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3101. Vauxhall Stairs, from Millbank, July 5, 1797

Vauxhall Stairs, from Millbank, July 5, 1797
Creator:
Francis Towne, 1740–1816
Date:
1797
Materials & Techniques:
Watercolor, pen and brown ink, black ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:
Mount: 9 9/16 × 11 inches (24.3 × 27.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3102. A View of the Palace of Seaux and of the little Flower Garden that leads to the Orange Garden

A View of the Palace of Seaux and of the little Flower Garden that leads to the Orange Garden
Creator:
John Tinney, died 1761
Date:
undated
Materials & Techniques:
Hand-colored engraving on wove paper
Dimensions:
Sheet: 60 1/2in. (153.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3103. Jamaica: the barbecue on the Rosebery Plantation, with the Manchester Mountains in the distance

Jamaica: the barbecue on the Rosebery Plantation, with the Manchester Mountains in the distance
Creator:
Lionel Grimston Fawkes, 1849–1931
Date:
undated
Materials & Techniques:
Graphite and watercolor on moderately thick, rough, cream wove paper
Dimensions:
Sheet: 5 1/8 × 8 3/8 inches (13 × 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3104. Leeward Islands: Nevis, Jan. 12, 1882

Leeward Islands: Nevis, Jan. 12, 1882
Creator:
Lionel Grimston Fawkes, 1849–1931
Date:
1882
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 7/8 × 6 7/8 inches (12.4 × 17.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3105. Foxhunting at Melton Mowbray, 1835: Taking the Gate at the Hinge Post While Snob Walks Thro'

Foxhunting at Melton Mowbray, 1835: Taking the Gate at the Hinge Post While Snob Walks Thro'
Creator:
Edward Hull, 1810–1877
Date:
ca. 1835
Materials & Techniques:
Watercolor, pen and brown ink, graphite, gum arabic, and gouache on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 10 1/4 × 14 3/8 inches (26 × 36.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3106. Skating in Hyde Park

Skating in Hyde Park
Creator:
Julius Caesar Ibbetson, 1759–1817
Date:
ca. 1785
Materials & Techniques:
Watercolor, pen and black ink, brown ink, gray ink, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 9 15/16 × 13 15/16 inches (25.2 × 35.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3107. Foxhunting at Melton Mowbray, 1835: The Cream of the Thing

Foxhunting at Melton Mowbray, 1835: The Cream of the Thing
Creator:
Edward Hull, 1810–1877
Date:
ca. 1835
Materials & Techniques:
Watercolor, pen and brown ink, graphite, gum arabic, and gouache on thick, moderately textured, cream wove paper
Dimensions:
Sheet: 10 1/4 × 14 3/8 inches (26 × 36.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3108. A Chaise and Pair, With Post-Boy

A Chaise and Pair, With Post-Boy
Creator:
Samuel Howitt, 1756–1822
Date:
undated
Materials & Techniques:
Pen and gray ink, black ink, gray wash, graphite, and watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 3/8 × 14 3/4 inches (18.7 × 37.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3109. An Elopement by Moonlight

An Elopement by Moonlight
Creator:
Charles B. Newhouse, fl. c.1820–1836
Date:
1834
Materials & Techniques:
Watercolor, pen and brown ink, black ink, red ink, gouache, and graphite on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 9 11/16 × 14 7/16 inches (24.6 × 36.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3110. The London-Dover Royal Mail, c. 1830-1840

The London-Dover Royal Mail, c. 1830-1840
Creator:
Charles B. Newhouse, fl. c.1820–1836
Date:
undated
Materials & Techniques:
Watercolor, pen and brown ink, black ink, red ink, gum arabic, gouache, and graphite on moderately thick, slightly textured, gray wove paper
Dimensions:
Sheet: 10 13/16 × 15 1/4 inches (27.5 × 38.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3111. The London-Dumphries Royal Mail

The London-Dumphries Royal Mail
Creator:
Charles B. Newhouse, fl. c.1820–1836
Date:
between 1830 and 1840
Materials & Techniques:
Watercolor, pen and brown ink, black ink, red ink, graphite, gouache, and gum arabic on moderately thick, slightly textured, gray wove paper
Dimensions:
Sheet: 11 5/16 × 16 1/4 inches (28.7 × 41.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3112. A View of the Black Rocks, and of the Mountains on the South Side of the Harbour of Dublin

A View of the Black Rocks, and of the Mountains on the South Side of the Harbour of Dublin
Creator:
Print made by Giles King, active 1732–1746
Date:
ca. 1744
Materials & Techniques:
Hand-colored engraving on wove paper
Dimensions:
Sheet: 60 1/2in. (153.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3113. Water Fall at Powers Court

Water Fall at Powers Court
Creator:
Giles King, active 1732–1746
Date:
1744
Materials & Techniques:
Hand-colored engraving on wove paper
Dimensions:
Sheet: 60 1/2in. (153.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3114. The Junction of the Severn and the Wye with Chepstow in the Distance

The Junction of the Severn and the Wye with Chepstow in the Distance
Creator:
David Cox, 1783–1859
Date:
1830
Materials & Techniques:
Watercolor with stopping out, scraping out, and gouache on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 31 x 42 inches (78.7 x 106.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

3115. Up and Over

Up and Over
Creator:
Cecil Charles Windsor Aldin, 1870–1935
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, graphite and gouache on moderately thick, slightly textured, cream wove paper
Dimensions:
Image: 9 13/16 × 13 15/16 inches (24.9 × 35.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3116. Grouse Shooting: The Wrong Sort

Grouse Shooting: The Wrong Sort
Creator:
Henry Thomas Alken, 1785–1851
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, brown ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 1/2 × 10 3/4 inches (21.6 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3117. The Leicestershire Hunt - The First Ten Minutes - Shaking off the Cocktails

The Leicestershire Hunt - The First Ten Minutes - Shaking off the Cocktails
Creator:
Possibly Henry Thomas Alken, 1785–1851
Date:
undated
Materials & Techniques:
Watercolor, graphite, gouache, pen and brown ink, black ink, and gray ink on thick, moderately textured, beige wove paper
Dimensions:
Sheet: 9 × 22 1/8 inches (22.9 × 56.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3118. Grouse Shooting: The Right Sort

Grouse Shooting: The Right Sort
Creator:
Henry Thomas Alken, 1785–1851
Date:
undated
Materials & Techniques:
Watercolor, pen and red ink, brown ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 1/2 × 10 13/16 inches (21.6 × 27.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3119. The Leicestershire Hunt - Symptoms of a Skurry in a Pewy Country

The Leicestershire Hunt - Symptoms of a Skurry in a Pewy Country
Creator:
Possibly Henry Thomas Alken, 1785–1851
Date:
undated
Materials & Techniques:
Watercolor, graphite, gouache, pen and brown ink, and black ink on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 9 3/16 × 22 11/16 inches (23.3 × 57.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3120. Newmarket - Pulling Up

Newmarket - Pulling Up
Creator:
Lionel Edwards, 1878–1966
Date:
1933
Materials & Techniques:
Watercolor, gouache and graphite on moderately thick, moderately textured, gray wove paper
Dimensions:
Sheet: 10 1/16 × 13 15/16 inches (25.6 × 35.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3121. Taking a Fence Side-Saddle

Taking a Fence Side-Saddle
Creator:
George Denholm Armour, 1864–1949
Date:
undated
Materials & Techniques:
Watercolor, graphite, gouahce and pen with black ink on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 14 9/16 × 10 3/4 inches (37 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3122. The Quorn towards Ashby de la Zouch, Leicestershire

The Quorn towards Ashby de la Zouch, Leicestershire
Creator:
Lionel Edwards, 1878–1966
Date:
1919
Materials & Techniques:
Watercolor, pen and black ink, graphite, gouache and black chalk on moderately thick, slightly textured, beige wove paper
Dimensions:
Mount: 19 7/8 × 25 7/16 inches (50.5 × 64.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3123. The Kill

The Kill
Creator:
Samuel Howitt, 1756–1822
Date:
undated
Materials & Techniques:
Watercolor, pen and brown ink, gray ink, and graphite on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 17 1/2 × 26 inches (44.5 × 66 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3124. A Prospect of the City of Dublin, from the Magazine Hill, in his Majesty's Phoenix Park

A Prospect of the City of Dublin, from the Magazine Hill, in his Majesty's Phoenix Park
Creator:
Print made by James Mason, 1710–1783
Materials & Techniques:
Hand-colored engraving on laid paper
Dimensions:
Sheet: 60 1/2in. (153.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3125. A View of (1) Ringsend (2) Irish Town, The Harbour of Dublin, The Hill of Howth and The Strand on the North Side of the Harbour (3) is the South Wall (4) The North Wall (5) Clontarf Island (6) Pool Beg (7) Sheds of Clontarf (8) Clontarf (9) Howth...

A View of (1) Ringsend (2) Irish Town, The Harbour of Dublin, The Hill of Howth and The Strand on the North Side of the Harbour (3) is the South Wall (4) The North Wall (5) Clontarf Island (6) Pool Beg (7) Sheds of Clontarf (8) Clontarf (9) Howth...
Creator:
Giles King, active 1732–1746
Materials & Techniques:
Hand-colored engraving on wove paper
Dimensions:
Sheet: 60 1/2in. (153.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3126. Salmon Leap at Leixlip

Salmon Leap at Leixlip
Creator:
Giles King, active 1732–1746
Materials & Techniques:
Hand-colored engraving on wove paper
Dimensions:
Sheet: 60 1/2in. (153.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3127. The Leicestershire Hunt - A Struggle for the Start

The Leicestershire Hunt - A Struggle for the Start
Creator:
Possibly Henry Thomas Alken, 1785–1851
Date:
undated
Materials & Techniques:
Watercolor, graphite, gouache, pen and brown ink, black ink, and gray ink on thick, moderately textured, beige wove paper
Dimensions:
Sheet: 9 1/4 × 22 7/16 inches (23.5 × 57 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3128. The Leicestershire Hunt - The Death

The Leicestershire Hunt - The Death
Creator:
Possibly Henry Thomas Alken, 1785–1851
Date:
undated
Materials & Techniques:
Watercolor, graphite, gouache, pen and brown ink, black ink, and gray ink on thick, moderately textured, beige wove paper
Dimensions:
Sheet: 9 1/4 × 22 1/2 inches (23.5 × 57.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3129. Supported by a Bramble

Supported by a Bramble
Creator:
Julius Caesar Ibbetson, 1759–1817
Date:
undated
Materials & Techniques:
Pen and black ink and watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 2 3/8 × 3 inches (6 × 7.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3130. The Bay of Baiæ, Apollo and the Sibyl

The Bay of Baiæ, Apollo and the Sibyl
Creator:
Print made by Robert Brandard, 1805–1862
Date:
between 1859 and 1861
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 × 12 1/2 inches (22.9 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3131. The New Moon

The New Moon
Creator:
Print made by Sir Frank Short, 1857–1945
Date:
1918
Materials & Techniques:
Aquatint
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

3132. Between Clairmont and Mauves

Between Clairmont and Mauves
Creator:
Print made by William Miller, 1796–1882
Date:
1833
Materials & Techniques:
Etching and line engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3133. The Golden Bough

The Golden Bough
Creator:
Print made by Thomas Abiel Prior, 1809–1886
Date:
1875
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 3/4 × 13 1/2 inches (24.8 × 34.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3134. Bacchus and Ariadne

Bacchus and Ariadne
Creator:
Print made by Charles Cousen, ca. 1819–1889
Date:
between 1859 and 1861
Materials & Techniques:
Etching and line engraving on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 12 3/4 × 9 inches (32.4 × 22.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3135. Rietz, near Saumur

Rietz, near Saumur
Creator:
Print made by Robert Brandard, 1805–1862
Date:
1833
Materials & Techniques:
Etching and line engraving with chine collé on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/4 × 16 5/8 inches (28.6 × 42.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3136. The Sea Road into Seaford

The Sea Road into Seaford
Creator:
Print made by Sir Frank Short, 1857–1945
Date:
1925
Materials & Techniques:
Etching on laid paper
Dimensions:
Sheet: 8 3/8 × 10 3/4 inches (21.3 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

3137. The Rising Sun, Kingsdown

The Rising Sun, Kingsdown
Creator:
Print made by Sir Frank Short, 1857–1945
Date:
1922
Materials & Techniques:
Etching on laid paper
Dimensions:
Sheet: 7 1/4 × 8 1/8 inches (18.4 × 20.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

3138. Two Girls Under an Umbrella

Two Girls Under an Umbrella
Creator:
Print made by Robert Barnes, 1840–1895
Date:
undated
Materials & Techniques:
Wood-engraving with watercolor on moderately thick, slightly textured, cream card mounted on moderately thick, slightly textured, beige wove paper
Dimensions:
Mount: 8 9/16 x 7 5/16 inches (21.8 x 18.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3139. Young Mother, Baby Girl and Boy Beside a Country Fence

Young Mother, Baby Girl and Boy Beside a Country Fence
Creator:
Print made by unknown artist
Date:
undated
Materials & Techniques:
Wood engraving with hand coloring on moderately thick, slightly textured, cream wove paper pasted on contemporary mount made of moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 8 5/8 × 6 5/8 inches (21.9 × 16.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3140. Admiral Augustus Keppel, Viscount Keppel

Admiral Augustus Keppel, Viscount Keppel
Creator:
Edward Fisher, 1722–1785
Date:
1759
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 19 13/16 × 13 15/16 inches (50.3 × 35.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3141. Lady Amabel and Lady Mary, Daughters of Lord Royston and the Marchioness of Grey

Lady Amabel and Lady Mary, Daughters of Lord Royston and the Marchioness of Grey
Creator:
Edward Fisher, 1722–1785
Date:
1762
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 19 3/4 × 14 1/4 inches (50.2 × 36.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3142. Leicester Abbey, Leicestershire

Leicester Abbey, Leicestershire
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
1834
Materials & Techniques:
Etching and line engraving; 3rd state on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 × 15 inches (27.9 × 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3143. Evening

Evening
Creator:
Print made by Edward Julius Detmold, 1883–1957
Date:
1926
Materials & Techniques:
Etching and drypoint on thin, slightly textured, beige Japanese paper
Dimensions:
Sheet: 10 1/2 x 15 15/16 inches (26.6 x 40.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

3144. The Honorable Richard Edgcumbe, Second Earl of Mount Edgcumbe

The Honorable Richard Edgcumbe, Second Earl of Mount Edgcumbe
Creator:
William Dickinson, 1746–1823
Date:
1774
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 15 3/8 × 11 inches (39 × 28 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3145. The Turkish Fort

The Turkish Fort
Creator:
Print made by Sir David Young Cameron, 1865–1945
Date:
1909
Materials & Techniques:
Etching and drypoint on wove paper
Dimensions:
Sheet: 7 1/4 × 1 1/4 inches (18.4 × 3.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

3146. Views in the Levant: Harbour Town Surrounded by Windmills

Views in the Levant: Harbour Town Surrounded by Windmills
Creator:
Willey Reveley, 1760–1799
Date:
ca. 1785
Materials & Techniques:
Watercolor, pen and black ink, gray ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 15/16 × 18 11/16 inches (22.7 × 47.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3147. Views in the Levant: View of Mecca

Views in the Levant: View of Mecca
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Pen and gray ink, gray wash, and graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 12 1/16 × 20 3/16 inches (30.6 × 51.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3148. Views in the Levant: Landscape with Travellers Resting under Tree, Temple of Minerva, Medici, Rome

Views in the Levant: Landscape with Travellers Resting under Tree, Temple of Minerva, Medici, Rome
Creator:
unknown artist
Date:
ca. 1740
Materials & Techniques:
Pen and brown ink, gray wash, brown wash, and graphite; squared for transfer on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 1/2 × 18 1/2 inches (29.2 × 47 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3149. Views in the Levant: Landscape with Fields in Foreground, Town and Volcanic Mountains

Views in the Levant: Landscape with Fields in Foreground, Town and Volcanic Mountains
Creator:
unknown artist
Date:
ca. 1750
Materials & Techniques:
Pen and brown ink with brown wash, over graphite on medium, slightly textured, cream laid paper laid down on card
Dimensions:
Sheet: 14 × 22 1/4 inches (35.6 × 56.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3150. Views in the Levant: Rome with Ruins seen Through an Archway

Views in the Levant: Rome with Ruins seen Through an Archway
Creator:
Willey Reveley, 1760–1799
Date:
ca. 1785
Materials & Techniques:
Watercolor, graphite, pen and brown ink, and gum arabic on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 19 1/4 × 14 13/16 inches (48.9 × 37.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3151. Views in the Levant: Stormy Landscape with Rockfall at Right, Viewed From the Sea

Views in the Levant: Stormy Landscape with Rockfall at Right, Viewed From the Sea
Creator:
Willey Reveley, 1760–1799
Date:
ca. 1785
Materials & Techniques:
Watercolor, pen and gray ink, and graphite on medium, slightly textured, cream
Dimensions:
Sheet: 7 3/8 × 23 3/16 inches (18.7 × 58.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3152. Rt. Hon. John Manners, Marquess of Granby, and a Servant

Rt. Hon. John Manners, Marquess of Granby, and a Servant
Creator:
Print made by James Watson, 1740–1790
Date:
undated
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 23 3/4 × 17 7/8 inches (60.3 × 45.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3153. Robin Hood's Bay

Robin Hood's Bay
Creator:
Print made by Sir David Young Cameron, 1865–1945
Date:
1907
Materials & Techniques:
Etching and drypoint on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 9 1/2 × 15 3/8 inches (24.1 × 39.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

3154. After-glow (or Evening) on the Findhorn

After-glow (or Evening) on the Findhorn
Creator:
Print made by Sir David Young Cameron, 1865–1945
Date:
1907
Materials & Techniques:
Etching and drypoint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 1/4 × 9 1/4 inches (28.6 × 23.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

3155. Views in the Levant: Landscape with Domed Building in Compound....

Views in the Levant: Landscape with Domed Building in Compound....
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Pen and black ink, pen and gray ink, with gray wash, and graphite on medium, slightly textured, cream laid paper, mounted on moderately thick, smooth, brown wove paper
Dimensions:
Sheet: 12 5/16 × 19 15/16 inches (31.3 × 50.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3156. Views in the Levant: Landscape With Sea, Town and Hills

Views in the Levant: Landscape With Sea, Town and Hills
Creator:
Willey Reveley, 1760–1799
Date:
ca. 1785
Materials & Techniques:
Watercolor, and pen and gray ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 1/4 × 18 7/8 inches (23.5 × 47.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3157. Views in the Levant: Landscape with Various Shaped Roofs in Foreground

Views in the Levant: Landscape with Various Shaped Roofs in Foreground
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Pen and gray ink, black ink, graphite, gray wash, and black wash on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 12 3/4 × 17 3/8 inches (32.4 × 44.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3158. Mercury and Argus

Mercury and Argus
Creator:
Print made by James Tibbits Willmore, 1800–1863
Date:
1841
Materials & Techniques:
Etching and line engraving; second state on thick, moderately textured, beige wove paper, with cream chine collé
Dimensions:
Sheet: 29 1/2 × 22 3/4 inches (74.9 × 57.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3159. Mercury and Argus

Mercury and Argus
Creator:
Print made by James Tibbits Willmore, 1800–1863
Date:
1841
Materials & Techniques:
Etching and line engraving; fourth state on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 29 5/8 × 22 1/2 inches (75.2 × 57.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3160. Modern Italy

Modern Italy
Creator:
Print made by William Miller, 1796–1882
Date:
1842
Materials & Techniques:
Etching and line engraving, with graphite and scraping out; touched engraver's proof (a) on thick, sightly textured, cream wove paper
Dimensions:
Sheet: 22 × 27 7/8 inches (55.9 × 70.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3161. Paris From the Hospital of Bicêtre

Paris From the Hospital of Bicêtre
Creator:
Sir Robert Smirke the younger, 1781–1867
Date:
1802-1804
Materials & Techniques:
Graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 8 15/16 × 11 1/4 inches (22.7 × 28.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3162. Lyons - From the Bridge at the Junction of the Rhone & Soane

Lyons - From the Bridge at the Junction of the Rhone & Soane
Creator:
Sir Robert Smirke the younger, 1781–1867
Date:
1802
Materials & Techniques:
Graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 8 15/16 × 11 1/2 inches (22.7 × 29.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3163. Italian Landscape

Italian Landscape
Creator:
Francois Vivares, 1709–1780
Date:
undated
Materials & Techniques:
Watercolor with pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 5 7/8 × 3 1/2 inches (14.9 × 8.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3164. The School-Boy

The School-Boy
Creator:
Print made by Henry Thomas Alken, 1785–1851
Date:
1824
Materials & Techniques:
Soft-ground etching with hand coloring on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 8 7/8 × 11 1/4 inches (22.6 × 28.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

3165. Wooded Landscape with Herdsman Driving Cattle over a Bridge, Rustic Lovers and Ruined Castle

Wooded Landscape with Herdsman Driving Cattle over a Bridge, Rustic Lovers and Ruined Castle
Creator:
Print made by Thomas Gainsborough, 1727–1788
Date:
between 1779 and 1780
Materials & Techniques:
Etching and soft-ground etching on medium, slightly textured, blue laid paper
Dimensions:
Sheet: 12 × 15 3/8 inches (30.5 × 39.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3166. Wooded Landscape with Two Country Carts and Figures

Wooded Landscape with Two Country Carts and Figures
Creator:
Thomas Gainsborough, 1727–1788
Date:
1779 to 1780
Materials & Techniques:
Etching and soft-ground etching on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 1/2 × 15 1/8 inches (29.2 × 38.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3167. Wooded Landscape with Peasant Reading Tombstone, Rustic Lovers and Ruined Church

Wooded Landscape with Peasant Reading Tombstone, Rustic Lovers and Ruined Church
Creator:
Print made by Thomas Gainsborough, 1727–1788
Date:
1779 to 1780
Materials & Techniques:
Soft-ground etching in gray ink on moderately thick, moderately textured, blue laid paper
Dimensions:
Sheet: 11 7/8 × 15 9/16 inches (30.2 × 39.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3168. Landscape with Church in Background

Landscape with Church in Background
Creator:
Rev. William Gilpin, 1724–1804
Date:
undated
Materials & Techniques:
Gray wash, graphite, pen and black ink, and gray ink on moderately thick, rough, beige laid paper
Dimensions:
Sheet: 8 13/16 × 11 1/4 inches (22.4 × 28.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Arthur Weyhe

3169. Barbara Palmer (née Villiers) Countess of Castlemaine

Barbara Palmer (née Villiers) Countess of Castlemaine
Creator:
Thomas Watson, 1743–1781
Date:
undated
Materials & Techniques:
Mezzotint on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 16 11/16 × 13 1/16 inches (42.4 × 33.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3170. John Home, Esq.

John Home, Esq.
Creator:
Print made by A. Birrell, ca.1770–ca. 1820
Date:
1799
Materials & Techniques:
Line engraving and etching on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 17 1/16 × 11 7/8 inches (43.4 × 30.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3171. Mercury and Argus

Mercury and Argus
Creator:
Print made by James Tibbits Willmore, 1800–1863
Date:
1841
Materials & Techniques:
Etching and line engraving with chine collé; engraver's proof (a) on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 29 1/4 × 19 inches (74.3 × 48.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3172. Mercury and Argus

Mercury and Argus
Creator:
Print made by James Tibbits Willmore, 1800–1863
Date:
1841
Materials & Techniques:
Etching and line engraving; first published state on thick, moderately textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 33 × 25 1/4 inches (83.8 × 64.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3173. Mercury and Herse

Mercury and Herse
Creator:
Print made by John Cousen, 1804–1880
Date:
1842
Materials & Techniques:
Etching and line engraving with chine collé; engraver's proof on thick, moderately textured, cream wove paper
Dimensions:
Sheet: 27 1/2 × 23 inches (69.9 × 58.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3174. The Princess Elizabeth's Cottage, Windsor, Volume XVII, H, page 475 (from The Mirror)(with text); page 105 (Volume One)

The Princess Elizabeth's Cottage, Windsor, Volume XVII, H, page 475 (from The Mirror)(with text); page 105 (Volume One)
Creator:
unknown artist
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3175. The Chedder Cliffs, Somersetshire

The Chedder Cliffs, Somersetshire
Creator:
Print made by Mollineux, active 1729
Date:
1810
Materials & Techniques:
Line engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3176. West Window of the Chapel, New College Oxford: Shepherd Boy and Dog, Part Nativity Window

West Window of the Chapel, New College Oxford: Shepherd Boy and Dog, Part Nativity Window
Creator:
George Siegmund Facius, 1750–1804
Date:
1785
Materials & Techniques:
Stipple engraving on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 27 1/16 × 19 1/8 inches (68.7 × 48.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3177. View of Castle Ruin

View of Castle Ruin
Creator:
Rev. William Gilpin, 1724–1804
Date:
between 1762 and 1783
Materials & Techniques:
Gray wash, blue wash, graphite, pen and brown ink on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 6 5/8 × 9 3/8 inches (16.8 × 23.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Arthur Weyhe

3178. Landscape, Corsica

Landscape, Corsica
Creator:
John Minton, 1917–1957
Date:
1947
Materials & Techniques:
Watercolor, pen and black ink and pen and gray-blue ink with wash, white wax crayon and pastel on medium, moderately textured, cream wove paper mounted on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 15 x 19 1/2 inches (38.1 x 49.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

3179. Plan, View and Second Plan of Ruins at Sardis

Plan, View and Second Plan of Ruins at Sardis
Creator:
Giovanni Battista Borra, 1713–1770
Date:
ca. 1750
Materials & Techniques:
Black ink with gray wash over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 21 1/4 x 14 15/16 inches (53.9 x 37.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3180. View of a Valley with Ruins at Sardis

View of a Valley with Ruins at Sardis
Creator:
Giovanni Battista Borra, 1713–1770
Date:
ca. 1750
Materials & Techniques:
Gray wash with gray ink and brown ink over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 14 7/8 x 21 5/16 inches (37.8 x 54.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3181. Castello di Smirna

Castello di Smirna
Creator:
Giovanni Battista Borra, 1713–1770
Date:
ca. 1750
Materials & Techniques:
Gray wash with gray ink over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 14 9/16 x 21 1/4 inches (37 x 53.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3182. Barns at Pant y Neuadd

Barns at Pant y Neuadd
Creator:
Print made by Diana Armfield, born 1920
Date:
1974
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 7/8 x 9 3/16 inches (27.7 x 23.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Donald and Willi Holden

3183. Landscape, Cornwall

Landscape, Cornwall
Creator:
Alan Reynolds, 1926–2014
Date:
1958
Materials & Techniques:
Watercolor and ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 x 16 11/16in. (27.9 x 42.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of George E. Dix, Yale BA 1934, MA 1942

3184. View of the Modern City of Pergamon

View of the Modern City of Pergamon
Creator:
Giovanni Battista Borra, 1713–1770
Date:
ca. 1750
Materials & Techniques:
Gray wash with gray ink over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 15 1/16 x 21 5/16 inches (38.3 x 54.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3185. View of the Valley of Hierapolis (now Pamukkale)

View of the Valley of Hierapolis (now Pamukkale)
Creator:
Giovanni Battista Borra, 1713–1770
Date:
ca. 1750
Materials & Techniques:
Gray wash with black ink over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 15 1/16 x 21 3/8 inches (38.2 x 54.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3186. View of the Ruins of an Ionic Temple at Sardis, Probably the Temple of Neptune

View of the Ruins of an Ionic Temple at Sardis, Probably the Temple of Neptune
Creator:
Giovanni Battista Borra, 1713–1770
Date:
ca. 1750
Materials & Techniques:
Black ink with gray wash over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 15 1/8 x 21 1/4 inches (38.4 x 54 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3187. View of the Valley of Sardis and View of a Ruined Bridge

View of the Valley of Sardis and View of a Ruined Bridge
Creator:
Giovanni Battista Borra, 1713–1770
Date:
ca. 1750
Materials & Techniques:
Black and brown ink with gray wash and watercolor over graphite on moderately thick, moderately textured, cream laid paper with gray wash
Dimensions:
Sheet: 21 5/16 x 14 15/16 inches (54.1 x 37.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3188. Plan of Lake Tiberias

Plan of Lake Tiberias
Creator:
Giovanni Battista Borra, 1713–1770
Date:
ca. 1750
Materials & Techniques:
Black ink with gray wash over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 14 13/16 x 21 7/16 inches (37.7 x 54.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3189. View of a Passage Cut into a Hillside

View of a Passage Cut into a Hillside
Creator:
Giovanni Battista Borra, 1713–1770
Date:
ca. 1750
Materials & Techniques:
Gray wash with black ink over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 21 1/8 x 15 inches (53.7 x 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3190. View of Maglova Aqueduct

View of Maglova Aqueduct
Creator:
Giovanni Battista Borra, 1713–1770
Date:
ca. 1750
Materials & Techniques:
Gray wash with black and brown ink over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 14 11/16 x 21 1/4 inches (37.3 x 54 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3191. Reggio di Calabria

Reggio di Calabria
Creator:
Giovanni Battista Borra, 1713–1770
Date:
ca. 1750
Materials & Techniques:
Gray wash with black and brown ink over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 15 1/16 x 21 7/16 inches (38.3 x 54.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3192. Stromboli

Stromboli
Creator:
Giovanni Battista Borra, 1713–1770
Date:
1750
Materials & Techniques:
Black ink with gray wash over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 21 3/8 x 14 15/16 inches (54.3 x 37.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3193. At Oxford

At Oxford
Creator:
Edna Kaulbach, active 1874
Date:
1874
Materials & Techniques:
Black chalk and white gouache on medium, slightly textured, brown wove paper
Dimensions:
Sheet: 16 3/4 × 23 3/8 inches (42.5 × 59.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Edward I. Elicofon

3194. Sheep in Twilight

Sheep in Twilight
Creator:
Print made by John Copley, 1875–1950
Date:
1922
Materials & Techniques:
Etching and aquatint with gray wash on moderately thick, slightly textured, cream Asian paper
Dimensions:
Sheet: 15 3/8 x 11 7/16 inches (39 x 29 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

3195. Pont Mallwyd

Pont Mallwyd
Creator:
Samuel Henry Baker, 1824–1909
Date:
1863
Materials & Techniques:
Graphite on moderately thick, moderately textured, wove paper
Dimensions:
Sheet: 8 15/16 × 13 11/16 inches (22.7 × 34.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Stephen Wildman

3196. Wind

Wind
Creator:
Print made by C. R. W. Nevinson, 1889–1946
Date:
1918
Materials & Techniques:
Mezzotint on medium, slightly textured, cream antique laid paper
Dimensions:
Sheet: 8 9/16 x 11 7/16 inches (21.7 x 29 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

3197. Worth Matravers, Dorset

Worth Matravers, Dorset
Creator:
Paul Nash, 1889–1946
Date:
1936
Materials & Techniques:
Watercolor, graphite, black chalk and blue chalk on thick, moderately textured, white wove paper
Dimensions:
Sheet: 15 1/2 x 23 inches (39.4 x 58.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

3198. Sunset

Sunset
Creator:
Alan Reynolds, 1926–2014
Date:
1957
Materials & Techniques:
Watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 9 1/16 × 13 1/4 inches (23 × 33.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

3199. Landscape

Landscape
Creator:
attributed to Sir Edwin Henry Landseer, 1802–1873
Date:
undated
Materials & Techniques:
Graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 3 1/2 x 4 1/2 inches (8.9 x 11.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of George E. Dix, Yale BA 1934, MA 1942

3200. Pianura dell'Hermo in Faccia a Sardes

Pianura dell'Hermo in Faccia a Sardes
Creator:
Giovanni Battista Borra, 1713–1770
Date:
ca. 1750
Materials & Techniques:
Black and brown ink with gray wash over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 14 3/4 x 21 5/16 inches (37.5 x 54.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection