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1901. A Match at Newmarket

A Match at Newmarket
Creator:
Peter Tillemans, 1684–1734
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, graphite and gouache on medium, moderately textured, beige laid paper
Dimensions:
Sheet: 3 9/16 × 7 3/8 inches (9 × 18.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1902. The Earthquake Scare in Piccadilly

The Earthquake Scare in Piccadilly
Creator:
Louis Philippe Boitard, active 1734–1760
Date:
1750
Materials & Techniques:
Pen and brown ink, graphite, and brown wash on medium, moderately textured, cream laid paper
Dimensions:
Mount: 10 5/8 × 16 1/2 inches (27 × 41.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1903. Preparing for a Hunt at Selhurst Park, Nov. 14, 1796

Preparing for a Hunt at Selhurst Park, Nov. 14, 1796
Creator:
Thomas Daniell, 1749–1840
Date:
1796
Materials & Techniques:
Watercolor, pen and brown ink, brown wash, and graphite on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 7 13/16 × 9 13/16 inches (19.8 × 24.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1904. A Lioness Attacking the Off-Leader of the Exeter Mail Coach Outside the Pheasant Inn, Winterslow, on the Night of 20 October 1816

A Lioness Attacking the Off-Leader of the Exeter Mail Coach Outside the Pheasant Inn, Winterslow, on the Night of 20 October 1816
Creator:
Julius Caesar Ibbetson, 1759–1817
Date:
undated
Materials & Techniques:
Pen and brown ink, and gray wash on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 3 7/8 × 6 1/8 inches (9.8 × 15.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1905. A Plumed Saddle-Horse

A Plumed Saddle-Horse
Creator:
Attributed to Inigo Jones, 1573–1652
Date:
ca. 1640
Materials & Techniques:
Pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 5 5/8 x 5 inches (14.3 x 12.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1906. Rievaulx Abbey

Rievaulx Abbey
Creator:
Print made by Joseph C. Bentley, 1809–1851
Date:
1834-1836
Materials & Techniques:
Etching and line engraving; engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1907. Sunset in the Cotswolds

Sunset in the Cotswolds
Creator:
Frederick Landseer Maur Griggs, 1876–1938
Date:
1936
Materials & Techniques:
Watercolor and graphite on very thick, smooth, cream wove paper
Dimensions:
Sheet: 7 3/4 × 6 inches (19.7 × 15.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Adelaide C. Roberts and Alexandra C. Dane

1908. The Famous Bathing Pool at Hastings & St. Leonards

The Famous Bathing Pool at Hastings & St. Leonards
Creator:
Gerald Spencer Pryse, 1882–1956
Date:
1934
Materials & Techniques:
Chromolithograph
Dimensions:
Sheet: 39 5/8 x 49 7/8 inches (100.6 x 126.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Henry S. Hacker, Yale BA 1965

1909. By Twickenham

By Twickenham
Creator:
Sir Francis Seymour Haden, 1818–1910
Date:
1865
Materials & Techniques:
Etching and drypoint on moderately thick, smooth, cream laid paper
Dimensions:
Sheet: 9 3/4 x 14 15/16 inches (24.8 x 37.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Judith and Norman A. Zlotsky, Yale BS 1953

1910. Old Hungerford Bridge

Old Hungerford Bridge
Creator:
Print made by James McNeill Whistler, 1834–1903
Date:
1861
Materials & Techniques:
Etching on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 7/8 x 9 3/16 inches (17.5 x 23.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Boris I. Bittker

1911. Interior of the Chapel of the Holy Trinity

Interior of the Chapel of the Holy Trinity
Creator:
Print made by Thomas Dale, active ca. 1921
Date:
1825
Materials & Techniques:
Etching on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 12 5/8 × 9 5/8 inches (32 × 24.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Donald and Willi Holden

1912. Brighton and Hove

Brighton and Hove
Creator:
Charles Pears, 1873–1958
Date:
between 1923 and 1947
Materials & Techniques:
Chromolithograph
Dimensions:
Sheet: 39 3/4 x 49 7/8 inches (101 x 126.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Henry S. Hacker, Yale BA 1965

1913. Mill at Teddington on the Thames

Mill at Teddington on the Thames
Creator:
attributed to Peter DeWint, 1784–1849
Date:
1809
Materials & Techniques:
Watercolor and graphite on moderately thick, rough, cream wove paper
Dimensions:
Sheet: 6 3/8 x 8 inches (16.2 x 20.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1914. Coits Played opposite the Horns, Kennington Common

Coits Played opposite the Horns, Kennington Common
Creator:
Robert Dighton, 1752–1814
Date:
ca. 1784
Materials & Techniques:
Pen and black ink and brown ink and watercolor
Dimensions:
Sheet: 6 x 8in. (15.2 x 20.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1915. Cricket played by the Gentlemens Club, Whiteconduit House

Cricket played by the Gentlemens Club, Whiteconduit House
Creator:
Robert Dighton, 1752–1814
Date:
1784
Materials & Techniques:
Pen and black ink and brown ink and watercolor
Dimensions:
Sheet: 6 x 8in. (15.2 x 20.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1916. The Earl of Lonsdale's Hound Van arriving at a Meet of the Cottesmore Hunt, March 22, 1809

The Earl of Lonsdale's Hound Van arriving at a Meet of the Cottesmore Hunt, March 22, 1809
Creator:
unknown artist
Date:
1809
Materials & Techniques:
Pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 1/8 x 12 5/8in. (18.1 x 32.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1917. The First Thames Steamboat: Pearl

The First Thames Steamboat: Pearl
Creator:
Edward Duncan, 1803–1882
Date:
undated
Materials & Techniques:
Watercolor and gouache on medium, moderately textured, blue wove paper
Dimensions:
Sheet: 10 1/8 x 14 1/2 inches (25.7 x 36.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1918. Foot Ball played at Market Place, Barnet

Foot Ball played at Market Place, Barnet
Creator:
Robert Dighton, 1752–1814
Date:
ca. 1784
Materials & Techniques:
Pen and black ink and brown ink and watercolor
Dimensions:
Sheet: 6 x 8in. (15.2 x 20.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1919. Bathing Machine on the Common, near Southsea Castle

Bathing Machine on the Common, near Southsea Castle
Creator:
John Nixon, ca. 1760–1818
Date:
1788
Materials & Techniques:
Watercolor, pen, and gray ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 3/4 x 7 5/8 inches (12.1 x 19.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1920. St. Davids Head, Pembrokeshire

St. Davids Head, Pembrokeshire
Creator:
John Glover, 1767–1849
Date:
ca. 1805
Materials & Techniques:
Watercolor, pen and black ink, brown ink, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 3/8 × 25 3/16 inches (36.5 × 64 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Iola S. Haverstick Fund

1921. View of the Office of Ordnance with the Entrance of the House of Lords

View of the Office of Ordnance with the Entrance of the House of Lords
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Etching and engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 7/8 × 4 3/4 inches (17.5 × 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1922. Grave of the Supposed William Lyndewode

Grave of the Supposed William Lyndewode
Creator:
unknown artist
Date:
1852
Materials & Techniques:
Graphite, gray pen and watercolor on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 × 7 5/16 inches (22.9 × 18.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1923. Plan of the Basement Story under the House of Lords

Plan of the Basement Story under the House of Lords
Creator:
Attributed to John Carter, 1748–1817
Date:
between 1800 and 1807
Materials & Techniques:
Graphite and pen and black ink on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 7 7/8 × 6 5/16 inches (20 × 16 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1924. Part of the Construction in the Old House of Lords

Part of the Construction in the Old House of Lords
Creator:
Attributed to office of Sir John Soane, 1753–1837
Date:
1823
Materials & Techniques:
Graphite, watercolor, pen and black and brown ink on slightly textured, moderately thick, white wove paper
Dimensions:
Sheet: 10 3/16 × 12 1/2 inches (25.9 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1925. View of the Higher House of Parliament in England

View of the Higher House of Parliament in England
Creator:
Print made by unknown artist
Date:
ca. 1695
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 18 1/2 × 15 1/8 inches (47 × 38.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1926. The King on his Throne in the House of Lords

The King on his Throne in the House of Lords
Creator:
Print made by James Fittler, 1758–1835
Date:
1804
Materials & Techniques:
Line engraving on slightly textured, moderately thick, white wove paper
Dimensions:
Sheet: 7 × 8 5/16 inches (17.8 × 21.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1927. House of Commons, the Speaker Reprimanding a Person at the Bar

House of Commons, the Speaker Reprimanding a Person at the Bar
Creator:
Print made by Henry Melville, active 1826–1841
Date:
after 1850
Materials & Techniques:
Line engraving on moderately thick, smooth cream wove paper
Dimensions:
Sheet: 10 3/4 × 8 3/16 inches (27.3 × 20.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1928. Plate XXXIX: House of Commons as Fitted Up in 1835

Plate XXXIX: House of Commons as Fitted Up in 1835
Creator:
Print made by unknown artist
Date:
ca. 1836
Materials & Techniques:
Line engraving on smooth, moderately thick, white wove paper
Dimensions:
Sheet: 7 1/2 × 5 1/4 inches (19.1 × 13.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1929. Peers' Entrance

Peers' Entrance
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Graphite and pen and black ink on moderately thick, slightly textured, white wove paper
Dimensions:
Sheet: 8 3/8 × 13 inches (21.3 × 33 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1930. Plan of the Upper Floor of Lord Committee Rooms

Plan of the Upper Floor of Lord Committee Rooms
Creator:
Attributed to office of Sir John Soane, 1753–1837
Date:
1835
Materials & Techniques:
Pen and black ink and watercolor on moderately textured, moderately thick, white wove paper
Dimensions:
Sheet: 9 3/4 × 14 1/4 inches (24.8 × 36.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1931. New Rooms at Westminster for the Bishops

New Rooms at Westminster for the Bishops
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Graphite on thin, smooth, brown wove paper
Dimensions:
Sheet: 12 3/4 × 9 3/8 inches (32.4 × 23.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1932. The Painted Chamber, Westminster

The Painted Chamber, Westminster
Creator:
Print made by John Greig, active 1803–1853
Date:
1804
Materials & Techniques:
Line engraving marked with graphite on slightly textured, moderately thick, white wove paper
Dimensions:
Sheet: 8 × 11 1/4 inches (20.3 × 28.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1933. Plan of Painted Chamber

Plan of Painted Chamber
Creator:
Attributed to John Carter, 1748–1817
Date:
between 1793 and 1799
Materials & Techniques:
Graphite and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 1/4 × 5 9/16 inches (15.9 × 14.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1934. North Side, Painted Chamber

North Side, Painted Chamber
Creator:
Attributed to John Carter, 1748–1817
Date:
between 1793 and 1799
Materials & Techniques:
Graphite and pen and black ink on medium, slightly textured, white wove paper
Dimensions:
Sheet: 9 × 14 3/8 inches (22.9 × 36.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1935. Continuation of East Line of Ancient Buildings on the Left of East End of Painted Chamber

Continuation of East Line of Ancient Buildings on the Left of East End of Painted Chamber
Creator:
Attributed to John Carter, 1748–1817
Date:
between 1793 and 1799
Materials & Techniques:
Graphite and pen and black ink on medium, slightly textured, white laid paper
Dimensions:
Sheet: 5 5/8 × 7 7/8 inches (14.3 × 20 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1936. Henry VII Chapel at Westminster Showing Two Renovated Pinacles

Henry VII Chapel at Westminster Showing Two Renovated Pinacles
Creator:
Print made by Augustus Charles Pugin, 1762–1832
Date:
undated
Materials & Techniques:
Etched and aquatinted engraving, proof before letters on smooth, medium, white wove paper
Dimensions:
Sheet: 11 1/8 × 8 1/8 inches (28.3 × 20.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1937. Henry VII Chapel, Westminster Abbey

Henry VII Chapel, Westminster Abbey
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Graphite, pen and black ink, brown ink, and watercolor on smooth, medium, white wove paper
Dimensions:
Sheet: 19 1/4 × 26 3/4 inches (48.9 × 67.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1938. Continuation of the Preceeding Ornaments

Continuation of the Preceeding Ornaments
Creator:
Attributed to John Carter, 1748–1817
Date:
1793
Materials & Techniques:
Graphite and pen and black ink on slightly textured, medium, white laid paper
Dimensions:
Sheet: 6 3/4 × 9 3/8 inches (17.1 × 23.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1939. Seats in Henry VII Chapel, Westminster Abbey

Seats in Henry VII Chapel, Westminster Abbey
Creator:
Attributed to John Carter, 1748–1817
Date:
ca. 1793
Materials & Techniques:
Graphite and pen and black ink on slightley textured, medium, white laid paper
Dimensions:
Sheet: 14 1/2 × 10 3/8 inches (36.8 × 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1940. View of Modern Gateway in South East Angle of Dean's Yard

View of Modern Gateway in South East Angle of Dean's Yard
Creator:
John Carter, 1748–1817
Date:
between 1780 and 1807
Materials & Techniques:
Graphite on slightly textured, medium, white laid paper
Dimensions:
Sheet: 4 3/4 × 4 7/8 inches (12.1 × 12.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1941. South West View of the Remains of the Crypt under the Dormitory in Dean's Yard Discovered in June

South West View of the Remains of the Crypt under the Dormitory in Dean's Yard Discovered in June
Creator:
Attributed to John Carter, 1748–1817
Date:
1815
Materials & Techniques:
Graphite on smooth, medium, white wove paper
Dimensions:
Sheet: 6 1/4 × 8 3/4 inches (15.9 × 22.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1942. Springing of groins

Springing of groins
Creator:
Attributed to John Carter, 1748–1817
Date:
1815
Materials & Techniques:
Graphite on smooth, medium, cream wove paper
Dimensions:
Sheet: 5 3/4 × 8 3/8 inches (14.6 × 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1943. Plate XCIV: South View of Westminster Abbey, Taken from Deans Yard

Plate XCIV: South View of Westminster Abbey, Taken from Deans Yard
Creator:
Print made by John Carter, 1748–1817
Date:
1791
Materials & Techniques:
Etching on slightly textured, medium, white wove paper
Dimensions:
Sheet: 3 1/8 × 3 9/16 inches (7.9 × 9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1944. Part of the Old Dormitory

Part of the Old Dormitory
Creator:
Attributed to John Carter, 1748–1817
Date:
1815
Materials & Techniques:
Graphite, pen and brown ink, and gray wash on slightly textured, medium, white laid paper
Dimensions:
Sheet: 8 3/16 × 11 7/8 inches (20.8 × 30.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1945. Buildings on East Side of Dean's Yard

Buildings on East Side of Dean's Yard
Creator:
Attributed to John Carter, 1748–1817
Date:
between 1806 and 1815
Materials & Techniques:
Graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 1/4 × 35 1/4 inches (28.6 × 89.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1946. Continuation of Details

Continuation of Details
Creator:
Attributed to John Carter, 1748–1817
Date:
between 1806 and 1815
Materials & Techniques:
Graphite and pen and black ink on slightly textured, medium, white laid paper
Dimensions:
Sheet: 12 3/4 × 7 3/8 inches (32.4 × 18.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1947. South View of the Abbey Church, Westminster, Taken from Dean's Yard

South View of the Abbey Church, Westminster, Taken from Dean's Yard
Creator:
Attributed to John Carter, 1748–1817
Date:
1785
Materials & Techniques:
Graphite and pen and black ink on slightly textured, medium, white laid paper
Dimensions:
Sheet: 8 7/16 × 7 7/16 inches (21.4 × 18.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1948. Continuation of Detail

Continuation of Detail
Creator:
Attributed to John Carter, 1748–1817
Date:
between 1806 and 1815
Materials & Techniques:
Graphite and pen and black ink on slightly textured, medium, white laid paper
Dimensions:
Sheet: 12 3/4 × 7 3/4 inches (32.4 × 19.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1949. Line of Buildings on East Side, Dean's Yard

Line of Buildings on East Side, Dean's Yard
Creator:
Attributed to John Carter, 1748–1817
Date:
between 1806 and 1815
Materials & Techniques:
Graphite and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 9/16 × 31 1/8 inches (29.4 × 79.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1950. Continuation of Detail

