<< YCBA Home Yale Center for British Art Yale Center for British Art << YCBA Home

YCBA Collections Search

Search Constraints

Start Over
You searched for:

Image Use Free to Use

Remove constraint Image Use: Free to Use

Collective Title Alexander Campbell, A Journey from Edinburgh through Parts of North Britain

Remove constraint Collective Title: Alexander Campbell, A Journey from Edinburgh through Parts of North Britain

Search Results

1. Ruins of Castle-Gloom

Ruins of Castle-Gloom
Creator:
Print made by Thomas Medland, 1755–1823
Date:
1802
Materials & Techniques:
Aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

2. Loch-Kaitrin, East End

Loch-Kaitrin, East End
Creator:
Print made by Thomas Medland, 1755–1823
Date:
1802
Materials & Techniques:
Aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

3. Pass of Killicrankie

Pass of Killicrankie
Creator:
Print made by Thomas Medland, 1755–1823
Date:
1802
Materials & Techniques:
Aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

4. Windings of the Tay, Looking toward the Mountains of Athol

Windings of the Tay, Looking toward the Mountains of Athol
Creator:
Print made by Thomas Medland, 1755–1823
Date:
1802
Materials & Techniques:
Aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

5. Kinloch Rannoch

Kinloch Rannoch
Creator:
Print made by Thomas Medland, 1755–1823
Date:
1802
Materials & Techniques:
Aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

6. View from the Heights of Dunkeld

View from the Heights of Dunkeld
Creator:
Print made by Thomas Medland, 1755–1823
Date:
1802
Materials & Techniques:
Aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

7. Loch Tay Looking toward Killin

Loch Tay Looking toward Killin
Creator:
Print made by Thomas Medland, 1755–1823
Date:
1802
Materials & Techniques:
Aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

8. Loch-vana-choir

Loch-vana-choir
Creator:
Print made by Francis Jukes, 1747–1812
Date:
1802
Materials & Techniques:
Aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

9. Loch-leven

Loch-leven
Creator:
Print made by W. Pickett, active 1792–1820
Date:
1802
Materials & Techniques:
Aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

10. St. Andrews from the East

St. Andrews from the East
Creator:
Print made by W. Pickett, active 1792–1820
Date:
1802
Materials & Techniques:
Aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

11. Hill of Binion from the Lake

Hill of Binion from the Lake
Creator:
Print made by W. Pickett, active 1792–1820
Date:
1802
Materials & Techniques:
Aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

12. Loch-Lubnaig, West End

Loch-Lubnaig, West End
Creator:
Published by Longman, active 1804–1914
Date:
1802
Materials & Techniques:
Aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

13. Down Castle, Craigforth and Stirling in the Distance

Down Castle, Craigforth and Stirling in the Distance
Creator:
Print made by Thomas Medland, 1755–1823
Date:
1802
Materials & Techniques:
Aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

14. Benledi

Benledi
Creator:
Print made by Francis Jukes, 1747–1812
Date:
1802
Materials & Techniques:
Aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

15. Cori-nan-Urischin

Cori-nan-Urischin
Creator:
Print made by Samuel Alken, 1756–1815
Date:
1802
Materials & Techniques:
Aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

16. Loch-Lubnaig, East End

Loch-Lubnaig, East End
Creator:
Print made by Thomas Medland, 1755–1823
Date:
1802
Materials & Techniques:
Aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

17. Loch-tay, from Killin

Loch-tay, from Killin
Creator:
Print made by Francis Jukes, 1747–1812
Date:
1802
Materials & Techniques:
Aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

18. Loch-erin-head

Loch-erin-head
Creator:
Print made by W. Pickett, active 1792–1820
Date:
1802
Materials & Techniques:
Aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

19. Taymouth

Taymouth
Creator:
Print made by Samuel Alken, 1756–1815
Date:
1802
Materials & Techniques:
Aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

20. Fall of the Brahan

Fall of the Brahan
Creator:
Print made by Thomas Medland, 1755–1823
Date:
1802
Materials & Techniques:
Aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

21. View on the Water of Lieth

View on the Water of Lieth
Creator:
Print made by Francis Jukes, 1747–1812
Date:
1802
Materials & Techniques:
Aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

22. The Windings of the Forth

The Windings of the Forth
Creator:
Print made by Samuel Alken, 1756–1815
Date:
1802
Materials & Techniques:
Aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

23. Wemyss Castle

Wemyss Castle
Creator:
Print made by W. Pickett, active 1792–1820
Date:
1802
Materials & Techniques:
Aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

24. Inverkeithing Bay

Inverkeithing Bay
Creator:
Print made by Samuel Alken, 1756–1815
Date:
1802
Materials & Techniques:
Aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

25. View in the Carse of Gowrie

View in the Carse of Gowrie
Creator:
Print made by W. Pickett, active 1792–1820
Date:
1802
Materials & Techniques:
Aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection