A Conversation (The Artist's Brothers Peter and James Romney)
1766
Not on view
3
Charles Reuben Ryley, 1752–1798
'The Vicar of Wakefield,' Vol. I, Chap. VIII: Dining in the Hayfields' (Surprised by Mr. Thornhill's Chaplain)
1786
Not on view
4
Philip Hermogenes Calderon, 1833–1898
"Lord, Thy Will Be Done"
1855
Not on view
5
Arthur Devis, 1712–1787
Probably John Trevor, third Baron Trevor, of St. Anne's Hill, Surrey, and Trevalyn Hall, Denbighshire (formerly T. Travers, Esq.)
1763
Not on view
6
John Jackson, 1778–1831
Antonio Canova
1819 to 1820
Not on view
7
Marcellus Laroon the Younger, 1679–1772
The Barber
between 1760 and 1769
Not on view
8
Benjamin West, 1738–1820
John Eardley Wilmot
1812
Not on view
9
Pompeo Batoni, 1708–1787
William Weddell
between 1765 and 1766
Not on view
10
Thomas Creswick, 1811–1869
Figures on a Balcony, probably at Westpoint
ca. 1843
Not on view
11
Sir William Beechey, 1753–1839
Edward George Lind and His Son, Montague
ca. 1800
Not on view
12
Henry Walton, 1746–1813
Jean Grant (née Duff), Lady Grant
ca. 1775
Not on view
13
Harold Gilman, 1876–1919
Sylvia Darning
1917
Not on view
14
unknown artist
View of Horse Guards and Whitehall
ca. 1750
Not on view
15
Mason Chamberlin, 1722–1787
Daniel Cunyngham
1766
Not on view
16
George Clint, 1770–1854
Harriet Smithson as Miss Dorillon, in "Wives as They Were, and Maids as They Are" by Elizabeth Inchbald
ca. 1822
Not on view
17
Joseph Francis Nollekens, 1702–1748
Portrait of Two Boys, probably Joseph and John Joseph Nollekens
ca. 1745
Not on view
18
Francis Wheatley, 1747–1801
The Mistletoe Bough
ca. 1790
Not on view
19
Alexander Nasmyth, 1758–1840
Stage Design for Heart of Midlothian; Deans' Cottage
ca. 1819
Not on view
20
Joseph Highmore, 1692–1780
The Harlowe Family, from Samuel Richardson's "Clarissa"
between 1745 and 1747
Not on view
21
Agostino Brunias, 1728–1796
Market Day, Roseau, Dominica
ca. 1780
Not on view
22
Albert Joseph Moore, 1841–1893
A Musician
ca. 1867
Not on view
23
Charles West Cope, 1811–1890
Home Dreams
1869
Not on view
24
Charles Robert Leslie, 1794–1859
Slender, with the Assistance of Shallow, Courting Anne Page, from "The Merry Wives of Windsor," Act III, Scene iv
1825
Not on view
25
Thomas Hudson, 1707–1779
The Thistlethwayte Family
ca. 1758
Not on view
26
Francis Alleyne, active 1774–1790
Margot Wheatley
1786
Not on view
27
Francis Alleyne, active 1774–1790
William Wheatley
1786
Not on view
28
Benjamin West, 1738–1820
Paetus and Arria
1766
Not on view
29
George Beare, 1724/5–1749
Portrait of an Elderly Lady and a Girl
1747
Not on view
30
Sir Joshua Reynolds, 1723–1792
Frances Abington (née Barton) as Miss Prue in William Congreve’s “Love for Love”
1771
Not on view
31
Arthur William Devis, 1762–1822
Emily and George Mason
between 1794 and 1795
Not on view
32
Anson Ambrose Martin, active 1830–1844
James Taylor Wray of the Bedale Hunt with his Dun Hunter
ca. 1840
Not on view
33
Ramsay Richard Reinagle, 1775–1862
Francis Noel Clarke Mundy and His Grandson, William Mundy
1809
Not on view
34
Arthur Devis, 1712–1787
An Unknown Man Seated at a Table
between 1744 and 1746
Not on view
35
Nathaniel Dance, 1735–1811
Tobias Smollet
ca. 1764
Not on view
36
Thomas Gainsborough, 1727–1788
William Lowndes, Auditor of His Majesty's Court of Exchequer
1771
Not on view
37
George Chinnery, 1774–1852
Josiah Andrew Hudleston (1799-1865)
1832
Not on view
38
Tilly Kettle, 1735–1786
Eleanora Frances Murray
in or before 1768
Not on view
39
Francis Hayman, 1707/8–1776
David Garrick and Hannah Pritchard (née Vaughan) in Benjamin Hoadly's "The Suspicious Husband"
1747
Not on view
40
George Henry Harlow, 1787–1819
Henry Fuseli
1817
Not on view
41
Edward William Cooke, 1811–1880
Godstow Bridge near Oxford
1835
Not on view
42
Nathaniel Dance, 1735–1811
Cristiano Giuseppe Lidarti and Giovanni Battista Tempesti
between 1759 and 1760
Not on view
43
unknown artist
The Buckley-Boar Family
between 1758 and 1760
Not on view
44
John Scarlett Davis, 1804–1845
The Interior of the British Institution Gallery
1829
Not on view
45
John de Critz, ca. 1550–1642
Sir Francis Walsingham (ca. 1532–1590)
ca. 1589
Not on view
46
Samuel De Wilde, 1748–1832
John Quick and John Fawcett in Thomas Moreton's "The Way to Get Married"
1796
Not on view
47
Arthur Devis, 1712–1787
An Unknown Woman in a Drawing Room
between 1740 and 1741
Not on view
48
Sir Anthony Van Dyck, 1599–1641
Katherine Stanhope (née Wotton), later Countess of Chesterfield, and Lucy Hastings (née Davies), Countess of Huntingdon
1636 to 1640
Not on view
49
Mason Chamberlin, 1722–1787
William Strahan
ca. 1775
Not on view
50
Thomas Hickey, 1741–1824
Thomas Graham
ca. 1790
Not on view
51
Richard Whately West, 1848–1905
The Perivale Road
ca. 1885
Not on view
52
Giles Hussey, 1710–1788
Portrait of a landscape painter, possibly George Lambert
between 1740 and 1750
Not on view
53
Thomas Hudson, 1707–1779
Charles Pinfold
1756
Not on view
54
John Hamilton Mortimer, 1740–1779
Portrait of a Man and a Boy Looking at Prints
between 1765 and 1770
Not on view
55
Allan Ramsay, 1713–1784
Mary Adam
1754
Not on view
56
Robert Polhill Bevan, 1865–1925
Study of a Woman Sewing
undated
57
Print made by William Hogarth, 1697–1764
Simon, Lord Lovat
58
Print made by William Hogarth, 1697–1764
Hogarth Painting the Comic Muse
1764
59
George Romney, 1734–1802
Mother and Son
undated
60
George Romney, 1734–1802
The Accusation of Susanna by the Elders
undated
61
Print made by William Blake, 1757–1827
'Tis greatly wise to talk with our past hours' (Page 31)
1797
62
Print made by William Blake, 1757–1827
'Teaching, we learn; and giving, we retain' (Page 35)
1797
63
William Blake, 1757–1827
"Up stairs in a whirlwind rattle..." (Design 29)
between 1797 and 1798
64
William Blake, 1757–1827
The Bard Singing Owen's Praise (Design 89)
between 1797 and 1798
65
William Blake, 1757–1827
A Genius Driving Away "Comus & his midnight-crew..." (Design 95)
between 1797 and 1798
66
Print made by William Blake, 1757–1827
A Cradle Song (Plate 18)
1789
67
William Blake, 1757–1827
The Mourner at the Tomb (Design 103)
between 1797 and 1798
68
William Blake, 1757–1827
"My Lade rose, and with a grace– She smil'd, and bid him come to dinner..." (Design 33)
between 1797 and 1798
69
William Blake, 1757–1827
The Beginning of Poesy. The Blind Begging Bard (Design 41)
between 1797 and 1798
70
Print made by William Blake, 1757–1827
Laughing Song (Plate 14)
1789
71
Print made by William Blake, 1757–1827
A Cradle Song (Plate 26)
1789
72
Hubert-François Gravelot, 1699–1773
Study of a Seated Lady
ca. 1740
73
attributed to Hubert-François Gravelot, 1699–1773
Matrimonial Fisticuffs, with a Portrait of the Pugilist John Broughton, in the Background
undated
74
Francis Hayman, 1707/8–1776
Scene from a Play, possibly Benjamin Hoadley's "The Suspicious Husband"
undated
75
Paul Sandby, 1731–1809
The Garden of Thomas Sandby's House at Englefield Green near Windsor
ca. 1800
76
Robert Smirke, 1752–1845
Falstaff in the Boar's Head
1807
77
Paul Sandby, 1731–1809
Francis Grose Asleep in a Chair
undated
78
George Shepheard, ca. 1770–1842
Three Men in a Room: Gilchrist Seated at a Table, Tom Adam standing, Seen from Behind, and Matt Haughton seated Legs Outspread and Arms Akimbo before a Fire
undated
79
Adam Buck, 1759–1833
The Artist and his Family
1813
80
unknown artist
Chair with Shelf and Inscription
undated
81
Louis Philippe Boitard, active 1734–1760
A Man Asleep with Hands Crossed in a Chair
undated
82
Dante Gabriel Rossetti, 1828–1882
Miss Elizabeth Siddal
between 1854 and 1855
83
Benjamin West, 1738–1820
Page Boy Asleep
undated
84
John Hoppner, 1758–1810
Study of a Seated Woman
undated
85
Charles Green, 1840–1898
The Visiting Card - Langham Sketching Club Subject
undated
86
Paul Sandby, 1731–1809
London Cries: "Turn your Copper into Silver Now before Your Eyes" (Title Page Design)