and gouache on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 6 × 8 13/16 inches (15.2 × 22.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9950. Views in England, Scotland and Wales: Upper part of the Fall of Lowdoor, A Study from Nature

Views in England, Scotland and Wales: Upper part of the Fall of Lowdoor, A Study from Nature
Creator:
Amos Green, 1735–1807
Date:
1803
Materials & Techniques:
Watercolor
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9951. Landscape with Building Structure

Landscape with Building Structure
Creator:
Thomas Sully, 1783–1872
Date:
ca. 1805
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 5 7/8 × 9 1/16 inches (14.9 × 23 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9952. Hints for Composition by Varley - 1805

Hints for Composition by Varley - 1805
Creator:
Thomas Sully, 1783–1872
Date:
1805
Materials & Techniques:
Gray wash, with pen and brown ink on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 10 3/8 × 8 1/4 inches (26.4 × 21 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9953. Views in England, Scotland and Wales: Chepstow Castle, October 15, 1802

Views in England, Scotland and Wales: Chepstow Castle, October 15, 1802
Creator:
Amos Green, 1735–1807
Date:
1802
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9954. Views in England, Scotland and Wales: The Devil's Bridge near Aberystwith, Cardiganshire, September 1804

Views in England, Scotland and Wales: The Devil's Bridge near Aberystwith, Cardiganshire, September 1804
Creator:
Amos Green, 1735–1807
Date:
1804
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9955. Views in England, Scotland and Wales: Scene at the Devil's Bridge

Views in England, Scotland and Wales: Scene at the Devil's Bridge
Creator:
Amos Green, 1735–1807
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9956. Views in England, Scotland and Wales: Caerphilly Castle, Glamorganshire

Views in England, Scotland and Wales: Caerphilly Castle, Glamorganshire
Creator:
Amos Green, 1735–1807
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9957. Views in England, Scotland and Wales: Scene from the Inn at Devil's Bridge with the Fall of the Rhydal

Views in England, Scotland and Wales: Scene from the Inn at Devil's Bridge with the Fall of the Rhydal
Creator:
Amos Green, 1735–1807
Date:
1804
Materials & Techniques:
Gray wash over graphite on wove paper
Dimensions:
Sheet: 12 5/8 x 16 3/8in. (32.1 x 41.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9958. Views in England, Scotland and Wales: Bowdar Stone Borrowdale, August 30, 1802

Views in England, Scotland and Wales: Bowdar Stone Borrowdale, August 30, 1802
Creator:
Amos Green, 1735–1807
Date:
1802
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9959. Views in England, Scotland and Wales: Inn at the Devil's Bridge, with the Fall of the Mynach

Views in England, Scotland and Wales: Inn at the Devil's Bridge, with the Fall of the Mynach
Creator:
Amos Green, 1735–1807
Date:
1804
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9960. Views in England, Scotland and Wales: Part of the Fall of the Mynach

Views in England, Scotland and Wales: Part of the Fall of the Mynach
Creator:
Amos Green, 1735–1807
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9961. Views in England, Scotland and Wales: Brecknoch

Views in England, Scotland and Wales: Brecknoch
Creator:
Amos Green, 1735–1807
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9962. Views in England, Scotland and Wales: From a Picture in the Duke of Devonshire's House at Londesbro'

Views in England, Scotland and Wales: From a Picture in the Duke of Devonshire's House at Londesbro'
Creator:
Amos Green, 1735–1807
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9963. Views in England, Scotland and Wales: Prebend's Bridge at Durham

Views in England, Scotland and Wales: Prebend's Bridge at Durham
Creator:
Amos Green, 1735–1807
Date:
1799
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9964. Views in England, Scotland and Wales: Darley Pond, Buttercoomb Moor

Views in England, Scotland and Wales: Darley Pond, Buttercoomb Moor
Creator:
Amos Green, 1735–1807
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9965. Views in England, Scotland and Wales: In Londesbro' Park

Views in England, Scotland and Wales: In Londesbro' Park
Creator:
Amos Green, 1735–1807
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9966. Views in England, Scotland and Wales: Vue de la Caverne de St. Beat, sur le Lac De Thun

Views in England, Scotland and Wales: Vue de la Caverne de St. Beat, sur le Lac De Thun
Creator:
Amos Green, 1735–1807
Date:
between 1796 and 1808
Materials & Techniques:
Gray wash, black ink, white gouache, and graphite on wove paper
Dimensions:
Sheet: 13 x 16 7/8in. (33 x 42.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9967. Views in England, Scotland and Wales: Copied from a Picture in the Duke of Devonshire's House at Londesbro'

Views in England, Scotland and Wales: Copied from a Picture in the Duke of Devonshire's House at Londesbro'
Creator:
Amos Green, 1735–1807
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9968. The Water Mill above the Bridge at Charenton 1803; Plate 20 from Views in Paris, the Emanuel Volume tracing of the plate B181.25.2629

The Water Mill above the Bridge at Charenton 1803; Plate 20 from Views in Paris, the Emanuel Volume tracing of the plate B181.25.2629
Creator:
Print made by Thomas Girtin, 1775–1802
Date:
1803
Materials & Techniques:
Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 3/4 × 24 1/2 inches (40 × 62.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9969. On the Banks of the Marne below the Bridge at Charenton 1803; Plate 19 from Views in Paris, the Emanuel Volume tracing of the plate B1981.25.2628

On the Banks of the Marne below the Bridge at Charenton 1803; Plate 19 from Views in Paris, the Emanuel Volume tracing of the plate B1981.25.2628
Creator:
after Thomas Girtin, 1775–1802
Date:
1803
Materials & Techniques:
Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 5/8 × 24 5/8 inches (39.7 × 62.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9970. A Lesson Westward - or A Morning Visit to Betsy Cole

A Lesson Westward - or A Morning Visit to Betsy Cole
Creator:
Robert Dighton, 1752–1814
Date:
1782
Materials & Techniques:
Mezzotint and etching, hand-colored with gummed gouache on moderately thick, slightly textured, gray laid paper
Dimensions:
Sheet: 13 7/16 × 9 13/16 inches (34.2 × 25 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9971. Town Scene on River

Town Scene on River
Creator:
Thomas Sully, 1783–1872
Date:
undated
Materials & Techniques:
Watercolor, gouache and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 8 9/16 × 12 3/16 inches (21.7 × 31 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9972. Landscape with Canal and Lock; Figures at Lock

Landscape with Canal and Lock; Figures at Lock
Creator:
Thomas Sully, 1783–1872
Date:
undated
Materials & Techniques:
Watercolor, pen and brown ink, graphite, and gouache on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 9 7/8 × 13 1/4 inches (25.1 × 33.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9973. Fishermen at a Mountain Stream

Fishermen at a Mountain Stream
Creator:
Thomas Sully, 1783–1872
Date:
undated
Materials & Techniques:
Gray wash, black wash and graphite on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 3 13/16 × 5 3/8 inches (9.7 × 13.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9974. Augt 15th. Conway Castle

Augt 15th. Conway Castle
Creator:
Thomas Sully, 1783–1872
Date:
undated
Materials & Techniques:
Watercolor, gouache and graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 8 1/2 × 11 1/4 inches (21.6 × 28.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9975. Rocky Landscape, Large Tree Trunk in Foreground

Rocky Landscape, Large Tree Trunk in Foreground
Creator:
Thomas Sully, 1783–1872
Date:
undated
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 4 × 5 1/4 inches (10.2 × 13.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9976. Landscape with Castle in Background

Landscape with Castle in Background
Creator:
Thomas Sully, 1783–1872
Date:
undated
Materials & Techniques:
Gray wash and black wash on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 3 1/8 × 4 9/16 inches (7.9 × 11.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9977. Margaret Nicholson Attempting to Assassinate His Majesty, George III, at the Garden Entrance of St. James's Palace, 2nd August 1786

Margaret Nicholson Attempting to Assassinate His Majesty, George III, at the Garden Entrance of St. James's Palace, 2nd August 1786
Creator:
Robert Dighton, 1752–1814
Date:
1786
Materials & Techniques:
Watercolor, pen and black ink, graphite, and gouache on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 12 7/8 x 10 1/8 inches (32.7 x 25.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9978. Two Drawings on One Sheet: Landscape With Tree in Foreground and Mountains in Distance - Hobbema and Ruysdael's Principle (no. 5); Figure in interior Scene - Teniers and Ostade's Principle (no. 6)

Two Drawings on One Sheet: Landscape With Tree in Foreground and Mountains in Distance - Hobbema and Ruysdael's Principle (no. 5); Figure in interior Scene - Teniers and Ostade's Principle (no. 6)
Creator:
Thomas Sully, 1783–1872
Date:
undated
Materials & Techniques:
Watercolor on moderately thick, rough, cream wove paper
Dimensions:
Sheet: 10 × 7 1/2 inches (25.4 × 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9979. Mountain Scene with Stream, Cows and Figures

Mountain Scene with Stream, Cows and Figures
Creator:
Thomas Sully, 1783–1872
Date:
undated
Materials & Techniques:
Watercolor, gouache, graphite and sponging on medium, smooth, beige wove paper
Dimensions:
Sheet: 8 5/8 × 11 1/4 inches (21.9 × 28.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9980. Bachelor's Hall

Bachelor's Hall
Creator:
Robert Dighton, 1752–1814
Date:
undated
Materials & Techniques:
Watercolor, gouache, pen, brown ink, and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 13 5/8 x 9 7/8 inches (34.6 x 25.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9981. Two Drawings on One Sheet: Landscape with Figure Reclining Against Hill - Titian and Venetian School (no. 7); Landscape - Variety of Watercolor Washes (no. 8)

Two Drawings on One Sheet: Landscape with Figure Reclining Against Hill - Titian and Venetian School (no. 7); Landscape - Variety of Watercolor Washes (no. 8)
Creator:
Thomas Sully, 1783–1872
Date:
undated
Materials & Techniques:
Watercolor and gouache on moderately thick, rough, cream wove paper
Dimensions:
Sheet: 9 15/16 × 7 1/2 inches (25.2 × 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9982. Two Drawings on One Sheet: Landscape - Color Wash, Titian (no. 9); Landscape - color wash, Rubens (no. 10)

Two Drawings on One Sheet: Landscape - Color Wash, Titian (no. 9); Landscape - color wash, Rubens (no. 10)
Creator:
Thomas Sully, 1783–1872
Date:
undated
Materials & Techniques:
Watercolor on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 10 15/16 × 8 3/4 inches (27.8 × 22.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9983. Two Drawings on One Sheet: Landscape with Large Cliff in Foreground - Cuyp's Principle (no. 3); Landscape with Tree in Foreground, Mountains in Distance - Both's Principle (no. 4)

Two Drawings on One Sheet: Landscape with Large Cliff in Foreground - Cuyp's Principle (no. 3); Landscape with Tree in Foreground, Mountains in Distance - Both's Principle (no. 4)
Creator:
Thomas Sully, 1783–1872
Date:
undated
Materials & Techniques:
Watercolor on moderately thick, rough, cream wove paper
Dimensions:
Sheet: 10 5/8 × 7 1/2 inches (27 × 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9984. Two Drawings on One Sheet: Sky Study - Turner's Principle (no. 11); Landscape With Hills and Tree (no. 12)

Two Drawings on One Sheet: Sky Study - Turner's Principle (no. 11); Landscape With Hills and Tree (no. 12)
Creator:
Thomas Sully, 1783–1872
Date:
undated
Materials & Techniques:
Watercolor on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 10 15/16 × 8 11/16 inches (27.8 × 22.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9985. Two Drawings on One Sheet: Landscape with Castle - Modern Manner (no. 13); Landscape with Figures in Foreground (no. 14)

Two Drawings on One Sheet: Landscape with Castle - Modern Manner (no. 13); Landscape with Figures in Foreground (no. 14)
Creator:
Thomas Sully, 1783–1872
Date:
undated
Materials & Techniques:
Watercolor on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 10 15/16 × 8 5/8 inches (27.8 × 21.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9986. Landscape with Knoll with Trees, Figure on Horseback

Landscape with Knoll with Trees, Figure on Horseback
Creator:
Thomas Sully, 1783–1872
Date:
undated
Materials & Techniques:
Watercolor on moderately thick, rough, beige wove paper
Dimensions:
Sheet: 5 5/16 × 9 7/8 inches (13.5 × 25.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9987. View of St. Catherine's Hill near Guildford

View of St. Catherine's Hill near Guildford
Creator:
attributed to Charles Claude Pyne, 1802–1878
Date:
undated
Materials & Techniques:
Watercolor over graphite; on verso: watercolor, graphite and chalk on medium, slightly textured, wove paper
Dimensions:
Sheet: 7 × 19 1/4 inches (17.8 × 48.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9988. Jedburgh Parish Church

Jedburgh Parish Church
Creator:
Thomas Henry Wyatt, 1807–1880
Date:
undated
Materials & Techniques:
Graphite with pen and black ink on smooth, thin, brown wove paper
Dimensions:
Sheet: 17 × 13 1/8 inches (43.2 × 33.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9989. A Bard and a Shepherd

A Bard and a Shepherd
Creator:
Samuel Woodforde, 1763–1817
Date:
undated
Materials & Techniques:
Watercolor over graphite, pen and black ink on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 20 3/16 x 15 1/8 inches (51.3 x 38.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9990. The Red Pony

The Red Pony
Creator:
Jack Butler Yeats, 1871–1957
Date:
undated
Materials & Techniques:
Watercolor and pen and black ink; verso: graphite on very thick, smooth, cream wove paper
Dimensions:
Sheet: 9 1/2 × 6 3/4 inches (24.1 × 17.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9991. View of Niagara Falls with Two Figures on Rock in Right Foreground

View of Niagara Falls with Two Figures on Rock in Right Foreground
Creator:
Isaac Weld, 1774–1856
Date:
between 1795 and 1797
Materials & Techniques:
Watercolor and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 3 15/16 × 5 1/16 inches (10 × 12.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9992. Mrs. Ives of Catton

Mrs. Ives of Catton
Creator:
John Downman, 1750–1824
Date:
1780
Materials & Techniques:
Black chalk and red chalk with stumping on medium, smooth, beige wove paper
Dimensions:
Sheet: 9 x 7 1/4 inches (22.8 x 18.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9993. View of the Falls of Niagara

View of the Falls of Niagara
Creator:
Isaac Weld, 1774–1856
Date:
between 1795 and 1797
Materials & Techniques:
Pen, and black ink, gray ink, gray wash and graphite on medium, slightly textured, cream wove paper
Dimensions:
Mount: 10 11/16 × 13 3/16 inches (27.1 × 33.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9994. Stolen Pleasures

Stolen Pleasures
Creator:
Le Blond & Co., 1819–1894
Materials & Techniques:
Color-printed with mixed media
Dimensions:
Sheet: 5 11/16 x 4 5/16in. (14.4 x 11cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

9995. Lake Katrine, Scotland

Lake Katrine, Scotland
Creator:
Le Blond & Co., 1819–1894
Materials & Techniques:
Color-printed with mixed media
Dimensions:
Sheet: 2 3/8 x 3 11/16in. (6 x 9.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

9996. Windsor Castle from the Brocas

Windsor Castle from the Brocas
Creator:
Henry Edridge, 1769–1821
Date:
1802
Materials & Techniques:
Graphite on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 8 1/4 × 11 3/8 inches (21 × 28.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9997. Study for a Head of a Child

Study for a Head of a Child
Creator:
George Frederic Watts, 1817–1904
Date:
ca. 1860
Materials & Techniques:
Red chalk on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 4 1/4 × 4 7/16 inches (10.8 × 11.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

9998. Diligence and Dissipation: The Wanton Dying in Poverty and Disease Visited by the Modest Girl (Plate 9)

Diligence and Dissipation: The Wanton Dying in Poverty and Disease Visited by the Modest Girl (Plate 9)
Creator:
Print made by Thomas Gaugain, 1748–1812
Date:
1797
Materials & Techniques:
Stipple engraving, open letter proofs
Dimensions:
Sheet: 18 1/8 x 20 13/16in. (46 x 52.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

9999. Studies of a Seated Draped Figure with a Book

Studies of a Seated Draped Figure with a Book
Creator:
George Frederic Watts, 1817–1904
Date:
undated
Materials & Techniques:
Pen and brown ink and graphite on medium, smooth, blue wove paper
Dimensions:
Sheet: 13 9/16 × 8 1/16 inches (34.4 × 20.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

10000. Studies for the Angels in The Court of Death

Studies for the Angels in The Court of Death
Creator:
George Frederic Watts, 1817–1904
Date:
undated
Materials & Techniques:
Black ink and brown ink and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 × 7 1/8 inches (22.9 × 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund