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1. Half-size Sketch for The Opening of Waterloo Bridge (“Whitehall Stairs, June 18, 1817”)

Half-size Sketch for The Opening of Waterloo Bridge (“Whitehall Stairs, June 18, 1817”)
Creator:
John Constable, 1776–1837
Date:
1829 to 1831
Materials & Techniques:
Oil on canvas
Dimensions:
24 × 39 inches (61 × 99.1 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

2. The Wolverhampton Racecourse

The Wolverhampton Racecourse
Creator:
unknown artist
Date:
1837
Materials & Techniques:
Oil on canvas
Dimensions:
23 x 33 inches (58.4 x 83.8 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

3. Le Château de Blois

Le Château de Blois
Creator:
attributed to Thomas Shotter Boys, 1803–1874
Date:
undated
Materials & Techniques:
Watercolor with pen in brown ink over graphite with gouache on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 18 x 25 5/16 inches (45.7 x 64.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. The Marquis of Anglesea Wounded Whilst Leading a Charge of Heavy Cavalry at the Close of the Battle of Waterloo, June 18, 1815

The Marquis of Anglesea Wounded Whilst Leading a Charge of Heavy Cavalry at the Close of the Battle of Waterloo, June 18, 1815
Creator:
Print made by Matthew Dubourg, active 1786–1838
Date:
1815
Materials & Techniques:
Aquatint with hand coloring on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 9 7/8 × 12 5/8 inches (25.1 × 32 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. Cavalrymen Passing Through a Stream, Being Mustered by a Trumpeter

Cavalrymen Passing Through a Stream, Being Mustered by a Trumpeter
Creator:
John Augustus Atkinson, 1775–1831
Date:
undated
Materials & Techniques:
Watercolor, pen and brown ink, and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 7/8 x 14 1/4 inches (22.5 x 36.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. The Light Dragoons

The Light Dragoons
Creator:
Paul Sandby, 1731–1809
Date:
undated
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 3 x 6 3/4 inches (7.6 x 17.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. Two Horsemen

Two Horsemen
Creator:
James Gray Mayhew, 1771–1845
Date:
undated
Materials & Techniques:
Watercolor and graphite with pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 6 1/2 × 5 1/8 inches (16.5 × 13 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. A Review on Epson Downs

A Review on Epson Downs
Creator:
John Nixon, ca. 1760–1818
Date:
undated
Materials & Techniques:
Watercolor and graphite with pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 3 1/2 × 8 7/8 inches (8.9 × 22.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. An Uralsky Cossack

An Uralsky Cossack
Creator:
Sir Robert Ker Porter, 1777–1842
Date:
1810
Materials & Techniques:
Watercolor and pen and black ink over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 17 1/4 × 14 5/8 inches (43.8 × 37.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. Dining Hall, Asylum

Dining Hall, Asylum
Creator:
John Hill, 1770–1850
Date:
1808
Materials & Techniques:
Aquatint with etching, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 9 1/2 × 12 11/16 inches (24.2 × 32.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Chauncey Brewster Tinker

11. Extravaganza's of 1827

Extravaganza's of 1827
Creator:
Print made by Henry Heath, active 1824–1835
Date:
1827
Materials & Techniques:
Etching, hand-colored on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 11 x 15 11/16 inches (28 x 39.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. Horse Guards

Horse Guards
Creator:
Print made by Stanley Anderson, 1884–1966
Date:
1911
Materials & Techniques:
Etching and drypoint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 13 x 14 5/8 inches (33 x 37.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

13. The Palace of the Stuarts

The Palace of the Stuarts
Creator:
Print made by Sir David Young Cameron, 1865–1945
Date:
1898
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 3/8 × 12 5/8 inches (23.8 × 32.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

14. Pomare, Queen of Tahiti

Pomare, Queen of Tahiti
Creator:
Print made by George Baxter, 1804–1867
Date:
1845
Materials & Techniques:
Aquatint and stipple engraving with color woodcut on moderately thick, slightly textured, cream wove paper, laid on contemporary mount made of thick, smooth, discolored cream card
Dimensions:
Mount: 14 13/16 x 11 13/16 inches (37.6 x 30 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. Studies of Figures: Women, Tradespeople, etc.

Studies of Figures: Women, Tradespeople, etc.
Creator:
Edmund Thomas Parris, 1793–1873
Date:
undated
Materials & Techniques:
Graphite and watercolor on medium, smooth, cream wove paper
Dimensions:
Sheet: 4 × 8 3/8 inches (10.2 × 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. Cumberland Terrace, Regent's Park: A View Looking Toward Gloucester Gate, a Troop of Life Guards Exercising to the Right

Cumberland Terrace, Regent's Park: A View Looking Toward Gloucester Gate, a Troop of Life Guards Exercising to the Right
Creator:
Thomas Shotter Boys, 1803–1874
Date:
ca. 1840
Materials & Techniques:
Watercolor with gouache and graphite on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 4 1/2 x 14 inches (11.5 x 35.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. Presages of the Millenium

Presages of the Millenium
Creator:
James Gillray, 1756–1815
Date:
1795
Materials & Techniques:
Etching and aquatint, hand-colored on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 13 × 14 13/16 inches (33 × 37.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. Flannel-Armour; Female-Patriotism, -or- Modern Heroes Accoutred for the Wars

Flannel-Armour; Female-Patriotism, -or- Modern Heroes Accoutred for the Wars
Creator:
Print made by James Gillray, 1756–1815
Date:
1793
Materials & Techniques:
Etching, hand-colored on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 12 1/2 × 14 3/8 inches (31.7 × 36.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. The Band of the 23rd Fusiliers

The Band of the 23rd Fusiliers
Creator:
Michael Angelo Hayes, 1811–1880
Date:
1838
Materials & Techniques:
Watercolor, pen and brown ink, blue ink, and black ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 7/16 × 8 5/16 inches (16.4 × 21.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20. The Mask of Comus. As Now Being Performed at the Theatre Royal, Madrid, with Amazing Success

The Mask of Comus. As Now Being Performed at the Theatre Royal, Madrid, with Amazing Success
Creator:
Print made by John Doyle ('H.B.'), 1797–1868
Date:
1847
Materials & Techniques:
Lithograph in tan and black ink on moderately thick, smooth, beige wove paper
Dimensions:
Sheet: 12 1/16 x 17 5/8 inches (30.7 x 44.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21. "Concert Monstre" of "Musical Congress" Extraordinary!

"Concert Monstre" of "Musical Congress" Extraordinary!
Creator:
Print made by John Doyle ('H.B.'), 1797–1868
Date:
1849
Materials & Techniques:
Lithograph in tan and black ink on moderately thick, smooth, beige wove paper
Dimensions:
Sheet: 11 11/16 x 17 5/16 inches (29.7 x 44 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22. Funeral of the Late Duke of Wellington

Funeral of the Late Duke of Wellington
Creator:
Imitator of George Baxter, 1804–1867
Date:
after 1893
Materials & Techniques:
Aquatint and stipple engraving; color woodcut by Mockler on medium, slightly textured, cream wove paper, laid on contemporary mount made of thick, slightly textured, orange-beige wove card
Dimensions:
Mount: 9 x 6 5/16 inches (22.9 x 16 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

23. Funeral of the Late Duke of Wellington

Funeral of the Late Duke of Wellington
Creator:
Imitator of George Baxter, 1804–1867
Date:
after 1893
Materials & Techniques:
Aquatint and stipple engraving; color woodcut by Mockler on medium, slightly textured, cream wove paper, laid on contemporary mount made of thick, slightly textured, orange-beige wove card
Dimensions:
Mount: 8 7/8 x 6 5/16 inches (22.6 x 16 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24. The Exeter College Eight on the Isis, Oxford

The Exeter College Eight on the Isis, Oxford
Creator:
William Turner of Oxford, 1789–1862
Date:
1824
Materials & Techniques:
Watercolor, graphite, and gouache on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 11 1/4 × 21 7/16 inches (28.6 × 54.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25. The Royal Horse Guards (The Blues)

The Royal Horse Guards (The Blues)
Creator:
Paul Maze, 1887–1979
Date:
undated
Materials & Techniques:
Watercolor on thick, moderately textured, cream wove paper
Dimensions:
Sheet: 9 × 14 1/2 inches (22.9 × 36.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26. Trooping the Colour

Trooping the Colour
Creator:
Paul Maze, 1887–1979
Date:
undated
Materials & Techniques:
Watercolor, graphite, and gouache on medium, smooth, cream wove paper
Dimensions:
Sheet: 7 3/4 × 12 3/4 inches (19.7 × 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

27. Funeral of the Late Duke of Wellington

Funeral of the Late Duke of Wellington
Creator:
Imitator of George Baxter, 1804–1867
Date:
after 1852
Materials & Techniques:
Aquatint and stipple engraving; color woodcut done by an unknown later printer on medium, slightly textured, cream wove paper, laid on contemporary mount made of thick, smooth, yellow card
Dimensions:
Mount: 7 1/2 x 5 9/16 inches (19 x 14.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28. The Great Exhibition: Exterior View from the Southwest

The Great Exhibition: Exterior View from the Southwest
Creator:
Print made by George Baxter, 1804–1867
Date:
1851
Materials & Techniques:
Aquatint, stipple engraving, and etching with color woodcut on medium, smooth, cream wove paper, surrounded with gold dome-shaped border, laid on contemporary mount made of thick, smooth, beige card
Dimensions:
Sheet: 5 11/16 × 12 5/8 inches (14.4 × 32.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

29. Funeral of the Late Duke of Wellington

Funeral of the Late Duke of Wellington
Creator:
Imitator of George Baxter, 1804–1867
Date:
after 1893
Materials & Techniques:
Aquatint and stipple engraving; color woodcut by Mockler on medium, slightly textured, cream wove paper, laid on contemporary mount made of thick, slightly textured, orange-beige wove card
Dimensions:
Mount: 8 7/8 x 6 inches (22.5 x 15.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

30. Funeral of the Late Duke of Wellington

Funeral of the Late Duke of Wellington
Creator:
Imitator of George Baxter, 1804–1867
Date:
after 1852
Materials & Techniques:
Aquatint and stipple engraving; color woodcut done by an unknown later printer on medium, slightly textured, cream wove paper, laid on contemporary mount made of thick, smooth, yellow card
Dimensions:
Mount: 7 1/2 x 5 1/2 inches (19.1 x 14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

31. Waiting Room at the Admiralty--.(No misnomer) - Plate 6

Waiting Room at the Admiralty--.(No misnomer) - Plate 6
Creator:
Print made by George Cruikshank, 1792–1878
Date:
1820
Materials & Techniques:
Aquatint and etching, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 10 1/16 x 14 inches (25.5 x 35.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32. Finding things not exactly what he expected - Plate 2

Finding things not exactly what he expected - Plate 2
Creator:
Print made by George Cruikshank, 1792–1878
Date:
1820
Materials & Techniques:
Aquatint and etching, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 9 15/16 x 14 inches (25.3 x 35.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33. Frontispiece: The Progress of a Midshipman

Frontispiece: The Progress of a Midshipman
Creator:
Print made by George Cruikshank, 1792–1878
Date:
1820
Materials & Techniques:
Aquatint and etching, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 8 1/2 x 11 3/8in. (21.6 x 28.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34. Funeral of the Late Duke of Wellington

Funeral of the Late Duke of Wellington
Creator:
Imitator of George Baxter, 1804–1867
Date:
after 1852
Materials & Techniques:
Aquatint and stipple engraving; color woodcut done by an unknown later printer on medium, slightly textured, cream wove paper, laid on contemporary mount made of thick, smooth, yellow card
Dimensions:
Mount: 7 1/2 x 5 1/2 inches (19 x 14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

35. Equestrian Studies of an English Officer

Equestrian Studies of an English Officer
Creator:
George Chinnery, 1774–1852
Date:
undated
Materials & Techniques:
Pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 x 9 5/8 inches (17.8 x 24.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36. Lieutenant General Sir J. L. Pennefather & Staff

Lieutenant General Sir J. L. Pennefather & Staff
Creator:
Roger Fenton, 1819–1869
Date:
1855, printed 1856
Materials & Techniques:
Salted paper print on thin, smooth, cream wove paper
Dimensions:
Sheet: 5 3/4 × 8 inches (14.6 × 20.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Dr. J. Patrick and Patricia Ann Kennedy

37. Officers of the 4th Light Dragoons

Officers of the 4th Light Dragoons
Creator:
Roger Fenton, 1819–1869
Date:
1855, printed 1856
Materials & Techniques:
Salted paper print on thin, smooth, cream wove paper
Dimensions:
Sheet: 6 1/2 × 6 1/4 inches (16.5 × 15.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Dr. J. Patrick and Patricia Ann Kennedy

38. Officers & Men of the 8th Hussars

Officers & Men of the 8th Hussars
Creator:
Roger Fenton, 1819–1869
Date:
1855, printed 1856
Materials & Techniques:
Salted paper print on thin, smooth, cream wove paper
Dimensions:
Sheet: 6 × 6 1/8 inches (15.2 × 15.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Dr. J. Patrick and Patricia Ann Kennedy

39. Chelsea Fire

Chelsea Fire
Creator:
Lewis Morley, 1925–2013
Date:
1960s
Materials & Techniques:
Gelatin silver print on resin-coated photographic paper
Dimensions:
Sheet: 6 1/2 × 8 1/2 inches (16.5 × 21.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Dr. J. Patrick and Patricia Kennedy

40. Marching Band, London

Marching Band, London
Creator:
Lewis Morley, 1925–2013
Date:
1960s
Materials & Techniques:
Gelatin silver print on semigloss photographic paper
Dimensions:
Sheet: 8 × 10 inches (20.3 × 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Dr. J. Patrick and Patricia Kennedy

41. Maggie Smith, Olivier

Maggie Smith, Olivier
Creator:
Lewis Morley, 1925–2013
Date:
1960s
Materials & Techniques:
Gelatin silver print on resin-coated photographic paper
Dimensions:
Sheet: 8 × 10 inches (20.3 × 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Dr. J. Patrick and Patricia Kennedy

42. Robert Stephens and Laurence Olivier in 'The Recruiting Officer' by George Farquhar

Robert Stephens and Laurence Olivier in 'The Recruiting Officer' by George Farquhar
Creator:
Lewis Morley, 1925–2013
Date:
1963
Materials & Techniques:
Gelatin silver print on resin-coated photographic paper
Dimensions:
Sheet: 10 × 8 inches (25.4 × 20.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Dr. J. Patrick and Patricia Kennedy

43. The Big Secret II

The Big Secret II
Creator:
Barbara Walker, born 1964
Date:
2015
Materials & Techniques:
Conté crayon on thick, slightly textured, white wove paper
Dimensions:
Sheet: 56 1/4 × 71 inches (142.9 × 180.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Friends of British Art Fund

44. The Big Secret IV

The Big Secret IV
Creator:
Barbara Walker, born 1964
Date:
2015
Materials & Techniques:
Conté crayon and white paint on thick, slightly textured, white wove paper
Dimensions:
Sheet: 62 5/8 × 76 3/4 inches (159 × 195 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Friends of British Art Fund

45. Study for Dinner in Mote Park, Maidstone after the Royal Review of the Kentish Volunteers on 1st August 1799

Study for Dinner in Mote Park, Maidstone after the Royal Review of the Kentish Volunteers on 1st August 1799
Creator:
William Alexander, 1767–1816
Date:
undated
Materials & Techniques:
Brown ink over graphite on thick, smooth, beige wove paper
Dimensions:
Sheet: 8 1/2 x 14 inches (21.6 x 35.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

46. L'Adieu

L'Adieu
Creator:
Print made by Michael Hanhart, active 1841–1852
Date:
ca. 1858
Materials & Techniques:
Lithograph with hand coloring on medium, smooth, beige wove paper
Dimensions:
Sheet: 13 3/16 x 9 1/2 inches (33.5 x 24.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Hohenzollern-Schlaberg-Hughes Collection, Gift Thomas Lowe Hughes, Yale JD 1952

47. A Gendarme and Another Man

A Gendarme and Another Man
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Pen and red-gray ink, and graphite; verso: graphite sketch on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 6 1/4 x 4 13/16 inches (15.9 x 12.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

48. The North

The North
Creator:
Bruce Davidson, born 1933
Date:
1960
Materials & Techniques:
Gelatin silver print on moderately thick, semigloss photographic paper
Dimensions:
Sheet: 11 x 14in. (27.9 x 35.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Ralph and Nancy Segall

49. Private Eye, Satire on New British Rail Uniform

Private Eye, Satire on New British Rail Uniform
Creator:
Lewis Morley, 1925–2013
Date:
1960s
Materials & Techniques:
Gelatin silver print on semigloss photographic paper
Dimensions:
Sheet: 15 7/8 × 12 inches (40.3 × 30.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Dr. J. Patrick and Patricia Kennedy

50. 'The Porthole,' Sergeant and Private of the 42d Gordon Highlanders

'The Porthole,' Sergeant and Private of the 42d Gordon Highlanders
Creator:
David Octavius Hill, 1802–1870
Date:
1846
Materials & Techniques:
Salted paper print from a paper negative on thin, smooth, cream wove paper
Dimensions:
Sheet: 7 15/16 × 6 3/8 inches (20.1 × 16.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

51. Merton College, Oxford

Merton College, Oxford
Creator:
William Alfred Delamotte, 1775–1863
Date:
undated
Materials & Techniques:
Graphite on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 8 3/8 x 11 inches (21.3 x 27.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

52. Head of an Aga of the Janisseries

Head of an Aga of the Janisseries
Creator:
Princess Augusta Charlotte, 1766–1828
Date:
undated
Materials & Techniques:
Pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 12 1/8 x 9 1/2 inches (30.8 x 24.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

53. London Zoo

London Zoo
Creator:
Lewis Morley, 1925–2013
Date:
1960s
Materials & Techniques:
Gelatin silver print on semigloss photographic paper
Dimensions:
Sheet: 12 × 15 7/8 inches (30.5 × 40.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Dr. J. Patrick and Patricia Kennedy

54. Hyde Park

Hyde Park
Creator:
Lewis Morley, 1925–2013
Date:
1957
Materials & Techniques:
Gelatin silver print on semigloss photographic paper
Dimensions:
Sheet: 12 × 16 inches (30.5 × 40.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Dr. J. Patrick and Patricia Kennedy

55. Mail Coach Behind Time

No cover image available
Creator:
Engraved by Henry Pyall, 1795–1833
Date:
1827
Materials & Techniques:
Aquatint, hand-colored on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 15 13/16 x 20 3/16 inches (40.2 x 51.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection