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William Miller Loch Achray
Print made by William Miller, 1796–1882
Loch Achray
1834
William Miller Berwick-upon-Tweed
Print made by William Miller, 1796–1882
Berwick-upon-Tweed
1834
William Miller Abbotsford
Print made by William Miller, 1796–1882
Abbotsford
1841
William Miller Sandy Knowe, or Smailholm Tower
Print made by William Miller, 1796–1882
Sandy Knowe, or Smailholm Tower
1839
Henry Le Keux Abbotsford
Print made by Henry Le Keux, 1787–1868
Abbotsford
1834, reprinted 1851
Edward Goodall Carlisle
Print made by Edward Goodall, 1795–1870
Carlisle
1834
William Miller Loch Achray
Print made by William Miller, 1796–1882
Loch Achray
1853 reprint
William Miller Sandy Knowe, or Smailholm Tower
Print made by William Miller, 1796–1882
Sandy Knowe, or Smailholm Tower
1839
John Pye Junction of the Greta and the Tees
Print made by John Pye, 1782–1874
Junction of the Greta and the Tees
1834
Rev. William Warren Porter Castle of Udolpho
Rev. William Warren Porter, 1776–1804
Castle of Udolpho
undated
Rev. William Warren Porter Scene from 'The Mysteries of Udolpho'
Rev. William Warren Porter, 1776–1804
Scene from 'The Mysteries of Udolpho'
undated
unknown artist Scene from the Tempest
unknown artist
Scene from the Tempest
undated
unknown artist Scene from Macbeth: Apparition of Banquo
unknown artist
Scene from Macbeth: Apparition of Banquo
undated
Richard Hamilton In Horne's House
Print made by Richard Hamilton, 1922–2011
In Horne's House
1982
Richard Hamilton Finn MacCool
Print made by Richard Hamilton, 1922–2011
Finn MacCool
1983
Edward Burne-Jones The Garden Court
After Edward Burne-Jones, 1833–1898
The Garden Court
1892
unknown artist Banquo's Ghost?
unknown artist
Banquo's Ghost?
undated
unknown artist Scene from MacBeth: Banquo?
unknown artist
Scene from MacBeth: Banquo?
undated
Lewis Morley Peter O'Toole in 'Baal'
Lewis Morley, 1925–2013
Peter O'Toole in 'Baal'
1963
unknown artist Apparition: Banquo?
unknown artist
Apparition: Banquo?
undated
unknown artist Birth of Shakespeare
unknown artist
Birth of Shakespeare
undated
unknown artist Scene from the Tempest
unknown artist
Scene from the Tempest
undated
Richard Hamilton Leopold Bloom
Print made by Richard Hamilton, 1922–2011
Leopold Bloom
1983
unknown artist Scene from Midsummer's Night Dream? (451a)
unknown artist
Scene from Midsummer's Night Dream? (451a)
undated
Thomas A. Woolnoth Mrs. W. West as Cordelia
Print made by Thomas A. Woolnoth, 1785–1857
Mrs. W. West as Cordelia
1820
Thomas Rowlandson Henderson in the Character of Falstaff
Thomas Rowlandson, 1756–1827
Henderson in the Character of Falstaff
undated
Francesco Bartolozzi Ticket: Anacreontic Society Meeting
Print made by Francesco Bartolozzi, 1728–1815
Ticket: Anacreontic Society Meeting
1773
Guillaume Philippe Benoist Pamela having divided her clothes into threee Bundles, in order to leave the House, rejects that containing her Masters presents calling it the wicked bundle, & harangues over her own little Parcel which she huggs in her Arms;...
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela having divided her clothes into threee Bundles, in order to leave the House, rejects that containing her Masters presents calling it the wicked bundle, & harangues over her own little Parcel which she huggs in her Arms;..
1745
Guillaume Philippe Benoist Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower
1745
Guillaume Philippe Benoist Pamela with the Children and Miss Goodwin to whome she is telling her nursery tales. This last Piece leaves her in full possession of the peaceable fruits of her Virtue long after having surmounted all the difficulties it had been exposed to
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela with the Children and Miss Goodwin to whome she is telling her nursery tales. This last Piece leaves her in full possession of the peaceable fruits of her Virtue long after having surmounted all the difficulties it had been exposed to
1745
unknown artist The Death of Juliet
Print made by unknown artist
The Death of Juliet
unknown
unknown artist Mrs. Yates in the Character of Medea
unknown artist
Mrs. Yates in the Character of Medea
after 1771
Dame Elisabeth Frink The Franklin's Tale
Print made by Dame Elisabeth Frink, 1930–1993
The Franklin's Tale
1972
Dame Elisabeth Frink Wife of Bath's Tale
Print made by Dame Elisabeth Frink, 1930–1993
Wife of Bath's Tale
1972
Dame Elisabeth Frink The Reeve's Tale
Print made by Dame Elisabeth Frink, 1930–1993
The Reeve's Tale
1972
George Chinnery Illustration to Fielding's Amelia
George Chinnery, 1774–1852
Illustration to Fielding's Amelia
between 1785 and 1802
David Allan Symon Breaks the News to Glaud: Design number 3 for The Gentle Shepherd
David Allan, 1744–1796
Symon Breaks the News to Glaud: Design number 3 for The Gentle Shepherd
1788
unknown artist A View of the Valley of Stones, Devon, with a scene in the Tempest, Act 1
unknown artist
A View of the Valley of Stones, Devon, with a scene in the Tempest, Act 1
undated
Richard Dadd Sketch for the Passions: Jealousy
Richard Dadd, 1817–1886
Sketch for the Passions: Jealousy
1853
Richard Dadd Sketch for the Passions: Love
Richard Dadd, 1817–1886
Sketch for the Passions: Love
1853
William Marshall Craig The Princes in the Tower
William Marshall Craig, 1763 or 1764–1829
The Princes in the Tower
ca. 1820
William Marshall Craig Hamlet and the Ghost
William Marshall Craig, 1763 or 1764–1829
Hamlet and the Ghost
ca. 1820
William Marshall Craig Macbeth and the Apparition of the Armed Head
William Marshall Craig, 1763 or 1764–1829
Macbeth and the Apparition of the Armed Head
ca. 1820
Lewis Morley Front of House, Hadrian the Seventh
Lewis Morley, 1925–2013
Front of House, Hadrian the Seventh
1960s
Lewis Morley Gordon Jackson and Alec Guinness in 'Wild Child'
Lewis Morley, 1925–2013
Gordon Jackson and Alec Guinness in 'Wild Child'
1967
Sawrey Gilpin Study for the Figure of Gulliver
Sawrey Gilpin, 1733–1807
Study for the Figure of Gulliver
ca. 1769
Francesco Bartolozzi John Henderson as Iago
Print made by Francesco Bartolozzi, 1728–1815
John Henderson as Iago
1786
David Cox Pirate's Isle
David Cox, 1783–1859
Pirate's Isle
1826
Robert Smirke Illustration for an Eastern Romance, possibly "The Arabian Nights", with Kneeling Female Figure at Right)
Robert Smirke, 1752–1845
Illustration for an Eastern Romance, possibly "The Arabian Nights", with Kneeling Female Figure at Right)
undated
Guillaume Philippe Benoist Pamela setting out in the travelling Chariot (for her Father's as She is made to believe) takes her farewel of Mrs. Jervis, and the other servants; Mr. B. observing her from the window; by whose private order she is carried into Lincolnshire
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela setting out in the travelling Chariot (for her Father's as She is made to believe) takes her farewel of Mrs. Jervis, and the other servants; Mr. B. observing her from the window; by whose private order she is carried into Lincolnshire
1745
Thomas Cook David Garrick in the Character of Richard III
Print made by Thomas Cook, 1744–1818
David Garrick in the Character of Richard III
1798
Richard Earlom Angelica and Medoro
Print made by Richard Earlom, 1743–1822
Angelica and Medoro
1768
Samuel Howitt Going Out in the Morning: an illustration for Captain Thomas Williamson's "Oriental Field Sports"
Samuel Howitt, 1756–1822
Going Out in the Morning: an illustration for Captain Thomas Williamson's "Oriental Field Sports"
1807
Samuel Howitt The Tiger at Bay: an illustration for Captain Thomas Williamson's "Oriental Field Sports"
Samuel Howitt, 1756–1822
The Tiger at Bay: an illustration for Captain Thomas Williamson's "Oriental Field Sports"
1807
unknown artist Troilus and Cessida: Six Women on the Walls of Illion
unknown artist
Troilus and Cessida: Six Women on the Walls of Illion
undated
unknown artist Reclining Nude, Possibly Titania
unknown artist
Reclining Nude, Possibly Titania
undated
unknown artist Apparition of Banquo's Ghost: Banquet Scene from MacBeth
unknown artist
Apparition of Banquo's Ghost: Banquet Scene from MacBeth
undated
John Downman John Edwin and Mrs. Mary Wells as Lingo and Cowslip in "The Agreeable Surprise"
John Downman, 1750–1824
John Edwin and Mrs. Mary Wells as Lingo and Cowslip in "The Agreeable Surprise"
1787
Joseph Slater Robin Hood and Clarinda Hunting Deer
Joseph Slater, c. 1750– died after 1789
Robin Hood and Clarinda Hunting Deer
undated
Richard Cosway Othello and Desdemona, 'Othello', Act V, Scene II
attributed to Richard Cosway, 1742–1821
Othello and Desdemona, 'Othello', Act V, Scene II
ca. 1805
Richard Cosway Timon of Athens Before His Cave
Richard Cosway, 1742–1821
Timon of Athens Before His Cave
ca. 1805
Henry Fuseli The Peasant's Dream, Paradise Lost, Book 1, 781-8
Henry Fuseli, 1741–1825
The Peasant's Dream, Paradise Lost, Book 1, 781-8
1793 to 1800
Mary Hoare The Three Witches from Macbeth: Double, Double, Toil and Trouble
Mary Hoare, 1744–1820
The Three Witches from Macbeth: Double, Double, Toil and Trouble
1781
Mary Hoare The Three Witches from Macbeth: Though the Bark Cannot be Lost...
Mary Hoare, 1744–1820
The Three Witches from Macbeth: Though the Bark Cannot be Lost..
ca. 1781
Mary Hoare Ferdinand and Ariel
Mary Hoare, 1744–1820
Ferdinand and Ariel
ca. 1781
Mary Hoare Prospero and Miranda
Mary Hoare, 1744–1820
Prospero and Miranda
1781
Mary Hoare The Apparition of the Armed Head: Macbeth
Mary Hoare, 1744–1820
The Apparition of the Armed Head: Macbeth
ca. 1781
Mary Hoare Imogen Entering the Cave, 'Cymbeline', Act III, Scene VI
Mary Hoare, 1744–1820
Imogen Entering the Cave, 'Cymbeline', Act III, Scene VI
1781
George Cressal Ellis Design for setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 1, Scene 2
George Cressal Ellis, ca. 1810–1875
Design for setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 1, Scene 2
undated
Mary Hoare Lear and Cordelia
Mary Hoare, 1744–1820
Lear and Cordelia
ca. 1781
Mary Hoare Imogen in the Cave, 'Cymbeline', Act III, Scene VI
Mary Hoare, 1744–1820
Imogen in the Cave, 'Cymbeline', Act III, Scene VI
1782
Mary Hoare Ophelia's Death
Mary Hoare, 1744–1820
Ophelia's Death
ca. 1781
Joseph Farington Shakespearean Scene (?): A Pilgrim
Joseph Farington, 1747–1821
Shakespearean Scene (?): A Pilgrim
1796
George Cressal Ellis Design for Setting of Charles Kean's Richard II at the Princess's Theatre, March 12, 1857 - Act 5, Scene 2
George Cressal Ellis, ca. 1810–1875
Design for Setting of Charles Kean's Richard II at the Princess's Theatre, March 12, 1857 - Act 5, Scene 2
undated
George Cressal Ellis Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 3
George Cressal Ellis, ca. 1810–1875
Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 3
undated
George Cressal Ellis Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 4, Scene 1
George Cressal Ellis, ca. 1810–1875
Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 4, Scene 1
undated
George Cressal Ellis Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 1
George Cressal Ellis, ca. 1810–1875
Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 1
undated
George Cressal Ellis Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857 - Act 4, Scene 2
George Cressal Ellis, ca. 1810–1875
Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857 - Act 4, Scene 2
undated
George Cressal Ellis Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 4
George Cressal Ellis, ca. 1810–1875
Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 4
undated
George Cressal Ellis Design for setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 2, Scene 3
George Cressal Ellis, ca. 1810–1875
Design for setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 2, Scene 3
undated
Richard Westall Theatrical Figures About a Throne
Richard Westall, 1765–1836
Theatrical Figures About a Throne
undated
George Cressal Ellis Design for the Setting of Charles Kean's Production of Richard II at the Princess's Theatre on March 12, 1857
George Cressal Ellis, ca. 1810–1875
Design for the Setting of Charles Kean's Production of Richard II at the Princess's Theatre on March 12, 1857
undated
John Flaxman Illustration to Pilgrim's Progress
John Flaxman, 1755–1826
Illustration to Pilgrim's Progress
1792
John Flaxman Illustration to Milton's Paradise Lost: Adam and Eve Guarded by the Angels
John Flaxman, 1755–1826
Illustration to Milton's Paradise Lost: Adam and Eve Guarded by the Angels
undated
unknown artist Hudibras and Rolpho
unknown artist
Hudibras and Rolpho
undated
John Flaxman To Phoebus at His Birth, From Aeschylus, Furies
John Flaxman, 1755–1826
To Phoebus at His Birth, From Aeschylus, Furies
undated
John Flaxman The Morn, All Beauteous to Behold, from Aeschylus, The Persians
after John Flaxman, 1755–1826
The Morn, All Beauteous to Behold, from Aeschylus, The Persians
undated
unknown artist Fluellen Forcing Pistol to Eat His Leek
unknown artist
Fluellen Forcing Pistol to Eat His Leek
undated
Richard Westall Alcibiades and Timon
Richard Westall, 1765–1836
Alcibiades and Timon
ca. 1805
Mary Hoare Lady Macbeth, Sleepwalking
Mary Hoare, 1744–1820
Lady Macbeth, Sleepwalking
1781
Mary Hoare Lear and Cordelia
Mary Hoare, 1744–1820
Lear and Cordelia
ca. 1781
Mary Hoare Lady Percy Watching the Sleeping Hotspur
Mary Hoare, 1744–1820
Lady Percy Watching the Sleeping Hotspur
1781
Mary Hoare Arviragus, Bearing Imogen as Dead in his Arms, 'Cymbeline', Act IV, Scene II
Mary Hoare, 1744–1820
Arviragus, Bearing Imogen as Dead in his Arms, 'Cymbeline', Act IV, Scene II
1780
Mary Hoare Antigonus Disposing of Perdita
Mary Hoare, 1744–1820
Antigonus Disposing of Perdita
ca. 1781
Joseph Michael Gandy A Scene in Ancient Rome: A Setting for Titus Andronicus, I, ii
Joseph Michael Gandy, 1771–1843
A Scene in Ancient Rome: A Setting for Titus Andronicus, I, ii
ca. 1830
Samuel Palmer Opening the Fold
Print made by Samuel Palmer, 1805–1881
Opening the Fold
plate etched in 1880; impression printed in 1926
Samuel Palmer Opening the Fold
Print made by Samuel Palmer, 1805–1881
Opening the Fold
plate etched in 1880; impression printed in 1920
Luigi Schiavonetti Robert Blair, The Grave, Title Page
Print made by Luigi Schiavonetti, 1765–1810
Robert Blair, The Grave, Title Page
1808
Luigi Schiavonetti The Descent of Man into the Vale of Death
Print made by Luigi Schiavonetti, 1765–1810
The Descent of Man into the Vale of Death
1808
Luigi Schiavonetti Death's Door
Print made by Luigi Schiavonetti, 1765–1810
Death's Door
1808