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401. South East View of Longleat House, Wiltshire, the Seat of the Marquis of Bath

South East View of Longleat House, Wiltshire, the Seat of the Marquis of Bath
Creator:
John Buckler FSA, 1770–1851
Date:
1805
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

402. South West View of Moreton Corbet Shropshire; belonging to Sir Andrew Corbet Bart.

South West View of Moreton Corbet Shropshire; belonging to Sir Andrew Corbet Bart.
Creator:
John Buckler FSA, 1770–1851
Date:
1822
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

403. North View of Hardwick Hall, Derbyshire; the Seat of the Duke of Devonshire

North View of Hardwick Hall, Derbyshire; the Seat of the Duke of Devonshire
Creator:
John Buckler FSA, 1770–1851
Date:
1813
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

404. North East View of Holland House

North East View of Holland House
Creator:
John Buckler FSA, 1770–1851
Date:
1812
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

405. West Front of Longford Castle, Wiltshire the Seat of the Earl of Radnor

West Front of Longford Castle, Wiltshire the Seat of the Earl of Radnor
Creator:
John Buckler FSA, 1770–1851
Date:
1811
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

406. South East View of Crest Park, Bedfordshire

South East View of Crest Park, Bedfordshire
Creator:
John Buckler FSA, 1770–1851
Date:
1831
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

407. South East View of Wilton House

South East View of Wilton House
Creator:
John Buckler FSA, 1770–1851
Date:
1810
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

408. Ground Plan of Newby Hall, Yorkshire; the Seat of the Right Hon'ble Lord Grantham

Ground Plan of Newby Hall, Yorkshire; the Seat of the Right Hon'ble Lord Grantham
Creator:
John Buckler FSA, 1770–1851
Date:
1815
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

409. Hommage à Rodin

Hommage à Rodin
Creator:
Henry Moore, 1898–1986
Date:
1966
Materials & Techniques:
Lithograph in colors
Dimensions:
Sheet: 25 3/4 x 19 3/4in. (65.4 x 50.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The Lewis Walpole Library Collection

410. Brimham Crags

Brimham Crags
Creator:
Thomas Daniell, 1749–1840
Date:
ca. 1780
Materials & Techniques:
Watercolor, pen and brown ink, gray ink, black ink, graphite, and gum arabic on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 15 7/8 × 21 9/16 inches (40.3 × 54.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

411. Ruins on Pir Pahar, near Monghy, Bihar

Ruins on Pir Pahar, near Monghy, Bihar
Creator:
Thomas Daniell, 1749–1840
Date:
1790
Materials & Techniques:
Watercolor, pen and brown ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:
Mount: 18 7/8 × 22 3/4 inches (47.9 × 57.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

412. The Conciergerie, Paris

The Conciergerie, Paris
Creator:
Henry Edridge, 1769–1821
Date:
ca. 1818
Materials & Techniques:
Watercolor, pen and brown ink, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 13 5/8 × 19 1/2 inches (34.6 × 49.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

413. A View of Big Ben

A View of Big Ben
Creator:
Dennis Flanders, 1915–1994
Date:
1940
Materials & Techniques:
Pen and black ink over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 7/8 × 19 5/8 inches (40.3 × 49.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

414. The Coupée, Isle of Sark

The Coupée, Isle of Sark
Creator:
George Arthur Fripp, 1813–1896
Date:
undated
Materials & Techniques:
Watercolor over graphite with scraping out on thick, rough, cream wove paper
Dimensions:
Sheet: 13 1/4 × 19 5/8 inches (33.7 × 49.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

415. South View of Thornbury Castle, Gloucestershire

South View of Thornbury Castle, Gloucestershire
Creator:
John Buckler FSA, 1770–1851
Date:
1822
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

416. West view of the Ruins of Cowdray House, Sussex

West view of the Ruins of Cowdray House, Sussex
Creator:
John Buckler FSA, 1770–1851
Date:
1825
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 13 × 19 3/4 inches (33 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

417. West View of the Ruins of Cowdray House, Sussex; from the Court

West View of the Ruins of Cowdray House, Sussex; from the Court
Creator:
John Buckler FSA, 1770–1851
Date:
1825
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 12 7/8 × 19 3/4 inches (32.7 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

418. South East View of Compton Winyate, Warwickshire; belonging to the Marquis of Northampton

South East View of Compton Winyate, Warwickshire; belonging to the Marquis of Northampton
Creator:
John Buckler FSA, 1770–1851
Date:
1828
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

419. North West View of Blithfield; Staffordshire, the Seat of the Right Hon'ble, Lord Bagot

North West View of Blithfield; Staffordshire, the Seat of the Right Hon'ble, Lord Bagot
Creator:
John Buckler FSA, 1770–1851
Date:
1823
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

420. The Hall of Blithfield

The Hall of Blithfield
Creator:
John Buckler FSA, 1770–1851
Date:
1823
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

421. View in the Court of Compton Winyate, Warwickshire

View in the Court of Compton Winyate, Warwickshire
Creator:
John Buckler FSA, 1770–1851
Date:
1823
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

422. South West View of Compton Winyate, Warwickshire; belonging to the Marquis of Northampton

South West View of Compton Winyate, Warwickshire; belonging to the Marquis of Northampton
Creator:
John Buckler FSA, 1770–1851
Date:
1823
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

423. South East View of Blithfield, Staffordshire; the Seat of the Right Honourable Lord Bagot

South East View of Blithfield, Staffordshire; the Seat of the Right Honourable Lord Bagot
Creator:
John Buckler FSA, 1770–1851
Date:
1823
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

424. North Front of Castle Ashby, Northamptonshire; The Seat of the Marquis of Northampton

North Front of Castle Ashby, Northamptonshire; The Seat of the Marquis of Northampton
Creator:
John Buckler FSA, 1770–1851
Date:
1815
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

425. The Court at Rushton hall, Northamptonshire

The Court at Rushton hall, Northamptonshire
Creator:
John Buckler FSA, 1770–1851
Date:
1818
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

426. The Staircase at Blickling, Norfolk; the Seat of the Right honourable Lord Suffield

The Staircase at Blickling, Norfolk; the Seat of the Right honourable Lord Suffield
Creator:
John Buckler FSA, 1770–1851
Date:
1820
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

427. South East View of Rushton hall, Northamptonshire

South East View of Rushton hall, Northamptonshire
Creator:
John Buckler FSA, 1770–1851
Date:
1818
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

428. South East View of Burton Agnes, Yorkshire; the Seat of Sir Francis Boynton Bart.

South East View of Burton Agnes, Yorkshire; the Seat of Sir Francis Boynton Bart.
Creator:
John Buckler FSA, 1770–1851
Date:
1818
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

429. Gateway at Burton Agnes, Yorkshire, the Seat of Sir Francis Boynton Bart.

Gateway at Burton Agnes, Yorkshire, the Seat of Sir Francis Boynton Bart.
Creator:
John Buckler FSA, 1770–1851
Date:
1819
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

430. South Front of Burton Agnes, Yorkshire; the Seat of Sir Francis Boynton Bart.

South Front of Burton Agnes, Yorkshire; the Seat of Sir Francis Boynton Bart.
Creator:
John Buckler FSA, 1770–1851
Date:
1818
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

431. Interior View of the hall at Burton Agnes, Yorkshire; the Seat of Sir Francis Boynton Bart.

Interior View of the hall at Burton Agnes, Yorkshire; the Seat of Sir Francis Boynton Bart.
Creator:
John Buckler FSA, 1770–1851
Date:
1818
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

432. South East view of Wollaton hall, Nottinghamshire, the Seat of the Right honble. Lord Middleton

South East view of Wollaton hall, Nottinghamshire, the Seat of the Right honble. Lord Middleton
Creator:
John Buckler FSA, 1770–1851
Date:
1812
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

433. Interior view of the Drawing Room, Stockton House

Interior view of the Drawing Room, Stockton House
Creator:
John Buckler FSA, 1770–1851
Date:
1812
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

434. Charlcote house and Gateway, Warwickshire; the Seat of the Lucy Family

Charlcote house and Gateway, Warwickshire; the Seat of the Lucy Family
Creator:
John Buckler FSA, 1770–1851
Date:
1823
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

435. North view of Longford Castle, lately erected

North view of Longford Castle, lately erected
Creator:
John Buckler FSA, 1770–1851
Date:
1811
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

436. North Front of Belton house Lincolnshire

North Front of Belton house Lincolnshire
Creator:
John Buckler FSA, 1770–1851
Date:
1817
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

437. South East View of Belton House, Lincolshire the Seat of the Right Hon'ble Earl Brownlow

South East View of Belton House, Lincolshire the Seat of the Right Hon'ble Earl Brownlow
Creator:
John Buckler FSA, 1770–1851
Date:
1811
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

438. North East View of Crest Park, Bedfordshire

North East View of Crest Park, Bedfordshire
Creator:
John Buckler FSA, 1770–1851
Date:
1831
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

439. South West View of Chatsworth House Derbyshire the Seat of His Grace the Duke of Devonshire

South West View of Chatsworth House Derbyshire the Seat of His Grace the Duke of Devonshire
Creator:
John Buckler FSA, 1770–1851
Date:
1812
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

440. Flower Garden at Belton, Lincolnshire

Flower Garden at Belton, Lincolnshire
Creator:
John Buckler FSA, 1770–1851
Date:
1817
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

441. East Front of Wilton House, Wiltshire, the Seat of the Earl of Pembroke

East Front of Wilton House, Wiltshire, the Seat of the Earl of Pembroke
Creator:
John Buckler FSA, 1770–1851
Date:
1809
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

442. Bowood Wiltshire; the Seat of the Marquis of Lansdown

Bowood Wiltshire; the Seat of the Marquis of Lansdown
Creator:
John Buckler FSA, 1770–1851
Date:
1823
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

443. Ruins of the Houses of Parliament as they Appeared on the Morning after the Conflagration

Ruins of the Houses of Parliament as they Appeared on the Morning after the Conflagration
Creator:
Print made by unknown artist
Date:
1834
Materials & Techniques:
Lithograph on smooth, moderately thick, brown wove paper
Dimensions:
Sheet: 17 × 19 3/4 inches (43.2 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

444. Ariadne Watching the Struggle of Theseus with the Minotaur

Ariadne Watching the Struggle of Theseus with the Minotaur
Creator:
Henry Fuseli, 1741–1825
Date:
1815 to 1820
Materials & Techniques:
Brown wash, oil, white gouache, white chalk, gum and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 24 3/8 × 19 3/4 inches (61.9 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

445. Matlock Baths, Derbyshire

Matlock Baths, Derbyshire
Creator:
William Day, 1764–1807
Date:
ca. 1789
Materials & Techniques:
Watercolor, pen and brown ink, gray ink, and graphite on medium, moderately textured, cream laid paper
Dimensions:
Mount: 17 3/8 × 22 1/2 inches (44.1 × 57.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

446. Mountainous Landscape with River

Mountainous Landscape with River
Creator:
Samuel Davis, 1760–1819
Date:
undated
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:
Mount: 19 1/8 × 24 1/2 inches (48.6 × 62.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

447. Farm Buildings among Trees

Farm Buildings among Trees
Creator:
Henry Edridge, 1769–1821
Date:
undated
Materials & Techniques:
Watercolor, pen and brown ink, gray ink, and graphite on thick, rough, beige laid paper
Dimensions:
Mount: 14 1/4 × 19 1/2 inches (36.2 × 49.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

448. Nablous [Nablus], Jordan

Nablous [Nablus], Jordan
Creator:
Rev. Edward Thomas Daniell, 1804–1842
Date:
1841
Materials & Techniques:
Watercolor, gouache and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 13 1/8 × 19 1/2 inches (33.3 × 49.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

449. Leonardo

Leonardo
Creator:
Sir Eduardo Paolozzi, 1924–2005
Date:
1974
Materials & Techniques:
Screenprint on thick, smooth, beige wove paper
Dimensions:
Sheet: 25 1/2 × 19 5/8 inches (64.8 × 49.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Barbara Sunderman Hoerner

450. Chariot, London

Chariot, London
Creator:
Nigel Henderson, 1917–1985
Date:
ca. 1958
Materials & Techniques:
Gelatin silver print on photographic paper
Dimensions:
Sheet: 15 7/8 × 19 13/16 inches (40.4 × 50.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Purchased with funds from the Bequest of Daniel S. Kalk and the Friends of British Art Fund

451. Summit of Mount Sinai or Jebel Musa

Summit of Mount Sinai or Jebel Musa
Creator:
Rev. Edward Thomas Daniell, 1804–1842
Date:
1840
Materials & Techniques:
Watercolor, gouache and graphite on moderately thick, slightly textured, beige wove paper
Dimensions:
Mount: 16 1/2 × 22 5/8 inches (41.9 × 57.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

452. The Miller's Cottage at Chatsworth: South Front Elevation

The Miller's Cottage at Chatsworth: South Front Elevation
Creator:
Attributed to Joseph Michael Gandy, 1771–1843
Date:
undated
Materials & Techniques:
Watercolor and pen and black ink within double ruled and blue wash border on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 13 5/8 × 19 3/4 inches (34.6 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

453. The Probe

The Probe
Creator:
Nigel Henderson, 1917–1985
Date:
ca. 1958
Materials & Techniques:
Gelatin silver print photogram on photographic paper
Dimensions:
Sheet: 15 7/8 × 19 13/16 inches (40.4 × 50.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Purchased with funds from the Bequest of Daniel S. Kalk and the Friends of British Art Fund

454. Design for the Grand Staircase, Buckingham Palace, the Centre & 2d

Design for the Grand Staircase, Buckingham Palace, the Centre & 2d
Creator:
Thomas Stothard, 1755–1834
Date:
1828
Materials & Techniques:
Pen and brown ink and brown wash over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 × 19 1/2 inches (18.4 × 49.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

455. The New Square, Crescent & Terrace, Intended to Be Built at Warrior's Gate, in the Valley of Gensing, Hastings

The New Square, Crescent & Terrace, Intended to Be Built at Warrior's Gate, in the Valley of Gensing, Hastings
Creator:
Print made by Alfred Adlard, 1803–1869
Date:
1820
Materials & Techniques:
Lithograph on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 1/2 × 19 3/4 inches (26.7 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift from the Estate of Christopher P. Monkhouse

456. A Bay Racehorse with a Groom

A Bay Racehorse with a Groom
Creator:
Shaykh Muhammad Amir of Karraya, active 1830s–1840s
Date:
ca. 1842
Materials & Techniques:
Watercolor, graphite, and gum arabic on moderately thick, slightly textured, beige wove paper
Dimensions:
Image: 13 1/4 × 19 1/8 inches (33.7 × 48.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

457. Found, with further sketches in the margin

No cover image available
Creator:
Robert Polhill Bevan, 1865–1925
Materials & Techniques:
Graphite, crayon and wash
Dimensions:
Sheet: 13 1/8 x 19 5/8in. (33.3 x 49.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

458. The Beach at Low Tide

No cover image available
Creator:
Samuel Prout, 1783–1852
Date:
undated
Materials & Techniques:
Watercolor with pen and brown ink and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 14 × 19 1/2 inches (35.6 × 49.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

459. Downing College, Cambridge

No cover image available
Creator:
Richard Banks Harraden, 1778–1862
Date:
1830
Materials & Techniques:
Watercolor, pen and black ink, brown ink, gouache, black chalk, gum arabic, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Mount: 19 × 25 3/16 inches (48.3 × 64 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

460. Jesus College from the Meadows, Cambridge

No cover image available
Creator:
Richard Banks Harraden, 1778–1862
Date:
ca. 1830
Materials & Techniques:
Watercolor, pen and black ink, gray ink, black chalk, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Cover: 18 11/16 × 24 1/16 inches (47.5 × 61.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

461. River Bank

No cover image available
Creator:
Print made by Edward Julius Detmold, 1883–1957
Date:
undated
Materials & Techniques:
Etching and drypoint on moderately thick, slightly textured, greened white wove paper
Dimensions:
Sheet: 13 1/8 x 19 13/16 inches (33.4 x 50.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

462. Speculum Romanae Magnificentiae

No cover image available
Creator:
Antonio Lafreri, 1512–1577
Date:
1546-1590
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 3/4 x 19 5/8in. (29.8 x 49.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

463. William Shakespeare - He was not for an age but for all time

No cover image available
Creator:
Print made by Leopold Flameng, 1831–1911
Date:
1890
Materials & Techniques:
Etching
Dimensions:
Sheet: 26 1/4 x 19 3/4in. (66.7 x 50.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

464. [One of] 25 drawings and prints for ceilings

No cover image available
Creator:
George Richardson, ca.1738–ca.1813
Date:
undated
Materials & Techniques:
Watercolor and pen and gray ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 14 1/4 x 19 5/8 inches (36.2 x 49.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

465. Plans and Elevation of Goldsmiths Hall, erected 1835

No cover image available
Creator:
George Gladwin, active 1820s–1830s
Date:
ca. 1835
Materials & Techniques:
Engraving
Dimensions:
Sheet: 14 x 19 1/2in. (35.6 x 49.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

466. Holford House, Regent's Park

No cover image available
Creator:
Print made by Day & Co., 1824–1913
Date:
ca. 1830
Materials & Techniques:
Lithograph with hand coloring on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 14 1/4 x 19 5/8 inches (36.2 x 49.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

467. The Lock

No cover image available
Creator:
Print made by David Lucas, 1802–1881
Date:
1834
Materials & Techniques:
Mezzotint on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 29 x 23 inches (73.7 x 58.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

468. A Birmingham Toast, as Given on the 14th of July By The Revolution Society

No cover image available
Creator:
James Gillray, 1756–1815
Date:
1791
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 10 3/4 x 19 1/2in. (27.3 x 49.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

469. Guy Vanx Discovered in his Attempt to Destroy the King and the House of Lords. "His Companions Attempting to Escape - N.B. His Associates were all Taken Afterwards and Executed."

No cover image available
Creator:
James Gillray, 1756–1815
Date:
1791
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 14 x 19 3/4in. (35.6 x 50.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

470. True Reform of Parliament, i.e. - Patriots Lighting a Revolutionary Bonfire in New Palace Yard.

No cover image available
Creator:
James Gillray, 1756–1815
Date:
1809
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/4 × 19 1/2 inches (36.2 × 49.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

471. Mail Coach Behind Time

No cover image available
Creator:
Engraved by Henry Pyall, 1795–1833
Date:
1827
Materials & Techniques:
Aquatint, hand-colored on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 15 13/16 x 20 3/16 inches (40.2 x 51.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

472. [Animals] Studies from Nature

No cover image available
Creator:
James Ward, 1769–1859
Date:
1807
Materials & Techniques:
Mezzotint
Dimensions:
Sheet: 14 3/4 x 19 3/4in. (37.5 x 50.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

473. St. Michael's Mount, Cornwall

No cover image available
Creator:
Print made by William Miller, 1796–1882
Date:
1866
Materials & Techniques:
Etching and line engraving; first published state on moderately thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:
Sheet: 19 1/2 × 21 3/4 inches (49.5 × 55.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

474. Dedham Vale

No cover image available
Creator:
Print made by David Lucas, 1802–1881
Date:
1838
Materials & Techniques:
Mezzotint and etching on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 27 × 21 3/4 inches (68.6 × 55.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

475. Colmar, Chateau Wildenstein, Rue Plumer: Plan au Rez-de-Chaussee (du Chateau de Wildenstein)

No cover image available
Creator:
Henry Phillip Hope, active 1799–1818
Date:
undated
Materials & Techniques:
Pen and black ink, watercolor, graphite on slightly textured, medium, cream laid paper
Dimensions:
Sheet: 16 7/8 × 19 3/4 inches (42.9 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

476. View of the Naumachy Fireworks and Fair in Hyde Park in Honour of Peace

No cover image available
Creator:
unknown artist
Date:
1814
Materials & Techniques:
Hand colored engraving
Dimensions:
Sheet: 15 1/4 x 19 3/4in. (38.7 x 50.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

477. Mrs. Harriet Bouverie and Mrs. Frances Anne Crewe

No cover image available
Creator:
Giuseppe Marchi, ca. 1735–1808
Date:
1785
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 18 × 20 7/8 inches (45.7 × 53 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

478. "Opening" and "Capture": a typical section/elevation

No cover image available
Creator:
Langlands & Bell, since 1978
Date:
1999
Materials & Techniques:
Ink and graphite on tracing paper
Dimensions:
Sheet: 30 11/16 x 19 11/16in. (78 x 50cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Friends of British Art Fund

479. Great Gate of St. Augustine's Monastery at Canterbury

No cover image available
Creator:
Paul Sandby, 1731–1809
Date:
1789
Materials & Techniques:
Aquatint, printed in gray
Dimensions:
Sheet: 13 1/2 x 19 3/4in. (34.3 x 50.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

480. Mirage

No cover image available
Creator:
Print made by James McBey, 1883–1959
Date:
1925
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 13 3/8 × 19 5/8 inches (34 × 49.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

481. Venus Lamenting the Death of Adonis

No cover image available
Creator:
Print made by Mathieu Liart, 1736–1782
Date:
1783
Materials & Techniques:
Etching and line engraving on moderately thick, moderately textured, cream laid paper
Dimensions:
Mount: 21 1/4 × 29 7/8 inches (54 × 75.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

482. Set of four - 3. Refreshing

No cover image available
Creator:
Thomas Sutherland, ca. 1785–1838
Date:
1817
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 16 7/8 x 19 3/4in. (42.9 x 50.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

483. Fox Hunting [set of four]: 1. The Meet

No cover image available
Creator:
Charles Hunt, 1803–1877
Date:
1838
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 15 3/4 x 19 3/4in. (40 x 50.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

484. Set of four - 2. Pheasant Shooting

No cover image available
Creator:
Thomas Sutherland, ca. 1785–1838
Date:
1817
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 16 7/8 x 19 3/4in. (42.9 x 50.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

485. Untitled

No cover image available
Creator:
Print made by Stephen Buckley, born 1944
Date:
1977
Materials & Techniques:
Color printed aquatint and open-bite from six plates; artist's proof on moderately thick, moderately textured, white Arches wove paper
Dimensions:
Sheet: 27 1/2 × 19 1/2 inches (69.9 × 49.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

486. Untitled

No cover image available
Creator:
Print made by Stephen Buckley, born 1944
Date:
1977
Materials & Techniques:
Color printed aquatint and open-bite from two plates; artist's proof on moderately thick, moderately textured, white Arches wove paper
Dimensions:
Sheet: 27 1/2 × 19 1/2 inches (69.8 × 49.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

487. Passions of the Horse an entirely New Work described in Six subjects. 1. Rage and Agony. Each plate dedicated to George IV

No cover image available
Creator:
Henry Bernard Chalon, 1771–1849
Date:
1827
Materials & Techniques:
Lithograph
Dimensions:
Sheet: 14 5/8 x 19 3/4in. (37.1 x 50.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

488. Coaching: Waggon

No cover image available
Creator:
George Hunt, active 1820–1840
Date:
1824
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 12 3/4 x 19 3/4in. (32.4 x 50.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

489. Jupiter, by Eclipse. The Property of Colonel Thornton

No cover image available
Creator:
William Ward, 1766–1826
Date:
ca. 1792
Materials & Techniques:
Mezzotint before all letters
Dimensions:
Sheet: 15 3/4 x 19 3/4in. (40 x 50.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

490. Pigeon Shooting

No cover image available
Creator:
Richard Gilson Reeve, 1803–1889
Date:
1828
Materials & Techniques:
Aquatint, colored by hand
Dimensions:
Sheet: 13 3/4 x 19 3/4in. (34.9 x 50.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

491. Coaching: Stage

No cover image available
Creator:
George Hunt, active 1820–1840
Date:
1824
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 12 3/4 x 19 3/4in. (32.4 x 50.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

492. Barouche

No cover image available
Creator:
M. Egerton, active 1821–1828
Date:
1825
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 12 5/8 x 19 3/4in. (32.1 x 50.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

493. Cemetery Gate of St. Augustine's Monastery at Canterbury

No cover image available
Creator:
Paul Sandby, 1731–1809
Date:
1782
Materials & Techniques:
Aquatint, printed in gray
Dimensions:
Sheet: 13 1/2 x 19 3/4in. (34.3 x 50.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

494. Untitled

No cover image available
Creator:
Print made by Stephen Buckley, born 1944
Date:
1977
Materials & Techniques:
Color printed etching, aquatint, and roulette from four plates; artist's proof on moderately thick, moderately textured, white Arches wove paper
Dimensions:
Sheet: 25 1/8 × 19 1/2 inches (63.8 × 49.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

495. Untitled

No cover image available
Creator:
Print made by Stephen Buckley, born 1944
Date:
1977
Materials & Techniques:
Etching and aquatint from four plates, printed in brown ink; artist's proof on moderately thick, moderately textured, white Arches wove paper
Dimensions:
Sheet: 27 5/8 × 19 1/2 inches (70.2 × 49.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

496. Untitled

No cover image available
Creator:
Print made by Stephen Buckley, born 1944
Date:
1977
Materials & Techniques:
Color printed aquatint from four plates; artist's proof on moderately thick, moderately textured, white Arches wove paper
Dimensions:
Sheet: 25 1/2 × 19 1/2 inches (64.8 × 49.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

497. Untitled

No cover image available
Creator:
Print made by Stephen Buckley, born 1944
Date:
1977
Materials & Techniques:
Aquatint from four plates, printed in blue ink; artist's proof on moderately thick, moderately textured, white Arches wove paper
Dimensions:
Sheet: 25 1/2 × 19 1/2 inches (64.8 × 49.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

498. Set of four - 1. Cock Shooting

No cover image available
Creator:
Thomas Sutherland, ca. 1785–1838
Date:
1817
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 16 7/8 x 19 3/4in. (42.9 x 50.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

499. Set of four - 4. Going Home.

No cover image available
Creator:
Thomas Sutherland, ca. 1785–1838
Date:
1817
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 16 7/8 x 19 3/4in. (42.9 x 50.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

500. Passions of the Horse an entirely New Work described in Six subjects. 2. Love. Each plate dedicated to George IV

No cover image available
Creator:
Henry Bernard Chalon, 1771–1849
Date:
1826
Materials & Techniques:
Lithograph
Dimensions:
Sheet: 14 5/8 x 19 3/4in. (37.1 x 50.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection