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Pierre Charles Canot Geometrical Plan of his Majesty's dockyard, at Sheerness
Print made by Pierre Charles Canot, ca. 1710–1777
Geometrical Plan of his Majesty's dockyard, at Sheerness
1755
Pierre Charles Canot Geometrical plan of his Majesty's Dockyard near Portsmouth
Print made by Pierre Charles Canot, ca. 1710–1777
Geometrical plan of his Majesty's Dockyard near Portsmouth
1754
Pierre Charles Canot Geometrical Plan of his Majesty's Dockyard, near Plymouth
Print made by Pierre Charles Canot, ca. 1710–1777
Geometrical Plan of his Majesty's Dockyard, near Plymouth
1756
Pierre Charles Canot Geometrical Plan of his Majesty's Dockyard, at Woolwich
Print made by Pierre Charles Canot, ca. 1710–1777
Geometrical Plan of his Majesty's Dockyard, at Woolwich
1753
Spencer Frederick Gore Cave of the Golden Calf: Study of Two Frenzied Dancers
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Study of Two Frenzied Dancers
1912
Thomas Higham Benacre Hall, Suffolk
Thomas Higham, 1796–1844
Benacre Hall, Suffolk
1819
S. T. Davies Lincoln from the River Witham
Print made by S. T. Davies, active ca. 1835
Lincoln from the River Witham
undated
J. Blore Window in St. Dunstan's in the West, London
Print made by J. Blore
Window in St. Dunstan's in the West, London
1834
Stella Marsden Engraved Brasses
Stella Marsden, active 1955
Engraved Brasses
1955
E. H. Spencer York: See Britain by Train
E. H. Spencer, active 1964
York: See Britain by Train
after 1948
Robert Dighton Fives played at the Tennis court Leicester Fields
Robert Dighton, 1752–1814
Fives played at the Tennis court Leicester Fields
ca. 1784
Robert Dighton Cricket played by the Gentlemens Club, Whiteconduit House
Robert Dighton, 1752–1814
Cricket played by the Gentlemens Club, Whiteconduit House
1784
Robert Dighton Coits Played opposite the Horns, Kennington Common
Robert Dighton, 1752–1814
Coits Played opposite the Horns, Kennington Common
ca. 1784
Robert Dighton Foot Ball played at Market Place, Barnet
Robert Dighton, 1752–1814
Foot Ball played at Market Place, Barnet
ca. 1784
Robert Dighton Four Corners Played at the Swan, Chelsea
Robert Dighton, 1752–1814
Four Corners Played at the Swan, Chelsea
ca. 1784
Edward Duncan The First Thames Steamboat: Pearl
Edward Duncan, 1803–1882
The First Thames Steamboat: Pearl
undated
Robert Dighton Trap Ball Played at the Black Prince, Newington, Butts
Robert Dighton, 1752–1814
Trap Ball Played at the Black Prince, Newington, Butts
ca. 1784
Bill Brandt People Sheltering in the Tube, Elephant and Castle Underground Station, circa 1939
Bill Brandt, 1904–1983
People Sheltering in the Tube, Elephant and Castle Underground Station, circa 1939
ca. 1939
unknown artist Bideford, from the Bridge
unknown artist
Bideford, from the Bridge
undated
William Parrott Windsor Castle
William Parrott, 1813–ca. 1869
Windsor Castle
undated
John Nixon Bathing Machine on the Common, near Southsea Castle
John Nixon, ca. 1760–1818
Bathing Machine on the Common, near Southsea Castle
1788
John Glover St. Davids Head, Pembrokeshire
John Glover, 1767–1849
St. Davids Head, Pembrokeshire
ca. 1805
James McNeill Whistler The Turret-Ship
Print made by James McNeill Whistler, 1834–1903
The Turret-Ship
1887
James McNeill Whistler Bunting
Print made by James McNeill Whistler, 1834–1903
Bunting
1887
James Wyatt Projected Design for Fonthill Abbey, Wiltshire
James Wyatt, 1746–1813
Projected Design for Fonthill Abbey, Wiltshire
1798
unknown artist Westminster Hall
unknown artist
Westminster Hall
ca. 1850
John Carter Screen, or the outside of the Entrance or Porch of St Stephen's Chapel West
Attributed to John Carter, 1748–1817
Screen, or the outside of the Entrance or Porch of St Stephen's Chapel West
between 1790 and 1802
John Carter Capitals, St Stephen's Chapel
Attributed to John Carter, 1748–1817
Capitals, St Stephen's Chapel
between 1790 and 1802
James Basire Plate XII: St Stephen's Chapel
Print made by James Basire, 1730–1802
Plate XII: St Stephen's Chapel
1795
John Thomas Smith Geometrical Construction of the Freeze and Battlements in the House of Commons
Print made by John Thomas Smith, 1766–1833
Geometrical Construction of the Freeze and Battlements in the House of Commons
1805
John Carter Plate XIX: St Stephen's Chapel
Print made by John Carter, 1748–1817
Plate XIX: St Stephen's Chapel
1811
John Le Keux Compartment on One Side, St Stephen's Chapel
Print made by John Le Keux, 1783–1846
Compartment on One Side, St Stephen's Chapel
1825
John Carter Detail for View in a Chapel in Area of Cloisters of St Stephen's Chapel, Westminster
John Carter, 1748–1817
Detail for View in a Chapel in Area of Cloisters of St Stephen's Chapel, Westminster
between 1790 and 1802
unknown artist The Earl of Lonsdale's Hound Van arriving at a Meet of the Cottesmore Hunt, March 22, 1809
unknown artist
The Earl of Lonsdale's Hound Van arriving at a Meet of the Cottesmore Hunt, March 22, 1809
1809
Bill Brandt Crowded Improvised Air Raid Shelter in Liverpool Street Tube Tunnel
Bill Brandt, 1904–1983
Crowded Improvised Air Raid Shelter in Liverpool Street Tube Tunnel
1940
James McNeill Whistler Dipping the Flag
Print made by James McNeill Whistler, 1834–1903
Dipping the Flag
1887
James Basire View of the Inside of a Small Chapel on the West Side of the Area of the Cloisters of St Stephen's Chapel, Westminster
Print made by James Basire, 1730–1802
View of the Inside of a Small Chapel on the West Side of the Area of the Cloisters of St Stephen's Chapel, Westminster
1795
John Carter Plan of Moldings, St Stephen's Chapel
Attributed to John Carter, 1748–1817
Plan of Moldings, St Stephen's Chapel
between 1790 and 1802
Charles William Cain The Highland Ferry, Scotland
Print made by Charles William Cain, 1893–1962
The Highland Ferry, Scotland
undated
unknown artist Appledore Church, Cornwall
unknown artist
Appledore Church, Cornwall
undated
James McNeill Whistler Visitors' Boat
Print made by James McNeill Whistler, 1834–1903
Visitors' Boat
1887
James McNeill Whistler Troop Ships
Print made by James McNeill Whistler, 1834–1903
Troop Ships
1887
James McNeill Whistler Monitors
Print made by James McNeill Whistler, 1834–1903
Monitors
1887
James McNeill Whistler Dry Dock, Southampton
Print made by James McNeill Whistler, 1834–1903
Dry Dock, Southampton
1887
John Carter Impost and Base of Columns, St Stephen's Chapel
Attributed to John Carter, 1748–1817
Impost and Base of Columns, St Stephen's Chapel
between 1790 and 1802
John Carter Impost moldings, St Stephen's Chapel
Attributed to John Carter, 1748–1817
Impost moldings, St Stephen's Chapel
between 1790 and 1802
unknown artist Plate XXXII: Longitudinal Section through the Chantry Chapel and Cloister, St Stephen's Chapel
Print made by unknown artist
Plate XXXII: Longitudinal Section through the Chantry Chapel and Cloister, St Stephen's Chapel
1835
T. Clarke Plate XXII: Chantry Chapels, Section of West Entrance and Elevation of the East End, St Stephen's Chapel
Print made by T. Clarke, 1799–1839
Plate XXII: Chantry Chapels, Section of West Entrance and Elevation of the East End, St Stephen's Chapel
1835
John Carter Details of Imposts and Bases of Columns, St Stephen's Chapel
Attributed to John Carter, 1748–1817
Details of Imposts and Bases of Columns, St Stephen's Chapel
between 1790 and 1802
John Carter Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
John Carter Basso-relievos in the Groins of the Cloisters, Adjoining St Stephen's Chapel West
Attributed to John Carter, 1748–1817
Basso-relievos in the Groins of the Cloisters, Adjoining St Stephen's Chapel West
ca. 1781
John Carter Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
John Carter Basso-relievos in the Groins of the Undercroft of St Stephen's Chapel
Attributed to John Carter, 1748–1817
Basso-relievos in the Groins of the Undercroft of St Stephen's Chapel
ca. 1781
John Carter Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
John Carter Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
John Carter Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
John Carter Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
John Carter Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
John Carter Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
John Carter Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
Robert William Billings Vestiges of Sculpture and Painting in St Stephen's Chapel, Westminster
Print made by Robert William Billings, 1813–1874
Vestiges of Sculpture and Painting in St Stephen's Chapel, Westminster
1836
John Le Keux Plate XXVII: St Stephen's Chapel, Looking East, Westminster
Print made by John Le Keux, 1783–1846
Plate XXVII: St Stephen's Chapel, Looking East, Westminster
ca. 1836
Henry Melville The House of Commons
Print made by Henry Melville, active 1826–1841
The House of Commons
1834
unknown artist Entrance of the House of Lords with the Office of Ordnance
Print made by unknown artist
Entrance of the House of Lords with the Office of Ordnance
undated
John Carter Elevation of the Basement Story, House of Lords
Attributed to John Carter, 1748–1817
Elevation of the Basement Story, House of Lords
between 1800 and 1807
James Fittler The King on his Throne in the House of Lords
Print made by James Fittler, 1758–1835
The King on his Throne in the House of Lords
1804
Sir John Soane Plan of the Ground Floor, House of Lords
Attributed to office of Sir John Soane, 1753–1837
Plan of the Ground Floor, House of Lords
1835
unknown artist Peers' Entrance
unknown artist
Peers' Entrance
undated
John Greig The Painted Chamber, Westminster
Print made by John Greig, active 1803–1853
The Painted Chamber, Westminster
1804
John Carter Palace at Westminster
Attributed to John Carter, 1748–1817
Palace at Westminster
between 1800 and 1807
unknown artist Exterior of Painted Chamber, North View
unknown artist
Exterior of Painted Chamber, North View
undated
John Carter Plan of Painted Chamber
Attributed to John Carter, 1748–1817
Plan of Painted Chamber
between 1793 and 1799
Sir John Soane Plan of the Upper Floor of Lord Committee Rooms
Attributed to office of Sir John Soane, 1753–1837
Plan of the Upper Floor of Lord Committee Rooms
1835
John Carter East Front of Painted Chamber
Attributed to John Carter, 1748–1817
East Front of Painted Chamber
between 1793 and 1799
John Thomas Smith Oak Door Discovered in the Speaker's State Dining Room
Print made by John Thomas Smith, 1766–1833
Oak Door Discovered in the Speaker's State Dining Room
1806
John Carter Side Window, North, Painted Chamber
Attributed to John Carter, 1748–1817
Side Window, North, Painted Chamber
between 1793 and 1799
unknown artist Details of Capitals and Arches, Painted Chamber
unknown artist
Details of Capitals and Arches, Painted Chamber
between 1793 and 1799
John Carter East End, Painted Chamber
Attributed to John Carter, 1748–1817
East End, Painted Chamber
between 1793 and 1799
John Carter Continuation of East Line of Ancient Buildings on the Left of East End of Painted Chamber
Attributed to John Carter, 1748–1817
Continuation of East Line of Ancient Buildings on the Left of East End of Painted Chamber
between 1793 and 1799
John Carter North Side, Painted Chamber
Attributed to John Carter, 1748–1817
North Side, Painted Chamber
between 1793 and 1799
John Carter Paintings on the Wall by H in Plan
Attributed to John Carter, 1748–1817
Paintings on the Wall by H in Plan
between 1793 and 1799
John Carter Wall Paintings
Attributed to John Carter, 1748–1817
Wall Paintings
between 1793 and 1799
John Carter Details of one of the Figures
Attributed to John Carter, 1748–1817
Details of one of the Figures
ca. 1795
John Carter Enlarged Detail of Figures from Painting Shown in Previous Sketch
Attributed to John Carter, 1748–1817
Enlarged Detail of Figures from Painting Shown in Previous Sketch
between 1793 and 1799
G.F. Storm Vol. 6, Plate XXIX
Print made by G.F. Storm, active mid–19th century
Vol. 6, Plate XXIX
1842
G.F. Storm Vol. 6, Plate XXVIII
Print made by G.F. Storm, active mid–19th century
Vol. 6, Plate XXVIII
1842
James Basire II Vol. 6, Plate XXVII: The Painted Chamber
Print made by James Basire II, 1769–1822
Vol. 6, Plate XXVII: The Painted Chamber
1842
James Basire II Vol. 6, Plate XXVI: Chapel of St Stephen, Chapel of St Mary in the Vaults
Print made by James Basire II, 1769–1822
Vol. 6, Plate XXVI: Chapel of St Stephen, Chapel of St Mary in the Vaults
1842
James Basire II Vol. 6, Plate XXX: The Story, as it is Presumed, of Joab and Abner. The Martyrdom of the Mother and her Seven Sons, and the Sacrifice of Antiochus.
Print made by James Basire II, 1769–1822
Vol. 6, Plate XXX: The Story, as it is Presumed, of Joab and Abner. The Martyrdom of the Mother and her Seven Sons, and the Sacrifice of Antiochus
1842
James Basire II Vol. 6, Plate XXXII: The Story of Hezekiah.
Print made by James Basire II, 1769–1822
Vol. 6, Plate XXXII: The Story of Hezekiah
1842
James Basire II Vol. 6, Plate XXXIII: The Captivity of Jehoiachin King of Israel. Continuation of the Story, of the Captivity of the Jews
Print made by James Basire II, 1769–1822
Vol. 6, Plate XXXIII: The Captivity of Jehoiachin King of Israel. Continuation of the Story, of the Captivity of the Jews
1842
James Basire II Vol. 6, Plate XXXI: A Continuation, as it is Presumed, of the Story of Antiochus. The Story of Abimelech.
Print made by James Basire II, 1769–1822
Vol. 6, Plate XXXI: A Continuation, as it is Presumed, of the Story of Antiochus. The Story of Abimelech
1842
James Basire II Vol. 6, Plate XXXV: Continuation as it is Presumed of the Miracles of Elisha, and the Famine of Samaria. The Acts of Judas Maccabeus.
Print made by James Basire II, 1769–1822
Vol. 6, Plate XXXV: Continuation as it is Presumed of the Miracles of Elisha, and the Famine of Samaria. The Acts of Judas Maccabeus
1842
James Basire II Vol. 6, Plate XXXIV: The Story of Elijah and Ahaziah. The Miracles of Elisha.
Print made by James Basire II, 1769–1822
Vol. 6, Plate XXXIV: The Story of Elijah and Ahaziah. The Miracles of Elisha
1842
James Basire II Vol. 6, Plate XXXVIII: The Triumph of Largesse or Bounty over Avarice. The Triumph of Debonerete or Meekness over Anger.
Print made by James Basire II, 1769–1822
Vol. 6, Plate XXXVIII: The Triumph of Largesse or Bounty over Avarice. The Triumph of Debonerete or Meekness over Anger
after 1819
T. Clarke Plate XXXVIII: House of Lords, as Fitted up in 1835
Print made by T. Clarke, 1799–1839
Plate XXXVIII: House of Lords, as Fitted up in 1835
1836
George Harley Ruins of Westminster Palace
George Harley, 1791–1871
Ruins of Westminster Palace
1834
George Birch View of Guy Fawkes' Tower
George Birch, 1842–1904
View of Guy Fawkes' Tower
1827
Frederick Mackenzie View of St Stephen's Chapel as it appeared after the Fire in October 1834
Print made by Frederick Mackenzie, 1788–1854
View of St Stephen's Chapel as it appeared after the Fire in October 1834
1843
John Thomas Smith Views of the Four Sides of a Cellar under the Old House of Lords; East End of the Prison Chamber; South Side of the Princes Chamber
Print made by John Thomas Smith, 1766–1833
Views of the Four Sides of a Cellar under the Old House of Lords; East End of the Prison Chamber; South Side of the Princes Chamber
1804