Continuation of Detail
Creator:
Attributed to John Carter, 1748–1817
Date:
between 1806 and 1815
Materials & Techniques:
Graphite and pen and black ink on slightly textured, medium, white laid paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1951. Detail, Dean's Yard

Detail, Dean's Yard
Creator:
Attributed to John Carter, 1748–1817
Date:
between 1806 and 1815
Materials & Techniques:
Graphite and pen and black ink on slightly textured, medium, white laid paper
Dimensions:
Sheet: 12 3/4 × 7 5/8 inches (32.4 × 19.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1952. Detail for Preceding Elevations

Detail for Preceding Elevations
Creator:
Attributed to John Carter, 1748–1817
Date:
between 1806 and 1815
Materials & Techniques:
Graphite and pen and black ink on slightly textured, medium, white laid paper
Dimensions:
Sheet: 12 3/4 × 7 7/8 inches (32.4 × 20 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1953. Window, Dean's Yard

Window, Dean's Yard
Creator:
Attributed to John Carter, 1748–1817
Date:
between 1806 and 1815
Materials & Techniques:
Graphite on slightly textured, medium, white laid paper
Dimensions:
Sheet: 6 1/2 × 3 3/4 inches (16.5 × 9.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1954. The London Citizen

The London Citizen
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor and graphite with pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 5/16 x 9 inches (13.5 x 22.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1955. Plate I. Memorials of the Commissioners for Improving Westminster, 1811

Plate I. Memorials of the Commissioners for Improving Westminster, 1811
Creator:
Print made by unknown artist
Date:
1811
Materials & Techniques:
Line engraving on smooth, medium, white wove paper
Dimensions:
Sheet: 7 5/8 × 12 5/8 inches (19.4 × 32.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1956. Fishing Boats at Hastings

Fishing Boats at Hastings
Creator:
Print made by James Dobie, 1849–1911
Date:
1882
Materials & Techniques:
Etching on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 12 3/8 x 16 11/16 inches (31.4 x 42.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

1957. Doctor Syntax loses his Money on the Race Ground at York

Doctor Syntax loses his Money on the Race Ground at York
Creator:
Thomas Rowlandson, 1756–1827
Date:
1820
Materials & Techniques:
Watercolor and graphite with pen and black ink, pen and gray ink, and pen and red-brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 5/16 x 6 13/16 inches (11 x 17.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1958. The Vicar of Wakefield: Frontispiece

The Vicar of Wakefield: Frontispiece
Creator:
Thomas Rowlandson, 1756–1827
Date:
1817
Materials & Techniques:
Watercolor, with pen and red-brown ink; verso: graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 6 1/2 x 4 5/8 inches (16.5 x 11.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1959. Valley of Stones, Lynton, Devon

Valley of Stones, Lynton, Devon
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor, with pen and red and gray-brown ink; verso: graphite on medium, slightly textured, beige wove paper
Dimensions:
Mount: 8 3/8 x 12 3/16 inches (21.3 x 31 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1960. The Vicar's Family on the Road to Church

The Vicar's Family on the Road to Church
Creator:
Thomas Rowlandson, 1756–1827
Date:
ca. 1817
Materials & Techniques:
Watercolor, with pen and brown and red-brown ink; verso: graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 4 1/2 x 7 1/2 inches (11.4 x 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1961. The Surprise

The Surprise
Creator:
Thomas Rowlandson, 1756–1827
Date:
ca. 1817
Materials & Techniques:
Watercolor, pen and red-brown ink; verso: graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 4 9/16 x 7 1/2 inches (11.6 x 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1962. The Family Picture

The Family Picture
Creator:
Thomas Rowlandson, 1756–1827
Date:
1817
Materials & Techniques:
Pen in gray and red-brown ink and watercolor; verso: graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 4 1/2 x 7 1/2 inches (11.4 x 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1963. The Scold, with News of Olivia

The Scold, with News of Olivia
Creator:
Thomas Rowlandson, 1756–1827
Date:
ca. 1817
Materials & Techniques:
Watercolor, with pen and gray ink over graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 4 1/2 x 7 1/2 inches (11.4 x 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1964. The Vicar Preaching to the Prisoners

The Vicar Preaching to the Prisoners
Creator:
Thomas Rowlandson, 1756–1827
Date:
ca. 1817
Materials & Techniques:
Watercolor with pen and ink on medium, smooth, cream wove paper
Dimensions:
Sheet: 4 9/16 x 7 1/4 inches (11.6 x 18.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1965. The Fair Penitent

The Fair Penitent
Creator:
Thomas Rowlandson, 1756–1827
Date:
ca. 1817
Materials & Techniques:
Watercolor, with pen and gray, brown, and red-brown ink on medium, smooth, cream wove paper
Dimensions:
Sheet: 4 5/8 x 7 1/4 inches (11.7 x 18.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1966. Battersea Reach

Battersea Reach
Creator:
James McNeill Whistler, 1834–1903
Date:
1863
Materials & Techniques:
Etching and drypoint, printed from canceled plate on medium, smooth, cream laid paper
Dimensions:
Sheet: 10 x 12 7/8 inches (25.4 x 32.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Robert N. Whittemore, Yale BS 1943

1967. The "Adam and Eve," Old Chelsea

The "Adam and Eve," Old Chelsea
Creator:
James McNeill Whistler, 1834–1903
Date:
1879
Materials & Techniques:
Etching and drypoint, printed from canceled plate on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 x 13 3/4 inches (22.2 x 34.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Robert N. Whittemore, Yale BS 1943

1968. Comforts of Bath: The Pump Room

Comforts of Bath: The Pump Room
Creator:
Thomas Rowlandson, 1756–1827
Date:
1798
Materials & Techniques:
Watercolor and graphite with pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Mount: 5 5/8 x 8 3/8 inches (14.3 x 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1969. Comforts of Bath: The Music Master

Comforts of Bath: The Music Master
Creator:
Thomas Rowlandson, 1756–1827
Date:
1798
Materials & Techniques:
Watercolor with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Mount: 5 3/4 x 8 9/16 inches (14.6 x 21.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1970. Comforts of Bath: Coaches Arriving

Comforts of Bath: Coaches Arriving
Creator:
Thomas Rowlandson, 1756–1827
Date:
1798
Materials & Techniques:
Watercolor with pen and black ink over graphite on medium, slightly textured, cream laid paper
Dimensions:
Mount: 5 5/8 x 8 7/16 inches (14.3 x 21.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1971. A Mountainous View, North Wales

A Mountainous View, North Wales
Creator:
David Cox, 1783–1859
Date:
ca. 1815
Materials & Techniques:
Watercolor and graphite on moderately thick, rough, cream wove paper
Dimensions:
Sheet: 7 7/8 x 11 1/2 inches (20 x 29.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

1972. Plan of Westminster Showing the Coronation Route of George II

Plan of Westminster Showing the Coronation Route of George II
Creator:
unknown artist
Date:
ca. 1727
Materials & Techniques:
Graphite and pen and black ink on smooth, thin, brown wove paper
Dimensions:
Sheet: 11 13/16 x 18 5/16in. (30 x 46.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1973. Part of Westminster

Part of Westminster
Creator:
Print made by unknown artist
Date:
ca. 1850
Materials & Techniques:
Line engraving on moderately textured, moderately thick, white wove paper
Dimensions:
Sheet: 8 1/16 × 10 5/16 inches (20.5 × 26.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1974. Interior of the Star Chamber, Westminster

Interior of the Star Chamber, Westminster
Creator:
Print made by John Woods, active 1836–1860
Date:
1848
Materials & Techniques:
Line engraving on medium, smooth, cream wove paper
Dimensions:
Sheet: 6 × 8 7/8 inches (15.2 × 22.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1975. Ceiling of the Star Chamber

Ceiling of the Star Chamber
Creator:
Print made by John Thomas Smith, 1766–1833
Date:
1805
Materials & Techniques:
Line engraving on slightly textured, moderately thick, white wove paper
Dimensions:
Sheet: 8 3/8 × 9 15/16 inches (21.3 × 25.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1976. Chimney piece, Star Chamber, Leasowe Castle, formerly in the King's Palace, Westminster

Chimney piece, Star Chamber, Leasowe Castle, formerly in the King's Palace, Westminster
Creator:
Print made by Day & Co., 1824–1913
Date:
ca. 1845
Materials & Techniques:
Lithograph on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 8 1/16 × 10 1/4 inches (20.5 × 26.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1977. Westminster Hall

Westminster Hall
Creator:
unknown artist
Date:
ca. 1820
Materials & Techniques:
Line engraving on moderately textured, moderately thick, white wove paper
Dimensions:
Sheet: 7 15/16 × 8 3/4 inches (20.1 × 22.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1978. Interior of Westminster Hall as Prepared for the Banquet

Interior of Westminster Hall as Prepared for the Banquet
Creator:
Print made by B. Winkles, active 1830–1840
Date:
ca. 1821
Materials & Techniques:
Etching on smooth, moderately thick, cream wove paper
Dimensions:
Sheet: 15 5/8 × 22 7/16 inches (39.7 × 57 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1979. East View of Modern Buildings in Continuation from St Stephen's Chapel

East View of Modern Buildings in Continuation from St Stephen's Chapel
Creator:
John Carter, 1748–1817
Date:
between 1790 and 1802
Materials & Techniques:
Graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 5 1/8 × 17 3/8 inches (13 × 44.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1980. St. Stephen's Chapel, Speaker's House, &c. from the River

St. Stephen's Chapel, Speaker's House, &c. from the River
Creator:
unknown artist
Date:
ca. 1835
Materials & Techniques:
Line engraving, proof before letters on slightly textured, moderately thick, white wove paper
Dimensions:
Sheet: 5 13/16 × 7 7/16 inches (14.8 × 18.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1981. Eight Illustrations of Westminster

Eight Illustrations of Westminster
Creator:
Print made by John Thomas Smith, 1766–1833
Date:
1806
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 12 × 9 1/2 inches (30.5 × 24.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1982. Plate XXVIII: Window of the Crypt of St. Stephen's Chapel, Westminster

Plate XXVIII: Window of the Crypt of St. Stephen's Chapel, Westminster
Creator:
Print made by T. Clarke, 1799–1839
Date:
1835
Materials & Techniques:
Line engraving, proof before letters on medium, smooth, white wove paper
Dimensions:
Sheet: 8 3/4 × 5 1/2 inches (22.2 × 14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1983. Plate XXV: Section of St. Stephen's chapel and crypt. As fitted up for the House of Commons. 1834.

Plate XXV: Section of St. Stephen's chapel and crypt. As fitted up for the House of Commons. 1834.
Creator:
Print made by George Gladwin, active 1820s–1830s
Date:
1835
Materials & Techniques:
Line engraving on smooth, moderately thick, brown wove paper
Dimensions:
Sheet: 5 × 7 5/8 inches (12.7 × 19.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1984. The Lower Lobby, House of Commons

The Lower Lobby, House of Commons
Creator:
Print made by James Sands, active 1813–1846
Date:
1815
Materials & Techniques:
Line engraving on medium, smooth, cream wove paper
Dimensions:
Sheet: 8 1/8 × 5 1/2 inches (20.6 × 14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1985. Part of the Front of the Vestibule

Part of the Front of the Vestibule
Creator:
Print made by unknown artist
Date:
1843
Materials & Techniques:
Line engraving on smooth, thick, cream wove paper
Dimensions:
Sheet: 26 3/4 × 19 1/4 inches (68 × 48.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1986. Plate XI: Elevation, Section and Plan, of One Compartment (of Three) of the Screen, St. Stephen's Chapel, Westminster

Plate XI: Elevation, Section and Plan, of One Compartment (of Three) of the Screen, St. Stephen's Chapel, Westminster
Creator:
Print made by Robert William Billings, 1813–1874
Date:
1835
Materials & Techniques:
Line engraving, proof before imprint on medium, smooth, cream wove paper
Dimensions:
Sheet: 8 3/8 × 5 inches (21.3 × 12.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1987. South View in the Entrance of Porch at West End of St. Stephen's Chapel West

South View in the Entrance of Porch at West End of St. Stephen's Chapel West
Creator:
John Carter, 1748–1817
Date:
between 1790 and 1802
Materials & Techniques:
Graphite and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 11/16 × 13 inches (22 × 33 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1988. Entrance Doorway in the Tower, St Stephen's Chapel

Entrance Doorway in the Tower, St Stephen's Chapel
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Graphite and traces of red chalk on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 5 1/2 × 3 1/2 inches (14 × 8.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1989. Details of the Screen of Entrance Porch, St Stephen's Chapel

Details of the Screen of Entrance Porch, St Stephen's Chapel
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 17 1/2 × 4 1/8 inches (44.5 × 10.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1990. Screen, or the outside of the Entrance or Porch of St Stephen's Chapel West

Screen, or the outside of the Entrance or Porch of St Stephen's Chapel West
Creator:
Attributed to John Carter, 1748–1817
Date:
between 1790 and 1802
Materials & Techniques:
Graphite and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/8 × 13 inches (21.3 × 33 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1991. Springing of an Arch, St Stephen's Chapel

Springing of an Arch, St Stephen's Chapel
Creator:
Attributed to John Carter, 1748–1817
Date:
between 1790 and 1802
Materials & Techniques:
Graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 5 3/4 × 5 1/8 inches (14.6 × 13 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1992. Capitals, St Stephen's Chapel

Capitals, St Stephen's Chapel
Creator:
Attributed to John Carter, 1748–1817
Date:
between 1790 and 1802
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 13/16 × 4 1/8 inches (14.8 × 10.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1993. New East Front, St Stephen's Chapel

New East Front, St Stephen's Chapel
Creator:
Attributed to John Carter, 1748–1817
Date:
ca. 1801
Materials & Techniques:
Graphite on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 15 5/8 × 6 1/2 inches (39.7 × 16.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1994. Plate X: St Stephen's Chapel

Plate X: St Stephen's Chapel
Creator:
Print made by James Basire, 1730–1802
Date:
1795
Materials & Techniques:
Line engraving on slightly textured, moderately thick, white wove paper
Dimensions:
Sheet: 15 5/8 × 22 5/8 inches (39.7 × 57.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1995. Plate XIX: St Stephen's Chapel

Plate XIX: St Stephen's Chapel
Creator:
Print made by John Carter, 1748–1817
Date:
1811
Materials & Techniques:
Line engraving on slightly textured, moderately thick, cream wove paper
Dimensions:
Sheet: 18 1/2 × 12 1/2 inches (47 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1996. Geometrical Construction of the Freeze and Battlements in the House of Commons

Geometrical Construction of the Freeze and Battlements in the House of Commons
Creator:
Print made by John Thomas Smith, 1766–1833
Date:
1805
Materials & Techniques:
Line engraving on slightly textured, moderately thick, white wove paper
Dimensions:
Sheet: 11 × 9 3/8 inches (27.9 × 23.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1997. Half the Plan of Ceiling, St Stephen's Chapel

Half the Plan of Ceiling, St Stephen's Chapel
Creator:
Attributed to John Carter, 1748–1817
Date:
between 1790 and 1802
Materials & Techniques:
Graphite and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 1/16 × 3 1/4 inches (15.4 × 8.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1998. View of the Inside of a Small Chapel on the West Side of the Area of the Cloisters of St Stephen's Chapel, Westminster

View of the Inside of a Small Chapel on the West Side of the Area of the Cloisters of St Stephen's Chapel, Westminster
Creator:
Print made by James Basire, 1730–1802
Date:
1795
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 19 × 14 7/8 inches (48.3 × 37.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1999. Detail for View in a Chapel in Area of Cloisters of St Stephen's Chapel, Westminster

Detail for View in a Chapel in Area of Cloisters of St Stephen's Chapel, Westminster
Creator:
John Carter, 1748–1817
Date:
between 1790 and 1802
Materials & Techniques:
Graphite and pen and black ink on slightly textured, medium, white laid paper
Dimensions:
Sheet: 14 1/2 × 6 inches (36.8 × 15.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2000. Impost and Base of Columns, St Stephen's Chapel

Impost and Base of Columns, St Stephen's Chapel
Creator:
Attributed to John Carter, 1748–1817
Date:
between 1790 and 1802
Materials & Techniques:
Graphite and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 1/4 × 4 3/16 inches (18.4 × 10.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection