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Sir Hubert von Herkomer Hackling Flax
Sir Hubert von Herkomer, 1849–1914
Hackling Flax
1881
Not on view
Philippe-Jacques de Loutherbourg The Rainbow
Philippe-Jacques de Loutherbourg, 1740–1812
The Rainbow
1784
Not on view
Sir Anthony Van Dyck Katherine Stanhope (née Wotton), later Countess of Chesterfield, and Lucy Hastings (née Davies), Countess of Huntingdon
Sir Anthony Van Dyck, 1599–1641
Katherine Stanhope (née Wotton), later Countess of Chesterfield, and Lucy Hastings (née Davies), Countess of Huntingdon
1636 to 1640
On view
Henry Dawson London from Greenwich Hill
Henry Dawson, 1811–1878
London from Greenwich Hill
1869 to 1870
On view
John Scarlett Davis The Interior of the British Institution Gallery
John Scarlett Davis, 1804–1845
The Interior of the British Institution Gallery
1829
On view
Robert Huskisson Lord Northwick's Picture Gallery at Thirlestaine House
Robert Huskisson, 1820–1861
Lord Northwick's Picture Gallery at Thirlestaine House
between 1846 and 1847
On view
Thomas Beach Four Servants of Ston Easton Estate
Thomas Beach, 1738–1806
Four Servants of Ston Easton Estate
1776
On view
George Lambert Landscape with Farmworkers
George Lambert, 1700–1765
Landscape with Farmworkers
ca. 1735
Not on view
Maria Spilsbury A Sunday School
Maria Spilsbury, 1777–1820
A Sunday School
1803
On view
Julius Caesar Ibbetson Langdale Pikes from Lowood
Julius Caesar Ibbetson, 1759–1817
Langdale Pikes from Lowood
between 1800 and 1806
Not on view
Marcellus Laroon the Younger Scene in a park, with figures from the Commedia dell'Arte
Marcellus Laroon the Younger, 1679–1772
Scene in a park, with figures from the Commedia dell'Arte
ca. 1735
Not on view
Thomas Jones The Death of Orpheus
Landscape by Thomas Jones, 1742–1803
The Death of Orpheus
ca. 1770
Not on view
Nathaniel Dance View near Rome
Nathaniel Dance, 1735–1811
View near Rome
between 1754 and 1765
Not on view
John Singleton Copley Study for 'The Red Cross Knight'
John Singleton Copley, 1738–1815
Study for 'The Red Cross Knight'
ca. 1793
Not on view
Thomas Creswick The Summer Bower, Derwent Water
Thomas Creswick, 1811–1869
The Summer Bower, Derwent Water
ca. 1838
Not on view
Richard Dadd Caravanserai at Mylasa in Asia Minor
Richard Dadd, 1817–1886
Caravanserai at Mylasa in Asia Minor
1845
Not on view
Richard Dadd Negation
Richard Dadd, 1817–1886
Negation
1860
On view
William Hamilton The revelation of Olivia's betrothal, from "Twelfth Night," Act V, Scene i
William Hamilton, 1751–1801
The revelation of Olivia's betrothal, from "Twelfth Night," Act V, Scene i
ca. 1790
Not on view
William Linton Cottages by a River
William Linton, 1791–1876
Cottages by a River
ca. 1845
Not on view
Edward Penny The Virtuous Comforted by Sympathy
Edward Penny, 1714–1791
The Virtuous Comforted by Sympathy
1774
On view
Michael Chuke The Stowe Reliefs: Mercury conducting Tragic and Comic Poetry to the Hill of Parnassus
Attributed to Michael Chuke, 1679–1742
The Stowe Reliefs: Mercury conducting Tragic and Comic Poetry to the Hill of Parnassus
ca. 1715
Not on view
Michael Chuke The Stowe Reliefs: Allegorical scene, possibly Truth revealing herself to the Liberal Arts
Attributed to Michael Chuke, 1679–1742
The Stowe Reliefs: Allegorical scene, possibly Truth revealing herself to the Liberal Arts
ca. 1715
Not on view
George Romney Prison Scene
George Romney, 1734–1802
Prison Scene
ca. 1790–92
On view at YUAG
George Romney Howard Visiting a Prison
George Romney, 1734–1802
Howard Visiting a Prison
ca. 1790–92
On view at YUAG
George Romney Prison Scene
George Romney, 1734–1802
Prison Scene
ca. 1790–92
On view at YUAG
Robert Polhill Bevan A Morning at Tattersalls (with further sketches in left margin folded over)
Robert Polhill Bevan, 1865–1925
A Morning at Tattersalls (with further sketches in left margin folded over)
undated
Robert Polhill Bevan A London Church
Print made by Robert Polhill Bevan, 1865–1925
A London Church
1924
Robert Polhill Bevan Figures at Mass, Poland
Robert Polhill Bevan, 1865–1925
Figures at Mass, Poland
ca. 1904
William Hogarth Grotesque Female Head
attributed to William Hogarth, 1697–1764
Grotesque Female Head
undated
William Hogarth Grotesque Female Head
attributed to William Hogarth, 1697–1764
Grotesque Female Head
undated
William Hogarth Grotesque Female Head
attributed to William Hogarth, 1697–1764
Grotesque Female Head
undated
William Hogarth Grotesque Female Head
attributed to William Hogarth, 1697–1764
Grotesque Female Head
undated
William Hogarth Grotesque Female Head
attributed to William Hogarth, 1697–1764
Grotesque Female Head
undated
William Hogarth Operation Scene in a Hospital with Subsidiary Sketches in the Margin at the Lower Right
William Hogarth, 1697–1764
Operation Scene in a Hospital with Subsidiary Sketches in the Margin at the Lower Right
undated
Joseph Mallord William Turner The Woman and Tambourine
Etched by Joseph Mallord William Turner, 1775–1851
The Woman and Tambourine
1807
Joseph Mallord William Turner The Drawing of the Clyde
Etched by Joseph Mallord William Turner, 1775–1851
The Drawing of the Clyde
1809
Joseph Mallord William Turner The Woman and Tambourine
Etched by Joseph Mallord William Turner, 1775–1851
The Woman and Tambourine
1807
Joseph Mallord William Turner Apuleia in Search of Apuleius
Print made by Joseph Mallord William Turner, 1775–1851
Apuleia in Search of Apuleius
between 1813 and 1823
Joseph Mallord William Turner Apuleia in Search of Apuleius
Etched by Joseph Mallord William Turner, 1775–1851
Apuleia in Search of Apuleius
between 1813 and 1823
Joseph Mallord William Turner The Deluge
Print made by Joseph Mallord William Turner, 1775–1851
The Deluge
between 1813 and 1823
Joseph Mallord William Turner Rome from Monte Mario
Joseph Mallord William Turner, 1775–1851
Rome from Monte Mario
ca. 1818
Joseph Mallord William Turner Dartmoor: The Source of the Tamar and the Torridge
Joseph Mallord William Turner, 1775–1851
Dartmoor: The Source of the Tamar and the Torridge
ca. 1813
On view
Edward Lear Val di Roppa, Corfu, 22 May 1868
Edward Lear, 1812–1888
Val di Roppa, Corfu, 22 May 1868
1868
Edward Lear Opposite Beni Hassan
Edward Lear, 1812–1888
Opposite Beni Hassan
1867
Edward Lear Howatke
Edward Lear, 1812–1888
Howatke
1867
William Blake "I have mock'd those who refused cruelty..." (Plate 81)
Print made by William Blake, 1757–1827
"I have mock'd those who refused cruelty..." (Plate 81)
1804 to 1820
William Blake 'We censure nature for a span too short' (Page 23)
Print made by William Blake, 1757–1827
'We censure nature for a span too short' (Page 23)
1797
William Blake 'Measuring his motions by revolving spheres' (Page 26)
Print made by William Blake, 1757–1827
'Measuring his motions by revolving spheres' (Page 26)
1797
William Blake 'O treacherous conscience! while she seems to sleep" (Page 27)
Print made by William Blake, 1757–1827
'O treacherous conscience! while she seems to sleep" (Page 27)
1797
William Blake 'Teaching, we learn; and giving, we retain' (Page 35)
Print made by William Blake, 1757–1827
'Teaching, we learn; and giving, we retain' (Page 35)
1797
William Blake 'Angels should paint it, angels ever there' (Page 40)
Print made by William Blake, 1757–1827
'Angels should paint it, angels ever there' (Page 40)
1797
William Blake Night the Third. Narcissa; Title Page
Print made by William Blake, 1757–1827
Night the Third. Narcissa; Title Page
1797
William Blake 'The vale of death! that hush'd cimmerian vale' (Page 54)
Print made by William Blake, 1757–1827
'The vale of death! that hush'd cimmerian vale' (Page 54)
1797
William Blake 'Is lost in love! thou great Philanthropist' (Page 87)
Print made by William Blake, 1757–1827
'Is lost in love! thou great Philanthropist' (Page 87)
1797
William Blake 'The goddess bursts in thunder and in flame' (Page 95)
Print made by William Blake, 1757–1827
'The goddess bursts in thunder and in flame' (Page 95)
1797
William Blake 'When faith is virtue, reason makes it so' (Page 92)
Print made by William Blake, 1757–1827
'When faith is virtue, reason makes it so' (Page 92)
1797
William Blake 'If angels tremble, 'tis at such a sight' (Page 93)
Print made by William Blake, 1757–1827
'If angels tremble, 'tis at such a sight' (Page 93)
1797
William Blake 'The longest night though longer far, would fail' (Page 15)
Print made by William Blake, 1757–1827
'The longest night though longer far, would fail' (Page 15)
1797
William Blake 'The present moment terminates our sight' (Page 13)
Print made by William Blake, 1757–1827
'The present moment terminates our sight' (Page 13)
1797
William Blake "Ambition this shall tempt to rise, The whirl the wretch from high..." (Design 19)
William Blake, 1757–1827
"Ambition this shall tempt to rise, The whirl the wretch from high..." (Design 19)
between 1797 and 1798
William Blake "An ancient pile of building stands... there Employed the power of Fairy hands" (Design 25)
William Blake, 1757–1827
"An ancient pile of building stands... there Employed the power of Fairy hands" (Design 25)
between 1797 and 1798
William Blake "A brace of warriors... rustling in their silks and tissues..."(Design 27)
William Blake, 1757–1827
"A brace of warriors... rustling in their silks and tissues..."(Design 27)
between 1797 and 1798
William Blake "My Lade rose, and with a grace– She smil'd, and bid him come to dinner..." (Design 33)
William Blake, 1757–1827
"My Lade rose, and with a grace– She smil'd, and bid him come to dinner..." (Design 33)
between 1797 and 1798
William Blake Ode on the Spring; Title Page
William Blake, 1757–1827
Ode on the Spring; Title Page
between 1797 and 1798
William Blake "With screaming Horror's funeral cry, Despair, and fell Disease, and ghastly Poverty..." Design 39)
William Blake, 1757–1827
"With screaming Horror's funeral cry, Despair, and fell Disease, and ghastly Poverty..." Design 39)
between 1797 and 1798
William Blake The Progress of Poesy, A Pindaric Ode; Title Page
William Blake, 1757–1827
The Progress of Poesy, A Pindaric Ode; Title Page
between 1797 and 1798
William Blake The Bard Weaving Edwards Fate (Design 55)
William Blake, 1757–1827
The Bard Weaving Edwards Fate (Design 55)
between 1797 and 1798
William Blake Elizabeth. "Girt with many a Baron bold..." (Design 63)
William Blake, 1757–1827
Elizabeth. "Girt with many a Baron bold..." (Design 63)
between 1797 and 1798
William Blake Night (Plate 16)
Print made by William Blake, 1757–1827
Night (Plate 16)
1789
William Blake The Argument. "Man has no notion of moral fitness..." (Plate 2"
Print made by William Blake, 1757–1827
The Argument. "Man has no notion of moral fitness..." (Plate 2"
ca. 1788
William Blake The Divine Image (Plate 12)
Print made by William Blake, 1757–1827
The Divine Image (Plate 12)
1789
William Blake Nurse's Song (Plate 22)
Print made by William Blake, 1757–1827
Nurse's Song (Plate 22)
1789
William Blake Laughing Song (Plate 28)
Print made by William Blake, 1757–1827
Laughing Song (Plate 28)
1789
William Blake A Dream (Plate 4)
Print made by William Blake, 1757–1827
A Dream (Plate 4)
1789
William Blake The Little Girl Found (Plate 6)
Print made by William Blake, 1757–1827
The Little Girl Found (Plate 6)
1789
William Blake "What time the thirteen Governors that England sent convene..." (Plate 15)
Print made by William Blake, 1757–1827
"What time the thirteen Governors that England sent convene..." (Plate 15)
1793
William Blake "In the flames stood & view'd the armies drawn out in the sky..." (Plate 16)
Print made by William Blake, 1757–1827
"In the flames stood & view'd the armies drawn out in the sky..." (Plate 16)
1793
William Blake America, A Prophecy; Title Page (Plate 2)
Print made by William Blake, 1757–1827
America, A Prophecy; Title Page (Plate 2)
1793
William Blake Preludium. "The shadowy daughter of Urthona stood before red Orc..." (Plate 3)
Print made by William Blake, 1757–1827
Preludium. "The shadowy daughter of Urthona stood before red Orc..." (Plate 3)
1793
William Blake "His Children exil'd from his breast..." (Plate 19)
Print made by William Blake, 1757–1827
"His Children exil'd from his breast..." (Plate 19)
1804 to 1820
William Blake Jerusalem: The Emanation of The Giant Albion, Title Page (Plate 2)
Print made by William Blake, 1757–1827
Jerusalem: The Emanation of The Giant Albion, Title Page (Plate 2)
1804 to 1820
William Blake "O Vala! O Jerusalem! do you delight in my groans..." (Plate 21)
Print made by William Blake, 1757–1827
"O Vala! O Jerusalem! do you delight in my groans..." (Plate 21)
1804 to 1820
William Blake "Jerusalem! Jerusalem! deluding shadow of Albion!..." (Plate 23)
Print made by William Blake, 1757–1827
"Jerusalem! Jerusalem! deluding shadow of Albion!..." (Plate 23)
1804 to 1820
William Blake "What have I said? What have I done?..." (Plate 24)
Print made by William Blake, 1757–1827
"What have I said? What have I done?..." (Plate 24)
1804 to 1820
William Blake "Then the Divine Vision like a silent Sun..." (Plate 29)
Print made by William Blake, 1757–1827
"Then the Divine Vision like a silent Sun..." (Plate 29)
1804 to 1820
William Blake "His western heaven with rocky clouds..." (Plate 31)
Print made by William Blake, 1757–1827
"His western heaven with rocky clouds..." (Plate 31)
1804 to 1820
William Blake "Leaning against the pillars..." (Plate 32)
Print made by William Blake, 1757–1827
"Leaning against the pillars..." (Plate 32)
1804 to 1820
William Blake "His face and bosom with petrific hardness..." (Plate 38)
Print made by William Blake, 1757–1827
"His face and bosom with petrific hardness..." (Plate 38)
1804 to 1820
William Blake "Los shudder'd at beholding Albion..." (Plate 40)
Print made by William Blake, 1757–1827
"Los shudder'd at beholding Albion..." (Plate 40)
1804 to 1820
William Blake "Bath who is Legions..." (Plate 41)
Print made by William Blake, 1757–1827
"Bath who is Legions..." (Plate 41)
1804 to 1820
William Blake "Thus Albion sat, studious of others..." (Plate 42)
Print made by William Blake, 1757–1827
"Thus Albion sat, studious of others..." (Plate 42)
1804 to 1820
William Blake "In Great Eternity every particular Form..." (Plate 54)
Print made by William Blake, 1757–1827
"In Great Eternity every particular Form..." (Plate 54)
1804 to 1820
William Blake "And the voices of Bath & Canterbury & York & Edinburgh, Cry..." (Plate 57)
Print made by William Blake, 1757–1827
"And the voices of Bath & Canterbury & York & Edinburgh, Cry..." (Plate 57)
1804 to 1820
William Blake "And formed into Four precious stones..." (Plate 59)
Print made by William Blake, 1757–1827
"And formed into Four precious stones..." (Plate 59)
1804 to 1820
William Blake "The clouds of Albions Druid Temples..." (Plate 60)
Print made by William Blake, 1757–1827
"The clouds of Albions Druid Temples..." (Plate 60)
1804 to 1820
William Blake "In awful pomp & gold, in all the precious unhewn stones of Eden..." (Plate 66)
Print made by William Blake, 1757–1827
"In awful pomp & gold, in all the precious unhewn stones of Eden..." (Plate 66)
1804 to 1820
William Blake "Then all the Males conjoined into One Male..." (Plate 69)
Print made by William Blake, 1757–1827
"Then all the Males conjoined into One Male..." (Plate 69)
1804 to 1820
William Blake "Jerusalem, Chapter 3. But Los, who is the Vehicular Form..." (Plate 53)
Print made by William Blake, 1757–1827
"Jerusalem, Chapter 3. But Los, who is the Vehicular Form..." (Plate 53)
1804 to 1820
William Blake "Jehovah stood among the Druids..." (Plate 63)
Print made by William Blake, 1757–1827
"Jehovah stood among the Druids..." (Plate 63)
1804 to 1820
William Blake "Of the Mundane Shell which froze..." (Plate 64)
Print made by William Blake, 1757–1827
"Of the Mundane Shell which froze..." (Plate 64)
1804 to 1820