Details of the Screen of Entrance Porch, St Stephen's Chapel
undated
4002
Print made by James Basire, 1730–1802
Plate IX: St Stephen's Chapel
1795
4003
Print made by John Thomas Smith, 1766–1833
Geometrical Construction of the Freeze and Battlements in the House of Commons
1805
4004
Print made by James Basire, 1730–1802
Plate XIII: St Stephen's Chapel
1795
4005
Attributed to John Carter, 1748–1817
Details of Imposts and Bases of Columns, St Stephen's Chapel
between 1790 and 1802
4006
Attributed to John Carter, 1748–1817
Impost moldings, St Stephen's Chapel
between 1790 and 1802
4007
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
4008
Print made by Robert William Billings, 1813–1874
Vestiges of Sculpture and Painting in St Stephen's Chapel, Westminster
1836
4009
Print made by John Thomas Smith, 1766–1833
Oak Door Discovered in the Speaker's State Dining Room
1806
4010
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
4011
Attributed to John Carter, 1748–1817
View in Basement Story under House of Lords
between 1800 and 1807
4012
Print made by Henry Melville, active 1826–1841
House of Commons, the Speaker Reprimanding a Person at the Bar
after 1850
4013
Print made by unknown artist
Plate XXXIX: House of Commons as Fitted Up in 1835
ca. 1836
4014
Attributed to John Carter, 1748–1817
Plan of Painted Chamber
between 1793 and 1799
4015
Attributed to John Carter, 1748–1817
East Front of Painted Chamber
between 1793 and 1799
4016
unknown artist
Exterior of Painted Chamber, North View
undated
4017
Print made by unknown artist
Staircase at Southeast Angle, Painted Chamber, Westminster
1835
4018
Attributed to John Carter, 1748–1817
Palace at Westminster
between 1800 and 1807
4019
Attributed to John Carter, 1748–1817
North Side, Painted Chamber
between 1793 and 1799
4020
Attributed to John Carter, 1748–1817
Side Window, North, Painted Chamber
between 1793 and 1799
4021
unknown artist
Details of Capitals and Arches, Painted Chamber
between 1793 and 1799
4022
Attributed to John Carter, 1748–1817
East End, Painted Chamber
between 1793 and 1799
4023
Attributed to John Carter, 1748–1817
Continuation of East Line of Ancient Buildings on the Left of East End of Painted Chamber
between 1793 and 1799
4024
Attributed to John Carter, 1748–1817
Wall Paintings
between 1793 and 1799
4025
Attributed to John Carter, 1748–1817
Door on South Side of Painted Chamber
between 1793 and 1799
4026
Print made by James Basire II, 1769–1822
Vol. 6, Plate XXVI: Chapel of St Stephen, Chapel of St Mary in the Vaults
1842
4027
Attributed to John Carter, 1748–1817
Details of one of the Figures
ca. 1795
4028
Attributed to John Carter, 1748–1817
Paintings on the Wall by H in Plan
between 1793 and 1799
4029
Print made by James Basire II, 1769–1822
Vol. 6, Plate XXVII: The Painted Chamber
1842
4030
Print made by G.F. Storm, active mid–19th century
Vol. 6, Plate XXVIII
1842
4031
Attributed to John Carter, 1748–1817
Enlarged Detail of Figures from Painting Shown in Previous Sketch
between 1793 and 1799
4032
Print made by G.F. Storm, active mid–19th century
Vol. 6, Plate XXIX
1842
4033
Print made by James Basire II, 1769–1822
Vol. 6, Plate XXXIII: The Captivity of Jehoiachin King of Israel. Continuation of the Story, of the Captivity of the Jews
1842
4034
Print made by James Basire II, 1769–1822
Vol. 6, Plate XXXVI: Continuation of the Acts of the Maccabees. The Battle of Judas Maccabeus with Timotheus and the Fall of Maspha
1842
4035
Print made by James Basire II, 1769–1822
Vol. 6, Plate XXXII: The Story of Hezekiah
1842
4036
Print made by James Basire II, 1769–1822
Vol. 6, Plate XXXVIII: The Triumph of Largesse or Bounty over Avarice. The Triumph of Debonerete or Meekness over Anger
after 1819
4037
Print made by James Basire II, 1769–1822
Vol. 6, Plate XXXV: Continuation as it is Presumed of the Miracles of Elisha, and the Famine of Samaria. The Acts of Judas Maccabeus
1842
4038
Print made by James Basire II, 1769–1822
Vol. 6, Plate XXXVII: The Coronation of Edward the Confessor. Warriors Flying for Refuge into a City
1842
4039
Print made by James Basire II, 1769–1822
Vol. 6, Plate XXXI: A Continuation, as it is Presumed, of the Story of Antiochus. The Story of Abimelech
1842
4040
Print made by unknown artist
Vol. 6, Plate XXXIX: The Story of St John as a Pilgrim, and King Edward the Confessor. Fragment of a Virtue Triumphant. An Ornamental Pattern Found in one of the Round Headed Windows Filled up in the Painted Chamber
undated
4041
George Birch, 1842–1904
Plan and View of Room under the Painted Chamber
1827
4042
Print made by T. Clarke, 1799–1839
Plate XXXVIII: House of Lords, as Fitted up in 1835
1836
4043
George Harley, 1791–1871
Ruins of Westminster Palace
1834
4044
Print made by T. Kearnan, active 1821–1850
The House of Lords, as Restored after the Fire
1835
4045
Attributed to John Carter, 1748–1817
Princes Chamber
between 1800 and 1807
4046
George Birch, 1842–1904
View of Guy Fawkes' Tower
1827
4047
Attributed to John Carter, 1748–1817
South Side of Princes Chamber West
between 1800 and 1807
4048
Attributed to John Carter, 1748–1817
Door near Painted Chamber
between 1800 and 1807
4049
Frederick Mackenzie, 1788–1854
Old Palace Yard
1809
4050
Attributed to William Capon, 1757–1827
Elevation of Buildings Fronting Westminster Hall
1822
4051
Print made by John Woods, active 1836–1860
Plate XXXV: Capital Carved in Stone of the Time of William Rufus; Part of the Ceiling of the Ancient Palace of Westminster
1825
4052
Print made by William Deeble, active 1814–1849
The King's Entrance to the House of Lords, From Poets Corner
1829
4053
Charles James Richardson, 1806–1871
Decoration between Windows of Parlor, No. 3 Old Palace Yard
1871
4054
Print made by R.C. Roffe, active in London 1806–1835
A View of the Range of Building Adjoining Westminster Hall, and Fronting the River Thames; Including a Space of 750 Feet
1827
4055
Print made by unknown artist
Ruins of the Houses of Parliament as they Appeared on the Morning after the Conflagration
1834
4056
Charles James Richardson, 1806–1871
Corbel and Center Ornament, Ceiling of Boudoir, No. 3 Old Palace Yard
1871
4057
Print made by unknown artist
Chance. The London Firemen's Dog
1834
4058
Print made by unknown artist
Destruction of the Houses of Parliament, Oct 16th, 1834, as Seen from Henry VIIth's Chapel
undated
4059
Print made by T. Kearnan, active 1821–1850
New Houses of Parliament, View of the Adopted Design as the Building Would Appear from the Surrey End of Westminster Bridge
ca. 1835
4060
Print made by R.C. Roffe, active in London 1806–1835
Perspective View of the North & East Fronts of the Buildings Connected with the Houses of Parliament and Courts of Law &c. &c., and Showing the Alterations Suggested by Colonel Trench
1827
4061
Print made by unknown artist
Houses of Parliament
undated
4062
Print made by Thomas Talbot Bury, 1811–1877
Elevation of the River Front
ca. 1835
4063
Print made by R.C. Roffe, active in London 1806–1835
Perspective View of the North & East Fronts of the Building Connected with the Houses of Parliament and Courts of Law, &c. &c
1827
4064
Print made by William Henry Toms, ca. 1700–ca. 1750
The South-East Prospect of King Henry The VII's Chapel at Westminster
1739
4065
Print made by Herbert Railton, 1857–1910
Henry VII's Shrine
ca. 1890
4066
Thomas Rowlandson, 1756–1827
The Market Place, Brackley, Northamptonshire
undated
4067
Thomas Rowlandson, 1756–1827
The Launching of H.M.S. 'Hibernia' 1804
ca. 1804
4068
Thomas Rowlandson, 1756–1827
Newport High Street, Isle of Wight
between 1797 and 1800
4069
Thomas Rowlandson, 1756–1827
An Audience at Drury Lane Theatre
undated
4070
Thomas Rowlandson, 1756–1827
View of the Church and Village of St. Cue, Cornwall
ca. 1812
4071
Print made by Joseph C. Bentley, 1809–1851
Rievaulx Abbey
1834-1836
4072
Print made by Thomas Dale, active ca. 1921
Interior of the Chapel of the Holy Trinity
1825
4073
Thomas Rowlandson, 1756–1827
Vauxhall
4074
Robert Tavener, active 1958
Country Walks: Summer
1958
4075
Tom Eckersley, 1914–1997
The London Museum
1963
4076
George Chapman, 1908–1993
Competition: Sculpture Guessing: Make the most of your public transport
1955
4077
Carol Barker, born 1938
London Museum
1969
4078
Terence Tenison Cuneo, 1907–1996
Track Laying by Night
1948
4079
E. H. Spencer, active 1964
York: See Britain by Train
after 1948
4080
Kerry Lee, born 1904
Cambridge
1953
4081
William Bowyer, 1926–2015
Cornwall
after 1948
4082
Kerry Lee, born 1904
Norwich
1953
4083
Bruce Angrave, 1914–1983
Sir Christopher Wren
1964
4084
Stella Marsden, active 1955
Engraved Brasses
1955
4085
David Gentleman, born 1930
Visitor's London
1956
4086
Tom Eckersley, 1914–1997
Watch or Catch
1954
4087
Anthony Eckersley, born 1937
Old St. Paul's
1964
4088
Joan Beales, born 1926
London's Museums
1955
4089
John E. Kashdan, 1917–2001
Sun and a Surrey Aspect
1962
4090
Sheila Robinson, 1925–1987
Royal London: Kensington Palace
1953
4091
Print made by unknown artist
Plate XXXII: Longitudinal Section through the Chantry Chapel and Cloister, St Stephen's Chapel
1835
4092
Attributed to John Carter, 1748–1817
Half the Plan of Ceiling, St Stephen's Chapel
between 1790 and 1802
4093
Charles James Richardson, 1806–1871
Drawing Room Ceiling, No. 3 Old Palace Yard
1871
4094
Charles James Richardson, 1806–1871
Ceiling of Front Parlor House in Old Palace Yard
1871
4095
Charles James Richardson, 1806–1871
Center Flower, and Cornice, Ceiling of Front Parlour, No. 3 Old Palace Yard
1871
4096
Print made by M. Gauci, 1810–1846
The Destruction by Fire of the Houses of Parliament
after 1834
4097
unknown artist
Henry VII Chapel, Westminster Abbey
undated
4098
Print made by Augustus Charles Pugin, 1762–1832
Henry VII Chapel at Westminster Showing Two Renovated Pinacles
undated
4099
Print made by John Collins, active ca. 1682
The North Prospect of Westminster Abbey
between 1680 and 1710
4100
Print made by George Hawkins, active 1795–1810
View of the East End of Henry VIIth Chapel as Restored in 1813