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James Ward Man Struggling with a Boa Constrictor, Study for “The Liboya Serpent Seizing His Prey”
James Ward, 1769–1859
Man Struggling with a Boa Constrictor, Study for “The Liboya Serpent Seizing His Prey”
ca. 1803
Not on view
Marcus Gheeraerts the Younger Elizabeth Knightley (née Seymour), Lady Knightley
Marcus Gheeraerts the Younger, 1561–1635
Elizabeth Knightley (née Seymour), Lady Knightley
1591
Not on view
Sir Godfrey Kneller Alexander Pope Profile, Crowned with Ivy
Studio of Sir Godfrey Kneller, 1646–1723
Alexander Pope Profile, Crowned with Ivy
ca. 1721
Not on view
Sawrey Gilpin A Horse Frightened by a Snake
Sawrey Gilpin, 1733–1807
A Horse Frightened by a Snake
1792
Not on view
John Hoyland Red Snake 13.9.89
John Hoyland, 1934–2011
Red Snake 13.9.89
1989
Not on view
John Singleton Copley Study for 'The Red Cross Knight'
John Singleton Copley, 1738–1815
Study for 'The Red Cross Knight'
ca. 1793
Not on view
John Downman The Ghost of Clytemnestra Awakening the Furies
John Downman, 1750–1824
The Ghost of Clytemnestra Awakening the Furies
1781
Not on view
John Hamilton Mortimer Man attacking a monster
Attributed to John Hamilton Mortimer, 1740–1779
Man attacking a monster
between 1770 and 1780
Not on view
Joseph Mallord William Turner Mer de Glace, in the Valley of Chamonix
Joseph Mallord William Turner, 1775–1851
Mer de Glace, in the Valley of Chamonix
1803
William Blake Night the Third. Narcissa; Title Page
Print made by William Blake, 1757–1827
Night the Third. Narcissa; Title Page
ca. 1797
William Blake IV. "The eternal gates terrific porter lifted the northern bar..." (Plate 8)
Print made by William Blake, 1757–1827
IV. "The eternal gates terrific porter lifted the northern bar..." (Plate 8)
1789
William Blake The Little Girl Lost (Plate 20)
Print made by William Blake, 1757–1827
The Little Girl Lost (Plate 20)
1789
William Blake Earth's Answer (Plate 35)
Print made by William Blake, 1757–1827
Earth's Answer (Plate 35)
1794
William Blake The Angel (Plate 40)
Print made by William Blake, 1757–1827
The Angel (Plate 40)
1794
William Blake "The Ox in the slaughter house moans..." (Plate 23)
Print made by William Blake, 1757–1827
"The Ox in the slaughter house moans..." (Plate 23)
1794
William Blake Chapter III, "As the stars are apart from the earth..." (Plate 7)
Print made by William Blake, 1757–1827
Chapter III, "As the stars are apart from the earth..." (Plate 7)
1794
William Blake "In thoughts perturb'd they rose..." (Plate 11)
Print made by William Blake, 1757–1827
"In thoughts perturb'd they rose..." (Plate 11)
1794
William Blake "Ethinthus queen of waters, how thou shinest in the sky..." (Plate 16)
Print made by William Blake, 1757–1827
"Ethinthus queen of waters, how thou shinest in the sky..." (Plate 16)
1794
William Blake 'Its favours here are trials, not rewards' (Page 12)
Print made by William Blake, 1757–1827
'Its favours here are trials, not rewards' (Page 12)
1797
William Blake "Over the hills, the vales, the cities, rage the red flames fierce..." (Plate 18)
Print made by William Blake, 1757–1827
"Over the hills, the vales, the cities, rage the red flames fierce..." (Plate 18)
1793
William Blake Preludium. "The shadowy daughter of Urthona stood before red Orc..." (Plate 3)
Print made by William Blake, 1757–1827
Preludium. "The shadowy daughter of Urthona stood before red Orc..." (Plate 3)
1793
William Blake "Albions Angel stood beside the Stone of night, and saw..." (Plate 7)
Print made by William Blake, 1757–1827
"Albions Angel stood beside the Stone of night, and saw..." (Plate 7)
1793
William Blake "The morning comes, the night decays, the watchmen leave their stations..." (Plate 8)
Print made by William Blake, 1757–1827
"The morning comes, the night decays, the watchmen leave their stations..." (Plate 8)
1793
William Blake IV. "The eternal gates terrific porter lifted the northern bar..." (Plate 8)
Print made by William Blake, 1757–1827
IV. "The eternal gates terrific porter lifted the northern bar..." (Plate 8)
1789
William Blake Fiery the Angels rose, & as they rose deep thunder roll'd..." (Plate 13)
Print made by William Blake, 1757–1827
Fiery the Angels rose, & as they rose deep thunder roll'd..." (Plate 13)
1793
William Blake "What time the thirteen Governors that England sent convene..." (Plate 15)
Print made by William Blake, 1757–1827
"What time the thirteen Governors that England sent convene..." (Plate 15)
1793
William Blake "In the flames stood & view'd the armies drawn out in the sky..." (Plate 16)
Print made by William Blake, 1757–1827
"In the flames stood & view'd the armies drawn out in the sky..." (Plate 16)
1793
William Blake "Jehovah stood among the Druids..." (Plate 63)
Print made by William Blake, 1757–1827
"Jehovah stood among the Druids..." (Plate 63)
1804 to 1820
William Blake "And the Thirty-two Counties of the Four Provinces of Ireland..." (Plate 72)
Print made by William Blake, 1757–1827
"And the Thirty-two Counties of the Four Provinces of Ireland..." (Plate 72)
1804 to 1820
William Blake "With one accord in love sublime..." (Plate 44)
Print made by William Blake, 1757–1827
"With one accord in love sublime..." (Plate 44)
1804 to 1820
William Blake "Bath, healing City!..." (Plate 45)
Print made by William Blake, 1757–1827
"Bath, healing City!..." (Plate 45)
1804 to 1820
William Blake "These were his last words, and the merciful Saviour in his arms..." (Plate 48)
Print made by William Blake, 1757–1827
"These were his last words, and the merciful Saviour in his arms..." (Plate 48)
1804 to 1820
William Blake The Serpent who Girds the Earth (Design 77)
William Blake, 1757–1827
The Serpent who Girds the Earth (Design 77)
between 1797 and 1798
William Blake Chapter III, "As the stars are apart from the earth..." (Plate 9)
Print made by William Blake, 1757–1827
Chapter III, "As the stars are apart from the earth..." (Plate 9)
1794
William Blake "The Ox in the slaughter house moans..." (Plate 26)
Print made by William Blake, 1757–1827
"The Ox in the slaughter house moans..." (Plate 26)
1794
William Blake "I have heard Jerusalems groans..." (Plate 82)
Print made by William Blake, 1757–1827
"I have heard Jerusalems groans..." (Plate 82)
1804 to 1820
William Blake "What do I see! The Briton Saxon Roman Norman..." (Plate 92)
Print made by William Blake, 1757–1827
"What do I see! The Briton Saxon Roman Norman..." (Plate 92)
1804 to 1820
William Blake "Then each an Arrow flaming from his Quiver..." (Plate 98)
Print made by William Blake, 1757–1827
"Then each an Arrow flaming from his Quiver..." (Plate 98)
1804 to 1820
William Blake "To labours mighty, with vast strength..." (Plate 11)
Print made by William Blake, 1757–1827
"To labours mighty, with vast strength..." (Plate 11)
1804 to 1820
William Blake "Condens'd his Emanations..." (Plate 9)
Print made by William Blake, 1757–1827
"Condens'd his Emanations..." (Plate 9)
1804 to 1820
William Blake 'Like that, the dial speaks; and points to thee' (Page 33)
Print made by William Blake, 1757–1827
'Like that, the dial speaks; and points to thee' (Page 33)
1797
William Blake "Bath, mild Physician of Eternity..." (Plate 46)
Print made by William Blake, 1757–1827
"Bath, mild Physician of Eternity..." (Plate 46)
1804 to 1820
William Blake Title Page, Europe a Prophecy (Plate 2)
Print made by William Blake, 1757–1827
Title Page, Europe a Prophecy (Plate 2)
1794
William Blake "And Rahab Babylon the Great..." (Plate 75)
Print made by William Blake, 1757–1827
"And Rahab Babylon the Great..." (Plate 75)
1804 to 1820
William Blake "Encompass'd by the frozen Net..." (Plate 80)
Print made by William Blake, 1757–1827
"Encompass'd by the frozen Net..." (Plate 80)
1804 to 1820
William Blake Night the Third. Narcissa; Title Page
Print made by William Blake, 1757–1827
Night the Third. Narcissa; Title Page
1797
William Blake "Iron sleet of arrowy shower Hurtles in the darkened air..." (Design 71)
William Blake, 1757–1827
"Iron sleet of arrowy shower Hurtles in the darkened air..." (Design 71)
between 1797 and 1798
William Blake "Hie thee hence, and boast at home..." (Design 85)
William Blake, 1757–1827
"Hie thee hence, and boast at home..." (Design 85)
between 1797 and 1798
William Blake A Dream (Plate 4)
Print made by William Blake, 1757–1827
A Dream (Plate 4)
1789
William Woollett Macbeth and the Witches
William Woollett, 1735–1785
Macbeth and the Witches
1770
John Smith, the mezzotinter Plaudit Ave Regina
Print made by John Smith, the mezzotinter, 1652–1743
Plaudit Ave Regina
undated
George Siegmund Facius West Window of the Chapel, New College Oxford: The Virtues - Prudence
George Siegmund Facius, 1750–1804
West Window of the Chapel, New College Oxford: The Virtues - Prudence
1782
Sir James Thornhill Design of Apollo and the Python for a Painted over-door Decoration
Sir James Thornhill, 1675–1734
Design of Apollo and the Python for a Painted over-door Decoration
undated
Robert Smirke Bachanalia Scene
Robert Smirke, 1752–1845
Bachanalia Scene
undated
Edward Calvert The Ploughman
Print made by Edward Calvert, 1799–1883
The Ploughman
1827
William James Ward The Infant Hercules
Print made by William James Ward, ca. 1800–1840
The Infant Hercules
1819
George Fennell Robson Macbeth and Banquo on the Heath
George Fennell Robson, 1788–1833
Macbeth and Banquo on the Heath
ca. 1830
unknown artist Fishing Cove near Columbo
unknown artist
Fishing Cove near Columbo
undated
Samuel Howitt Raven and Snake
Samuel Howitt, 1756–1822
Raven and Snake
ca. 1813
Edward Fisher Lady Sarah Bunbury Sacrificing to the Graces
Print made by Edward Fisher, 1722–1785
Lady Sarah Bunbury Sacrificing to the Graces
ca. 1766
William Pether Rabbi with a White Turban
Print made by William Pether, ca. 1738–1821
Rabbi with a White Turban
1778
Edward Anthony Carrick Eve
Print made by Edward Anthony Carrick, 1905–1998
Eve
undated
Samuel William Reynolds Lion and Snake
Print made by Samuel William Reynolds, 1773–1835
Lion and Snake
1799
Richard Earlom Life School at the Royal Academy
Print made by Richard Earlom, 1743–1822
Life School at the Royal Academy
1773
Mark Catesby An Reinoides &c., Anguis &c. (The Copper-Belly Snake), Plate 46 from the 'Natural History of Carolina, Florida and the Bahama Islands', volume I, 2nd edition, London, 1754
Print made by workshop of Mark Catesby, 1682–1749
An Reinoides &c., Anguis &c. (The Copper-Belly Snake), Plate 46 from the 'Natural History of Carolina, Florida and the Bahama Islands', volume I, 2nd edition, London, 1754
1754
Gaynor Chapman Country Walks: The Naturalist
Gaynor Chapman, 1935–2000
Country Walks: The Naturalist
1963
Sir Charles D'Oyly A Samporea or Snake Catcher
Print made by Sir Charles D'Oyly, 1781–1845
A Samporea or Snake Catcher
ca. 1830
David Roberts From under the Portico of the Temple of Edfu, Upper Egypt
David Roberts, 1796–1864
From under the Portico of the Temple of Edfu, Upper Egypt
1846
Jessica Dismorr Man with a Book and Sword Standing on a Snake
Jessica Dismorr, 1885–1939
Man with a Book and Sword Standing on a Snake
undated
John Dixon The Oracle, Representing Britannia, Hibernia, Scotia and America
Print made by John Dixon, ca. 1740–1811
The Oracle, Representing Britannia, Hibernia, Scotia and America
1774
Samuel Davis Sculpture depicting three heads
Samuel Davis, 1760–1819
Sculpture depicting three heads
undated
Nicholas Hilliard Portrait of a Woman, called Frances Carr (née Howard), Countess of Somerset
Workshop of Nicholas Hilliard, ca. 1547–1619
Portrait of a Woman, called Frances Carr (née Howard), Countess of Somerset
undated
Hubert-François Gravelot Designs for an Ornamental Cartouche: for the Engraved Portrait of Sir Samuel Garth (1661-1719)
Hubert-François Gravelot, 1699–1773
Designs for an Ornamental Cartouche: for the Engraved Portrait of Sir Samuel Garth (1661-1719)
undated
James Walker The Infant Hercules
James Walker, 1748–1808
The Infant Hercules
1792
Edward Fisher Lady Sarah Bunbury, Pouring Libations to the Graces
Edward Fisher, 1722–1785
Lady Sarah Bunbury, Pouring Libations to the Graces
1766