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John Frederick Herring A Clydesdale Stallion
John Frederick Herring, 1795–1865
A Clydesdale Stallion
1820
Not on view
William Daniell The Banks of the Ganges
Attributed to William Daniell, 1769–1837
The Banks of the Ganges
ca. 1825
Not on view
Samuel Palmer The Lonely Tower
Samuel Palmer, 1805–1881
The Lonely Tower
1868
Joseph Mallord William Turner Jason
Etched by Joseph Mallord William Turner, 1775–1851
Jason
1807
Edward Lear Bavella, Corsica
Edward Lear, 1812–1888
Bavella, Corsica
ca. 1868
William Blake "In the flames stood & view'd the armies drawn out in the sky..." (Plate 16)
Print made by William Blake, 1757–1827
"In the flames stood & view'd the armies drawn out in the sky..." (Plate 16)
1793
William Blake "Silent as despairing love, and strong as jealousy..." (Plate 4)
Print made by William Blake, 1757–1827
"Silent as despairing love, and strong as jealousy..." (Plate 4)
1793
William Blake Preludium. "The shadowy daughter of Urthona stood before red Orc..." (Plate 3)
Print made by William Blake, 1757–1827
Preludium. "The shadowy daughter of Urthona stood before red Orc..." (Plate 3)
1793
William Blake Title Page, The First Book of Urizen (Plate 1)
Print made by William Blake, 1757–1827
Title Page, The First Book of Urizen (Plate 1)
1794
William Blake Title Page, The First Book of Urizen (Plate 1)
Print made by William Blake, 1757–1827
Title Page, The First Book of Urizen (Plate 1)
1794
William Blake "And Hand & Hyle rooted into Jerusalem..." (Plate 15)
Print made by William Blake, 1757–1827
"And Hand & Hyle rooted into Jerusalem..." (Plate 15)
1804 to 1820
William Blake The Purple Year awaking from the Roots of Nature (Design 3)
William Blake, 1757–1827
The Purple Year awaking from the Roots of Nature (Design 3)
between 1797 and 1798
William Blake A Widower and Children (Design 35)
William Blake, 1757–1827
A Widower and Children (Design 35)
between 1797 and 1798
William Blake "And there was heard a great lamenting in Beulah..."; Chapter 1 Tailpiece (Plate 25)
Print made by William Blake, 1757–1827
"And there was heard a great lamenting in Beulah..."; Chapter 1 Tailpiece (Plate 25)
1804 to 1820
William Blake "Elevate into the Region of Brotherhood..." (Plate 34)
Print made by William Blake, 1757–1827
"Elevate into the Region of Brotherhood..." (Plate 34)
1804 to 1820
William Blake "In beauty the Daughters of Albion divide..." (Plate 58)
Print made by William Blake, 1757–1827
"In beauty the Daughters of Albion divide..." (Plate 58)
1804 to 1820
William Blake "His face and bosom with petrific hardness..." (Plate 38)
Print made by William Blake, 1757–1827
"His face and bosom with petrific hardness..." (Plate 38)
1804 to 1820
William Blake "And the voices of Bath & Canterbury & York & Edinburgh, Cry..." (Plate 57)
Print made by William Blake, 1757–1827
"And the voices of Bath & Canterbury & York & Edinburgh, Cry..." (Plate 57)
1804 to 1820
William Blake "Became a Space & an Allegory..." (Plate 85)
Print made by William Blake, 1757–1827
"Became a Space & an Allegory..." (Plate 85)
1804 to 1820
William Blake "Enitharmon heard. She raised her head like the mild Moon..." (Plate 93)
Print made by William Blake, 1757–1827
"Enitharmon heard. She raised her head like the mild Moon..." (Plate 93)
1804 to 1820
William Blake "The Four Zoa's clouded rage..." (Plate 74)
Print made by William Blake, 1757–1827
"The Four Zoa's clouded rage..." (Plate 74)
1804 to 1820
William Blake "Repelling weeping Enion blind & age-bent..." (Plate 87)
Print made by William Blake, 1757–1827
"Repelling weeping Enion blind & age-bent..." (Plate 87)
1804 to 1820
William Blake "Albion cold lays on his Rock..." (Plate 94)
Print made by William Blake, 1757–1827
"Albion cold lays on his Rock..." (Plate 94)
1804 to 1820
William Blake "Her voice pierc'd Albions clay cold ear..." (Plate 95)
Print made by William Blake, 1757–1827
"Her voice pierc'd Albions clay cold ear..." (Plate 95)
1804 to 1820
William Blake Sheet from the Blake-Varley Sketchbook of 1819, Pages 37 and 38
William Blake, 1757–1827
Sheet from the Blake-Varley Sketchbook of 1819, Pages 37 and 38
1819
Johan Joseph Zoffany A Dying Hindu Brought to the River Ganges
Johan Joseph Zoffany, 1733–1810
A Dying Hindu Brought to the River Ganges
1788
Richard Wilson Study of an Old Tree: Trunk and Creeper-Covered Roots
Richard Wilson, 1713/4–1782
Study of an Old Tree: Trunk and Creeper-Covered Roots
undated
Alfred Parsons A Forest Landscape near Boldrewood
Alfred Parsons, 1847–1920
A Forest Landscape near Boldrewood
1871
George Percival Gaskell Twilight in the Firwood
George Percival Gaskell, 1868–1934
Twilight in the Firwood
undated
Luigi Balugani Uschis (Coccinea abyssinica)
Luigi Balugani, 1737–1770
Uschis (Coccinea abyssinica)
undated
Luigi Balugani Astragalus Atropilosulus and Gomphocarpus Fruticosus
Luigi Balugani, 1737–1770
Astragalus Atropilosulus and Gomphocarpus Fruticosus
undated
Luigi Balugani Enzerazei (Oenostachys abyssinica)
Luigi Balugani, 1737–1770
Enzerazei (Oenostachys abyssinica)
undated
Luigi Balugani Bahah (Rhus retinorrhoea) and Cura-Magiett (Cucumis metuliferus)
Luigi Balugani, 1737–1770
Bahah (Rhus retinorrhoea) and Cura-Magiett (Cucumis metuliferus)
undated
Luigi Balugani Effarazengh (Kniphofia foliosa)
Luigi Balugani, 1737–1770
Effarazengh (Kniphofia foliosa)
1770
Luigi Balugani Scadoxus Puniceus
Luigi Balugani, 1737–1770
Scadoxus Puniceus
undated
Luigi Balugani Ensete Ventricosum
Luigi Balugani, 1737–1770
Ensete Ventricosum
undated
unknown artist Veni Inebriemus Eum Vino Dormiamusque Cum Eo
Print made by unknown artist
Veni Inebriemus Eum Vino Dormiamusque Cum Eo
between 1681 and 1688
Elisha Kirkall Apollo and Daphne
Print made by Elisha Kirkall, ca. 1682–1742
Apollo and Daphne
undated
John Henry Mole View from Craig-y-Barns, Dunkeld, Looking South
John Henry Mole, 1814–1886
View from Craig-y-Barns, Dunkeld, Looking South
1855
Luigi Balugani Cucumis Metuliferus
Luigi Balugani, 1737–1770
Cucumis Metuliferus
undated
John Linnell Old Olive Tree
John Linnell, 1792–1882
Old Olive Tree
undated
Mrs. P. D. H. Page Sabatia, After the Original by John White in the British Museum [Sir Walter Raleigh's Virginia, No. 56 A]
Mrs. P. D. H. Page, 20th century
Sabatia, After the Original by John White in the British Museum [Sir Walter Raleigh's Virginia, No. 56 A]
undated
William Byron, fourth Baron Byron View of a Park with Deer
William Byron, fourth Baron Byron, 1669–1736
View of a Park with Deer
undated
George Frost A Wooded Landscape with Pool
George Frost, 1745–1821
A Wooded Landscape with Pool
undated
Anthony Vandyke Copley Fielding Landscape with Limekiln
Anthony Vandyke Copley Fielding, 1787–1855
Landscape with Limekiln
1809
Robert Hills Beech Trees
Robert Hills, 1769–1844
Beech Trees
undated
Joseph Constantine Stadler The White Lily with Variegated-Leaves, 1800, from Robert John Thornton, the 'Temple of Flora', 1799-1812
Print made by Joseph Constantine Stadler, active 1780–1812
The White Lily with Variegated-Leaves, 1800, from Robert John Thornton, the 'Temple of Flora', 1799-1812
1800
George Shaw Twelve Short Walks 10
Print made by George Shaw, born 1966
Twelve Short Walks 10
2005
William Alfred Delamotte Resting, Men and Dogs Under a Big Tree
Print made by William Alfred Delamotte, 1775–1863
Resting, Men and Dogs Under a Big Tree
1802