A View of the Church of S. Sabina and the Pyramid of Cestius, Rome
ca. 1825
Not on view
10
Attributed to David Allan, 1744–1796
Thomas Graham, Baron Lynedoch
ca. 1769
Not on view
11
Richard Wilson, 1713/4–1782
A View of the Tiber with Rome in the Distance
ca. 1775
Not on view
12
Nathaniel Dance, 1735–1811
View near Rome
between 1754 and 1765
Not on view
13
Samuel Palmer, 1805–1881
Rome from San Spirito
undated
14
Samuel Palmer, 1805–1881
The Cypresses at the Villa d'Este, Tivoli
1838
15
Joseph Mallord William Turner, 1775–1851
Rome from Monte Mario
ca. 1818
16
Joseph Mallord William Turner, 1775–1851
Villa d'Este
ca. 1796
17
Joseph Mallord William Turner, 1775–1851
Tivoli with the Temple of the Sybil and the Cascades
between 1796 and 1797
18
Edward Lear, 1812–1888
The Pontine Marshes above Terracina
ca. 1880
19
Edward Lear, 1812–1888
Segni, 6 October 1838
1838
20
Edward Lear, 1812–1888
The Gardens of the Villa Albani
1840
21
Print made by Austin, Robert, 1895-1973, 1895–1973
The Capitol, Rome
1923
22
John Robert Cozens, 1752–1797
Castel Gandolfo
ca. 1780
23
Willey Reveley, 1760–1799
Views in the Levant: Rome with Ruins seen Through an Archway
ca. 1785
24
Willey Reveley, 1760–1799
Views in the Levant: Ruined Bridge with Four Pointed Arches Near Rome
ca. 1785
25
Sir Richard Colt Hoare, 1758–1838
Remains of the Claudian Aqueduct near the Convent of S. Cosimato
1786 to 1819
26
Giovanni Battista Borra, 1713–1770
View of Tivoli
ca. 1750
27
Giovanni Battista Borra, 1713–1770
View of Tivoli in the Direction of the North Wind
ca. 1750
28
Sir Richard Colt Hoare, 1758–1838
View at Valmontone. November 1790
1790
29
Sir Richard Colt Hoare, 1758–1838
The Carthusian Convent at Trisulto
1790
30
Sir Richard Colt Hoare, 1758–1838
The Carthusian Convent at Trisulto
1790
31
Sir Richard Colt Hoare, 1758–1838
View at Valmontone. November 1790
1790
32
Sir Richard Colt Hoare, 1758–1838
The Monastery of the order of La Trappe, at Casamare between Frusinone and Sora
1790
33
Sir Richard Colt Hoare, 1758–1838
Ducal Palace etc at Isola di Sora
1791
34
Sir Richard Colt Hoare, 1758–1838
View on the River Liris at Isola di Sora
1791
35
Sir Richard Colt Hoare, 1758–1838
Convento del Carmine, at Isola di Sora
1790
36
Sir Richard Colt Hoare, 1758–1838
Monastery of La Trappe, at Casamare
1790
37
Sir Richard Colt Hoare, 1758–1838
View on the River Liris, near Isola
1790
38
Sir Richard Colt Hoare, 1758–1838
Palace of the Duca di Sora Where the Rivers Separate, at Isola di Sora
1791
39
Sir Richard Colt Hoare, 1758–1838
Ducal Palace at Isola di Sora
1790
40
Sir Richard Colt Hoare, 1758–1838
The Carthusian Convent at Trisulto, near Alatri
1790
41
Giovanni Battista Borra, 1713–1770
View of Ruins at Tivoli
ca. 1750
42
Sir George Howland Beaumont seventh Baronet, 1753–1827
Larice
1782
43
Sir Richard Colt Hoare, 1758–1838
Convent at Valmontone. November 1790
1790
44
John Warwick Smith, 1749–1831
The Hermitage at Frascati
undated
45
Giovanni Battista Borra, 1713–1770
View of the Ruined Baths at Hadrian's Villa at Tivoli
ca. 1750
46
Thomas Jones, 1742–1803
Tivoli
ca. 1777
47
Thomas Jones, 1742–1803
The Claudian Aqueduct and Colosseum
1778
48
Dr. Thomas Monro, 1759–1833
Composition: Recollection of J.R. Cozen's of Nemi
between 1790 and 1820
49
William Marlow, 1740–1813
Tivoli
ca. 1768
50
Jacob More, 1740–1793
A View at Terracina
1778
51
Jacob More, 1740–1793
View Near the Mill Looking Toward Licenza: Horace's Villa on the Left
1783
52
Richard Wilson, 1713/4–1782
The Arbra Sacra on the Banks of Lake Nemi
between 1754 and 1756
53
Richard Wilson, 1713/4–1782
Temple of Minerva Medica, Rome
1754
54
Richard Wilson, 1713/4–1782
The Falls at Tivoli
between 1752 and 1757
55
Richard Wilson, 1713/4–1782
The Via Nomentana
1754
56
Richard Wilson, 1713/4–1782
Italian sketchbook
1754
57
Thomas Girtin, 1775–1802
Arch of Janus, after Piranesi
between 1798 and 1799
58
Thomas Girtin, 1775–1802
Rocca del Papa, with Monte Cavo
ca. 1796
59
Print made by John Robert Cozens, 1752–1797
Ariccia
between 1783 and 1789
60
Print made by unknown artist
The City of Ancient Rome as in the Reign of Caesar Augustus. Exhibiting in their proper Situations the Public & Magnificent Structures of Rome, in it's highest Glory