On the Side of the Rhine near the Source, Light Coming from the Right
undated
807
Print made by Robert Wallis, 1794–1878
Coteaux de Mauves
1831
808
Print made by Robert Wallis, 1794–1878
Coteaux de Mauves
1831
809
Print made by John Horsburgh, 1791–1869
Ashestiel
1834
810
Print made by Gainsborough Dupont, 1754–1797
Elizabeth Ann (Linley) Sheridan
between 1787 and 1797
811
Print made by Day & Co., 1824–1913
Royal Crescent, County Hospital, St. George's Chapel, Kemp Town
1839
812
David Charles Read, 1790–1851
Landscape
undated
813
William Leighton Leitch, 1804–1883
Mist on the Downs
undated
814
John Ruskin, 1819–1900
The Rocky Bank of a River
ca. 1853
815
Thomas Rowlandson, 1756–1827
Entrance to Festiniog, Wales
1797
816
Thomas Rowlandson, 1756–1827
Hengar Wood, St. Tudy, Cornwall
undated
817
attributed to John Ruskin, 1819–1900
Hills and Sky
undated
818
John Ruskin, 1819–1900
Distant View of Saint-Wulfran, Abbeville
undated
819
Thomas Girtin, 1775–1802
Thetford, Norfolk
ca. 1796
820
Thomas Girtin, 1775–1802
Rocca del Papa, with Monte Cavo
ca. 1796
821
Rev. William Gilpin, 1724–1804
Landscape with a Ruined Castle on the Right
between 1745 and 1748
822
Edward Dayes, 1763–1804
The Island of Hoy, the Orkneys
undated
823
Edward Dayes, 1763–1804
The Meeting of the Rivers Severn and Wye, near Chepstow
1795
824
Anthony Devis, 1729–1817
Landscape with stream in foreground
undated
825
unknown artist
The Druids' Circle, Castlerigg, Keswick
ca. 1880
826
Rev. William Gilpin, 1724–1804
Classical Landscape with Ruin on Left, Two Figures on Right
between 1745 and 1748
827
Rev. William Gilpin, 1724–1804
Classical Landscape with Two Figures on Horseback at Right
between 1745 and 1748
828
Rev. William Gilpin, 1724–1804
A Rocky Landscape
between 1745 and 1748
829
Rev. William Gilpin, 1724–1804
Landscape with Castle on a Hill at Left
between 1745 and 1748
830
Rev. William Gilpin, 1724–1804
Landscape with a Castle and a Bridge
between 1745 and 1748
831
Rev. William Gilpin, 1724–1804
Landscape with a Ruined Castle
between 1745 and 1748
832
Rev. William Gilpin, 1724–1804
Hilly Landscape
between 1745 and 1748
833
Rev. William Gilpin, 1724–1804
Mountainous Landscape with River, Trees and Foliage in Foreground
between 1745 and 1748
834
Rev. William Gilpin, 1724–1804
Three Figures in a Hilly Landscape with Ruins, beyond
between 1745 and 1748
835
Edward Dayes, 1763–1804
Queen Square, London
1786
836
William Alfred Delamotte, 1775–1863
A Bridge over the Arno (?)
undated
837
Anthony Devis, 1729–1817
Landscape with Shepherd and Sheep
undated
838
Rev. William Gilpin, 1724–1804
View in Barnscliff, near Scarborough, when Overflowed by the Derwent
undated
839
Rev. William Gilpin, 1724–1804
Knaresborough Castle, Yorkshire
undated
840
Edward Dayes, 1763–1804
Coast Scene with Mouth of a River
undated
841
John Varley, 1778–1842
Llanberis Lake, with Castle Dolbadern
ca. 1805
842
Charles Dyce, active 1848
View of Malta
ca. 1849
843
unknown artist
West View of the City of Edinburgh
ca. 1765
844
unknown artist
The Prospect of ye Town of Dundee
845
Print made by M. Coote, ca. 1758/62–1801
Dudley Priory in Worcestershire, Plate 2
before 1786
846
Thomas Rowlandson, 1756–1827
The Canterbury-Dover Coach Passing Vanbrugh Castle
between 1795 and 1800
847
Thomas Sunderland, 1744–1828
Myles Sandys' Hounds and Huntsmen Scenting a Hare
undated
848
Print made by Sir David Young Cameron, 1865–1945
Dunvalanree
1910
849
Thomas Daniell, 1749–1840
Near Sita Coonde, October 22, 1788
1788
850
Thomas Daniell, 1749–1840
Bijaigarh (Bidze Gur)
1788
851
Thomas Daniell, 1749–1840
Near Woombinellon
undated
852
Thomas Daniell, 1749–1840
Madras
undated
853
Thomas Daniell, 1749–1840
South India
undated
854
Thomas Daniell, 1749–1840
Landscape with a Building in the Distance
undated
855
Thomas Daniell, 1749–1840
Veransulean Pennisula
August 7, 1792
856
Thomas Daniell, 1749–1840
Kalese Gurag
undated
857
Thomas Daniell, 1749–1840
Landscape with Rock Formed Hills in the Background
undated
858
Thomas Daniell, 1749–1840
Two Men at Water's Edge in a Landscape
undated
859
Thomas Daniell, 1749–1840
Landscape
undated
860
Thomas Daniell, 1749–1840
Marmalong Bridge
ca. 1792
861
Thomas Daniell, 1749–1840
Riverscape with Buildings
undated
862
Thomas Daniell, 1749–1840
Pedinaig Durgum near Vinada
undated
863
Thomas Daniell, 1749–1840
Landscape with Figures
undated
864
Thomas Daniell, 1749–1840
Sailboats
undated
865
Thomas Daniell, 1749–1840
Landscape
undated
866
Thomas Daniell, 1749–1840
Chargul
undated
867
Thomas Daniell, 1749–1840
Landscape
undated
868
Henry Thomas Alken, 1785–1851
'Riding to Horses with Difficulty'
undated
869
Henry Thomas Alken, 1785–1851
Steeplechasing: The Field taking a Low Rail and a Brook
undated
870
Henry Thomas Alken, 1785–1851
Steeplechasing: Three Riders Galloping to Right, Mounted Spectators in Background
undated
871
Louisa Augusta Greville, 1743–active 1762
Man Leading Tow Mules Supporting a Chair, Large Tree in Foreground
1759
872
Print made by James Barry, 1741–1806
Sacra Christi Familia
undated
873
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Study for a Mural Decoration, Old Man in Landscape
1912
874
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Study for Mural, Gentleman in Foreground
1912
875
Print made by Louisa Augusta Greville, 1743–active 1762
Rural Scene with Herdsboys and Three Cows, Large Tree in Foreground
1760
876
Print made by Matthew Dubourg, active 1786–1838
Grouse Shooting
1822
877
Print made by William Finden, 1787–1852
The Drachenfels
1832-1834
878
unknown artist
The Prospect of their Majesties Castle of Sterling
879
unknown artist
The Prospect of the Town of St. Andrews
880
unknown artist
The Prospect of the Town of Dumblane
881
Print made by Esme de Boulonois, active 1645–1681
Antonius Morus Ultraiectinus Pictor
between 1645 and 1681
882
John Robert Cozens, 1752–1797
Isola Borromea, Lago Maggiore
ca. 1783
883
David Cox, 1783–1859
The Junction of the Severn and the Wye with Chepstow in the Distance
1830
884
Henry Thomas Alken, 1785–1851
Grouse Shooting: The Right Sort
undated
885
Print made by unknown artist
A View of the City of Oporto
between 1780 and 1815
886
Print made by Thomas Bowles III, ca. 1712–1767
A View of Florence from the Convent of Capuchins at Montugi
undated
887
Print made by Thomas Bowles III, ca. 1712–1767
A Perspective View of the City of Naples
undated
888
Joshua Cristall, 1768–1847
Open Landscape with Cathedral in Distance
undated
889
George Jackson, active 1839–1844
In Portsmouth Harbor
undated
890
John Varley, 1778–1842
A Welsh Landscape a Lay-in'
undated
891
David Charles Read, 1790–1851
Landscape With Figures and a Wagon
undated
892
Print made by Thomas Bowles III, ca. 1712–1767
A Prospect of the New Aqueduct of Lisbon, as crossing over the Valley of Alcantra on Stone Arches, the Largest of which is 150 feet wide, and 249 feet High. Which is 47 feet higher than the Monument in London
between 1780 and 1815
893
John Varley, 1778–1842
The Castle on the Hill
undated
894
Print made by Giles King, active 1732–1746
A View of the Black Rocks, and of the Mountains on the South Side of the Harbour of Dublin
ca. 1744
895
Print made by James Mason, 1710–1783
A Prospect of the City of Dublin, from the Magazine Hill, in his Majesty's Phoenix Park
896
Print made by John Couse, active 1753–1764
The City of Lisbon as before the dreadful Earthquake of November 1st 1755;..
between 1780 and 1815
897
David Charles Read, 1790–1851
Landscape with Hills in the Distance
undated
898
unknown artist
A General View of the City of Madrid, the Capital of Kingdom of Spain
899
John Warwick Smith, 1749–1831
View from the Vidette Near Hakin on Signal Hill, Looking Beyond Nangle Point and Thorn Island, Pembrokeshire