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George Housman Thomas, 1824–1868

Soldiers on horseback

undated

George Housman Thomas, 1824–1868

State Carriage Horses, Berlin (Horse with detail of harness)

undated

George Housman Thomas, 1824–1868

Sketches of a girl, a woman, and two male heads

undated

George Housman Thomas, 1824–1868

Sketches of horses

undated

George Housman Thomas, 1824–1868

Portrait of Mr. A. Oliver

undated

George Housman Thomas, 1824–1868

Study of Christ surrounded by angels, possibly a depiction of The Ascension

undated

George Housman Thomas, 1824–1868

Man writing (similar to man in an illustration by Thomas in "Vicar of Wakefield," p.120)

undated

George Housman Thomas, 1824–1868

Soldier in uniform

undated

George Housman Thomas, 1824–1868

Study of a scene from the Coronation of the King and Queen of Prussia, Konigsberg

undated

George Housman Thomas, 1824–1868

Portrait of old woman

undated

George Housman Thomas, 1824–1868

Stable to the left of a backyard

undated

Francis Carruthers Gould, 1844–1925

Vanity Fair - Businessmen and Empire Builders. 'The Lord Harry'. The Hon. Henry Lorton Bourke. 30 August 1890

1890

George Housman Thomas, 1824–1868

Studies of heads

1866

James Gillray, 1756–1815

Citizens Visiting the Bastille, - Vide. Democratic Charities. -

1799

James Gillray, 1756–1815

Election-Troops, Bringing in Their Accounts, to the Pay-Table

1788

George Housman Thomas, 1824–1868

Head of a young girl and girl with pigtails

undated

George Housman Thomas, 1824–1868

Three people greeting a soldier

undated

George Housman Thomas, 1824–1868

Man astride a horse drinking from a stream

undated

Print made by Isaac Cruikshank, 1764–1811

An Abyssinian Breakfast

1791

George Housman Thomas, 1824–1868

Male figures, possibly studies for sculpture

undated

George Housman Thomas, 1824–1868

Studies of cats

undated

George Housman Thomas, 1824–1868

Three women seated with children outside building

undated

James Gillray, 1756–1815

True Reform of Parliament, i.e. - Patriots Lighting a Revolutionary Bonfire in New Palace Yard

1809

James Gillray, 1756–1815

Delicious Dreams! Castles in the Air! Glorious Prospects!

1808

James Gillray, 1756–1815

Delicious Weather

1808

George Housman Thomas, 1824–1868

Study for figure in oil painting, "Haymaking"

undated

James Gillray, 1756–1815

Despair

1802

James Gillray, 1756–1815

Prince Pitt

1788

James Gillray The French Consular Triumvicate Settling the New Constitution. With a Peep at the Constitutional-Pidgeon-Holes of the Abbe Seiyes - In the Back Ground

James Gillray, 1756–1815

The French Consular Triumvicate Settling the New Constitution. With a Peep at the Constitutional-Pidgeon-Holes of the Abbe Seiyes - In the Back Ground

1797

James Gillray Guy Vanx Discovered in his Attempt to Destroy the King and the House of Lords. "His Companions Attempting to Escape - N.B. His Associates were all Taken Afterwards and Executed."

James Gillray, 1756–1815

Guy Vanx Discovered in his Attempt to Destroy the King and the House of Lords. "His Companions Attempting to Escape - N.B. His Associates were all Taken Afterwards and Executed."

1791

James Gillray, 1756–1815

Opposition Coaches

1788

James Gillray, 1756–1815

The Lord of the Vineyard

1783

James Gillray, 1756–1815

Rodney Introducing De Grasse

1782

James Gillray, 1756–1815

Questions & Commands; or The Mistaken Bad Road to HE-R-F-RD: A Sunday Evenings Amusement

1788

Leslie Matthew 'Spy' Ward, 1851–1922

Vanity Fair: Newpapermen; Thomas Chenery, October 4, 1879

1879

George Housman Thomas, 1824–1868

Sketch of rocks

undated

James Gillray, 1756–1815

The Apotheosis of the Corsican Phoenix

1808

James Gillray, 1756–1815

The Introduction of the Pope to the Convocation at Oxford, By the Cardinal Broad Bottom

1809

James Gillray, 1756–1815

Guy Vanx

1782

James Gillray, 1756–1815

Blood on Thunder Fording the Red Sea

1788

James Gillray, 1756–1815

The Dissolution, - or - The Alchymist Producing An Aetherial Representation (Pitt)

1796

James Gillray, 1756–1815

The Giant - Factotum Amusing Himself (Pitt)

1797

George Moutard Woodward, ca. 1760–1809

Constitutional Watchmen

1800

Robert Sayer, 1725–1794

Six Landskips Drawn from Nature

1775

Thomas Rowlandson, 1756–1827

A Volume containing 10 soft ground etchings after Gainsborough

1789

Carlo Labruzzi, 1748–1817

A Collection of Plates of Classical Figures Dedicated to the Contess of Bessborough

ca. 1790

Print made by Richard Cockle Lucas, 1800–1883

Etchings by R. C. Lucas

between 1837 and 1874

William Tegg, 1816–1895

Specimen Book of Proof Impressions from His Work

1833-1837

Mary Dawson Turner, 1774–1850

Collection of Portraits & Other Engravings. Many in proof state. (bound with) Views of Iceland by W. J. Hooker

Hamlet Winstanley, 1698–1756

The Knowsley Gallery

1728-1729

Charles Rosenberg, active 1790–1820

The Mouse Trap

between 1790 and 1820

Print made by Joseph Strutt, 1749–1802

John Bunyan. " Pilgrim's Progress ", illustrated by Thomas Stothard

1788 to 1791

Carolina Leighton, active 1796

Album of Twenty Etchings of Shakespearian Subjects

1796

James Gillray, 1756–1815

Caricatures. London, 1782-1800

1782-1800

Print made by Thomas Kirk, 1765–1797

Military Figures

1792

Print made by John Thompson, 1785–1866

Proof for an illustration: Walton, Izaak. The Complete Angler. London, 1836

1836

Thomas Burford, ca. 1710–after 1774

Published by Thomas Burford. Six Landscapes from Original Paintings. Westminster, 1772

1772

Print made by Miss Frances Waring, active 1801–1826

Gretna Green

1803

unknown artist

Where There's a Will, There's a Way

ca. 1860

unknown artist

A Farmer who has Come out to Protect his Fields from Riders

ca. 1860

Robert H. Burden Six pen and brown ink Sketches, on Three Pieces of Paper (a-c): (a) Four Small Sketches of Parts of Churches; (b) Sketch of Church Spire; (c) Sketch of Belfry

Robert H. Burden, fl.1850–1890

Six pen and brown ink Sketches, on Three Pieces of Paper (a-c): (a) Four Small Sketches of Parts of Churches; (b) Sketch of Church Spire; (c) Sketch of Belfry

Robert H. Burden, fl.1850–1890

Six pen and brown ink Sketches, on Three Pieces of Paper (a-c): (a) Four Small Sketches of Parts of Churches; (b) Sketch of Church Spire; (c) Sketch of Belfry