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Associated People The Virgin Mary

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Repose in Egypt
Creator:
Print made by James Barry, 1741–1806
Date:
ca. 1776
Materials & Techniques:
Etching and aquatint on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 8 × 10 3/8 inches (20.3 × 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Virgin
Creator:
Print made by Francesco Bartolozzi, 1728–1815
Date:
1778
Materials & Techniques:
Stipple engraving and etching on moderately thick, moderately textured, cream laid paper laid on modern mount
Dimensions:
Mount: 15 1/4 x 11 1/16 inches (38.7 x 28.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Sacra Christi Familia
Creator:
Print made by James Barry, 1741–1806
Date:
undated
Materials & Techniques:
Etching and aquatint on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 13 3/16 × 10 inches (33.5 × 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Virgin, Christ Child and St. John
Creator:
Print made by William Vincent, active 1680s
Date:
1680s
Materials & Techniques:
Mezzotint (with letters) on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 3 5/16 × 3 1/16 inches (8.4 × 7.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
A Spanish Good Friday
Creator:
Print made by Sir Muirhead Bone, 1876–1953
Date:
1925
Materials & Techniques:
Drypoint and etching on moderately thick, slightly textured, beige Asian paper
Dimensions:
Sheet: 20 1/16 x 13 inches (51 x 33 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery
No cover image available
Creator:
Print made by Valentine Green, 1739–1813
Date:
1792
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 27 1/4 × 19 1/4 inches (69.2 × 48.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund