Image Use: Free to Use / Subject Terms: gown - YCBA Collections Search Search Results

1. The Chalon Family in London

Creator:: Jacques-Laurent Agasse, 1767–1849
Date:: ca. 1800
Materials & Techniques:: Oil on Academy Board
Dimensions:: 5 3/8 x 7 3/4 inches (13.7 x 19.7 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Fund
On View:: Not on view

2. Portrait of a Young Woman

Creator:: unknown artist
Date:: 1567
Materials & Techniques:: Oil on panel
Dimensions:: 36 1/2 x 28 inches (92.7 x 71.1 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

3. Family Group

Creator:: James Millar, ca.1735–1805
Date:: between 1774 and 1780
Materials & Techniques:: Oil on canvas
Dimensions:: 50 × 40 1/2 inches (127 × 102.9 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

4. Portrait of a Woman, Probably Elizabeth Aislabie, of Studley Royal, Yorkshire

Creator:: Thomas Hudson, 1707–1779
Date:: 1749
Materials & Techniques:: Oil on canvas
Dimensions:: 49 1/2 x 39 inches (125.7 x 99.1 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Fund
On View:: Not on view

5. Arabella Pershall, Lady Glenorchy

Creator:: Allan Ramsay, 1713–1784
Date:: 1740
Materials & Techniques:: Oil on canvas
Dimensions:: 29 x 24 inches (73.7 x 61 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

6. Young Women with a Lamb

Creator:: Thomas Hudson, 1707–1779
Date:: ca. 1745
Materials & Techniques:: Oil on canvas
Dimensions:: 54 1/2 × 45 1/4 inches (138.4 × 114.9 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Bequest of Garrison Norton
On View:: Not on view

7. First Class—The Meeting. "And at first meeting loved."

Creator:: Abraham Solomon, 1823–1862
Date:: 1855
Materials & Techniques:: Oil on panel
Dimensions:: 8 x 10 inches (20.3 x 25.4 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

8. Eliza Eastlake (née Bailey)

Creator:: Edward John Poynter, 1836–1919
Date:: 1864
Materials & Techniques:: Oil on canvas
Dimensions:: 17 1/8 x 13 inches (43.5 x 33 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Fund
On View:: Not on view

9. The Wandering Sailor

Creator:: Henry Singleton, 1766–1839
Date:: ca. 1798
Materials & Techniques:: Oil on paper laid on canvas
Dimensions:: 14 x 12 inches (35.6 x 30.5 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

10. The Mill

Creator:: Thomas Stothard, 1755–1834
Date:: ca. 1820
Materials & Techniques:: Oil on panel
Dimensions:: 7 x 5 inches (17.8 x 12.7 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

11. Captain Vincenzo Lunardi with his Assistant George Biggin, and Letitia Anne Sage (née Hoare), in a Balloon

Creator:: John Francis Rigaud, 1742–1810
Date:: 1785
Materials & Techniques:: Oil on copper
Dimensions:: 19 x 14 inches (48.3 x 35.6 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

12. The Rev. Thomas Gisborne and Mary Gisborne (née Babington)

Creator:: Joseph Wright of Derby, 1734–1797
Date:: 1786
Materials & Techniques:: Oil on canvas
Dimensions:: 73 x 60 inches (185.4 x 152.4 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

13. A View of Thames Street, Windsor

Creator:: George Vincent, 1796–1832
Date:: 1827 to 1830
Materials & Techniques:: Oil on canvas
Dimensions:: 26 5/8 x 36 3/4 inches (67.6 x 93.3 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

14. Woman Reading by a Paper-Bell Shade

Creator:: Henry Robert Morland, 1730–1797
Date:: 1766
Materials & Techniques:: Oil on canvas
Dimensions:: 30 x 25 inches (76.2 x 63.5 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

15. Mrs. Wardle

Creator:: Thomas Frye, 1710–1762
Date:: 1742
Materials & Techniques:: Oil on canvas
Dimensions:: 49 1/4 x 40 inches (125.1 x 101.6 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Fund
On View:: Not on view

16. Alexander Knox

Creator:: Sir Francis Leggatt Chantrey, 1781–1841
Date:: late 1820s
Materials & Techniques:: marble
Dimensions:: Overall: 24 13/16 × 13 inches (63 × 33 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Fund
On View:: Not on view

17. The Bard Singing Owen's Praise (Design 89)

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. Night the First. On Life, Death and Immortality; Title Page

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. 'Oft bursts my song beyond the bounds of life' (Page 16)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. Night the Third. Narcissa; Title Page

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. The Mourner at the Tomb (Design 103)

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. A Welch Bard (Design 53)

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. "Why wilt thou give to her a Body..." (Plate 12)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. "Jerusalem, Chapter 3. But Los, who is the Vehicular Form..." (Plate 53)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 × 10 3/8 inches (34.3 × 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. The Three Fatal Sisters (Design 67)

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. The Little Boy Lost (Plate 20)

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/2 x 5 3/8 inches (19.1 x 13.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. Preludium to the First Book of Urizen, "Of the primeval Priests assum'd power..." (Plate 2)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. The First Book of Urizen, Plate 28 (Bentley 27)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. "A wond'rous boy shall Rinda bear, Who ne'er shall comb his raven hair..." (Design 83)

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. Night the Third. Narcissa; Title Page

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. Preludium. "Of the primeval Priests assum'd power..." (Plate 2b)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in pale brown ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. Holy Thursday (Plate 38)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. The Little Boy Lost (Plate 16)

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in green ink, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. Urizen (Plate 21)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. 'Time, in advance, behind him hides his wings' (Page 24)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. "Repelling weeping Enion blind & age-bent..." (Plate 87)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. "What do I see! The Briton Saxon Roman Norman..." (Plate 92)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. "Such visions have appeared to me..."; Chapter 2 Frontispiece (Plate 26)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 10 3/8 x 13 1/2 inches (26.4 x 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. 'O treacherous conscience! while she seems to sleep" (Page 27)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. "Nor fear the rocks, nor seek the shore..." (Design 101)

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. "At the chapel-door stand sentry... (Design 31)

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. "They saw their Wheels rising up poisonous..." (Plate 43)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. Melania

Creator:: Print made by John Condé, 1765–1794
Date:: 1792
Materials & Techniques:: Stipple engraving and etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 6 5/16 x 4 9/16 inches (16.1 x 11.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. The Nightingale

Creator:: Print made by Alfred W. Cooper, active 1850–1901
Date:: undated
Materials & Techniques:: Wood-engraving with hand coloring on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/2 x 7 3/16 inches (26.6 x 18.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. Sensibility

Creator:: Print made by Richard Earlom, 1743–1822
Date:: 1789
Materials & Techniques:: Color-printed stipple engraving and etching with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 3/8 × 9 5/8 inches (31.5 × 24.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. Sensibility

Creator:: Print made by Richard Earlom, 1743–1822
Date:: 1789
Materials & Techniques:: Stipple engraving and etching on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 17 3/8 x 13 9/16 inches (44.2 x 34.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. Profile Portrait of a Renaissance Maiden

Creator:: Print made by Samuel Arlent Edwards, 1861–1938
Date:: 1905
Materials & Techniques:: Color printed mezzotint with hand colring in watercolor on very thick, slightly textured, beige card
Dimensions:: Sheet: 13 1/4 x 9 1/4 inches (33.6 x 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Estate of Bliss Reed Crocker in memory of Mr. and Mrs. Edward Bliss Reed, transfer from the Yale University Art Gallery

48. Robert Carr, Earl of Somerset, with His Countess, Frances Howard

Creator:: Renold Elstrack, 1570–1625(?)
Date:: ca. 1615
Materials & Techniques:: Line engraving on medium, smooth, cream laid paper, pasted on mount, laid on additional larger mount
Dimensions:: Sheet: 7 1/2 × 5 9/16 inches (19.1 × 14.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of John Hay Whitney, Yale BA 1926, Yale MA (HON.) 1956, transfer from the Yale University Library and the Yale University Art Gallery

49. Edward, Prince of Wales, Presenting the Captive King John of France and His Sons to His Father Edward the Third After the Battle of Poictiers

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1788
Materials & Techniques:: Stipple engraving and line engraving on medium, moderately textured, cream laid paper laid on mount
Dimensions:: Mount: 15 1/4 x 19 1/16 inches (38.8 x 48.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. Mr. Foote and Mr. Weston in the Characters of the President and Dr. Last

Creator:: Print made by John Finlayson, 1730–1776
Date:: 1769
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 18 1/8 x 22 3/8 inches (46 x 56.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. Thomas King and Sophia Baddely in "The Clandestine Marriage"

Creator:: Richard Earlom, 1743–1822
Date:: 1772
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 18 3/4 x 22 5/8 inches (47.6 x 57.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. Figure Study of a Lady (back view)

Creator:: James Miller, active 1773–1814
Date:: undated
Materials & Techniques:: Watercolor, gouache, graphite, pen and gray ink on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 7 11/16 × 6 1/4 inches (19.5 × 15.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Paul Mellon in memory of Dudley Snelgrove

53. Figure Study of a Lady

Creator:: James Miller, active 1773–1814
Date:: undated
Materials & Techniques:: Watercolor, graphite, gouache, pen and gray ink on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 7 13/16 × 6 3/8 inches (19.8 × 16.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Paul Mellon in memory of Dudley Snelgrove

54. Mrs. Fitzherbert

Creator:: Print made by John Condé, 1765–1794
Date:: 1792
Materials & Techniques:: Stipple engraving with etched border on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 16 × 11 7/8 inches (40.6 × 30.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. Study of Two Figures

Creator:: Elizabeth Siddal, 1834–1862
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 5/16 x 14 11/16in. (23.7 x 37.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Bequest of Richard L. Purdy

56. Miss Macdonald

Creator:: Print made by Samuel Cousins, 1801–1887
Date:: 1831
Materials & Techniques:: Mezzotint, stipple engraving, and line engraving on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 14 1/8 x 11 1/8 inches (35.8 x 28.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Bequest of Frank Altschul, Yale BA 1908, PhD (HON.) 1967, transfer from the Yale University Art Gallery

57. The Affectionate Daughter

Creator:: John Eginton, active 1763–1800
Date:: 1792
Materials & Techniques:: Stipple engraving, printed in color on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 14 15/16 × 11 7/16 inches (37.9 × 29 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. Jenny and Roger

Creator:: Print made by David Allan, 1744–1796
Date:: 1808
Materials & Techniques:: Etching and aquatint on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/8 x 8 7/8 inches (28.3 x 22.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

59. Mary, Countess of Seaforth

Creator:: John Faber the Younger, ca. 1695–1756
Date:: 1751
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 14 × 10 1/16 inches (35.5 × 25.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. Angelica Kauffman

Creator:: Print made by Pierre Audouin, 1768–1822
Date:: undated
Materials & Techniques:: Line engraving and etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 9 5/8 × 6 5/16 inches (24.4 × 16 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. View of Queen Square

Creator:: Engraved by Robert Pollard, 1755–1838
Date:: 1789
Materials & Techniques:: Etching, line engraving, and aquatint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 19 1/2 × 24 7/16 inches (49.5 × 62.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. Time raising Truth, after Rubens’s “The Triumph of Truth”

Creator:: Attributed to Richard Cosway, 1742–1821
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 8 x 11 15/16 inches (20.3 x 30.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

63. A Girl Spinning Thread

Creator:: Print made by John Faber the Younger, ca. 1695–1756
Date:: undated
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 14 5/16 x 10 1/4 inches (36.4 x 26.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. Mrs. Quarrington as St. Agnes

Creator:: Print made by Thomas Chambars, ca. 1724–1789
Date:: ca. 1787
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 16 15/16 x 13 11/16 inches (43 x 34.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

65. Portrait of Lady Marjorie Jenkins

Creator:: John Downman, 1750–1824
Date:: 1798
Materials & Techniques:: Black chalk with watercolor and stumping on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 11 x 8 1/2 inches (28 x 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Anonymous Gift

66. Portrait of Maria Elizabeth Dadd, the Artist's Sister

Creator:: Richard Dadd, 1817–1886
Date:: 1839
Materials & Techniques:: Watercolor with gouache over graphite on moderately thick, slightly textured, blue-green wove paper
Dimensions:: Sheet: 6 5/8 × 5 5/8 inches (16.8 × 14.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. Miss Farren in the Character of Hermione

Creator:: Edward Fisher, 1722–1785
Date:: 1781
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 24 3/8 x 16 1/4 inches (61.9 x 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. North West View, Lincoln's Inn

Creator:: Print made by Day & Co., 1824–1913
Date:: between 1845 and 1850
Materials & Techniques:: Lithograph on thick, slightly textured, beige wove paper
Dimensions:: Sheet: 11 x 15 1/2 inches (28 x 39.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. Figure Study of a Seated Lady

Creator:: James Miller, active 1773–1814
Date:: undated
Materials & Techniques:: Gray wash and graphite on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 7 13/16 × 6 5/16 inches (19.8 × 16 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Paul Mellon in memory of Dudley Snelgrove

70. Mrs. Gautherot

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1790
Materials & Techniques:: Stipple engraving on thin, smooth, cream laid paper
Dimensions:: Sheet: 7 1/2 x 5 13/16 inches (19.1 x 14.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. Portrait of a Lady, Facing Left

Creator:: John Downman, 1750–1824
Date:: undated
Materials & Techniques:: Black and red chalk with watercolor and stumping on medium, smooth, cream wove paper
Dimensions:: Sheet: 7 7/8 x 6 3/8 inches (20 x 16.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. Portrait of a Woman taken from life, facing right

Creator:: John Smart, 1741–1811
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 1 7/8 × 1 9/16 inches (4.8 × 4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. Lady Macartney's Villa at Chiswick

Creator:: William Alexander, 1767–1816
Date:: after 1808
Materials & Techniques:: Graphite and brown wash on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 8 1/4 x 11 7/8 inches (21 x 30.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. Catherine Lamb

Creator:: Francois Theodore Rochard, 1798–1858
Date:: undated
Materials & Techniques:: Watercolor, graphite, and gouache on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 10 3/4 × 8 7/8 inches (27.3 × 22.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Ormsbee N. Robinson

75. Teresa, Comtess Gamba-Guicioli

Creator:: Francois Theodore Rochard, 1798–1858
Date:: undated
Materials & Techniques:: Watercolor, graphite, and gouache on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 10 1/2 × 8 11/16 inches (26.7 × 22.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Ormsbee N. Robinson

76. Queen Square, London

Creator:: Edward Dayes, 1763–1804
Date:: 1786
Materials & Techniques:: Watercolor with pen and black ink over graphite on thick, smooth, cream wove paper
Dimensions:: Sheet: 17 1/16 x 23 1/2 inches (43.4 x 59.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

77. John Edwin and Mrs. Mary Wells as Lingo and Cowslip in "The Agreeable Surprise"

Creator:: John Downman, 1750–1824
Date:: 1787
Materials & Techniques:: Watercolor with gouache, black chalk and stumping on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 16 5/16 x 12 5/8 inches (41.4 x 32 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

78. Portrait of a Girl Holding a Garland

Creator:: attributed to John Downman, 1750–1824
Date:: undated
Materials & Techniques:: Black and red chalk with graphite on moderately thick, moderately textured, cream laid paper mounted on medium, slightly textured, beige wove paper
Dimensions:: Mount: 12 3/8 × 9 1/2 inches (31.4 × 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

79. Portrait of Mrs. Wilks of Madras

Creator:: John Smart, 1741–1811
Date:: 1793
Materials & Techniques:: Graphite and brown wash on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 × 6 3/8 inches (17.8 × 16.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

80. The Exposition of Cyrus

Creator:: Print made by Richard Earlom, 1743–1822
Date:: 1781
Materials & Techniques:: Mezzotint and etching on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 11 15/16 x 15 1/4 inches (30.3 x 38.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

81. Augustus

Creator:: Print made by Jacob Gole, 1660–1737
Date:: undated
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 1/16 x 7 9/16 inches (25.6 x 19.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

82. L'Age du Fer

Creator:: Print made by Jacob Gole, 1660–1737
Date:: undated
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 10 1/4 x 7 1/2 inches (26 x 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

83. The Reunion of the Soul & the Body

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808, published 1813
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 15 × 11 3/8 inches (38.1 × 28.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

84. The Soul Exploring the Recesses of the Grave

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808, published 1813
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 15 × 11 3/8 inches (38.1 × 28.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

85. Miss Ann Parry

Creator:: Print made by John Dean, 1754–1798
Date:: 1777
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.9 x 26.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

86. Ann Elizabeth, Countess of Aldborough

Creator:: Print made by S. Einslie, active 1785–1808
Date:: 1788
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 18 3/4 x 13 1/4 inches (47.7 x 33.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

87. Miss Sarah Campbell

Creator:: Print made by Valentine Green, 1739–1813
Date:: ca. 1779
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 17 5/16 × 13 3/16 inches (43.9 × 33.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

88. Phoebe Hoppner as Caroline de Lichtfield

Creator:: Print made by John Dean, 1754–1798
Date:: 1786
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 14 5/16 x 11 9/16 inches (36.3 x 29.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

89. Julia, Lady Peel

Creator:: Print made by Samuel Cousins, 1801–1887
Date:: 1832
Materials & Techniques:: Mezzotint, line engraving, and stipple engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 17 11/16 x 14 3/8 inches (45 x 36.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

90. Reading by a Paper-Bell Shade

Creator:: Print made by Philip Dawe, ca.1750–ca.1790
Date:: 1768
Materials & Techniques:: Mezzotint and etching on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 16 7/8 x 11 1/8 inches (42.8 x 28.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

91. Jeune dame tenant une aumônière

Creator:: Print made by Abraham Blooteling, 1640–1690
Date:: between 1680 and 1690
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 1/16 × 6 15/16 inches (25.5 × 17.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

92. Courtship for Money

Creator:: Print made by Philip Dawe, ca.1750–ca.1790
Date:: 1771
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 14 1/4 x 10 7/16 inches (36.2 x 26.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

93. The Morning Rose, What Shall Poor Harpax Do!

Creator:: Print made by John Faber the Younger, ca. 1695–1756
Date:: 1744
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 12 1/4 x 14 5/16 inches (31.1 x 36.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

94. The Choice

Creator:: Print made by John Faber the Younger, ca. 1695–1756
Date:: 1737
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 10 5/8 x 15 1/8 inches (27 x 38.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

95. Lady with a Fan

Creator:: Print made by Jacob Gole, 1660–1737
Date:: 1690s
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 10 5/16 x 7 5/8 inches (26.2 x 19.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

96. A Girl Spinning Thread

Creator:: Print made by John Faber the Younger, ca. 1695–1756
Date:: undated
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 13 1/16 x 9 3/16 inches (33.1 x 23.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

97. The Dairymaid's Occupation

Creator:: Print made by John Faber the Younger, ca. 1695–1756
Date:: undated
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 13 1/8 x 9 1/8 inches (33.4 x 23.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

98. A Scene in "The Recruiting Officer"

Creator:: Print made by John Faber the Younger, ca. 1695–1756
Date:: ca. 1739
Materials & Techniques:: Mezzotint on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 9 3/4 x 13 3/16 inches (24.7 x 33.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

99. Arithmetica

Creator:: Print made by Jacob Gole, 1660–1737
Date:: ca. 1690
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 1/8 x 10 3/8 inches (25.7 x 26.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

100. Shepherdess

Creator:: Print made by John Faber the Younger, ca. 1695–1756
Date:: 1747
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 14 × 10 1/16 inches (35.5 × 25.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

YCBA Collections Search

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1. The Chalon Family in London

2. Portrait of a Young Woman

3. Family Group

4. Portrait of a Woman, Probably Elizabeth Aislabie, of Studley Royal, Yorkshire

5. Arabella Pershall, Lady Glenorchy

6. Young Women with a Lamb

7. First Class—The Meeting. "And at first meeting loved."

8. Eliza Eastlake (née Bailey)

9. The Wandering Sailor

10. The Mill

11. Captain Vincenzo Lunardi with his Assistant George Biggin, and Letitia Anne Sage (née Hoare), in a Balloon

12. The Rev. Thomas Gisborne and Mary Gisborne (née Babington)

13. A View of Thames Street, Windsor

14. Woman Reading by a Paper-Bell Shade

15. Mrs. Wardle

16. Alexander Knox

17. The Bard Singing Owen's Praise (Design 89)

18. Night the First. On Life, Death and Immortality; Title Page

19. 'Oft bursts my song beyond the bounds of life' (Page 16)

20. Night the Third. Narcissa; Title Page

21. The Mourner at the Tomb (Design 103)

22. A Welch Bard (Design 53)

23. "Why wilt thou give to her a Body..." (Plate 12)

24. "Jerusalem, Chapter 3. But Los, who is the Vehicular Form..." (Plate 53)

25. The Three Fatal Sisters (Design 67)

26. The Little Boy Lost (Plate 20)

27. Preludium to the First Book of Urizen, "Of the primeval Priests assum'd power..." (Plate 2)

28. The First Book of Urizen, Plate 28 (Bentley 27)

29. "A wond'rous boy shall Rinda bear, Who ne'er shall comb his raven hair..." (Design 83)

30. Night the Third. Narcissa; Title Page

31. Preludium. "Of the primeval Priests assum'd power..." (Plate 2b)

32. Holy Thursday (Plate 38)

33. The Little Boy Lost (Plate 16)

34. Urizen (Plate 21)

35. 'Time, in advance, behind him hides his wings' (Page 24)

36. "Repelling weeping Enion blind & age-bent..." (Plate 87)

37. "What do I see! The Briton Saxon Roman Norman..." (Plate 92)

38. "Such visions have appeared to me..."; Chapter 2 Frontispiece (Plate 26)

39. 'O treacherous conscience! while she seems to sleep" (Page 27)

40. "Nor fear the rocks, nor seek the shore..." (Design 101)

41. "At the chapel-door stand sentry... (Design 31)

42. "They saw their Wheels rising up poisonous..." (Plate 43)

43. Melania

44. The Nightingale

45. Sensibility

46. Sensibility

47. Profile Portrait of a Renaissance Maiden

48. Robert Carr, Earl of Somerset, with His Countess, Frances Howard

49. Edward, Prince of Wales, Presenting the Captive King John of France and His Sons to His Father Edward the Third After the Battle of Poictiers

50. Mr. Foote and Mr. Weston in the Characters of the President and Dr. Last

51. Thomas King and Sophia Baddely in "The Clandestine Marriage"

52. Figure Study of a Lady (back view)

53. Figure Study of a Lady

54. Mrs. Fitzherbert

55. Study of Two Figures

56. Miss Macdonald

57. The Affectionate Daughter

58. Jenny and Roger

59. Mary, Countess of Seaforth

60. Angelica Kauffman

61. View of Queen Square

62. Time raising Truth, after Rubens’s “The Triumph of Truth”

63. A Girl Spinning Thread

64. Mrs. Quarrington as St. Agnes

65. Portrait of Lady Marjorie Jenkins

66. Portrait of Maria Elizabeth Dadd, the Artist's Sister

67. Miss Farren in the Character of Hermione

68. North West View, Lincoln's Inn

69. Figure Study of a Seated Lady

70. Mrs. Gautherot

71. Portrait of a Lady, Facing Left

72. Portrait of a Woman taken from life, facing right

73. Lady Macartney's Villa at Chiswick

74. Catherine Lamb