"Scraps", No. 15: Racehorse with Jockey Up, Two Men Discussing the Horse
1823
503
Henry Thomas Alken, 1785–1851
Symptoms: of Can't Wait, of Come-to Ther Glass, of Blood & Bone-Going Against Time, of the Reduced List, of Out of Cash & a-Little in Debt at an Inn, of In cash-at an Inn
between 1818 and 1822
504
Henry Thomas Alken, 1785–1851
Turbaned Cavalryman Standing Beside a Horse
undated
505
Henry Thomas Alken, 1785–1851
Symptoms: of Unwelcome Guests, of Being Off the Curb, of Can't Exactly Say: No Consulation of Physicians, of W'ont Exactly Say: No Consultations of Lawyers
between 1818 and 1822
506
Henry Thomas Alken, 1785–1851
Hooded Damascene Cavalryman Riding
undated
507
Henry Thomas Alken, 1785–1851
Knight in Armour Standing by a Plumed and Caparisoned Horse
undated
508
Henry Thomas Alken, 1785–1851
Turbaned Cavalryman on a Horse
undated
509
Henry Thomas Alken, 1785–1851
Turbaned Cavalryman, Right Arm with Curved Sword Upraised
between 1827 and 1851
510
Henry Thomas Alken, 1785–1851
Hussar with High Plume in His Helmet, Mounted on a Horse, With High Held Swishing Tail
undated
511
Henry Thomas Alken, 1785–1851
Head of a Stable Lad, Looking Between the Heads of a Horse, on His Left, and a Donkey, on His Right
undated
512
Henry Thomas Alken, 1785–1851
Symptoms: of Promising a Vote, of Reminding an Elector, of a Bang up Drive in a Lunday, of Spoiling a Chicken, of Breaking a Hunter, of Reminding a Member, of a Convenient Memory
between 1822 and 1827
513
John Collet, ca. 1725–1780
Stable Boy Holding a Horse in a Landscape
undated
514
Henry William Bunbury, 1750–1811
An Illustration of H. Bunbury ('Geoffrey Gambado'), "An Academy for Grown Horsemen: 'A Bit of Blood'
undated
515
John Collet, ca. 1725–1780
Stable Boy Leading a Trotting Horse in a Landscape with a Castle Tower
undated
516
Sawrey Gilpin, 1733–1807
Man With a Horse Harnessed to a Roller
undated
517
Sawrey Gilpin, 1733–1807
Rubbing Down a Horse in a Paddock at a Racetrack
undated
518
Sawrey Gilpin, 1733–1807
Rider in Tricorne Hat
undated
519
Samuel Howitt, 1756–1822
Coursing: The Kill
1794
520
Samuel Howitt, 1756–1822
Going Home
undated
521
Thomas Rowlandson, 1756–1827
Breakfast before the Hunt
between 1785 and 1790
522
James Seymour, 1702–1752
Man Leading a Trotting Stallion to Right
undated
523
James Seymour, 1702–1752
'The Danish Horse' in Training: Standing, with Trainer Holding a Whip
undated
524
James Seymour, 1702–1752
Rider in Armour
undated
525
James Seymour, 1702–1752
Whitefoot at Exercise: Hooded and Rugged, Jockey up, Walking to Left
undated
526
James Seymour, 1702–1752
'True Blue Beat by Whitefoot': Galloping to Left, with Jockey Up Whipping-On
undated
527
James Seymour, 1702–1752
Sloven, with Jockey Up, Galloping to Right
undated
528
James Seymour, 1702–1752
Foxhunter, with Jockey Up
undated
529
James Seymour, 1702–1752
Woman Wearing a Tricorne Hat, Riding to Right
undated
530
James Seymour, 1702–1752
Flying Childers and Grooms
undated
531
James Seymour, 1702–1752
Victorious, with Jockey Up
undated
532
attributed to James Ward, 1769–1859
Seashore and Cliffs, with a Horse and Cart and a Beached Boat on Shore
undated
533
Henry Bernard Chalon, 1771–1849
The Artist's Studio
undated
534
Gilbert Joseph Holiday, 1879 –1937
The Artist From the Horse's Point of View
undated
535
William Mulready, 1786–1863
Anatomical Study of a Horse, Founded on `Eclipse', Nov. 26, 1832
1832
536
Edward Allen Everitt, 1824–1882
Deck of a Paddle Steamer With a Girl Reading and a Horse Travelling in a Loose-Box
undated
537
Joseph Crawhall, 1861–1913
Barnett Fair, putting him through his paces
1896
538
Joseph Crawhall, 1861–1913
Horse and Rider: a Stout Huntsman on a Galloping Horse
undated
539
Joseph Crawhall, 1861–1913
The Loose Shoe
undated
540
unknown artist
A Dangerous Leap
ca. 1850
541
Sawrey Gilpin, 1733–1807
A Racing Saddle on a Horse's Back, With Details of Stirrup
undated
542
Sir Edwin Henry Landseer, 1802–1873
Huntsman with Hounds
undated
543
William Mulready, 1786–1863
Anatomical Study of a Horse
undated
544
Paul Sandby, 1731–1809
A Man and a Saddled Horse
undated
545
James Seymour, 1702–1752
A Lady Riding Side-Saddle, Turns to Look at a Dismounted Rider
undated
546
Jacques-Laurent Agasse, 1767–1849
Saddled Gray Horse Walking
undated
547
Brian Hatton, 1887–1916
A Huntsman on Horseback
undated
548
Robert Hills, 1769–1844
Sketch of a Horse
undated
549
Print made by George Cruikshank, 1792–1878
An Awkward Post
undated
550
Jan Wyck, ca. 1645–1700
A Race Meeting at Newmarket Heath
ca. 1671
551
John Jones, ca. 1745–1797
General Cornwallis
March 6, 1793
552
Print made by unknown artist
Head of the Thorough-bred Horse "Phantom"
undated
553
Print made by unknown artist
Horse
undated
554
Print made by unknown artist
Head of a Horse
undated
555
Print made by David Lucas, 1802–1881
Cottage in a Cornfield
1844
556
Sir George Hayter, 1792–1871
Ticket for Mr. George Hayter's Raffle for his Pictures of the Enlevement of Circassians, a Kurdish Bandit Chief, and an Historical Landscape
1828
557
Print made by Robert Havell, 1769–1832
View of the Old Corn Market and Tuns Inn, Guildford
1819
558
James Miller, active 1773–1814
View of Buildings
undated
559
Simon François Ravenet, 1706–1774
The Good Samaritan
1772
560
Haveill Gillbank, 18th–19th centuries
The Rapacious Steward or Unfortunate Tenant
1803
561
Henry Griffiths, 1835–1849
Inverlochy Castle, Invernesshire
1836
562
John Hamilton Mortimer, 1740–1779
Death on a Pale Horse
ca. 1775
563
Print made by James C. Allen, active 1821–1831
Penzance, Cornwall
1833
564
Print made by M. Coote, ca. 1758/62–1801
Edgar's Tower at Worcester
before 1786
565
Charles Hamilton Smith, 1776–1859
Peruvian Paso
ca. 1837
566
Charles Hamilton Smith, 1776–1859
Eelback Dun Stock, Ukraine Decussated Horse
ca. 1837
567
Charles Hamilton Smith, 1776–1859
The English Race-Horse
ca. 1837
568
Print made by James Basire II, 1769–1822
View of Exeter College, All Saints Church, &c. from the Turl
1806
569
Print made by James S. Storer, 1771–1853
Chepstow
1794
570
Print made by James S. Storer, 1771–1853
Birmingham
1795
571
Print made by James Walker, 1748–1808
Sheffield
1798
572
Print made by James Gillray, 1756–1815
Taming of the Shrew. Katharine and Petruchio - The Modern Quixotte, or, What You Will
1791
573
Print made by M. Coote, ca. 1758/62–1801
Edgar's Tower at Worcester
before 1786
574
James Gillray, 1756–1815
Presages of the Millenium
1795
575
Print made by John Robert Cozens, 1752–1797
Ariccia
between 1783 and 1789
576
Thomas Stothard, 1755–1834
August 1st: She Wrote Her Own Line (Vol. 2, p. 141) August 2nd: Amen! [Pretty] Janet (Vol. 2, p. 286)
undated
577
Thomas Stothard, 1755–1834
April 1st: It is I your Host (Vol. 1, p. 199) April 2nd: There is a Marsh [Hard] By (Vol. 1, p. 257)
undated
578
Henry Thomas Alken, 1785–1851
"By - he'll get to the Earth..."
1827
579
Henry Thomas Alken, 1785–1851
"The Cover Hack"
1827
580
Henry Thomas Alken, 1785–1851
"Topping a Park fence and doing the thing easy"
1827
581
George Denholm Armour, 1864–1949
Some Have Greatness Thrust Upon Them
undated
582
John Sell Cotman, 1782–1842
Horse Loaded with Artist’s Paraphernalia
undated
583
Hablot Knight Browne, 1815–1882
The Buxom Hostess
1879
584
James Seymour, 1702–1752
Racehorse at Exercise, Ridden by a Training-Groom
undated
585
Sir David Wilkie, 1785–1841
Johnny and His Pony
1836
586
Arthur Claude Cooke, 1867–op 1890
English Dragoons and Hussars
undated
587
Possibly Anthony Vandyke Copley Fielding, 1787–1855
Landscape Near Newmarket, Suffolk
1812
588
Sir Alfred J. Munnings, 1878–1959
The 'Poethlyn' Sketchbook
1919
589
Print made by James Bretherton, ca. 1730–1806
Damn Mambrino
1799
590
James Miller, active 1773–1814
Figures with Animals at Cave
undated
591
James McNeill Whistler, 1834–1903
Street Scene in Chelsea, possibly depicting the Tobacconist, J. W. Nicholas, located at No. 75, Cheyne Walk
ca. 1888
592
Print made by Jean B. C. Chatelain, 1710–1771
Horseman Fording a Stream with Cattle
1737
593
Capt. Francis Grose, 1731–1791
Pershore Abbey, Worcestershire
1791
594
Francesco Bartolozzi, 1728–1815
A Plate from Orlando Furioso: Depicting Orlando and Rodomont Fighting
1773
595
Print made by John Corner, 1788–1825
Sir Anthony van Dyck
1825
596
Print made by Thomas Shotter Boys, 1803–1874
Quayside, Notre Dame in Distance
undated
597
unknown artist
Views in the Levant: Man on Horseback Approaching Gateway to a Town