Subject Terms: horses (animals) - YCBA Collections Search Search Results

501. The Leicestershire Hunt - Symptoms of a Skurry in a Pewy Country

Creator:: Possibly Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Watercolor, graphite, gouache, pen and brown ink, and black ink on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 9 3/16 × 22 11/16 inches (23.3 × 57.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

502. Taking a Fence Side-Saddle

Creator:: George Denholm Armour, 1864–1949
Date:: undated
Materials & Techniques:: Watercolor, graphite, gouahce and pen with black ink on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 14 9/16 × 10 3/4 inches (37 × 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

503. A Horse Sale in Hopkins's Repository, Barbican

Creator:: Thomas Rowlandson, 1756–1827
Date:: between 1798 and 1800
Materials & Techniques:: Watercolor, pen and black ink, and gray ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Mount: 13 1/8 x 17 15/16 inches (33.3 x 45.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

504. The St. Leger, Doncaster: Preparing to Start

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Graphite and watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 3/4 × 14 5/16 inches (27.3 × 36.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

505. Hare Hunting: The Kill

Creator:: Jan Wyck, ca. 1645–1700
Date:: undated
Materials & Techniques:: Pen and brown ink, and red chalk on medium, smooth, beige laid paper
Dimensions:: Sheet: 3 7/8 × 11 9/16 inches (9.8 × 29.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

506. A Hunting Party

Creator:: Jan Wyck, ca. 1645–1700
Date:: undated
Materials & Techniques:: Black chalk and gray wash on medium, moderately textured, beige laid paper
Dimensions:: Mount: 16 × 21 15/16 inches (40.6 × 55.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

507. Stag Hunting

Creator:: Jan Wyck, ca. 1645–1700
Date:: undated
Materials & Techniques:: Pen and brown ink, graphite, and brown wash on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 8 15/16 × 14 9/16 inches (22.7 × 37 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

508. The Scholar Placed in His Seat Without Styrrops

Creator:: John Vanderbank, 1694–1739
Date:: 1729
Materials & Techniques:: Graphite and gray wash on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 10 3/16 × 14 1/2 inches (25.9 × 36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

509. Foxhunting: The Kill

Creator:: Peter Tillemans, 1684–1734
Date:: undated
Materials & Techniques:: Graphite and gray wash on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 9 1/2 × 7 5/16 inches (24.1 × 18.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

510. Sir Charles Blunt at the Death of the Boar

Creator:: James Ward, 1769–1859
Date:: undated
Materials & Techniques:: Graphite on medium, moderately textured, brown laid paper
Dimensions:: Sheet: 14 7/8 × 12 inches (37.8 × 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

511. Horses Resting in a Meadow near Bolsover Castle

Creator:: Peter DeWint, 1784–1849
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 9 5/16 × 12 3/4 inches (23.7 × 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

512. Steeplechasing: The Start

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Graphite and watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 15/16 × 6 1/8 inches (25.2 × 15.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

513. Poor Little Rose

Creator:: Print made by George Cruikshank, 1792–1878
Date:: undated
Materials & Techniques:: Etching on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 8 1/16 × 5 3/4 inches (20.4 × 14.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

514. Jack Sheppard's Escape from the Cage at Willesden

Creator:: Print made by George Cruikshank, 1792–1878
Date:: 1839
Materials & Techniques:: Etching with chine collé on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 8 5/8 x 7 3/16 inches (21.9 x 18.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

515. Brighton

Creator:: unknown artist
Date:: after 1814
Materials & Techniques:: Watercolor with pen and black ink on medium, smooth, cream wove paper
Dimensions:: Sheet: 6 3/8 x 9 3/8 inches (16.2 x 23.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

516. Mr. Nash's Castle

Creator:: unknown artist
Date:: after 1814
Materials & Techniques:: Watercolor with pen and black ink on medium, smooth, cream wove paper
Dimensions:: Sheet: 6 1/2 x 9 1/2 inches (16.5 x 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

517. Point to Point, Old Style

Creator:: Lionel Edwards, 1878–1966
Date:: undated
Materials & Techniques:: Watercolor and graphite on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 6 7/8 × 9 inches (17.5 × 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

518. A View of the Piazza of St. John de Lateran, of the Cardinals College, and of the Holy Stairs in the City of Rome

Creator:: Print made by unknown artist
Date:: undated
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream laid paper
Dimensions:: Mount: 9 1/16 x 12 5/8 inches (23 x 32 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

519. A View of Campo Vaccino at Rome

Creator:: Print made by unknown artist
Date:: undated
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream laid paper
Dimensions:: Mount: 9 3/4 x 12 1/2 inches (24.8 x 31.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

520. Building a Hayrick

Creator:: Peter DeWint, 1784–1849
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, rough, cream wove paper
Dimensions:: Sheet: 5 1/4 x 8 1/8 inches (13.3 x 20.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

521. Plough Horses

Creator:: Peter DeWint, 1784–1849
Date:: undated
Materials & Techniques:: Watercolor and graphite on moderately thick, rough, beige wove paper
Dimensions:: Sheet: 3 3/4 × 9 inches (9.5 × 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

522. Horse Fair in East Anglia

Creator:: Sir Alfred J. Munnings, 1878–1959
Date:: 1899
Materials & Techniques:: Watercolor and gouache, over graphite on medium, slightly textured, beige wove paper
Dimensions:: Mount: 13 5/8 x 20 5/8 inches (34.6 x 52.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

523. Two Studies: a Foal, and a Mare and Foal

Creator:: Robert Hills, 1769–1844
Date:: undated
Materials & Techniques:: Watercolor and graphite on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 10 × 6 3/8 inches (25.4 × 16.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

524. Westminster Abbey and St. Paul's from Battersea Fields

Creator:: Nathaniel Smith, 1740–1787
Date:: undated
Materials & Techniques:: Watercolor, ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 4 1/8 x 6 3/8in. (10.5 x 16.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

525. The Place and Church of St. John de Lateran at Rome; 1. St. Johns Church. 2. the Palace Built by Sixtus the fifth. 3. The Holy Ladder. 4. Constantines Font. 5. Hospital for Men. 6. Do. for Women.

The Place and Church of St. John de Lateran at Rome; 1. St. Johns Church. 2. the Palace Built by Sixtus the fifth. 3. The Holy Ladder. 4. Constantines Font. 5. Hospital for Men. 6. Do. for Women.

Creator:: Print made by Nathaniel Parr, active 1742–1751
Date:: undated
Materials & Techniques:: Hand-colored engraving on laid paper
Dimensions:: Plate: 11 1/4 × 17 inches (28.6 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

526. The Riding School

Creator:: Joseph Crawhall, 1861–1913
Date:: undated
Materials & Techniques:: Watercolor on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 × 12 inches (22.9 × 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

527. Newgate

Creator:: Thomas Malton the Younger, 1748–1804
Date:: 1799
Materials & Techniques:: Etching with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Mount: 11 3/4 × 15 7/16 inches (29.8 × 39.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

528. Haymaking

Creator:: Heinrich W. Schweickhardt, 1746–1797
Date:: undated
Materials & Techniques:: Pen and black ink, gray ink, and gray wash on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 7 × 12 9/16 inches (17.8 × 31.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

529. A Prospect of the Palace of Chantilli

Creator:: Print made by Nathaniel Parr, active 1742–1751
Date:: 1739
Materials & Techniques:: Hand-colored engraving on laid paper
Dimensions:: Sheet: 60 1/2in. (153.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

530. A View of the Glorious Action of Dettingen June 16/27 O.S.N.S between the Forces of tghe Allies Commanded by the King of Great Britain and the French Army under the Marshal Noailles

A View of the Glorious Action of Dettingen June 16/27 O.S.N.S between the Forces of tghe Allies Commanded by the King of Great Britain and the French Army under the Marshal Noailles

Creator:: I. Pane
Materials & Techniques:: Hand-colored engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

531. Racing Scene: three racehorses with jockeys up

Creator:: Tessa Pullan, born 1953
Date:: 1994
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 1/2 × 22 3/4 inches (39.4 × 57.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

532. The Church of St. Mary Le Bow in Cheapside London

Creator:: Print made by Thomas Bowles III, ca. 1712–1767
Materials & Techniques:: Hand-colored engraving on wove paper
Dimensions:: Sheet: 60 1/2in. (153.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

533. Six Studies of Horses and Riders

Creator:: James Seymour, 1702–1752
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 1/2 × 11 1/2 inches (19.1 × 29.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

534. Foxhunting: Full Cry

Creator:: George Alken, 1794–active 1837
Date:: between 1827 and 1837
Materials & Techniques:: Graphite and watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 9/16 × 10 3/16 inches (16.7 × 25.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

535. Foxhunting: Drawing Covert

Creator:: George Alken, 1794–active 1837
Date:: undated
Materials & Techniques:: Graphite and watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 9/16 × 9 7/8 inches (16.7 × 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

536. A Gentleman Riding With a Groom, and Coversing

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Graphite and watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 13/16 × 10 3/8 inches (19.8 × 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

537. "Landscape Scenery", No. 18: Scenes of Horse Drawn Artillery, etc.

Creator:: Henry Thomas Alken, 1785–1851
Date:: 1821
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 3/16 × 9 1/2 inches (15.7 × 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

538. "Scraps", no 17: Racing, Three Horses with Jockeys Up Galloping to Right

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 9/16 × 9 1/16 inches (16.7 × 23 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

539. "Landscape Scenery", No. 7: Scenes of Cricket and a Waggoner With His Team

Creator:: Henry Thomas Alken, 1785–1851
Date:: 1821
Materials & Techniques:: Graphite and red chalk on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 1/8 × 9 7/8 inches (15.6 × 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

540. A View of Somerset House with St. Mary's Church in the Strand London

Creator:: Thomas Bowles III, ca. 1712–1767
Materials & Techniques:: Hand-colored engraving on wove paper
Dimensions:: Sheet: 60 1/2in. (153.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

541. "Scraps", No. 24: Hunting -Ttwo Riders, One Opening a Gate For Hounds

Creator:: Henry Thomas Alken, 1785–1851
Date:: 1823
Materials & Techniques:: Graphite and white gouache on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 3/16 × 9 3/16 inches (18.3 × 23.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

542. "Landscape Scenery", No. 13: Groups of Infantry and Army Horses

Creator:: Henry Thomas Alken, 1785–1851
Date:: 1821
Materials & Techniques:: Graphite and red chalk on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 5/16 × 9 11/16 inches (16 × 24.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

543. Symptoms: of Being Bang Up, of a Fine Woman, of Being Bang Down, Of a Quiet One.

Creator:: Henry Thomas Alken, 1785–1851
Date:: between 1818 and 1822
Materials & Techniques:: Graphite and red chalk on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 × 8 3/8 inches (17.8 × 21.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

544. Symptoms: of to be Sold, of Despair, of Who is There, of Sold and Had Him a Week

Creator:: Henry Thomas Alken, 1785–1851
Date:: between 1818 and 1822
Materials & Techniques:: Graphite and red chalk on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/8 × 8 7/8 inches (18.1 × 22.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

545. Symptoms: of How Do You Do, of I Should Not Have Known You, of My Lud, Of Easing a Patient, of a Loose Rein, of Wokey, of Tight in Hand

Creator:: Henry Thomas Alken, 1785–1851
Date:: between 1818 and 1822
Materials & Techniques:: Graphite and red chalk on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 3/4 × 8 5/8 inches (17.1 × 21.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

546. Symptoms: of None of Your Stuff, of a Declaration, of a Meltonian, of Is that a Writ I See Before Me, of a Love Feast, of a Buck

Creator:: Henry Thomas Alken, 1785–1851
Date:: between 1818 and 1822
Materials & Techniques:: Graphite and red chalk on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 11/16 × 8 11/16 inches (17 × 22.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

547. "Scraps", No. 8: Scenes of a Lancer and Other Cavalry

Creator:: Henry Thomas Alken, 1785–1851
Date:: 1823
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 13/16 × 9 3/8 inches (17.3 × 23.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

548. Symptoms: of Full Pay, of Half pay, of a strong attachment in the Dog, of anything but go, of no strong attachment to the Horse

Creator:: Henry Thomas Alken, 1785–1851
Date:: between 1818 and 1822
Materials & Techniques:: Graphite and red chalk on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 15/16 × 8 11/16 inches (17.6 × 22.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

549. "Some Do and Some Don't: It is All a Notion:" Getting Dead Beat

Creator:: Henry Thomas Alken, 1785–1851
Date:: between 1848 and 1851
Materials & Techniques:: Graphite and watercolor on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 7 5/8 × 10 11/16 inches (19.4 × 27.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

550. Drawing for "Specimens of Riding near London:" The Pleasure of Riding in Company. One Would Stop if the Other Could

Creator:: Henry Thomas Alken, 1785–1851
Date:: between 1809 and 1823
Materials & Techniques:: Graphite and red chalk on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 6 3/4 × 9 1/8 inches (17.1 × 23.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

551. A Hay Wagon Drawn by Four Horses

Creator:: Charles Cooper Henderson, 1803–1877
Date:: undated
Materials & Techniques:: Watercolor, with pen, in brown ink, over graphite with traces of, white gouache on moderately thick, moderately textured, cream wove paper
Dimensions:: Mount: 9 7/8 × 14 inches (25.1 × 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

552. Coursing: Setting Out

Creator:: Samuel Howitt, 1756–1822
Date:: 1794
Materials & Techniques:: Watercolor, with pen, in black ink, gray ink, and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 7/8 × 9 3/16 inches (17.5 × 23.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

553. The Check

Creator:: Samuel Howitt, 1756–1822
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, and gray ink on medium, slightly textured, beige laid paper
Dimensions:: Mount: 9 1/4 × 11 13/16 inches (23.5 × 30 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

554. Going to Cover

Creator:: Samuel Howitt, 1756–1822
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, and gray ink on medium, slightly textured, beige laid paper
Dimensions:: Mount: 9 5/16 × 11 3/4 inches (23.7 × 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

555. Full Cry

Creator:: Samuel Howitt, 1756–1822
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, and gray ink on medium, slightly textured, beige laid paper
Dimensions:: Mount: 9 5/16 × 11 3/4 inches (23.7 × 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

556. A Crowded Race Meeting

Creator:: Thomas Rowlandson, 1756–1827
Date:: between 1805 and 1810
Materials & Techniques:: Watercolor, pen and brown ink, gray ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 7/8 × 9 1/2 inches (14.9 × 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

557. A Carriage and Pair, with Coachman

Creator:: Paul Sandby, 1731–1809
Date:: 1774
Materials & Techniques:: Gray wash, brown wash, white gouache and graphite on thin, slightly textured, beige laid paper
Dimensions:: Mount: 4 1/16 × 4 15/16 inches (10.3 × 12.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

558. Rider in Armour

Creator:: James Seymour, 1702–1752
Date:: undated
Materials & Techniques:: Pen and brown ink on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 7 × 5 7/8 inches (17.8 × 14.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

559. Riders and Hounds in an Open Landscape

Creator:: James Seymour, 1702–1752
Date:: undated
Materials & Techniques:: Pen and brown ink, and graphite on medium, moderately textured, beige laid paper
Dimensions:: Mount: 10 13/16 × 16 5/8 inches (27.5 × 42.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

560. A Boar Hunt

Creator:: James Seymour, 1702–1752
Date:: undated
Materials & Techniques:: Pen and brown ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Mount: 9 1/8 × 10 7/8 inches (23.2 × 27.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

561. Funeral of the Late Duke of Wellington

Creator:: Imitator of George Baxter, 1804–1867
Date:: after 1893
Materials & Techniques:: Aquatint and stipple engraving; color woodcut by Mockler on medium, slightly textured, cream wove paper, laid on contemporary mount made of thick, slightly textured, orange-beige wove card
Dimensions:: Mount: 8 7/8 x 6 inches (22.5 x 15.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

562. Funeral of the Late Duke of Wellington

Creator:: Imitator of George Baxter, 1804–1867
Date:: after 1893
Materials & Techniques:: Aquatint and stipple engraving; color woodcut by Mockler on medium, slightly textured, cream wove paper, laid on contemporary mount made of thick, slightly textured, orange-beige wove card
Dimensions:: Mount: 9 x 6 5/16 inches (22.9 x 16 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

563. View of the City with the Louvre &c., taken from Pont Marie

Creator:: Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Soft-ground etched outline on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

564. The High Street, Southampton

Creator:: Print made by Day & Co., 1824–1913
Date:: 1828
Materials & Techniques:: Lithograph with hand coloring on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 13/16 x 18 3/4 inches (37.6 x 47.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

565. Abbotsford

Creator:: Print made by William Forrest, 1802–1889
Date:: 1836
Materials & Techniques:: Etching and line engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

566. A Brummagem Don Quixote, Meditating his Grand Attack Upon the Leading Giant

Creator:: Print made by John Doyle ('H.B.'), 1797–1868
Date:: 1847
Materials & Techniques:: Lithograph in tan and black ink on moderately thick, smooth, beige wove paper
Dimensions:: Sheet: 12 x 17 1/2 inches (30.5 x 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

567. Breaking Cover, Desperate Struggle for the Lead, Consequences of Leaping Short

Creator:: Print made by John Doyle ('H.B.'), 1797–1868
Date:: 1849
Materials & Techniques:: Lithograph in tan and black ink on moderately thick, smooth, beige wove paper
Dimensions:: Sheet: 11 3/4 x 17 5/16 inches (29.8 x 44 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

568. View of the City with the Louvre &c. taken from Pont Marie

Creator:: Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Aquatint with soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

569. View of Pont Neuf, part of the Louvre, Notre Dame, and the College of four Nations

Creator:: Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Soft ground etched outline on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 1/4 inches (46.4 x 66.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

570. Horse Walking to Left

Creator:: James Seymour, 1702–1752
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 3/4 × 5 3/8 inches (19.7 × 13.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

571. Hay Wagon and Horses

Creator:: David Cox, 1783–1859
Date:: undated
Materials & Techniques:: Black chalk; verso: red and black chalk on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 3 5/8 × 9 1/2 inches (9.2 × 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

572. Mr. Hawks thinks he had Better Turn Back

Creator:: Hablot Knight Browne, 1815–1882
Date:: undated
Materials & Techniques:: Graphite and black chalk
Dimensions:: Sheet: 4 1/4 x 7in. (10.8 x 17.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

573. Too Late for the Meet, c. 1860: a Lady on horseback greeting a Man who is alighting from a gig

Creator:: unknown artist
Date:: ca. 1860
Materials & Techniques:: Graphite on medium, slightly textured, laid paper
Dimensions:: Sheet: 6 5/8 × 10 3/4 inches (16.8 × 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

574. The London Citizen

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor and graphite with pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 5/16 x 9 inches (13.5 x 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

575. Doctor Syntax loses his Money on the Race Ground at York

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1820
Materials & Techniques:: Watercolor and graphite with pen and black ink, pen and gray ink, and pen and red-brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 5/16 x 6 13/16 inches (11 x 17.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

576. The Vicar's Family on the Road to Church

Creator:: Thomas Rowlandson, 1756–1827
Date:: ca. 1817
Materials & Techniques:: Watercolor, with pen and brown and red-brown ink; verso: graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 4 1/2 x 7 1/2 inches (11.4 x 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

577. Comforts of Bath: Coaches Arriving

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1798
Materials & Techniques:: Watercolor with pen and black ink over graphite on medium, slightly textured, cream laid paper
Dimensions:: Mount: 5 5/8 x 8 7/16 inches (14.3 x 21.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

578. A Dead Horse on a Knacker's Cart

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor and graphite with pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 3 7/16 x 6 1/16 inches (8.7 x 15.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

579. A Phaeton and Six

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor with pen and gray and brown ink over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/8 x 7 9/16 inches (13 x 19.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

580. A Rider in Armor, and Two Horses Lying Down

Creator:: James Seymour, 1702–1752
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 × 4 5/8 inches (15.2 × 11.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

581. The Ootacamund Hunt Meeting at Mr. Chalmers' House at Gindy, Madras, 1845

Creator:: Justinian Gantz, 1802–1862
Date:: 1845
Materials & Techniques:: Watercolor, graphite, and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 7/8 × 20 1/8 inches (32.7 × 51.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

582. Projected Design for Fonthill Abbey, Wiltshire

Creator:: James Wyatt, 1746–1813
Date:: 1798
Materials & Techniques:: Watercolor and graphite on slightly textured, cream wove paper
Dimensions:: Frame: 28 1/2 x 43 1/2 x 2 inches (72.4 x 110.5 x 5.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

583. The Kill

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor with pen and gray ink over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 1/2 x 7 inches (11.4 x 17.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

584. The Departure from Wakefield

Creator:: Thomas Rowlandson, 1756–1827
Date:: ca. 1817
Materials & Techniques:: Watercolor with pen and red-brown, brown and light gray ink over graphite; verso: graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 4 1/2 x 7 1/2 inches (11.4 x 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

585. Valley of Stones, Lynton, Devon

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor, with pen and red and gray-brown ink; verso: graphite on medium, slightly textured, beige wove paper
Dimensions:: Mount: 8 3/8 x 12 3/16 inches (21.3 x 31 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

586. The Esquire's Intrusion

Creator:: Thomas Rowlandson, 1756–1827
Date:: ca. 1817
Materials & Techniques:: Watercolor, with pen and red-brown ink over graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 4 1/2 x 7 7/16 inches (11.4 x 18.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

587. The Welcome

Creator:: Thomas Rowlandson, 1756–1827
Date:: ca. 1817
Materials & Techniques:: Watercolor, with pen and red-brown and gray-brown ink; verso: graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 4 1/2 x 7 1/2 inches (11.4 x 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

588. Attendance on a Nobleman

Creator:: Thomas Rowlandson, 1756–1827
Date:: ca. 1817
Materials & Techniques:: Watercolor, with pen and gray-brown and red-brown ink, over graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 4 1/2 x 7 3/8 inches (11.4 x 18.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

589. A Cavalry Barracks

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor with pen and red-brown and brown ink over graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 5 3/4 x 9 3/8 inches (14.6 x 23.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

590. Harvesters in Landscape in Sussex

Creator:: Peter DeWint, 1784–1849
Date:: ca. 1820
Materials & Techniques:: Watercolor and graphite with scraping out on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 25 7/8 × 38 3/4 inches (65.7 × 98.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

591. The Enraged Vicar

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor and graphite with pen and gray ink and pen and brown ink on medium, smooth, cream wove paper
Dimensions:: Sheet: 5 1/16 x 7 5/16 inches (12.9 x 18.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

592. The Riding School

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Pen and brown ink over graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 5 11/16 x 8 3/8 inches (14.4 x 21.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

593. A Race Meeting at Newmarket Heath

Creator:: Jan Wyck, ca. 1645–1700
Date:: ca. 1671
Materials & Techniques:: Gray wash with pen and brown ink on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 9 1/2 × 16 1/2 inches (24.1 × 41.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

594. Going to Market

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Pen and red-brown ink, gray ink, gray wash, and graphite; verso: watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/2 x 8 9/16 inches (14 x 21.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

595. Falls on the River Conwy, North Wales

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor with pen and brown ink and gray-blue ink, over graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 7 11/16 x 11 5/16 inches (19.5 x 28.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

596. Soldiers in St. James Park

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor, graphite, pen and brown ink, and pen and gray ink on medium, moderately textured, beige wove paper
Dimensions:: Sheet: 5 x 7 1/4 inches (12.7 x 18.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

597. Two Men on Horseback Seen from Behind

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor with pen and red-brown and gray ink over graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 5 3/4 x 4 1/2 inches (14.6 x 11.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

598. A Livery Stable

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor and graphite with pen and red-brown ink, pen and gray ink, and pen and brown ink on medium, slightly textured, beige wove paper
Dimensions:: Mount: 8 15/16 x 12 3/8 inches (22.7 x 31.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

599. A Review on Blackheath, May 1785

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1785
Materials & Techniques:: Watercolor with pen and black ink, over graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 9/16 x 13 inches (19.2 x 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

600. Dr. Syntax Attends the Execution

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1820
Materials & Techniques:: Watercolor with pen and red-brown ink, over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 7/16 x 8 1/2 inches (13.8 x 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

Refine your search

Search Constraints

Subject Terms horses (animals)

Search Results

501. The Leicestershire Hunt - Symptoms of a Skurry in a Pewy Country

502. Taking a Fence Side-Saddle

503. A Horse Sale in Hopkins's Repository, Barbican

504. The St. Leger, Doncaster: Preparing to Start

505. Hare Hunting: The Kill

506. A Hunting Party

507. Stag Hunting

508. The Scholar Placed in His Seat Without Styrrops

509. Foxhunting: The Kill

510. Sir Charles Blunt at the Death of the Boar

511. Horses Resting in a Meadow near Bolsover Castle

512. Steeplechasing: The Start

513. Poor Little Rose

514. Jack Sheppard's Escape from the Cage at Willesden

515. Brighton

516. Mr. Nash's Castle

517. Point to Point, Old Style

518. A View of the Piazza of St. John de Lateran, of the Cardinals College, and of the Holy Stairs in the City of Rome

519. A View of Campo Vaccino at Rome

520. Building a Hayrick

521. Plough Horses

522. Horse Fair in East Anglia

523. Two Studies: a Foal, and a Mare and Foal

524. Westminster Abbey and St. Paul's from Battersea Fields

525. The Place and Church of St. John de Lateran at Rome; 1. St. Johns Church. 2. the Palace Built by Sixtus the fifth. 3. The Holy Ladder. 4. Constantines Font. 5. Hospital for Men. 6. Do. for Women.

526. The Riding School

527. Newgate

528. Haymaking

529. A Prospect of the Palace of Chantilli

530. A View of the Glorious Action of Dettingen June 16/27 O.S.N.S between the Forces of tghe Allies Commanded by the King of Great Britain and the French Army under the Marshal Noailles

531. Racing Scene: three racehorses with jockeys up

532. The Church of St. Mary Le Bow in Cheapside London

533. Six Studies of Horses and Riders

534. Foxhunting: Full Cry

535. Foxhunting: Drawing Covert

536. A Gentleman Riding With a Groom, and Coversing

537. "Landscape Scenery", No. 18: Scenes of Horse Drawn Artillery, etc.

538. "Scraps", no 17: Racing, Three Horses with Jockeys Up Galloping to Right

539. "Landscape Scenery", No. 7: Scenes of Cricket and a Waggoner With His Team

540. A View of Somerset House with St. Mary's Church in the Strand London

541. "Scraps", No. 24: Hunting -Ttwo Riders, One Opening a Gate For Hounds

542. "Landscape Scenery", No. 13: Groups of Infantry and Army Horses

543. Symptoms: of Being Bang Up, of a Fine Woman, of Being Bang Down, Of a Quiet One.

544. Symptoms: of to be Sold, of Despair, of Who is There, of Sold and Had Him a Week

545. Symptoms: of How Do You Do, of I Should Not Have Known You, of My Lud, Of Easing a Patient, of a Loose Rein, of Wokey, of Tight in Hand

546. Symptoms: of None of Your Stuff, of a Declaration, of a Meltonian, of Is that a Writ I See Before Me, of a Love Feast, of a Buck

547. "Scraps", No. 8: Scenes of a Lancer and Other Cavalry

548. Symptoms: of Full Pay, of Half pay, of a strong attachment in the Dog, of anything but go, of no strong attachment to the Horse

549. "Some Do and Some Don't: It is All a Notion:" Getting Dead Beat

550. Drawing for "Specimens of Riding near London:" The Pleasure of Riding in Company. One Would Stop if the Other Could

551. A Hay Wagon Drawn by Four Horses

552. Coursing: Setting Out

553. The Check

554. Going to Cover

555. Full Cry

556. A Crowded Race Meeting

557. A Carriage and Pair, with Coachman

558. Rider in Armour

559. Riders and Hounds in an Open Landscape

560. A Boar Hunt

561. Funeral of the Late Duke of Wellington

562. Funeral of the Late Duke of Wellington

563. View of the City with the Louvre &c., taken from Pont Marie

564. The High Street, Southampton

565. Abbotsford

566. A Brummagem Don Quixote, Meditating his Grand Attack Upon the Leading Giant

567. Breaking Cover, Desperate Struggle for the Lead, Consequences of Leaping Short

568. View of the City with the Louvre &c. taken from Pont Marie

569. View of Pont Neuf, part of the Louvre, Notre Dame, and the College of four Nations

570. Horse Walking to Left

571. Hay Wagon and Horses

572. Mr. Hawks thinks he had Better Turn Back

573. Too Late for the Meet, c. 1860: a Lady on horseback greeting a Man who is alighting from a gig

574. The London Citizen

575. Doctor Syntax loses his Money on the Race Ground at York