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1. The Turn Rice-Plough, Sussex

The Turn Rice-Plough, Sussex
Creator:
Robert Polhill Bevan, 1865–1925
Date:
ca. 1909
Materials & Techniques:
Oil on canvas
Dimensions:
26 1/8 x 35 1/2 inches (66.4 x 90.2 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

2. Horse and Cart

Horse and Cart
Creator:
John Constable, 1776–1837
Date:
ca. 1814
Materials & Techniques:
Oil on canvas on board
Dimensions:
6 3/8 × 10 1/2 inches (16.2 × 26.7 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

3. A Gentleman with His Pair of Bays Harnessed to a Curricle

A Gentleman with His Pair of Bays Harnessed to a Curricle
Creator:
John Cordrey, active 1765–1825
Date:
1806
Materials & Techniques:
Oil on canvas
Dimensions:
18 3/4 x 30 inches (47.6 x 76.2 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

4. The Last of the Mail Coaches at Newcastle upon Tyne

The Last of the Mail Coaches at Newcastle upon Tyne
Creator:
James Pollard, 1792–1867
Date:
1848
Materials & Techniques:
Oil on canvas
Dimensions:
18 x 27 inches (45.7 x 68.6 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

5. Grey carriage horses in the coachyard at Putteridge Bury, Hertfordshire

Grey carriage horses in the coachyard at Putteridge Bury, Hertfordshire
Creator:
John Frederick Herring, 1795–1865
Date:
1838
Materials & Techniques:
Oil on canvas
Dimensions:
40 1/8 x 50 1/8 inches (101.9 x 127.3 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

6. The London-Faringdon Coach passing Buckland House, Berkshire

The London-Faringdon Coach passing Buckland House, Berkshire
Creator:
James Pollard, 1792–1867
Date:
1835
Materials & Techniques:
Oil on canvas
Dimensions:
19 7/8 x 27 5/8 inches (50.5 x 70.2 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

7. Sketch studies of camels

Sketch studies of camels
Creator:
Edward Lear, 1812–1888
Date:
January to April 1867
Materials & Techniques:
Watercolor, graphite, pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 13/16 x 2 7/8 inches (12.2 x 7.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

8. IV. "The eternal gates terrific porter lifted the northern bar..." (Plate 8)

IV. "The eternal gates terrific porter lifted the northern bar..." (Plate 8)
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in brown ink, with watercolor and pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 3/8 x 9 inches (28.9 x 22.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. Fiery the Angels rose, & as they rose deep thunder roll'd..." (Plate 13)

Fiery the Angels rose, & as they rose deep thunder roll'd..." (Plate 13)
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Color-printed relief etching in blue ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. "Rose up against me thundering..." (Plate 8)

"Rose up against me thundering..." (Plate 8)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. "Turning his back to the Divine Vision..." (Plate 33)

"Turning his back to the Divine Vision..." (Plate 33)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. Title Page, The Pindaric Genius Receiving His Lyre (Design 1)

Title Page, The Pindaric Genius Receiving His Lyre (Design 1)
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. Studies of a Carthorse

Studies of a Carthorse
Creator:
Cornelius Varley, 1781–1873
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 x 7 1/8 inches (15.2 x 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. Dusty Millers

Dusty Millers
Creator:
Sir Francis Seymour Haden, 1818–1910
Date:
1877
Materials & Techniques:
Etching and drypoint, with plate tone on thin, smooth, cream Asian paper
Dimensions:
Sheet: 6 3/4 x 9 1/2 inches (17.1 x 24.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

15. Dusty Millers

Dusty Millers
Creator:
Sir Francis Seymour Haden, 1818–1910
Date:
1877
Materials & Techniques:
Etching and drypoint, with plate tone on thin, smooth, cream Asian paper (2 layers)
Dimensions:
Sheet: 7 7/8 x 10 7/8 inches (20 x 27.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mrs. Howard Mansfield

16. View of Buildings

View of Buildings
Creator:
James Miller, active 1773–1814
Date:
undated
Materials & Techniques:
Watercolor, graphite, and gray wash on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 6 7/16 × 7 13/16 inches (16.4 × 19.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Paul Mellon in memory of Dudley Snelgrove

17. Apsley House, Hyde Park Corner: the Residence of his Grace the Duke of Wellington

Apsley House, Hyde Park Corner: the Residence of his Grace the Duke of Wellington
Creator:
Print made by Thomas Barber, ca. 1768–1843
Date:
1829
Materials & Techniques:
Etching on moderately thick, slightly textured, cream wove paper with beige chine collé
Dimensions:
Sheet: 5 11/16 x 8 7/8 inches (14.5 x 22.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. Man With a Horse Harnessed to a Roller

Man With a Horse Harnessed to a Roller
Creator:
Sawrey Gilpin, 1733–1807
Date:
undated
Materials & Techniques:
Watercolor and graphite on medium, moderately textured, beige laid paper
Dimensions:
Sheet: 6 3/16 × 8 9/16 inches (15.7 × 21.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. Landscape with a Fisherman

Landscape with a Fisherman
Creator:
James McNeill Whistler, 1834–1903
Date:
1861
Materials & Techniques:
Etching and drypoint, printed from canceled plate on medium, smooth, cream laid paper
Dimensions:
Sheet: 9 3/4 x 12 5/8 inches (24.8 x 32.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Robert N. Whittemore, Yale BS 1943

20. Jack in Office

Jack in Office
Creator:
Print made by John Doyle ('H.B.'), 1797–1868
Date:
1835
Materials & Techniques:
Lithograph, hand-colored on moderately thick, smooth, beige wove paper
Dimensions:
Sheet: 11 7/8 x 17 3/16 inches (30.2 x 43.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21. Mail Coach Behind Time

No cover image available
Creator:
Engraved by Henry Pyall, 1795–1833
Date:
1827
Materials & Techniques:
Aquatint, hand-colored on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 15 13/16 x 20 3/16 inches (40.2 x 51.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection