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43601. The Quorn Hunt: Full Cry

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: watercolor, with gum arabic, and gouache, over etched outline on medium, smooth, cream wove paper
Dimensions:: Sheet: 12 1/4 × 20 1/16 inches (31.1 × 51 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43602. The Quorn Hunt: The Death

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Watercolor, with gum arabic, and gouache over etched outline on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 1/4 × 20 1/16 inches (31.1 × 51 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43603. The Quorn Hunt: Drawing Cover

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Watercolor, with gum arabic and gouache over etched outline on medium, smooth, cream wove paper
Dimensions:: Sheet: 12 1/4 × 20 1/8 inches (31.1 × 51.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43604. The Beaufort Hunt: Going out of a Kennel

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Graphite and watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 3/8 × 20 1/2 inches (31.4 × 52.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43605. Set of four: A Hurdle Race

Creator:: Print made by Charles Hunt, 1803–1877
Date:: undated
Materials & Techniques:: Aquatint printed in color and colored by hand
Dimensions:: Sheet: 15 1/2 x 21in. (39.4 x 53.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43606. Set of four: A Hurdle Race

Creator:: Charles Hunt, 1803–1877
Date:: 1873
Materials & Techniques:: Aquatint printed in color and colored by hand
Dimensions:: Sheet: 15 1/2 x 21in. (39.4 x 53.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43607. Set of four: A Hurdle Race

Creator:: Charles Hunt, 1803–1877
Date:: 1873
Materials & Techniques:: Aquatint printed in color and colored by hand
Dimensions:: Sheet: 15 1/2 x 21in. (39.4 x 53.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43608. Set of four: A Hurdle Race

Creator:: Charles Hunt, 1803–1877
Date:: 1873
Materials & Techniques:: Aquatint printed in color and colored by hand
Dimensions:: Sheet: 15 1/2 x 21in. (39.4 x 53.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43609. Merchant of Venice, Act V, Scene I: Belmont: A Grove or Green Palace before Portia's house

Creator:: John Browne, 1741–1801
Date:: 1803
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43610. As You Like It: Act V, Scene IV: A Forest: Duke Senior, Amiens etc.

Creator:: Peter Simon, 1750–1810
Date:: 1803
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43611. As You Like It: Act I, Scene II: Before the Duke's Palace

Creator:: William S. Leney, 1769–1831
Date:: 1803
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43612. A Winter's Tale, Act III, Scene III: A Desert Place Near the Sea

Creator:: Samuel Middiman, ca. 1750–1831
Date:: 1803
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43613. As You Like it, Act II, Scene VII: The Seven Ages: The First Age

Creator:: Peltro W. Tomkins, 1760–1840
Date:: 1803
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43614. Tiddy-Doll the Great French-Ginger-Bread-Baker, Drawing Out a Batch of Kings-His Man, Hopping Talley, Mixing the Dough

Creator:: James Gillray, 1756–1815
Date:: 1806
Materials & Techniques:: Etching in black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/2 × 16 inches (26.7 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43615. Political Mathematician's Shaking the Broad Bottom'd Hemispheres

Creator:: James Gillray, 1756–1815
Date:: ca. 1811
Materials & Techniques:: Etching printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/4 × 20 inches (36.2 × 50.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43616. Four Aquatints of American Scenery: Passaic Falls in the State of New Jersey

Creator:: Francis Jukes, 1747–1812
Date:: 1802
Materials & Techniques:: Colored aquatint
Dimensions:: Sheet: 18 11/16 x 22 1/2in. (47.5 x 57.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43617. Views in the River and Gulph of St. Lawrence: A View of the Gaspe Bay, in the Gulf of St. Lawrence

Creator:: Peter Mazell, active 1761–1797
Date:: 1760
Materials & Techniques:: Hand colored engraving
Dimensions:: Overall: 13 3/4 × 21 1/8 inches (34.9 × 53.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43618. MacBeth, Act I, Scene III: "A Heath"

Creator:: Thomas Ryder, 1746–1810
Date:: 1803
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43619. Much Ado About Nothing, Act III, Scene I, "An Orchard"

Creator:: Peter Simon, 1750–1810
Date:: 1803
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43620. The Remains of San Salvatore

Creator:: Print made by Martin Hardie, 1875–1952
Date:: 1918
Materials & Techniques:: Etching
Dimensions:: Sheet: 12 1/8 × 8 inches (30.8 × 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Gift of Daniel Bell

43621. Studies of Horses: `Outline of Wounded Horses With Their Muscles in Action in the Field of Battle' (Study of Six Horses on a Page)

Creator:: Henry Bernard Chalon, 1771–1849
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 13 9/16 × 18 1/2 inches (34.4 × 47 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43622. The Beaufort Hunt: Finding (in a Bog)

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Graphite and watercolor on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 12 1/2 × 20 1/4 inches (31.8 × 51.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43623. Studies of Horses: 'Wounded in the Field of Battle - Outline With Their Muscles in Action'

Creator:: Henry Bernard Chalon, 1771–1849
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 13 1/2 × 18 7/16 inches (34.3 × 46.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43624. The Quorn Hunt: Tally-Ho and Away!

Creator:: Walter Parry Hodges, 1760–1845
Date:: 1832
Materials & Techniques:: Watercolor, pen and black ink, and white gouache on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 13/16 × 20 3/16 inches (32.5 × 51.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43625. Studies of Horses: 'Officers Chargers With Their Muscles in Action'

Creator:: Henry Bernard Chalon, 1771–1849
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 13 1/2 × 18 9/16 inches (34.3 × 47.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43626. Studies of Horses: 'Outline of Wounded Horses with Their Muscles in Action in the Field of Battle' (Study of Four Horses on a Page)

Creator:: Henry Bernard Chalon, 1771–1849
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 13 7/8 × 18 9/16 inches (35.2 × 47.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43627. Studies of Horses: 'No. 1 Full Trotting - No. 2 Cantering on a Ladys Horse - All with Their Muscles in Action'

Creator:: Henry Bernard Chalon, 1771–1849
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 13 1/2 × 18 5/8 inches (34.3 × 47.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43628. Taming of the Shrew: Introduction, Scene II: A Room in the Lord's House

Creator:: Robert Thew, 1758–1802
Date:: 1803
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43629. Winter's Tale, Act IV, Scene III: A Shepherds Cot

Creator:: James Fittler, 1758–1835
Date:: 1803
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43630. As You Like It: Act IV, Scene III: A Forest: Orlando and Oliver

Creator:: William C. Wilson, active 1798–1836
Date:: 1803
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43631. Taming of the Shrew: Introduction, Scene II: A Room in the Lord's House

Creator:: Peter Simon, 1750–1810
Date:: 1803
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43632. All's Well that Ends Well, Act V, Scene III: King, Countess, Lafen, Lords, etc.

Creator:: George Siegmund Facius, 1750–1804
Date:: 1803
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43633. Winter's Tale, Act II, Scene III: A Palace: Leontes, Antigone, Lords, etc.

Creator:: Peter Simon, 1750–1810
Date:: 1803
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43634. As You Like it, Act II, Scene VII: The Seven Ages: The Fourth Age

Creator:: John Ogborne the Elder, 1755–1795
Date:: 1803
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43635. Male face, marked "Mr. Crawley" for "Vanity Fair" or "Last Chronicles of Barset"

Creator:: George Housman Thomas, 1824–1868
Date:: undated
Materials & Techniques:: Graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 5/8 × 4 inches (14.3 × 10.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of three Australian sisters - Gwendoline Ewens, Jean Parkin, and Joyce Wilson

43636. The high-Flying Candidate (i.e. Little Paul-Goose) Mounting from a Blanket

Creator:: James Gillray, 1756–1815
Date:: 1806
Materials & Techniques:: Etching on medium, slightly textured, white wove paper
Dimensions:: Sheet: 10 1/4 × 14 1/2 inches (26 × 36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43637. Study of Queen Victoria's Mount, Alma, for the oil painting, "Queen Victoria and the Prince Consort at Aldershot"

Creator:: George Housman Thomas, 1824–1868
Date:: undated
Materials & Techniques:: Graphite on moderately thick, slightly textured, gray wove paper
Dimensions:: Sheet: 8 1/2 × 10 1/2 inches (21.6 × 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of three Australian sisters - Gwendoline Ewens, Jean Parkin, and Joyce Wilson

43638. Inspection of guard, Koningsburg, Prussia, study for watercolor, "The Coronation of the King and Queen of Prussia on 18th October 1861"

Creator:: George Housman Thomas, 1824–1868
Date:: undated
Materials & Techniques:: Graphite, watercolor, and gouache on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 10 1/2 × 14 1/2 inches (26.7 × 36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of three Australian sisters - Gwendoline Ewens, Jean Parkin, and Joyce Wilson

43639. Boy Whistling

Creator:: George Housman Thomas, 1824–1868
Date:: undated
Materials & Techniques:: Charcoal and pen and brown ink on medium, slightly textured, blue wove paper
Dimensions:: Sheet: 3 3/4 × 5 3/4 inches (9.5 × 14.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of three Australian sisters - Gwendoline Ewens, Jean Parkin, and Joyce Wilson

43640. Man writing (similar to man in an illustration by Thomas in "Vicar of Wakefield," p.120)

Creator:: George Housman Thomas, 1824–1868
Date:: undated
Materials & Techniques:: Graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 3 3/4 × 5 3/4 inches (9.5 × 14.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of three Australian sisters - Gwendoline Ewens, Jean Parkin, and Joyce Wilson

43641. Soldier in uniform

Creator:: George Housman Thomas, 1824–1868
Date:: undated
Materials & Techniques:: Watercolor, graphite, and white gouache on medium, smooth, beige wove paper
Dimensions:: Sheet: 6 1/2 × 10 inches (16.5 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of three Australian sisters - Gwendoline Ewens, Jean Parkin, and Joyce Wilson

43642. Study of a scene from the Coronation of the King and Queen of Prussia, Konigsberg

Creator:: George Housman Thomas, 1824–1868
Date:: undated
Materials & Techniques:: Watercolor, graphite, and white gouache on medium, smooth, cream wove paper
Dimensions:: Sheet: 10 1/4 × 14 1/4 inches (26 × 36.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of three Australian sisters - Gwendoline Ewens, Jean Parkin, and Joyce Wilson

43643. The Pigs Possessed: - or - The Broad Bottom'd Litter Running Headlong into Ye Sea of Perdition. A Supplement to More Pigs thanTeats

Creator:: James Gillray, 1756–1815
Date:: ca. 1808
Materials & Techniques:: Etching in black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 20 1/2 × 14 3/8 inches (52.1 × 36.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43644. Head of horse

Creator:: George Housman Thomas, 1824–1868
Date:: undated
Materials & Techniques:: Graphite on moderately thick, slightly textured, blue wove paper
Dimensions:: Sheet: 4 3/8 × 5 1/2 inches (11.1 × 14 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of three Australian sisters - Gwendoline Ewens, Jean Parkin, and Joyce Wilson

43645. The New Speaker (i.e. The Law Chick) Between the Hawks and Buzzards - Poor Little Michee!- Just Mounting, and then Funk'd and Frighten'd Out of All His Hopes (from: Caricature, vol. 1)

Creator:: James Gillray, 1756–1815
Date:: 1800
Materials & Techniques:: Etching with hand-coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 × 9 5/8 inches (35.6 × 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43646. Patriotic-Petitions on the Convention/ the Cockney Petition; The Westminster Petition, The Chelmsford Petition, the Middlesex Petition

Creator:: James Gillray, 1756–1815
Date:: 1808
Materials & Techniques:: Etching with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 × 16 1/2 inches (30.5 × 41.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43647. The New Dynasty; or the Little Corsican Gardener Planting a Royal Pippin-Tree. -All the Talents (Busy in) are Clearing the Ground of the Old Timber.

Creator:: James Gillray, 1756–1815
Date:: 1807
Materials & Techniques:: Etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 × 14 7/8 inches (27.9 × 37.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43648. Mounted soldiers with wagon, circa. Crimean war period

Creator:: George Housman Thomas, 1824–1868
Date:: undated
Materials & Techniques:: Graphite and watercolor on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 10 × 14 1/2 inches (25.4 × 36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of three Australian sisters - Gwendoline Ewens, Jean Parkin, and Joyce Wilson

43649. Introduction of Citizen Volpone - and His Suite, at Paris

Creator:: James Gillray, 1756–1815
Date:: 1802
Materials & Techniques:: Etching with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 7/8 × 13 3/4 inches (25.1 × 34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43650. German - Nonchalence: - or - The Vexation of Little Boney.

Creator:: James Gillray, 1756–1815
Date:: 1803
Materials & Techniques:: Etching with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 × 13 7/8 inches (25.4 × 35.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43651. The Apples and The Horse-Turds: - or - Bonaparte, among the Golden Pippins

Creator:: James Gillray, 1756–1815
Date:: 1800
Materials & Techniques:: Etching with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/4 × 13 7/8 inches (26 × 35.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43652. Pen-etration

Creator:: James Gillray, 1756–1815
Date:: 1799
Materials & Techniques:: Etching with hand coloring in watercolor on medium, smooth, cream wove paper
Dimensions:: Sheet: 10 3/8 × 8 inches (26.4 × 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43653. Pizarro, Contemplating (over) The Product of His Peruvian Mine.

Creator:: James Gillray, 1756–1815
Date:: 1799
Materials & Techniques:: Etching with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/4 × 10 3/8 inches (36.2 × 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43654. Citizens Visiting the Bastille, - Vide. Democratic Charities. -

Creator:: James Gillray, 1756–1815
Date:: 1799
Materials & Techniques:: Etching with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 13 7/8 × 10 1/4 inches (35.2 × 26 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43655. The Introduction of the Pope to the Convocation at Oxford, By the Cardinal Broad Bottom.

Creator:: James Gillray, 1756–1815
Date:: 1809
Materials & Techniques:: Etching in black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/8 × 15 1/4 inches (28.9 × 38.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43656. Pillars of the Constitution - Three O'Clock and A Cloudy Morning

Creator:: James Gillray, 1756–1815
Date:: 1809
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 19 × 13 1/4 inches (48.3 × 33.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43657. Three women seated with children outside building

Creator:: George Housman Thomas, 1824–1868
Date:: undated
Materials & Techniques:: Graphite on moderately thick, smooth, beige wove paper
Dimensions:: Sheet: 10 × 14 inches (25.4 × 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of three Australian sisters - Gwendoline Ewens, Jean Parkin, and Joyce Wilson

43658. Overthrow of the Republican-Babel

Creator:: James Gillray, 1756–1815
Date:: 1809
Materials & Techniques:: Etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 19 5/8 × 14 1/2 inches (49.8 × 36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43659. True Reform of Parliament, i.e. - Patriots Lighting a Revolutionary Bonfire in New Palace Yard.

Creator:: James Gillray, 1756–1815
Date:: 1809
Materials & Techniques:: Etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/4 × 19 1/2 inches (36.2 × 49.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43660. Soldier in tent with cooking stove, possibly peeling potatoes during the Crimean campaign

Creator:: George Housman Thomas, 1824–1868
Date:: undated
Materials & Techniques:: Graphite and watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 × 14 inches (25.4 × 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of three Australian sisters - Gwendoline Ewens, Jean Parkin, and Joyce Wilson

43661. Study of hands, sleeves and male profile

Creator:: George Housman Thomas, 1824–1868
Date:: undated
Materials & Techniques:: Black chalk on medium, smooth, blue wove paper
Dimensions:: Sheet: 14 × 10 inches (35.6 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of three Australian sisters - Gwendoline Ewens, Jean Parkin, and Joyce Wilson

43662. An Old English-Gentleman pester'd by Servants wanting Places

Creator:: James Gillray, 1756–1815
Date:: 1809
Materials & Techniques:: Etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 5/8 × 15 5/8 inches (29.5 × 39.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43663. Delicious Dreams! Castles in the Air! Glorious Prospects!

Creator:: James Gillray, 1756–1815
Date:: 1808
Materials & Techniques:: Etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 × 10 1/2 inches (36.8 × 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43664. Delicious Weather

Creator:: James Gillray, 1756–1815
Date:: 1808
Materials & Techniques:: Etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 13 3/4 × 10 inches (34.9 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43665. British Tars Towing the Danish Fleet into Harbour; The Broad Bottom Leviathan Trying to Swamp Billy's Old Boat; and the Little Corsican Tottering on the Clouds of Ambition

Creator:: James Gillray, 1756–1815
Date:: 1807
Materials & Techniques:: Etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 × 14 7/8 inches (27.9 × 37.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43666. Study for figure in oil painting, "Haymaking"

Creator:: George Housman Thomas, 1824–1868
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/2 × 17 inches (29.2 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of three Australian sisters - Gwendoline Ewens, Jean Parkin, and Joyce Wilson

43667. Fat Cattle, a Sketch of Tavistock Farmyard Dedicated to the Society for Improving the Breed of Cattle

Creator:: James Gillray, 1756–1815
Date:: 1802
Materials & Techniques:: Etching with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/8 × 10 inches (35.9 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43668. Sketch of the Interior of St. Stephen's, as It Now Stands. -

Creator:: James Gillray, 1756–1815
Date:: 1802
Materials & Techniques:: Etching with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 × 10 1/4 inches (35.6 × 26 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43669. Hope

Creator:: James Gillray, 1756–1815
Date:: 1802
Materials & Techniques:: Etching and aquatint with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 × 8 1/8 inches (25.4 × 20.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43670. Despair

Creator:: James Gillray, 1756–1815
Date:: 1802
Materials & Techniques:: Etching and aquatint with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 × 8 1/8 inches (25.4 × 20.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43671. Be gone Dull Care, I Prithee Begone From Me!

Creator:: James Gillray, 1756–1815
Date:: 1801
Materials & Techniques:: Etching with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 × 11 5/8 inches (25.4 × 29.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43672. Sketches of a Girl Reading, and Profile of a Soldier

Creator:: George Housman Thomas, 1824–1868
Date:: undated
Materials & Techniques:: Graphite and watercolor on medium, smooth, beige wove paper
Dimensions:: Sheet: 10 × 14 inches (25.4 × 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of three Australian sisters - Gwendoline Ewens, Jean Parkin, and Joyce Wilson

43673. Forming a Line on the Parade

Creator:: James Gillray, 1756–1815
Date:: 1801
Materials & Techniques:: Etching with hand coloring in watercolor on medium, slightly textured, white wove paper
Dimensions:: Sheet: 8 1/4 × 10 1/4 inches (21 × 26 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43674. Bologna Sausages, or Opposition Flux'd

Creator:: James Gillray, 1756–1815
Date:: 1788
Materials & Techniques:: Etching with hand coloring in watercolor on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 9 7/8 × 13 inches (25.1 × 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43675. King Henry The Fourth's Last Scene

Creator:: James Gillray, 1756–1815
Date:: 1788
Materials & Techniques:: Etching with hand coloring in watercolor on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 1/4 × 16 7/8 inches (26 × 42.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43676. The French Consular Triumvicate Settling the New Constitution. With a Peep at the Constitutional-Pidgeon-Holes of the Abbe Seiyes - In the Back Ground

Creator:: James Gillray, 1756–1815
Date:: 1797
Materials & Techniques:: Hand-colored etching and engraving in brown-black ink
Dimensions:: Sheet: 11 1/2 x 15 7/8in. (29.2 x 40.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43677. To Skiffy - Skipt on, With His Wonted Grace. Vide Birthday Ball.

Creator:: James Gillray, 1756–1815
Date:: 1800
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 9 1/8 x 6 5/8in. (23.2 x 16.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43678. Three male heads and a horse's head

Creator:: George Housman Thomas, 1824–1868
Date:: undated
Materials & Techniques:: Graphite and scratching out on gray ground on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 3 3/4 × 4 3/4 inches (9.5 × 12.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of three Australian sisters - Gwendoline Ewens, Jean Parkin, and Joyce Wilson

43679. The Comforts of a Rumford Stove

Creator:: James Gillray, 1756–1815
Date:: 1800
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 9 5/8 x 7 1/2in. (24.4 x 19.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43680. Georgey in the Coal - Hole. (Colonel Hanger)

Creator:: James Gillray, 1756–1815
Date:: 1800
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 9 x 13 1/2in. (22.9 x 34.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43681. One of the Advantages of a Low Carriage

Creator:: James Gillray, 1756–1815
Date:: 1801
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 9 x 13 1/2in. (22.9 x 34.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43682. Mules

Creator:: George Housman Thomas, 1824–1868
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 1/2 × 6 inches (11.4 × 15.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of three Australian sisters - Gwendoline Ewens, Jean Parkin, and Joyce Wilson

43683. Symptoms of Deep Thinking: Sinking from Thought to Thought, a Vast Profound (Sir Charles Bunbury)

Creator:: James Gillray, 1756–1815
Date:: 1800
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 9 x 7 1/8in. (22.9 x 18.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43684. ("Portrait of Gentleman" Walking)

Creator:: James Gillray, 1756–1815
Date:: 1800
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 9 9/16 x 7 1/16in. (24.3 x 17.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43685. Governor Wall's Ghost

Creator:: James Gillray, 1756–1815
Date:: 1802
Materials & Techniques:: Etching and aquatint, hand-colored
Dimensions:: Sheet: 13 1/2 x 9 1/2in. (34.3 x 24.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43686. A Bouquet of the Last Century

Creator:: James Gillray, 1756–1815
Date:: 1802
Materials & Techniques:: Etching and aquatint, hand-colored
Dimensions:: Sheet: 9 9/16 x 7 3/8in. (24.3 x 18.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43687. Political Dreamings! - Visions of Peace! Prospective Horrors

Creator:: James Gillray, 1756–1815
Date:: 1801
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 10 x 14in. (25.4 x 35.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43688. French-Taylor, Fitting John Bull - With a "Jean-de-Bry"

Creator:: James Gillray, 1756–1815
Date:: 1800
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 11 3/4 x 9in. (29.8 x 22.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43689. A Standing - Dish at Boodle's: Vide a Deuced Good Cocoa - Tree Pun. - (Sir Frank Standish)

Creator:: James Gillray, 1756–1815
Date:: 1800
Materials & Techniques:: Etching and aquatint, hand-colored
Dimensions:: Sheet: 7 3/4 x 5 1/4in. (19.7 x 13.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43690. Going to Market

Creator:: James Gillray, 1756–1815
Date:: 1791
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 11 7/8 x 18in. (30.2 x 45.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43691. The Discarded Viceroy Silenced

Creator:: James Gillray, 1756–1815
Date:: 1782
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 6 1/2 x 7 5/8in. (16.5 x 19.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43692. The Kettle Hooting the Porridge-Pot

Creator:: James Gillray, 1756–1815
Date:: 1782
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 8 3/8 x 12 3/4in. (21.3 x 32.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43693. The Devil to Pay; or Neptune Reposing after Fording the Jordan

Creator:: James Gillray, 1756–1815
Date:: 1791
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 9 x 13 3/4in. (22.9 x 34.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43694. A Good Shot, or Billy Ranger the Gamekeeper, in a Fine Sporting Country. (Lord Grenville)

Creator:: James Gillray, 1756–1815
Date:: 1792
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 13 3/4 x 9 3/4in. (34.9 x 24.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43695. The Lubber's - Hole, - Alias - The Crack'd Jordan

Creator:: James Gillray, 1756–1815
Date:: 1791
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 10 x 8 3/4in. (25.4 x 22.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43696. Guy Vanx Discovered in his Attempt to Destroy the King and the House of Lords. "His Companions Attempting to Escape - N.B. His Associates were all Taken Afterwards and Executed."

Creator:: James Gillray, 1756–1815
Date:: 1791
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 14 x 19 3/4in. (35.6 x 50.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43697. Opposition Coaches

Creator:: James Gillray, 1756–1815
Date:: 1788
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 9 7/8 x 16 13/16in. (25.1 x 42.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43698. Opposition Coaches

Creator:: James Gillray, 1756–1815
Date:: 1788
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 9 9/16 x 16 15/16in. (24.3 x 43cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43699. Honi Soit Qui Mal Y Pense (Shame on Him Who Evil Thinks)

Creator:: James Gillray, 1756–1815
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 9 7/8 x 14 3/16in. (25.1 x 36cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43700. The Westminster School, or Dr. Busby Settling Accounts with Master Billy and His Playmates

Creator:: James Gillray, 1756–1815
Date:: 1785
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 12 3/4 x 9 5/8in. (32.4 x 24.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

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43601. The Quorn Hunt: Full Cry

43602. The Quorn Hunt: The Death

43603. The Quorn Hunt: Drawing Cover

43604. The Beaufort Hunt: Going out of a Kennel

43605. Set of four: A Hurdle Race

43606. Set of four: A Hurdle Race

43607. Set of four: A Hurdle Race

43608. Set of four: A Hurdle Race

43609. Merchant of Venice, Act V, Scene I: Belmont: A Grove or Green Palace before Portia's house

43610. As You Like It: Act V, Scene IV: A Forest: Duke Senior, Amiens etc.

43611. As You Like It: Act I, Scene II: Before the Duke's Palace

43612. A Winter's Tale, Act III, Scene III: A Desert Place Near the Sea

43613. As You Like it, Act II, Scene VII: The Seven Ages: The First Age

43614. Tiddy-Doll the Great French-Ginger-Bread-Baker, Drawing Out a Batch of Kings-His Man, Hopping Talley, Mixing the Dough

43615. Political Mathematician's Shaking the Broad Bottom'd Hemispheres

43616. Four Aquatints of American Scenery: Passaic Falls in the State of New Jersey

43617. Views in the River and Gulph of St. Lawrence: A View of the Gaspe Bay, in the Gulf of St. Lawrence

43618. MacBeth, Act I, Scene III: "A Heath"

43619. Much Ado About Nothing, Act III, Scene I, "An Orchard"

43620. The Remains of San Salvatore

43621. Studies of Horses: `Outline of Wounded Horses With Their Muscles in Action in the Field of Battle' (Study of Six Horses on a Page)

43622. The Beaufort Hunt: Finding (in a Bog)

43623. Studies of Horses: 'Wounded in the Field of Battle - Outline With Their Muscles in Action'

43624. The Quorn Hunt: Tally-Ho and Away!

43625. Studies of Horses: 'Officers Chargers With Their Muscles in Action'

43626. Studies of Horses: 'Outline of Wounded Horses with Their Muscles in Action in the Field of Battle' (Study of Four Horses on a Page)

43627. Studies of Horses: 'No. 1 Full Trotting - No. 2 Cantering on a Ladys Horse - All with Their Muscles in Action'

43628. Taming of the Shrew: Introduction, Scene II: A Room in the Lord's House

43629. Winter's Tale, Act IV, Scene III: A Shepherds Cot

43630. As You Like It: Act IV, Scene III: A Forest: Orlando and Oliver

43631. Taming of the Shrew: Introduction, Scene II: A Room in the Lord's House

43632. All's Well that Ends Well, Act V, Scene III: King, Countess, Lafen, Lords, etc.

43633. Winter's Tale, Act II, Scene III: A Palace: Leontes, Antigone, Lords, etc.

43634. As You Like it, Act II, Scene VII: The Seven Ages: The Fourth Age

43635. Male face, marked "Mr. Crawley" for "Vanity Fair" or "Last Chronicles of Barset"

43636. The high-Flying Candidate (i.e. Little Paul-Goose) Mounting from a Blanket

43637. Study of Queen Victoria's Mount, Alma, for the oil painting, "Queen Victoria and the Prince Consort at Aldershot"

43638. Inspection of guard, Koningsburg, Prussia, study for watercolor, "The Coronation of the King and Queen of Prussia on 18th October 1861"

43639. Boy Whistling

43640. Man writing (similar to man in an illustration by Thomas in "Vicar of Wakefield," p.120)

43641. Soldier in uniform

43642. Study of a scene from the Coronation of the King and Queen of Prussia, Konigsberg

43643. The Pigs Possessed: - or - The Broad Bottom'd Litter Running Headlong into Ye Sea of Perdition. A Supplement to More Pigs thanTeats

43644. Head of horse

43645. The New Speaker (i.e. The Law Chick) Between the Hawks and Buzzards - Poor Little Michee!- Just Mounting, and then Funk'd and Frighten'd Out of All His Hopes (from: Caricature, vol. 1)

43646. Patriotic-Petitions on the Convention/ the Cockney Petition; The Westminster Petition, The Chelmsford Petition, the Middlesex Petition

43647. The New Dynasty; or the Little Corsican Gardener Planting a Royal Pippin-Tree. -All the Talents (Busy in) are Clearing the Ground of the Old Timber.

43648. Mounted soldiers with wagon, circa. Crimean war period

43649. Introduction of Citizen Volpone - and His Suite, at Paris

43650. German - Nonchalence: - or - The Vexation of Little Boney.

43651. The Apples and The Horse-Turds: - or - Bonaparte, among the Golden Pippins

43652. Pen-etration

43653. Pizarro, Contemplating (over) The Product of His Peruvian Mine.

43654. Citizens Visiting the Bastille, - Vide. Democratic Charities. -

43655. The Introduction of the Pope to the Convocation at Oxford, By the Cardinal Broad Bottom.

43656. Pillars of the Constitution - Three O'Clock and A Cloudy Morning

43657. Three women seated with children outside building

43658. Overthrow of the Republican-Babel

43659. True Reform of Parliament, i.e. - Patriots Lighting a Revolutionary Bonfire in New Palace Yard.

43660. Soldier in tent with cooking stove, possibly peeling potatoes during the Crimean campaign

43661. Study of hands, sleeves and male profile

43662. An Old English-Gentleman pester'd by Servants wanting Places

43663. Delicious Dreams! Castles in the Air! Glorious Prospects!

43664. Delicious Weather

43665. British Tars Towing the Danish Fleet into Harbour; The Broad Bottom Leviathan Trying to Swamp Billy's Old Boat; and the Little Corsican Tottering on the Clouds of Ambition

43666. Study for figure in oil painting, "Haymaking"

43667. Fat Cattle, a Sketch of Tavistock Farmyard Dedicated to the Society for Improving the Breed of Cattle

43668. Sketch of the Interior of St. Stephen's, as It Now Stands. -

43669. Hope

43670. Despair

43671. Be gone Dull Care, I Prithee Begone From Me!

43672. Sketches of a Girl Reading, and Profile of a Soldier

43673. Forming a Line on the Parade

43674. Bologna Sausages, or Opposition Flux'd

43675. King Henry The Fourth's Last Scene