Subject Terms: reins - YCBA Collections Search Search Results

1. Foxhunting Scene

Creator:: Benjamin Marshall, 1768–1835
Date:: 1808
Materials & Techniques:: Oil on canvas
Dimensions:: 40 x 50 inches (101.6 x 127 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

2. Portrait of a Man on Horseback

Creator:: John Wootton, 1682–1764
Date:: ca. 1740
Materials & Techniques:: Oil on canvas
Dimensions:: 50 1/4 × 40 1/8 inches (127.6 × 101.9 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

3. The Death of the Hare

Creator:: John Wootton, 1682–1764
Date:: ca. 1735
Materials & Techniques:: Oil on canvas
Dimensions:: 40 1/2 x 50 1/4 inches (102.9 x 127.6 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

4. Almost Away

Creator:: Sir Alfred J. Munnings, 1878–1959
Date:: mid-20th century
Materials & Techniques:: Oil on canvas
Dimensions:: 20 5/16 x 24 3/16 inches (51.6 x 61.4 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

5. A Young Gentleman Riding a Schooled Horse

Creator:: John Vanderbank, 1694–1739
Date:: between 1728 and 1729
Materials & Techniques:: Oil on canvas
Dimensions:: 19 1/8 × 12 3/4 inches (48.6 × 32.4 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

6. Rievaulx Abbey

Creator:: John Wootton, 1682–1764
Date:: ca. 1745
Materials & Techniques:: Oil on canvas
Dimensions:: 22 x 22 inches (55.9 x 55.9 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

7. The Grey Charger

Creator:: Sir Alfred J. Munnings, 1878–1959
Date:: ca. 1920
Materials & Techniques:: Oil on canvas
Dimensions:: 20 3/4 x 25 inches (52.7 x 63.5 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

8. The Duke of Devonshire's Flying Childers

Creator:: James Seymour, 1702–1752
Date:: 1742
Materials & Techniques:: Oil on canvas
Dimensions:: 40 x 50 inches (101.6 x 127 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

9. A Bay Racehorse with Jockey Up

Creator:: James Seymour, 1702–1752
Date:: ca. 1730
Materials & Techniques:: Oil on canvas
Dimensions:: 12 x 14 inches (30.5 x 35.6 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

10. John Corbet, Sir Robert Leighton and John Kynaston with their Horses and Hounds

Creator:: Thomas Stringer, 1722–1790
Date:: 1779
Materials & Techniques:: Oil on canvas
Dimensions:: 37 3/4 x 57 1/2 inches (95.9 x 146.1 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

11. An Exercise in Haute Ecole: the Passage to the Left along a Wall, after Vanderbank

Creator:: unknown artist
Date:: ca. 1730
Materials & Techniques:: Oil on canvas
Dimensions:: 18 1/2 x 12 inches (47 x 30.5 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

12. A Sportsman with Shooting Pony and Gun Dogs

Creator:: Edwin W. Cooper of Beccles, 1785–1833
Date:: ca. 1815
Materials & Techniques:: Oil on canvas
Dimensions:: 25 x 30 inches (63.5 x 76.2 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

13. Foxhunting: Clearing a Ditch

Creator:: John Frederick Herring, 1795–1865
Date:: 1839
Materials & Techniques:: Oil on panel
Dimensions:: 10 x 12 inches (25.4 x 30.5 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

14. J. & W. Chaplin's Dover-London Stage on the Road

Creator:: John Cordrey, active 1765–1825
Date:: 1814
Materials & Techniques:: Oil on canvas
Dimensions:: 20 3/8 x 30 1/8 inches (51.8 x 76.5 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

15. Favourites, the Property of H.R.H. Prince George of Cambridge

Creator:: Sir Edwin Henry Landseer, 1802–1873
Date:: 1834 to 1835
Materials & Techniques:: Oil on canvas
Dimensions:: 40 x 49 1/2 inches (101.6 x 125.7 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

16. The Death of the Hare

Creator:: unknown artist
Date:: between 1760 and 1770
Materials & Techniques:: Oil on canvas
Dimensions:: 60 x 99 inches (152.4 x 251.5 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

17. James Keith Fraser

Creator:: Sir Francis Grant, 1803–1878
Date:: 1844
Materials & Techniques:: Oil on canvas
Dimensions:: 51 x 60 inches (129.5 x 152.4 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

18. George, Marquess of Huntly (later fifth Duke of Gordon), on Tiny

Creator:: Benjamin Marshall, 1768–1835
Date:: between 1806 and 1807
Materials & Techniques:: Oil on canvas
Dimensions:: 40 x 50 inches (101.6 x 127 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

19. The Derby Pets: The Winner

Creator:: James Pollard, 1792–1867
Date:: between 1840 and 1842
Materials & Techniques:: Oil on canvas
Dimensions:: 12 3/4 x 17 3/4 inches (32.4 x 45.1 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

20. The London-Faringdon Coach passing Buckland House, Berkshire

Creator:: James Pollard, 1792–1867
Date:: 1835
Materials & Techniques:: Oil on canvas
Dimensions:: 19 7/8 x 27 5/8 inches (50.5 x 70.2 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

21. The Last of the Mail Coaches at Newcastle upon Tyne

Creator:: James Pollard, 1792–1867
Date:: 1848
Materials & Techniques:: Oil on canvas
Dimensions:: 18 x 27 inches (45.7 x 68.6 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

22. Grey Shooting Pony, Probably the Property of Johnston King, with a Groom

Creator:: Thomas Woodward, 1801–1852
Date:: 1835
Materials & Techniques:: Oil on canvas
Dimensions:: 17 x 21 inches (43.2 x 53.3 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

23. Bachelor's Hall: The Meet

Creator:: Francis Calcraft Turner, active 1782–1846
Date:: 1835 to 1836
Materials & Techniques:: Oil on canvas
Dimensions:: 14 x 19 inches (35.6 x 48.3 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

24. Bachelor's Hall: Full Cry

Creator:: Francis Calcraft Turner, active 1782–1846
Date:: 1835 to 1836
Materials & Techniques:: Oil on canvas
Dimensions:: 14 x 19 inches (35.6 x 48.3 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

25. Bachelor's Hall: The Death

Creator:: Francis Calcraft Turner, active 1782–1846
Date:: 1835 to 1836
Materials & Techniques:: Oil on canvas
Dimensions:: 14 x 19 inches (35.6 x 48.3 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

26. North Country Mails at the Peacock, Islington

Creator:: James Pollard, 1792–1867
Date:: 1821
Materials & Techniques:: Oil on canvas
Dimensions:: 43 x 60 3/4 inches (109.2 x 154.3 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

27. The Meet

Creator:: Print made by Robert Polhill Bevan, 1865–1925
Date:: 1898-1899
Materials & Techniques:: Lithograph on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 15 x 19 5/16 inches (38.1 x 49 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. Found!

Creator:: Print made by Robert Polhill Bevan, 1865–1925
Date:: 1898-1899
Materials & Techniques:: Lithograph on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 15 x 19 7/16 inches (38.1 x 49.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. Who-o-p!

Creator:: Print made by Robert Polhill Bevan, 1865–1925
Date:: 1898-1899
Materials & Techniques:: Lithograph on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 14 15/16 x 19 1/2 inches (38 x 49.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. The Flying Pack

Creator:: Print made by Robert Polhill Bevan, 1865–1925
Date:: 1898-1899
Materials & Techniques:: Lithograph on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 15 1/16 x 19 1/2 inches (38.3 x 49.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. IV. "The eternal gates terrific porter lifted the northern bar..." (Plate 8)

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in brown ink, with watercolor and pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 x 9 1/2 inches (30.5 x 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. One of eighteen designs for a series of plates illustrating Venus and Adonis

Creator:: Hablot Knight Browne, 1815–1882
Date:: undated
Materials & Techniques:: Graphite, red chalk, watercolor and white gouache on medium, slightly textured, gray wove paper
Dimensions:: Sheet: 6 5/8 × 6 5/8 inches (16.8 × 16.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

33. One of eighteen designs for a series of plates illustrating Venus and Adonis

Creator:: Hablot Knight Browne, 1815–1882
Date:: undated
Materials & Techniques:: Graphite, red chalk, watercolor and gouache on medium, slightly textured, gray wove paper
Dimensions:: Sheet: 6 5/8 × 6 5/8 inches (16.8 × 16.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

34. The Broken Pipe

Creator:: Henry William Bunbury, 1750–1811
Date:: undated
Materials & Techniques:: Pen and brown ink and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 3/8 × 11 1/8 inches (21.3 × 28.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. Cart Horse Being Led

Creator:: James Howe, 1780–1836
Date:: undated
Materials & Techniques:: Pen and brown ink and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 3/4 × 15 7/8 inches (27.3 × 40.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. Donnybrook Fair

Creator:: Francis Wheatley, 1747–1801
Date:: 1788
Materials & Techniques:: Watercolor with black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 16 3/8 x 23 1/2 inches (41.6 x 59.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. Two Horsemen

Creator:: James Gray Mayhew, 1771–1845
Date:: undated
Materials & Techniques:: Watercolor and graphite with pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 6 1/2 × 5 1/8 inches (16.5 × 13 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. Stable Boy on a Pony

Creator:: Arthur James Stark, 1831–1902
Date:: undated
Materials & Techniques:: Watercolor, gouache, and graphite on medium, smooth, beige wove paper
Dimensions:: Sheet: 5 1/2 × 6 7/8 inches (14 × 17.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. The Triumph of Galatea

Creator:: Print made by John Smith, the mezzotinter, 1652–1743
Date:: 1701
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 17 × 9 7/8 inches (43.2 × 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

40. Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore

Creator:: Guillaume Philippe Benoist, 1725–ca. 1770
Date:: 1762
Materials & Techniques:: Engraving
Dimensions:: Plate: 11 3/4 x 14 13/16in. (29.8 x 37.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. Ticket for Mr. George Hayter's Raffle for his Pictures of the Enlevement of Circassians, a Kurdish Bandit Chief, and an Historical Landscape

Creator:: Sir George Hayter, 1792–1871
Date:: 1828
Materials & Techniques:: Etching and stipple engraving on thick, slightly textured, beige wove paper
Dimensions:: Sheet: 14 3/4 x 13 15/16 inches (37.4 x 35.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. The Angelus

Creator:: Print made by Austin, Robert, 1895-1973, 1895–1973
Date:: 1922
Materials & Techniques:: Etching and drypoint on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 10 9/16 x 13 7/16 inches (26.9 x 34.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

43. Salus Infirmorum

Creator:: Print made by Austin, Robert, 1895-1973, 1895–1973
Date:: 1922
Materials & Techniques:: Etching on moderately thick, smooth, cream laid paper
Dimensions:: Sheet: 13 1/2 x 9 1/2 inches (34.3 x 24.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

44. A Morning Ride

Creator:: James Gillray, 1756–1815
Date:: 1804
Materials & Techniques:: Etching on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 13 11/16 x 20 3/16 inches (34.7 x 51.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection; Gift of Robert W. Carle

45. Gadshill

Creator:: Print made by Philip Dawe, ca.1750–ca.1790
Date:: 1796
Materials & Techniques:: Color printed mezzotint with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 5/16 x 12 3/16 inches (41.5 x 31 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. Campos sur les bords du Rio das Velhas

Creator:: Print made by Richard Parkes Bonington, 1802–1828
Date:: 1827
Materials & Techniques:: Lithograph on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 12 13/16 x 16 3/4 inches (32.6 x 42.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. Captain A. S. M. Summers of the 19th Hussars on Cossack II, April 3, 1909

Creator:: Sir Alfred J. Munnings, 1878–1959
Date:: 1909
Materials & Techniques:: Watercolor and gouache with scratching out on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/2 x 14 1/2in. (26.7 x 36.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. How to Ride Genteel and Agreeably Downhill

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor and graphite with pen and red-brown ink on medium, slightly textured, cream wove paper
Dimensions:: Mount: 4 3/16 x 4 5/16 inches (10.6 x 11 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. Mr. Smith Dorian, 1841

Creator:: Richard Dighton, 1795–1880
Date:: 1841
Materials & Techniques:: Graphite and watercolor on medium, smooth, cream wove paper
Dimensions:: Frame: 10 11/16 × 26 3/16 × 13/16 inches (27.2 × 66.5 × 2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. John Gilpin Then Stopp'd at His Own Door

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Pen and black ink, and watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 3 1/2 × 4 inches (8.9 × 10.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. Study of Horse with Figure Holding Reins

Creator:: Sawrey Gilpin, 1733–1807
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 7/8 × 9 inches (20 × 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. "Sporting Notions": 'I Have a Notion You Must Either Pull Him Over or Persuade Him to Pull You Back Again'

Creator:: Henry Thomas Alken, 1785–1851
Date:: between 1831 and 1832
Materials & Techniques:: Graphite and red chalk on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 6 9/16 × 8 7/16 inches (16.7 × 21.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. Drawing for "Specimens of Riding near London:" The Pleasure of Riding in Company. One Would Stop if the Other Could

Creator:: Henry Thomas Alken, 1785–1851
Date:: between 1809 and 1823
Materials & Techniques:: Graphite and red chalk on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 6 3/4 × 9 1/8 inches (17.1 × 23.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. Rider With a Draw-Rein, Walking to Left

Creator:: James Seymour, 1702–1752
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, cream laid paper
Dimensions:: Mount: 9 1/8 × 10 1/4 inches (23.2 × 26 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. The North Country Mails at The Peacock Inn, Islington

Creator:: James Pollard, 1792–1867
Date:: 1815
Materials & Techniques:: Pen and brown ink and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 11 1/8 x 18 7/8 inches (28.3 x 47.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. A New Way to Drive Over an Old Road; Now Alas! Sadly out of Order

Creator:: Print made by John Doyle ('H.B.'), 1797–1868
Date:: 1847
Materials & Techniques:: Tinted lithograph on moderately thick, smooth, beige wove paper
Dimensions:: Sheet: 12 1/16 x 17 5/16 inches (30.7 x 44 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. The Old Donkey Turned Restive at Last

Creator:: Print made by John Doyle ('H.B.'), 1797–1868
Date:: 1848
Materials & Techniques:: Lithograph in tan and black ink on moderately thick, smooth, beige wove paper
Dimensions:: Sheet: 12 x 17 7/8 inches (30.5 x 45.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. Pamela setting out in the travelling Chariot (for her Father's as She is made to believe) takes her farewel of Mrs. Jervis, and the other servants; Mr. B. observing her from the window; by whose private order she is carried into Lincolnshire

Pamela setting out in the travelling Chariot (for her Father's as She is made to believe) takes her farewel of Mrs. Jervis, and the other servants; Mr. B. observing her from the window; by whose private order she is carried into Lincolnshire

Creator:: Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Date:: 1745
Materials & Techniques:: Etching with stipple engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 15 5/8 x 19 3/4 inches (39.7 x 50.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of the Library Associates

59. "Sporting Notions": 'My Notion is We Shall Get Him up Pretty Shortly What is Your Notion? I've Worked so Hard that I Hav'nt a Notion in Me'

Creator:: Henry Thomas Alken, 1785–1851
Date:: between 1831 and 1832
Materials & Techniques:: Graphite with red chalk on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 5/8 × 8 inches (16.8 × 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. "Sporting Notions": 'I Have a Notion That My Horse Looks Like 40 Guineas in the Pound'

Creator:: Henry Thomas Alken, 1785–1851
Date:: between 1831 and 1832
Materials & Techniques:: Graphite with red chalk on thin, smooth, cream wove paper
Dimensions:: Sheet: 6 9/16 × 8 3/8 inches (16.7 × 21.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. "Sporting Discoveries, or the Miseries of Driving..." You Discover that the Reins are Under His Tail

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, black ink, and graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 7 1/2 × 10 3/8 inches (19.1 × 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. "Sporting Discoveries, or the Miseries of Driving:" ... Up and Down, or the Endeavor to Discover Which Way Your Horse is Inclined to Come Down, Backwards or Forwards

"Sporting Discoveries, or the Miseries of Driving:" ... Up and Down, or the Endeavor to Discover Which Way Your Horse is Inclined to Come Down, Backwards or Forwards

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, black ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 3/8 × 10 3/8 inches (18.7 × 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. Travelling in France

Creator:: Thomas Rowlandson, 1756–1827
Date:: between 1785 and 1789
Materials & Techniques:: Watercolor, pen and black ink, gray ink, and graphite on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 11 5/16 x 17 1/2 inches (28.7 x 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. Turk on a Horse

Creator:: Thomas Hartley Cromek, 1809–1873
Date:: undated
Materials & Techniques:: Pen and sepia ink
Dimensions:: Frame: 2 1/4 × 1 15/16 × 3/16 inches (5.7 × 4.9 × 0.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. Scottish Scenes. Albanian Scenes.

Creator:: Bradshaw & Blacklock, active ca.1850
Date:: after 1850
Materials & Techniques:: Aquatint and stipple engraving, with color woodcut on moderately thick, slightly textured, cream wove paper cut into two rows of five scenes and mounted on moderately thick, smooth, cream wove paper
Dimensions:: Image: 2 7/8 x 7/8 inches (7.3 x 2.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. North-Country Mails at the Peacock, Islington

Creator:: James Pollard, 1792–1867
Date:: 1815 to 1823
Materials & Techniques:: Graphite and pen and brown ink, numbered for transfer on medium, slightly textured, beige wove paper, mounted on board
Dimensions:: Sheet: 22 7/8 x 31 7/8 inches (58.1 x 81 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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1. Foxhunting Scene

2. Portrait of a Man on Horseback

3. The Death of the Hare

4. Almost Away

5. A Young Gentleman Riding a Schooled Horse

6. Rievaulx Abbey

7. The Grey Charger

8. The Duke of Devonshire's Flying Childers

9. A Bay Racehorse with Jockey Up

10. John Corbet, Sir Robert Leighton and John Kynaston with their Horses and Hounds

11. An Exercise in Haute Ecole: the Passage to the Left along a Wall, after Vanderbank

12. A Sportsman with Shooting Pony and Gun Dogs

13. Foxhunting: Clearing a Ditch

14. J. & W. Chaplin's Dover-London Stage on the Road

15. Favourites, the Property of H.R.H. Prince George of Cambridge

16. The Death of the Hare

17. James Keith Fraser

18. George, Marquess of Huntly (later fifth Duke of Gordon), on Tiny

19. The Derby Pets: The Winner

20. The London-Faringdon Coach passing Buckland House, Berkshire

21. The Last of the Mail Coaches at Newcastle upon Tyne

22. Grey Shooting Pony, Probably the Property of Johnston King, with a Groom

23. Bachelor's Hall: The Meet

24. Bachelor's Hall: Full Cry

25. Bachelor's Hall: The Death

26. North Country Mails at the Peacock, Islington

27. The Meet

28. Found!

29. Who-o-p!

30. The Flying Pack

31. IV. "The eternal gates terrific porter lifted the northern bar..." (Plate 8)

32. One of eighteen designs for a series of plates illustrating Venus and Adonis

33. One of eighteen designs for a series of plates illustrating Venus and Adonis

34. The Broken Pipe

35. Cart Horse Being Led

36. Donnybrook Fair

37. Two Horsemen

38. Stable Boy on a Pony

39. The Triumph of Galatea

40. Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore

41. Ticket for Mr. George Hayter's Raffle for his Pictures of the Enlevement of Circassians, a Kurdish Bandit Chief, and an Historical Landscape

42. The Angelus

43. Salus Infirmorum

44. A Morning Ride

45. Gadshill

46. Campos sur les bords du Rio das Velhas

47. Captain A. S. M. Summers of the 19th Hussars on Cossack II, April 3, 1909

48. How to Ride Genteel and Agreeably Downhill

49. Mr. Smith Dorian, 1841

50. John Gilpin Then Stopp'd at His Own Door

51. Study of Horse with Figure Holding Reins

52. "Sporting Notions": 'I Have a Notion You Must Either Pull Him Over or Persuade Him to Pull You Back Again'

53. Drawing for "Specimens of Riding near London:" The Pleasure of Riding in Company. One Would Stop if the Other Could

54. Rider With a Draw-Rein, Walking to Left

55. The North Country Mails at The Peacock Inn, Islington

56. A New Way to Drive Over an Old Road; Now Alas! Sadly out of Order

57. The Old Donkey Turned Restive at Last

58. Pamela setting out in the travelling Chariot (for her Father's as She is made to believe) takes her farewel of Mrs. Jervis, and the other servants; Mr. B. observing her from the window; by whose private order she is carried into Lincolnshire

59. "Sporting Notions": 'My Notion is We Shall Get Him up Pretty Shortly What is Your Notion? I've Worked so Hard that I Hav'nt a Notion in Me'

60. "Sporting Notions": 'I Have a Notion That My Horse Looks Like 40 Guineas in the Pound'

61. "Sporting Discoveries, or the Miseries of Driving..." You Discover that the Reins are Under His Tail

62. "Sporting Discoveries, or the Miseries of Driving:" ... Up and Down, or the Endeavor to Discover Which Way Your Horse is Inclined to Come Down, Backwards or Forwards

63. Travelling in France

64. Turk on a Horse

65. Scottish Scenes. Albanian Scenes.

66. North-Country Mails at the Peacock, Islington