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Edward Lear Beni Eddeir
Edward Lear, 1812–1888
Beni Eddeir
1867
Edward Lear Thebes
Edward Lear, 1812–1888
Thebes
1854
Edward Lear Corfu
Edward Lear, 1812–1888
Corfu
ca. 1856
Edward Lear Vjosa
Edward Lear, 1812–1888
Vjosa
1857
Edward Lear Tepelene, 18 April 1857
Edward Lear, 1812–1888
Tepelene, 18 April 1857
1857
Edward Lear Near Mesghouneh
Edward Lear, 1812–1888
Near Mesghouneh
1867
Edward Lear Deir Kadige, noon, January 2, 1867 (26)
Edward Lear, 1812–1888
Deir Kadige, noon, January 2, 1867 (26)
1867
Edward Lear Dendera
Edward Lear, 1812–1888
Dendera
1867
Edward Lear Dendera
Edward Lear, 1812–1888
Dendera
1867
Edward Lear Dendera
Edward Lear, 1812–1888
Dendera
1867
Edward Lear Near Tough
Edward Lear, 1812–1888
Near Tough
1867
Edward Lear Benares
Edward Lear, 1812–1888
Benares
1873
Edward Lear View near Palermo
Edward Lear, 1812–1888
View near Palermo
1847
Edward Lear Wied Zurrik (Malta)
Edward Lear, 1812–1888
Wied Zurrik (Malta)
1848
Edward Lear The Capo Sant' Angelo, Amalfi
Edward Lear, 1812–1888
The Capo Sant' Angelo, Amalfi
ca. 1885
Edward Lear Rocky Valley of Mosta, Malta, 1:30 p.m. (April 3, 1866)
Edward Lear, 1812–1888
Rocky Valley of Mosta, Malta, 1:30 p.m. (April 3, 1866)
1866
Edward Lear Bavella, Corsica
Edward Lear, 1812–1888
Bavella, Corsica
ca. 1868
Edward Lear Rocky Valley of Mosta, Malta, 2:15 p.m. (April 3, 1866)
Edward Lear, 1812–1888
Rocky Valley of Mosta, Malta, 2:15 p.m. (April 3, 1866)
1866
Edward Lear Abu Simbel, 11-11:30 am, 8 February 1867 (374)
Edward Lear, 1812–1888
Abu Simbel, 11-11:30 am, 8 February 1867 (374)
1867
George Romney A Procession of the Damned: Study for the Damned in Dante's "Inferno"
George Romney, 1734–1802
A Procession of the Damned: Study for the Damned in Dante's "Inferno"
undated
George Romney Study of a Clouded Moonlit Sky
George Romney, 1734–1802
Study of a Clouded Moonlit Sky
undated
William Blake Help! Help! (Plate 12)
Print made by William Blake, 1757–1827
Help! Help! (Plate 12)
1793
William Blake I Want! I Want! (Plate 11)
Print made by William Blake, 1757–1827
I Want! I Want! (Plate 11)
1793
William Blake Introduction (Plate 34)
Print made by William Blake, 1757–1827
Introduction (Plate 34)
1794
William Blake "And none but Bromian can hear my lamentations..." (Plate 6)
Print made by William Blake, 1757–1827
"And none but Bromian can hear my lamentations..." (Plate 6)
1793
William Blake Air (Plate 6)
Print made by William Blake, 1757–1827
Air (Plate 6)
1793
William Blake 'Its favours here are trials, not rewards' (Page 12)
Print made by William Blake, 1757–1827
'Its favours here are trials, not rewards' (Page 12)
ca. 1797
William Blake 'Its favours here are trials, not rewards' (Page 12)
Print made by William Blake, 1757–1827
'Its favours here are trials, not rewards' (Page 12)
1797
William Blake "Somevillage-Hampden, that with dauntless breast, The little tyrant of his fields withstood..," (Design 111)
William Blake, 1757–1827
"Somevillage-Hampden, that with dauntless breast, The little tyrant of his fields withstood..," (Design 111)
between 1797 and 1798
William Blake A Shepherd Reading the Epitaph (Design 115)
William Blake, 1757–1827
A Shepherd Reading the Epitaph (Design 115)
between 1797 and 1798
William Blake Windsor Terrace, a Boy Contemplating a Distant View of Eton College (Design 13)
William Blake, 1757–1827
Windsor Terrace, a Boy Contemplating a Distant View of Eton College (Design 13)
between 1797 and 1798
William Blake "To decide Two Worlds with a great decision..." (Plate 65)
Print made by William Blake, 1757–1827
"To decide Two Worlds with a great decision..." (Plate 65)
1804 to 1820
William Blake A Genius Driving Away "Comus & his midnight-crew..." (Design 95)
William Blake, 1757–1827
A Genius Driving Away "Comus & his midnight-crew..." (Design 95)
between 1797 and 1798
William Blake "Headlong, from the mountain's height, Deep in the roaring tide he plung'd to endless night." (Design 65)
William Blake, 1757–1827
"Headlong, from the mountain's height, Deep in the roaring tide he plung'd to endless night." (Design 65)
between 1797 and 1798
William Blake The Three Fatal Sisters (Design 67)
William Blake, 1757–1827
The Three Fatal Sisters (Design 67)
between 1797 and 1798
William Blake "Then all the Males conjoined into One Male..." (Plate 69)
Print made by William Blake, 1757–1827
"Then all the Males conjoined into One Male..." (Plate 69)
1804 to 1820
William Blake "And this the form of mighty Hand..." (Plate 70)
Print made by William Blake, 1757–1827
"And this the form of mighty Hand..." (Plate 70)
1804 to 1820
William Blake Jerusalem, Plate 28 Proof Impression
Print made by William Blake, 1757–1827
Jerusalem, Plate 28 Proof Impression
ca. 1820
William Blake "And One stood forth from the Divine Family..." (Plate 37)
Print made by William Blake, 1757–1827
"And One stood forth from the Divine Family..." (Plate 37)
1804 to 1820
William Blake "By Satan's Watch-fiends tho' they search..." (Plate 39)
Print made by William Blake, 1757–1827
"By Satan's Watch-fiends tho' they search..." (Plate 39)
1804 to 1820
William Blake "Jerusalem, Chapter 1. Of the Sleep of Ulro!..." (Plate 4)
Print made by William Blake, 1757–1827
"Jerusalem, Chapter 1. Of the Sleep of Ulro!..." (Plate 4)
1804 to 1820
William Blake "They saw their Wheels rising up poisonous..." (Plate 43)
Print made by William Blake, 1757–1827
"They saw their Wheels rising up poisonous..." (Plate 43)
1804 to 1820
William Blake "A wond'rous boy shall Rinda bear, Who ne'er shall comb his raven hair..." (Design 83)
William Blake, 1757–1827
"A wond'rous boy shall Rinda bear, Who ne'er shall comb his raven hair..." (Design 83)
between 1797 and 1798
William Blake "Rose up against me thundering..." (Plate 8)
Print made by William Blake, 1757–1827
"Rose up against me thundering..." (Plate 8)
1804 to 1820
William Blake "I have heard Jerusalems groans..." (Plate 82)
Print made by William Blake, 1757–1827
"I have heard Jerusalems groans..." (Plate 82)
1804 to 1820
William Blake "Corruptability appears upon thy limbs..." (Plate 83)
Print made by William Blake, 1757–1827
"Corruptability appears upon thy limbs..." (Plate 83)
1804 to 1820
William Blake "What do I see! The Briton Saxon Roman Norman..." (Plate 92)
Print made by William Blake, 1757–1827
"What do I see! The Briton Saxon Roman Norman..." (Plate 92)
1804 to 1820
William Blake Jerusalem, Tailpiece (Plate 100)
Print made by William Blake, 1757–1827
Jerusalem, Tailpiece (Plate 100)
1804 to 1820
William Blake "Albion thy fear has made me tremble..." (Plate 22)
Print made by William Blake, 1757–1827
"Albion thy fear has made me tremble..." (Plate 22)
1804 to 1820
William Blake "What have I said? What have I done?..." (Plate 24)
Print made by William Blake, 1757–1827
"What have I said? What have I done?..." (Plate 24)
1804 to 1820
William Blake "To the Public. After my three years slumber..." (Plate 3)
Print made by William Blake, 1757–1827
"To the Public. After my three years slumber..." (Plate 3)
1804 to 1820
William Blake "And the voices of Bath & Canterbury & York & Edinburgh, Cry..." (Plate 57)
Print made by William Blake, 1757–1827
"And the voices of Bath & Canterbury & York & Edinburgh, Cry..." (Plate 57)
1804 to 1820
William Blake "Became a Space & an Allegory..." (Plate 85)
Print made by William Blake, 1757–1827
"Became a Space & an Allegory..." (Plate 85)
1804 to 1820
William Blake "Awake! Awake Jerusalem..." (Plate 97)
Print made by William Blake, 1757–1827
"Awake! Awake Jerusalem..." (Plate 97)
1804 to 1820
William Blake "Nor fear the rocks, nor seek the shore..." (Design 101)
William Blake, 1757–1827
"Nor fear the rocks, nor seek the shore..." (Design 101)
between 1797 and 1798
William Blake "Why wilt thou give to her a Body..." (Plate 12)
Print made by William Blake, 1757–1827
"Why wilt thou give to her a Body..." (Plate 12)
1804 to 1820
William Blake "One hair nor particle of dust..." (Plate 14)
Print made by William Blake, 1757–1827
"One hair nor particle of dust..." (Plate 14)
1804 to 1820
William Blake "And Hand & Hyle rooted into Jerusalem..." (Plate 15)
Print made by William Blake, 1757–1827
"And Hand & Hyle rooted into Jerusalem..." (Plate 15)
1804 to 1820
William Blake "From every-one of the Four Regions..." (Plate 18)
Print made by William Blake, 1757–1827
"From every-one of the Four Regions..." (Plate 18)
1804 to 1820
William Blake "But when they saw Albion fall'n..." (Plate 20)
Print made by William Blake, 1757–1827
"But when they saw Albion fall'n..." (Plate 20)
1804 to 1820
William Blake "Jerusalem, Chapter 2. Every ornament of perfection..." (Plate 28)
Print made by William Blake, 1757–1827
"Jerusalem, Chapter 2. Every ornament of perfection..." (Plate 28)
1804 to 1820
William Blake "The banks of the Thames are clouded..." (Plate 5)
Print made by William Blake, 1757–1827
"The banks of the Thames are clouded..." (Plate 5)
1804 to 1820
William Blake "Jerusalem, Chapter 3. But Los, who is the Vehicular Form..." (Plate 53)
Print made by William Blake, 1757–1827
"Jerusalem, Chapter 3. But Los, who is the Vehicular Form..." (Plate 53)
1804 to 1820
William Blake Fame (Design 93)
William Blake, 1757–1827
Fame (Design 93)
between 1797 and 1798
William Blake "Leaning from her golden cloud, The venerable Marg'ret see!..." (Design 99)
William Blake, 1757–1827
"Leaning from her golden cloud, The venerable Marg'ret see!..." (Design 99)
between 1797 and 1798
William Blake "Tho divided by the Cross & Nails & Thorns & Spear..." (Plate 89)
Print made by William Blake, 1757–1827
"Tho divided by the Cross & Nails & Thorns & Spear..." (Plate 89)
1804 to 1820
William Blake "Oft did the harvest to their sickle yield..." (Design 109)
William Blake, 1757–1827
"Oft did the harvest to their sickle yield..." (Design 109)
between 1797 and 1798
William Blake "The laughing flowers, that round them blow, Drink life and fragrance as they flow..." (Design 43)
William Blake, 1757–1827
"The laughing flowers, that round them blow, Drink life and fragrance as they flow..." (Design 43)
between 1797 and 1798
William Blake Air (Plate 6)
Print made by William Blake, 1757–1827
Air (Plate 6)
1826
William Blake The Prophetess Rising from Her Grave (Design 81)
William Blake, 1757–1827
The Prophetess Rising from Her Grave (Design 81)
between 1797 and 1798
William Blake "I want! I want!" (Plate 11)
Print made by William Blake, 1757–1827
"I want! I want!" (Plate 11)
1826
William Blake "Help! Help!" (Plate 12)
Print made by William Blake, 1757–1827
"Help! Help!" (Plate 12)
1826
William Blake Abraham and Isaac
William Blake, 1757–1827
Abraham and Isaac
1799 to 1800
James Holland Evening Sky on the Coast
James Holland, 1799–1870
Evening Sky on the Coast
between 1859 and 1861
Sir George Hayter A Capriccio of Windsor Castle
Sir George Hayter, 1792–1871
A Capriccio of Windsor Castle
1827
Samuel Howitt A Seascape
Samuel Howitt, 1756–1822
A Seascape
undated
James Duffield Harding Naples from the Strada Nouva, Nov.26, 1830
James Duffield Harding, 1798–1863
Naples from the Strada Nouva, Nov.26, 1830
1830
James Duffield Harding Lyons from Quayside on the Rhone
James Duffield Harding, 1798–1863
Lyons from Quayside on the Rhone
ca. 1824
James Duffield Harding The Grand Canal, Venice
James Duffield Harding, 1798–1863
The Grand Canal, Venice
1835
William Pitts Helios
William Pitts, 1790–1840
Helios
undated
Thomas Lindsay Sky Study, No. 7
Attributed to Thomas Lindsay, 1793–1861
Sky Study, No. 7
undated
George Siegmund Facius West Window of the Chapel, New College Oxford, Part of Clouds From the Nativity Scene
George Siegmund Facius, 1750–1804
West Window of the Chapel, New College Oxford, Part of Clouds From the Nativity Scene
1785
George Siegmund Facius West Window of the Chapel, New College Oxford, Clouds, Part of the Nativity Scene
George Siegmund Facius, 1750–1804
West Window of the Chapel, New College Oxford, Clouds, Part of the Nativity Scene
1785
James H. Baker Come Gentle Night: "Romeo and Juliet," Act III, Scene II
Print made by James H. Baker, born 1829
Come Gentle Night: "Romeo and Juliet," Act III, Scene II
between 1839 and 1849
Bernard Lens II Nymphs Bathing
Print made by Bernard Lens II, 1659–1725
Nymphs Bathing
undated
Bernard Lens II Nymphs Bathing
Print made by Bernard Lens II, 1659–1725
Nymphs Bathing
undated
William Marlow Nîmes from the Tour Magne
William Marlow, 1740–1813
Nîmes from the Tour Magne
ca. 1765
David Muirhead Chatham
David Muirhead, 1867–1930
Chatham
1923
unknown artist Mountainous Landscape
unknown artist
Mountainous Landscape
undated
William Callow Margate
William Callow, 1812–1908
Margate
1849
William Callow The Rialto
William Callow, 1812–1908
The Rialto
1846
Elijah Walton Mountain View: Portion of the Chain of the Terglon Alps as seen from near Rudmannsdorf, Italy
Elijah Walton, 1832–1880
Mountain View: Portion of the Chain of the Terglon Alps as seen from near Rudmannsdorf, Italy
undated
Elijah Walton Mountain View: Terglon Alps seen from near Lengenfeld Carniola, Austria
Elijah Walton, 1832–1880
Mountain View: Terglon Alps seen from near Lengenfeld Carniola, Austria
undated
William Callow Plymouth Dockyard after the Fire
William Callow, 1812–1908
Plymouth Dockyard after the Fire
1840
Paul Sandby Roslin Castle, Midlothian
Paul Sandby, 1731–1809
Roslin Castle, Midlothian
ca. 1780
Paul Sandby North West View of Wakefield Lodge in Whittlebury Forest, Northamptonshire
Paul Sandby, 1731–1809
North West View of Wakefield Lodge in Whittlebury Forest, Northamptonshire
1767
James Holland Greenwich
James Holland, 1799–1870
Greenwich
undated
Claude Hayes Moorland with Sheep and Shepherd
Claude Hayes, 1852–1922
Moorland with Sheep and Shepherd
undated
Willey Reveley Views in the Levant: Temple Ruins at Paestum
Willey Reveley, 1760–1799
Views in the Levant: Temple Ruins at Paestum
ca. 1785
Bradshaw & Blacklock The Farmer's Boy & The Rustic Angler
Print made by Bradshaw & Blacklock, active ca.1850
The Farmer's Boy & The Rustic Angler
after 1850