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101. Selling Fish on a Beach

Selling Fish on a Beach
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor with pen and gray and red-brown ink, and graphite; verso: watercolor blots on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 5 1/2 x 8 15/16 inches (14 x 22.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

102. The Ivory Coast, West Africa

The Ivory Coast, West Africa
Creator:
Thomas Rowlandson, 1756–1827
Date:
between 1810 and 1815
Materials & Techniques:
Watercolor, pen and brown ink, pen and gray ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 3/4 x 21 9/16 inches (37.5 x 54.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

103. Death Turned Pilot

Death Turned Pilot
Creator:
Thomas Rowlandson, 1756–1827
Date:
between 1815 and 1816
Materials & Techniques:
Watercolor with pen and red-brown ink over graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 5 3/4 x 9 3/8 inches (14.6 x 23.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

104. Alexandria, Egypt

Alexandria, Egypt
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Gray wash and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 3 5/8 × 7 1/2 inches (9.2 × 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

105. Egyptian River View with Water Woman

Egyptian River View with Water Woman
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Pen and black ink and watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 1/2 × 7 1/2 inches (11.4 × 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

106. Rosetta, Egypt

Rosetta, Egypt
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Pen and black ink and gray wash over graphite on medium, slightly textured cream laid paper
Dimensions:
Sheet: 3 5/8 × 7 1/2 inches (9.2 × 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

107. Coast of Sussex, Pushing Off a Boat to a Vessel in Distress

Coast of Sussex, Pushing Off a Boat to a Vessel in Distress
Creator:
Joshua Cristall, 1768–1847
Date:
ca. 1808
Materials & Techniques:
Watercolor and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 19 x 28 3/4 inches (48.3 x 73 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Presented by Andrew Wyld / W.S. Fine Art Ltd.

108. Pleasure Boats in an Estuary

Pleasure Boats in an Estuary
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor with pen and red-brown ink, over graphite on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 4 3/4 x 8 15/16 inches (12.1 x 22.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

109. A Trading Brig Preparing to Set Sail on the Thames, Warships Running Down the Estuary Beyond

A Trading Brig Preparing to Set Sail on the Thames, Warships Running Down the Estuary Beyond
Creator:
Samuel Atkins, active 1787–1808
Date:
between 1787 and 1808
Materials & Techniques:
Watercolor, pen, black ink, and graphite on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 9 1/8 × 13 1/4 inches (23.2 × 33.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The U Collection. In appreciation of Choh Shiu and Man Foo U, loving parents, and Dorothea and Frank Cockett, dear friends

110. Study of a Hulk

Study of a Hulk
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 x 14 inches (20.3 x 35.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

111. Embarkation at Southampton, June 20th 1794 (Version A)

Embarkation at Southampton, June 20th 1794 (Version A)
Creator:
Thomas Rowlandson, 1756–1827
Date:
1794
Materials & Techniques:
Pen and brown ink, gray ink, gray wash, and graphite on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 8 9/16 x 11 3/16 inches (21.7 x 28.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

112. Embarkation at Southampton, June 20th 1794

Embarkation at Southampton, June 20th 1794
Creator:
Thomas Rowlandson, 1756–1827
Date:
1794
Materials & Techniques:
Watercolor and pen and brown, gray, and red-brown ink over graphite on medium, slightly textured, cream wove paper
Dimensions:
Mount: 6 9/16 x 14 inches (16.7 x 35.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

113. The Fishing House

The Fishing House
Creator:
Walter Prideaux, active 1870s
Date:
1870s
Materials & Techniques:
Albumen print from wet collodion negative on thin, smooth, cream wove paper
Dimensions:
Sheet: 7 5/8 × 9 1/2 inches (19.4 × 24.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Charles Isaacs and Carol Nigro

114. River Scene with Cliff, Man in Boat

River Scene with Cliff, Man in Boat
Creator:
Payne Jennings, active ca. 1875, died 1926
Date:
1860s
Materials & Techniques:
Albumen print from wet collodion negative on thin, smooth, cream wove paper
Dimensions:
Sheet: 11 1/2 × 9 3/8 inches (29.2 × 23.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Charles Isaacs and Carol Nigro

115. A Graceful Speciman of The Retort Courteous

A Graceful Speciman of The Retort Courteous
Creator:
Print made by John Doyle ('H.B.'), 1797–1868
Date:
1831
Materials & Techniques:
Lithograph, hand-colored on moderately thick, smooth, beige wove paper
Dimensions:
Sheet: 12 x 17 5/16 inches (30.5 x 44 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Gift of Brian and Linda Gracie

116. Harbour Scene

Harbour Scene
Creator:
Print made by Charles Golding Constable, 1821–1879
Date:
undated
Materials & Techniques:
Etching on moderately thick, slightly textured, beige card
Dimensions:
Sheet: 6 x 8 11/16 inches (15.3 x 22 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Professor Giles Constable

117. George Fox Is Stoned by the Crowd at Walney Island

George Fox Is Stoned by the Crowd at Walney Island
Creator:
Print made by Robert Spence, 1871–1964
Date:
between 1890 and 1911
Materials & Techniques:
Etching and drypoint on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/16 x 9 1/8 inches (28.1 x 23.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of the George School, Newtown, Pennsylvania

118. Egyptian Fort

Egyptian Fort
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Gray wash and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 3 5/8 × 7 1/8 inches (9.2 × 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

119. From the Dome

From the Dome
Creator:
Print made by Sir Muirhead Bone, 1876–1953
Date:
1901
Materials & Techniques:
Drypoint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 17 11/16 x 12 5/8 inches (45 x 32.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Kenneth D. Rapoport, MD

120. Clackursail Bridge

Clackursail Bridge
Creator:
William Daniell, 1769–1837
Date:
ca. 1815
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 x 9 1/8 inches (15.3 x 23.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

121. Men-of-War and other Shipping on the Thames (most probably at Deptford)

Men-of-War and other Shipping on the Thames (most probably at Deptford)
Creator:
Samuel Atkins, active 1787–1808
Date:
undated
Materials & Techniques:
Watercolor and pen and black ink and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 1/4 × 11 5/8 inches (10.8 × 29.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

122. On the Thames at Barnes

On the Thames at Barnes
Creator:
Samuel Hieronymus Grimm, 1733–1794
Date:
ca. 1773
Materials & Techniques:
Brown wash, gray wash, and pen and gray ink on medium, smooth, cream laid paper
Dimensions:
Sheet: 6 7/8 x 8 7/8 inches (17.5 x 22.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

123. A View of the Coast of China

A View of the Coast of China
Creator:
William Alexander, 1767–1816
Date:
undated
Materials & Techniques:
Watercolor and pen and black ink over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 5 3/8 × 8 1/8 inches (13.6 × 20.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

124. Low Tide, boat landing

Low Tide, boat landing
Creator:
Peter DeWint, 1784–1849
Date:
undated
Materials & Techniques:
Watercolor and graphite on thick, rough, cream wove paper
Dimensions:
Sheet: 7 1/2 x 11 inches (19.1 x 27.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

125. The Passing of 1880

The Passing of 1880
Creator:
Thomas Danby, 1818–1886
Date:
ca. 1880
Materials & Techniques:
Watercolor with gouache and scraping out on thick, rough, cream wove paper
Dimensions:
Sheet: 12 3/8 x 19in. (31.4 x 48.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

126. The Race of Daldey

The Race of Daldey
Creator:
Heneage Finch fourth Earl of Aylesford, 1751–1812
Date:
undated
Materials & Techniques:
Watercolor, pen, brown ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 1/4 × 10 7/8 inches (21 × 27.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection