Destruction of the Houses of Parliament, Oct 16th, 1834, as Seen from Henry VIIth's Chapel
undated
3605
Print made by Thomas Talbot Bury, 1811–1877
Elevation of the River Front
ca. 1835
3606
John Coney, 1786–1833
North East View of Henry VII Chapel Westminster
1813
3607
Print made by unknown artist
North East View of Henry VII Chapel Westminster
ca. 1813
3608
Print made by George Barret Jr., 1767–1842
Marriage of Henry the seventh
1796
3609
Print made by Edward Rooker, 1724–1774
Henry the Seventh's Chapel
undated
3610
Print made by Thomas Sutherland, ca. 1785–1838
Fragments & Parts of the Exterior of Henry the Seventh Chapel, Westminster Abbey
1811
3611
William Capon, 1757–1827
Henry VII Chapel
ca. 1793
3612
John Phillipps Emslie, 1839–1913
Houses Adjacent to Westminster Abbey in the Process of Demolition
1896
3613
John Carter, 1748–1817
View of Modern Gateway in South East Angle of Dean's Yard
between 1780 and 1807
3614
Attributed to John Carter, 1748–1817
North View of the Jerusalem Chamber, Taken from the West Porch of Westminster Abbey
1792
3615
attributed to Peter DeWint, 1784–1849
View of the Thames at Kingston
1809
3616
Edward Kennion, 1743–1809
A View of Hall-head Sugar Plantation, Jamaica
ca. 1780
3617
Emily Calmady, 19th century
Sir Thomas Lawrence's Painting Room in 1824
1824
3618
Thomas Rowlandson, 1756–1827
View of the Market Place at Juliers in Westphalia
1791
3619
Attributed to John Carter, 1748–1817
Springing of an Arch, St Stephen's Chapel
between 1790 and 1802
3620
Print made by John Thomas Smith, 1766–1833
Geometrical Construction of the Freeze and Battlements in the House of Commons
1805
3621
Print made by James Basire, 1730–1802
Plate XIII: St Stephen's Chapel
1795
3622
Print made by John Le Keux, 1783–1846
Compartment on One Side, St Stephen's Chapel
1825
3623
Attributed to John Carter, 1748–1817
Impost moldings, St Stephen's Chapel
between 1790 and 1802
3624
Attributed to John Carter, 1748–1817
Details of Imposts and Bases of Columns, St Stephen's Chapel
between 1790 and 1802
3625
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
3626
Attributed to John Carter, 1748–1817
Basso-relievos in the Groins of the Undercroft of St Stephen's Chapel
ca. 1781
3627
Print made by James Basire, 1730–1802
Plate XII: St Stephen's Chapel
1795
3628
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
3629
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
3630
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
3631
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
3632
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
3633
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
3634
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
3635
Print made by Robert William Billings, 1813–1874
Ruins of St Stephen's Chapel, Seen from the Roof of Westminster Hall
1835
3636
Print made by John Thomas Smith, 1766–1833
Oak Door Discovered in the Speaker's State Dining Room
1806
3637
Print made by Thomas A. Woolnoth, 1785–1857
Plate III: Crypt under St Stephen's Chapel
ca. 1836
3638
Print made by Charles Grignion, 1717–1810
House of Commons and the Entrance to the House of Lords with the Office of Ordnance
undated
3639
Attributed to John Carter, 1748–1817
Elevation of the Basement Story, House of Lords
between 1800 and 1807
3640
Attributed to John Carter, 1748–1817
View in Basement Story under House of Lords
between 1800 and 1807
3641
unknown artist
View of the Office of Ordnance with the Entrance of the House of Lords
undated
3642
Attributed to John Carter, 1748–1817
East Front of Painted Chamber
between 1793 and 1799
3643
Print made by unknown artist
Staircase at Southeast Angle, Painted Chamber, Westminster
1835
3644
Attributed to John Carter, 1748–1817
Continuation of East Line of Ancient Buildings on the Left of East End of Painted Chamber
between 1793 and 1799
3645
Attributed to John Carter, 1748–1817
Details of one of the Figures
ca. 1795
3646
Print made by G.F. Storm, active mid–19th century
Vol. 6, Plate XXVIII
1842
3647
Print made by G.F. Storm, active mid–19th century
Vol. 6, Plate XXIX
1842
3648
Print made by James Basire II, 1769–1822
Vol. 6, Plate XXVII: The Painted Chamber
1842
3649
Attributed to John Carter, 1748–1817
Enlarged Detail of Figures from Painting Shown in Previous Sketch
between 1793 and 1799
3650
Print made by James Basire II, 1769–1822
Vol. 6, Plate XXXIII: The Captivity of Jehoiachin King of Israel. Continuation of the Story, of the Captivity of the Jews
1842
3651
Print made by James Basire II, 1769–1822
Vol. 6, Plate XXXV: Continuation as it is Presumed of the Miracles of Elisha, and the Famine of Samaria. The Acts of Judas Maccabeus
1842
3652
Print made by James Basire II, 1769–1822
Vol. 6, Plate XXXVII: The Coronation of Edward the Confessor. Warriors Flying for Refuge into a City
1842
3653
Print made by James Basire II, 1769–1822
Vol. 6, Plate XXXIV: The Story of Elijah and Ahaziah. The Miracles of Elisha
1842
3654
Print made by James Basire II, 1769–1822
Vol. 6, Plate XXXVIII: The Triumph of Largesse or Bounty over Avarice. The Triumph of Debonerete or Meekness over Anger
after 1819
3655
Print made by unknown artist
Vol. 6, Plate XXXIX: The Story of St John as a Pilgrim, and King Edward the Confessor. Fragment of a Virtue Triumphant. An Ornamental Pattern Found in one of the Round Headed Windows Filled up in the Painted Chamber
undated
3656
George Birch, 1842–1904
Plan and View of Room under the Painted Chamber
1827
3657
George Birch, 1842–1904
Sections of Room under Painted Chamber
1827
3658
Print made by T. Kearnan, active 1821–1850
The House of Lords, as Restored after the Fire
1835
3659
Attributed to William Capon, 1757–1827
Elevation of Buildings Fronting Westminster Hall
1822
3660
Print made by unknown artist
North East View of Henry VII Chapel Westminster
ca. 1813
3661
Attributed to John Carter, 1748–1817
Seats in Henry VII Chapel, Westminster Abbey
ca. 1793
3662
Attributed to Sir Charles Barry, 1795–1860
Doorway, Dean's Yard, Westminster
1837
3663
Attributed to John Carter, 1748–1817
Part of the Old Dormitory
1815
3664
Attributed to John Carter, 1748–1817
South View of the Abbey Church, Westminster, Taken from Dean's Yard
1785
3665
Attributed to John Carter, 1748–1817
South West View of the Remains of the Crypt under the Dormitory in Dean's Yard Discovered in June
1815
3666
Attributed to John Carter, 1748–1817
Line of Buildings on East Side, Dean's Yard
between 1806 and 1815
3667
Attributed to John Carter, 1748–1817
Springing of groins
1815
3668
Attributed to John Carter, 1748–1817
Buildings on North Side, Dean's Yard
between 1806 and 1815
3669
Attributed to John Carter, 1748–1817
Buildings on East Side of Dean's Yard
between 1806 and 1815
3670
Attributed to John Carter, 1748–1817
Continuation of Detail
between 1806 and 1815
3671
Attributed to John Carter, 1748–1817
Detail for Preceding Elevations
between 1806 and 1815
3672
Attributed to John Carter, 1748–1817
Continuation of Detail
between 1806 and 1815
3673
Print made by John Carter, 1748–1817
Plate XCIV: South View of Westminster Abbey, Taken from Deans Yard
1791
3674
Attributed to John Carter, 1748–1817
Continuation of Details
between 1806 and 1815
3675
Attributed to John Carter, 1748–1817
Window, Dean's Yard
between 1806 and 1815
3676
Thomas Hartley Cromek, 1809–1873
Le Colonnacce, Rome: Remains of the Inner Walls of the Forum of Nerva
ca. 1840
3677
attributed to Peter DeWint, 1784–1849
Houses at Kingston on the Thames
undated
3678
Willey Reveley, 1760–1799
Views in the Levant: The Colossus of Barletta
ca. 1785
3679
James Moore, 1762–1799
Buckfast Abbey, Devon, England
1791
3680
James Moore, 1762–1799
Okehampton Bridge
1791
3681
Thomas Girtin, 1775–1802
Classical Composition
1798 to 1799
3682
Thomas Girtin, 1775–1802
Eton College from Datchet Road
1790
3683
David Roberts, 1796–1864
From London Bridge
1860
3684
Samuel Scott, 1701/2–1772
The Thames with Montagu House and Westminster Bridge
undated
3685
Samuel Scott, 1701/2–1772
Thames Side Buildings
undated
3686
Hercules Brabazon Brabazon, 1821–1906
The Quwwat-ul-Islam (or Might of Islam) mosque and the Iron Pillar of Delhi, Qtub Minar complex
undated
3687
Samuel Scott, 1701/2–1772
Ludlow Castle
between 1765 and 1769
3688
Studio of Sir Jeffry Wyatville, 1766–1840
Design for a Cottage: Elevation
undated
3689
Thomas Girtin, 1775–1802
Winchester Cathedral, Hampshire, from the North-East
after 1794
3690
Thomas Girtin, 1775–1802
St. Paul's Cathedral, from St. Martin's-le-Grand, London
ca. 1795
3691
Thomas Girtin, 1775–1802
Layer Marney Hall, Essex
ca. 1795
3692
Thomas Girtin, 1775–1802
Tolleshunt-Beckingham, Essex
ca. 1795
3693
Thomas Girtin, 1775–1802
Great Marlow Church, Buckinghamshire
ca. 1795
3694
Thomas Girtin, 1775–1802
Carlisle Cathedral, Cumberland, from the South-west