"His face and bosom with petrific hardness..." (Plate 38)
1804 to 1820
102
Print made by William Blake, 1757–1827
"Into the Furnaces & into the valleys of the Anvils of Death..." (Plate 10)
1804 to 1820
103
Print made by William Blake, 1757–1827
"And Hand & Hyle rooted into Jerusalem..." (Plate 15)
1804 to 1820
104
Print made by William Blake, 1757–1827
"Elevate into the Region of Brotherhood..." (Plate 34)
1804 to 1820
105
Print made by William Blake, 1757–1827
"To the Jews..." (Plate 27)
1804 to 1820
106
Print made by William Blake, 1757–1827
"Then the Divine Vision like a silent Sun..." (Plate 29)
1804 to 1820
107
Print made by William Blake, 1757–1827
Songs of Innocence, Frontispiece (Plate 1)
1789
108
Print made by William Blake, 1757–1827
Introduction (Plate 3)
1789
109
Print made by William Blake, 1757–1827
Spring (Plate 12)
1789
110
Print made by William Blake, 1757–1827
Laughing Song (Plate 14)
1789
111
Print made by William Blake, 1757–1827
The Lamb (Plate 18)
1789
112
Print made by William Blake, 1757–1827
Infant Joy (Plate 28)
1789
113
Print made by William Blake, 1757–1827
Night (Plate 30)
1789
114
Print made by William Blake, 1757–1827
A Cradle Song (Plate 26)
1789
115
Print made by William Blake, 1757–1827
Earth's Answer (Plate 35)
1794
116
Print made by William Blake, 1757–1827
The Clod & the Pebble (Plate 36)
1794
117
Print made by William Blake, 1757–1827
The Divine Image (Plate 24)
1789
118
Print made by William Blake, 1757–1827
'Teaching, we learn; and giving, we retain' (Page 35)
ca. 1797
119
Print made by William Blake, 1757–1827
'Ungrateful, shall we grieve their hovering shades' (Page 55)
ca. 1797
120
Print made by William Blake, 1757–1827
'And vapid; sense and reason shew the door' (Page 72)
ca. 1797
121
Print made by William Blake, 1757–1827
Chapter I, "Lo, a shadow of horror is risen..." (Plate 3)
1794
122
Print made by William Blake, 1757–1827
"In living creations appear'd..." (Plate 6)
1794
123
Print made by William Blake, 1757–1827
Chapter IV, "Ages on ages roll'd over him..." (Plate 9)
1794
124
Print made by William Blake, 1757–1827
Chapter V, "Two Nostrils bent down to the deep..." (Plate 11)
1794
125
Print made by William Blake, 1757–1827
"They call'd her Pity, and fled..." (Plate 17)
1794
126
Print made by William Blake, 1757–1827
The Little Black Boy (Plate 30)
1789
127
Prints made by William Blake, 1757–1827
Songs of Innocence and of Experience: Shewing the Two Contrary States of the Human Soul
1789-1794
128
Print made by William Blake, 1757–1827
'The longest night though longer far, would fail' (Page 15)
ca. 1797
129
Print made by William Blake, 1757–1827
Spring, from Songs of Innocence
ca. 1795
130
Print made by William Blake, 1757–1827
I, "Why should the mistress of the vales of Har, utter a sigh..." (Plate 4)
1789
131
Edward Lear, 1812–1888
Turin, Italy
after 1872
132
Henry Morton, ca. 1807–1825
Strand Gateway, Winchelsea
undated
133
attributed to John Martin, 1789–1854
Adam and Eve
undated
134
Michel Jean Cazabon, 1813–1888
Forest Scenery near Tamana
1857
135
Edward Francis Burney, 1760–1848
Allegory of Drawing
undated
136
John Linnell, 1792–1882
Netley Abbey
1810
137
William Henry Hunt, 1790–1864
The Lecture House, Watford
ca. 1820
138
William Henry Hunt, 1790–1864
Bushey Churchyard with the Tombs of Edridge, Hearne and H. Monro
ca. 1822
139
Print made by William Faithorne, ca. 1620–1691
Henry More
1675
140
Print made by Richard Samuel Chattock, 1825–1906
The Holt
undated
141
Print made by Frederick Landseer Maur Griggs, 1876–1938
The Minister
1918
142
Print made by Frederick Landseer Maur Griggs, 1876–1938
Mortmain
1918
143
Print made by Frederick Landseer Maur Griggs, 1876–1938
Palace Farm
1921
144
Print made by Anthony Cardon, 1772–1813
Credulity
1796
145
Simon François Ravenet, 1706–1774
Mr. Garrick and Miss Bellamy in the Characters of Romeo and Juliet
1753
146
Print made by Frederick Landseer Maur Griggs, 1876–1938
Palace Farm
1922
147
Print made by Frederick Landseer Maur Griggs, 1876–1938
Stanley Pontlarge
1913
148
Print made by Frederick Landseer Maur Griggs, 1876–1938
Meppershall Chapel
c.1915
149
Print made by Frederick Landseer Maur Griggs, 1876–1938
Meppershall Chapel
1915
150
Print made by Frederick Landseer Maur Griggs, 1876–1938
Priory Farm
1913
151
Print made by Frederick Landseer Maur Griggs, 1876–1938
Priory Farm
1913
152
Print made by Frederick Landseer Maur Griggs, 1876–1938
The Pool
1915
153
Print made by Frederick Landseer Maur Griggs, 1876–1938
The Pool
1915
154
Print made by Frederick Landseer Maur Griggs, 1876–1938
The Pipe and Tabour
1916
155
Print made by Frederick Landseer Maur Griggs, 1876–1938
Sellenger
1922
156
Print made by Frederick Landseer Maur Griggs, 1876–1938
Stoke Poges
1918
157
Print made by Frederick Landseer Maur Griggs, 1876–1938
Stoke Poges
1918
158
Print made by Frederick Landseer Maur Griggs, 1876–1938
Carnagh
1915
159
Print made by Frederick Landseer Maur Griggs, 1876–1938
Sellenger
1917
160
Print made by Frederick Landseer Maur Griggs, 1876–1938
Sellenger
1917
161
Print made by Frederick Landseer Maur Griggs, 1876–1938
Sellenger
1921
162
Print made by Frederick Landseer Maur Griggs, 1876–1938
The Minister
1918
163
Print made by Frederick Landseer Maur Griggs, 1876–1938
Sutton
1912
164
Print made by Frederick Landseer Maur Griggs, 1876–1938
Meppershall Chapel
1915
165
Print made by Frederick Landseer Maur Griggs, 1876–1938
Totterne Inn
1919
166
Print made by George Bickham the Elder, 1683/4–1758
Two Turkeys, two hens and four doves a plate for 'A New Drawing Book...of Various Kinds of Birds, Drawn from the Life by Mr. Francis Barlow' 1731 (1 of 9)
1731
167
James Gillray, 1756–1815
Doublûres of Characters; - or - Striking Resemblance in Phisiognomy
1798
168
Louis Haghe, 1806–1885
Newstead Abbey, The Seat of the Late Lord Byron
undated
169
Print made by James Charles Armytage, 1802–1897
The Balcony
between 1835 and 1854
170
Print made by Richard Earlom, 1743–1822
The Enchantress
1786
171
Print made by Robert Robinson, active 1674–1706
Still Life with Tankard and Dessert Dish
ca. 1685
172
Print made by Robert Dunkarton, 1744–1811
Sisters Contemplating on Mortality
1770
173
Print made by John Raphael Smith, 1752–1812
Master Henry George Herbert as the 'Infant Bacchus'
1776
174
Print made by Samuel Cousins, 1801–1887
The Visionary
1833
175
Print made by Richard Earlom, 1743–1822
The Enchantress
1786
176
Print made by Thomas Cheesman, 1760–1834/35
Lady Hamilton as The Sempstress
1787
177
Print made by Thomas Cheesman, 1760–1834/35
Lady Hamilton as the Spinster
1789
178
Print made by Richard Earlom, 1743–1822
A Shepherd Boy
1781
179
Print made by Richard Earlom, 1743–1822
The Exposition of Cyrus
1781
180
Print made by John Dixon, ca. 1740–1811
A Peasant Family
between 1765 and 1771
181
Print made by James H. Baker, born 1829
Come Gentle Night: "Romeo and Juliet," Act III, Scene II
between 1839 and 1849
182
Luigi Balugani, 1737–1770
Scangho
undated
183
Robert Dixon, 1780–1815
Cottage at Diss
1811
184
Robert Dixon, 1780–1815
Remains of the Priory, Beeston Regis
1810
185
Luigi Balugani, 1737–1770
Semeck (Cardiosperum halicacabum)
undated
186
Print made by Robert Blyth, 1750–1784
Silenus
1779
187
Print made by Robert Blyth, 1750–1784
Silenus
1779
188
Print made by Francesco Bartolozzi, 1728–1815
Morning
undated
189
Print made by Bernard Lens II, 1659–1725
Bacchus
undated
190
Print made by John Simon, 1675–1751
Autumn
1758
191
Print made by Bernard Lens II, 1659–1725
Bacchus and Ariadne
undated
192
Print made by John Smith, the mezzotinter, 1652–1743
Maria Magdilena
undated
193
after Sir Joshua Reynolds, 1723–1792
Birth of Bacchus
1788
194
Print made by Sir David Young Cameron, 1865–1945
The Abbazia, Venice
1900
195
Print made by Simon Gribelin, 1662–1733
The Ceiling of the Banqueting House at Whitehall: The Union of the Crowns of England and Scotland