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Thomas Anburey, 1759–1840

Ruins of Baugnee-Ghur near Hydrabad (1 of 6)

ca. 1792

Thomas Anburey, 1759–1840

View Within the Northern Entrance of Gundecotta Pass (1 of 6)

ca. 1792

George Henry Andrews, 1816–1891

The Dry Dock at Woolwich

1841

unknown artist

Edington Church

ca. 1825

unknown artist

Erlestoke Entrance from Edington

ca. 1825

unknown artist

Edington Church, Wiltshire, England

ca. 1825

unknown artist

Erlestoke, Wiltshire, England

ca. 1825

unknown artist

Edington Church, Wiltshire, England

ca. 1825

unknown artist

Erlestoke House and Park

ca. 1825

unknown artist

Chancel of Edington Church

ca. 1825

Amos Green, 1735–1807

Views in England, Scotland and Wales; Tour in Scotland: Lowdoor Cascade, AG

1803

John Calcott Horsley, 1817–1903

Etchings for the Art Union of London by the Etching Club: Monsieur se Chauffe, Number 3

Thomas Creswick, 1811–1869

Etchings for the Art Union of London by the Etching Club: The Old Bridge, Number 1

John Calcott Horsley, 1817–1903

Etchings for the Art Union of London by the Etching Club: Madame se Chauffe, Number 4

Sir John Everett Millais, 1829–1896

Etchings for the Art Union of London by the Etching Club: Going to the Park, Number 2

1872

George Bernard O'Neill, 1828–1917

Etchings for the Art Union of London by the Etching Club: The Fourteenth of February, Number 5

John Frederick Tayler, 1802–1889

Etchings for the Art Club of London by the Etching Club: Otter-Hounds Questing, Number 8

Charles West Cope, 1811–1890

Etchings for the Art Union of London by the Etching Club: The Illuminator, Number 6

Richard Ansdell, 1815–1885

Etchings for the Art Union of London by the Etching Club: The Anxious Mother, Number 10

Sir John Everett Millais, 1829–1896

Etchings for the Art Union of London by the Etching Club: The Baby House, Number 9

1872

Richard Redgrave, 1804–1888

Etchings for the Art Club of London by the Etching Club: Undercliff, Number 15

1868

Print made by J. A. Poulter, active 1840–1881

The Break of Day – Bury Church Huntingdon

1881

unknown artist

Four Lizards

undated

William Simpson, 1823–1899

Sketchbook of Landscape studies in Switzerland

James Sowerby, 1756–1822

Two Birds in a Landscape

undated

William Simpson, 1823–1899

Sketchbook of Landscape and figure studies in Scotland

1863

Print made by Arnold Fawcus, 1917–1979

Unbound Facsimile Edition of William Blake's Illustrations for "The Poems of Thomas Gray"

1972

Charles Hamilton Smith, 1776–1859

Album Drawings

ca. 1820

David Scott, 1806–1849

Six Designs for Coleridge's Rime of the Ancient Mariner: The Crew Blames the Mariner for Killing the Albatross

ca. 1831

David Scott, 1806–1849

Six Designs for Coleridge's Rime of the Ancient Mariner: He Rows Ashore in the Pilot's Boat

ca. 1831

unknown artist

Seated Man with Standing Woman and Two Children

undated

Thomas Sibson, 1817–1844

A School in the Time of Alfred

undated

unknown artist

Kneeling Man Trapped in Trees Reaching Out to Another Swathed in Mists

undated

Thomas Sibson, 1817–1844

The Baron's Hall of Chaucer's Time

1844

Thomas Sibson, 1817–1844

Saxon Pagans and Christians

1844

Thomas Sibson, 1817–1844

The Love Match, No. 4

undated

Thomas Sibson, 1817–1844

The "Love Match" No 5

undated

Thomas Sibson, 1817–1844

Torturing the Prisoners

undated

Sir Joseph Paxton, 1803–1865

Rendering for a Crystal Palace near St. Cloud

1861

James Sharples, ca. 1751–1811

Captain Webber

undated

John Pope Vibert, 1790–1865

Views in Cornwall: Logan Rock

1824

Philippe-Jacques de Loutherbourg, 1740–1812

La Bonne Petite Soeur

undated

Philippe-Jacques de Loutherbourg, 1740–1812

Tranquilité champêtre

undated

Henry Salt, 1780–1827

Illustrations to the Travels of Lord Valentia: Volume 2 - View of the South Quarter, Motha

1802-1803

Johann Nepomuk Strixner, German, 1782–1855

Die Sammlung Alt-Neider und Ober-Deutsche Gemalde

1820-1834

Henry Salt, 1780–1827

Illustrations of the Travels of Lord Valentia: Two Volumes

1802-1806

unknown artist

Various Engravings of York Cathedral

1813

Peter Lombard, ca. 1613–1682

Illustration to Virgil Eclogue 3

Luigi Balugani, 1737–1770

Natural History Sketches

after Henry Thomas Alken, 1785–1851

Set of seven [Fox Hunting]. Taking the thing easy

1818

after Henry Thomas Alken, 1785–1851

Set of seven [Fox Hunting]. The Pleasure of a view Holla

1818

Thomas Sutherland, ca. 1785–1838

Set of seven [Fox Hunting]. The Refreshment

1818

Thomas Sutherland, ca. 1785–1838

Set of seven [Fox Hunting]. The reward of a bold push

1818

Thomas Sutherland, ca. 1785–1838

Set of seven [Fox Hunting]. Taking the lead in defiance of Speed

1818

John Frederic Greenwood, 1885–1954

Forester's Arms

ca. 1925

George Edwards, 1694–1773

[Brown Bird]

ca. 1758

George Edwards, 1694–1773

[Bird]

ca. 1758

George Edwards, 1694–1773

[Cock Sparrow]

ca. 1758

George Edwards, 1694–1773

[Bird]

ca. 1758

George Edwards, 1694–1773

[Beetle]

ca. 1758

George Edwards, 1694–1773

[Black Bird]

ca. 1758

George Edwards, 1694–1773

[Song Thrush]

ca. 1758

Print made by unknown artist

The Buildings of the Imperial Colleges in St. Petersburg on the left side. And the Ware houses for Merchants on ye right

Robert Cockburn, 1812–1836

Birijick, from the North, May 1835

1835

Robert Cockburn, 1812–1836

Aleppo, January, 1835

1835

Robert Cockburn, 1812–1836

Port William, Aug. 1835

1835

Robert Cockburn, 1812–1836

Aleppo - Jan. 1836

1836

Robert Cockburn, 1812–1836

[Landscape]

1835-1836

Robert Cockburn, 1812–1836

[Two Men]

1835-1836

Robert Cockburn, 1812–1836

[Landscape]

1835-1836

James Clark, 19th century