Width [cm]: 45 - YCBA Collections Search Search Results

301. Eucomis Punctata, Plate 208 from Les Liliacées, volume 4, Paris, 1802-1816

Creator:: Pierre-Joseph Redouté, 1759–1840
Date:: undated
Materials & Techniques:: Color-printed stipple engraving with hand coloring on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 23 × 17 1/2 inches (58.4 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Ira Brind and David Brind, Yale BA 2000

302. Galazia Ovata / Galaxia à Feuilles Ovales, Plate 246 from Les Liliacées, volume 5, Paris, 1802-1816

Creator:: Pierre-Joseph Redouté, 1759–1840
Date:: undated
Materials & Techniques:: Color-printed stipple engraving with hand coloring on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 23 × 17 1/2 inches (58.4 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Ira Brind and David Brind, Yale BA 2000

303. Crocus Luteus (Crocus Aureus or Golden Crocus) and Safran Jaune, Plate 196 from Les Liliacées, volume 4, Paris, 1802-1816

Creator:: Pierre-Joseph Redouté, 1759–1840
Date:: between 1802 and 1816
Materials & Techniques:: Color-printed stipple engraving with hand coloring on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 23 × 17 1/2 inches (58.4 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Ira Brind and David Brind, Yale BA 2000

304. Pigs, near Santa Fe, 1983

Creator:: Constance Stuart Larrabee, 1914–2000
Date:: 1983
Materials & Techniques:: Gelatin silver print on moderately thick, semigloss photographic paper
Dimensions:: Sheet: 20 × 16 inches (50.8 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

305. Untitled

Creator:: John Banting, 1902–1972
Date:: 1932
Materials & Techniques:: Cyanotype on medium, smooth, white wove paper, mounted on medium, moderately textured, brown wove paper
Dimensions:: Sheet: 8 1/8 × 12 1/2 inches (20.6 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

306. Estuary on the River Taw, Devon

Creator:: Thomas Girtin, 1775–1802
Date:: ca. 1797
Materials & Techniques:: Watercolor over graphite on moderately thick, rough, beige laid paper
Dimensions:: Sheet: 10 5/16 x 17 3/4 inches (26.2 x 45.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

307. A Review in a Market Place

Creator:: Thomas Rowlandson, 1756–1827
Date:: ca. 1790
Materials & Techniques:: Watercolor with pen and gray and black ink on moderately thick, moderately textured, cream wove paper
Dimensions:: Mount: 13 1/2 x 19 5/8 inches (34.3 x 49.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

308. A Merchant's Office

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1789
Materials & Techniques:: Watercolor with pen and black, brown, and gray ink over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 10 15/16 x 13 1/8 inches (27.8 x 33.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

309. Visitors at a Ruined Abbey

Creator:: Robert Leman, 1799–1863
Date:: undated
Materials & Techniques:: Black chalk and graphite on thick, rough, cream wove paper
Dimensions:: Sheet: 13 1/4 × 17 5/8 inches (33.7 × 44.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

310. Pines in Snow

Creator:: Sir Jacob Epstein, 1880–1959
Date:: undated
Materials & Techniques:: Gouache on medium, slightly textured, cream wove paper
Dimensions:: Mount: 25 5/8 x 22 inches (65.1 x 55.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

311. Endsleigh Cottage, Devon: Ground Plan

Creator:: Studio of Sir Jeffry Wyatville, 1766–1840
Date:: ca. 1810
Materials & Techniques:: Graphite, watercolor, pen and black ink on slightly textured, medium, cream wove paper
Dimensions:: Sheet: 12 3/8 × 17 3/4 inches (31.4 × 45.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

312. Trees in Hyde Park, London

Creator:: Thomas Girtin, 1775–1802
Date:: ca. 1800
Materials & Techniques:: Gray and brown wash over graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 10 3/8 x 17 3/4 inches (26.4 x 45.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

313. Stokesay Castle: Interior of a Raftered Hall

Creator:: Thomas Girtin, 1775–1802
Date:: ca. 1800
Materials & Techniques:: Graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 11 1/16 x 17 5/8 inches (28.1 x 44.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

314. A Burial at Carisbrooke, Isle of Wight

Creator:: Thomas Rowlandson, 1756–1827
Date:: between 1797 and 1800
Materials & Techniques:: Pen and black ink, brown ink, blue wash, gray wash, and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 5 3/8 x 17 1/2 inches (13.7 x 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

315. Skating on the Serpentine

Creator:: Thomas Rowlandson, 1756–1827
Date:: before 1790
Materials & Techniques:: Pen and gray and black ink and wash over graphite; verso: pen and black ink on repaired section on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 7/8 x 14 7/16 inches (22.5 x 36.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

316. Michael driving Satan out of Paradise

Creator:: Richard Newton, 1777–1798
Date:: 1792
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 9 7/8 x 17 1/2in. (25.1 x 44.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

317. Marriage A-La-Mode, Plate III: The Scene with the Quack

Creator:: Bernard Baron, 1696–1762
Date:: 1745
Materials & Techniques:: Engraving
Dimensions:: Sheet: 14 x 17 5/8in. (35.6 x 44.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

318. French Barracks

Creator:: Etched by Thomas Rowlandson, 1756–1827
Date:: 1791
Materials & Techniques:: Hand colored etching and aquatint on thick, slightly textured, beige wove paper
Dimensions:: Sheet: 16 1/2 × 21 5/16 inches (41.9 × 54.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

319. A Court Calender for the Year 1803!!!

Creator:: unknown artist
Date:: 1794
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 11 5/8 x 17 1/2in. (29.5 x 44.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

320. A Bugaboo!!!

Creator:: Richard Newton, 1777–1798
Date:: 1792
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 13 5/8 x 17 5/8in. (34.6 x 44.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art

321. The Duel, or Sir Dicky Dab Thro' and Thrl' The Captain

Creator:: John William Edy, 1760–1820
Date:: 1786
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 11 3/4 x 17 5/8in. (29.8 x 44.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art

322. Design for the Mansion House of the Rt. Hon. The Lord Mayor

Creator:: Paul Fourdrinier, 1698–1758
Date:: 1737
Materials & Techniques:: Engraving
Dimensions:: Sheet: 24 x 17 3/4in. (61 x 45.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

323. British Queen Steam Ship

Creator:: Henry Papprill, 1816–d.after 1883
Date:: 1838
Materials & Techniques:: Colored aquatint on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 19 3/4 × 26 7/8 inches (50.2 × 68.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

324. Marriage A-La-Mode, Plate IV: The Toilet Scene

Creator:: Simon François Ravenet, 1706–1774
Date:: 1745
Materials & Techniques:: Engraving
Dimensions:: Sheet: 13 7/8 x 17 5/8in. (35.2 x 44.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

325. Marriage A-La-Mode, Plate II: The Breakfast Scene

Creator:: Bernard Baron, 1696–1762
Date:: 1745
Materials & Techniques:: Engraving
Dimensions:: Sheet: 14 x 17 5/8in. (35.6 x 44.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

326. Hats

Creator:: Print made by Matthew Darly, active 1754–1778
Date:: 1773
Materials & Techniques:: Etching on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 10 11/16 x 17 5/8 inches (27.1 x 44.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

327. Three Tigers in a Rocky Landscape

Creator:: Sawrey Gilpin, 1733–1807
Date:: undated
Materials & Techniques:: Watercolor and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 11/16 × 17 13/16 inches (32.2 × 45.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

328. Cottager's Hospitality to Travellers of The Coach Broke Down

Creator:: James Pollard, 1792–1867
Date:: 1819
Materials & Techniques:: Watercolor over etched outline, and pen and black ink on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 11 3/4 x 17 1/2 inches (29.8 x 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

329. Foxhunting: The Chase

Creator:: Samuel Howitt, 1756–1822
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, gray ink, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 1/2 × 17 7/8 inches (31.8 × 45.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

330. Travelling in France

Creator:: Thomas Rowlandson, 1756–1827
Date:: between 1785 and 1789
Materials & Techniques:: Watercolor, pen and black ink, gray ink, and graphite on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 11 5/16 x 17 1/2 inches (28.7 x 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

331. Myles Sandys' Hounds and Huntsmen Starting a Hare

Creator:: Thomas Sunderland, 1744–1828
Date:: undated
Materials & Techniques:: Pen and brown ink, blue ink, blue wash, gray wash, and graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 12 1/16 × 17 13/16 inches (30.6 × 45.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

332. The Stable of an Inn

Creator:: Thomas Rowlandson, 1756–1827
Date:: ca. 1790
Materials & Techniques:: Watercolor, pen and black ink, graphite, gouache and brown wash on medium, moderately textured, beige laid paper
Dimensions:: Mount: 10 1/4 × 17 13/16 inches (26 × 45.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

333. Racing [set of four]: The High Mettled Racer. 1. The Racehorse

Creator:: John Hassell, 1767–1825
Date:: 1789
Materials & Techniques:: Aquatint, hand-colored, with engraved titles and verses with aquatinted border
Dimensions:: Sheet: 13 3/4 x 17 1/2in. (34.9 x 44.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

334. Racing: Sedbury was for the justness of Shape the most Beautiful and ...the Best Horse of His Size at that time

Creator:: James Seymour, 1702–1752
Date:: ca. 1745
Materials & Techniques:: Engraving
Dimensions:: Sheet: 14 1/4 x 17 3/4in. (36.2 x 45.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

335. North Front of Castle Ashby, Northamptonshire; The Seat of the Marquis of Northampton

Creator:: John Buckler FSA, 1770–1851
Date:: 1815
Materials & Techniques:: Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:: Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

336. South East View of Castle Ashby, Northamptonshire; the Seat of the Marquis of Northampton

Creator:: John Buckler FSA, 1770–1851
Date:: 1815
Materials & Techniques:: Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:: Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

337. South East View of Hatfield House, The Seat of the Marquis of Salisbury

Creator:: John Buckler FSA, 1770–1851
Date:: 1812
Materials & Techniques:: Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:: Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

338. North Front of Belton house Lincolnshire

Creator:: John Buckler FSA, 1770–1851
Date:: 1817
Materials & Techniques:: Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:: Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

339. West View of the Ruins of Cowdray House, Sussex; from the Court

Creator:: John Buckler FSA, 1770–1851
Date:: 1825
Materials & Techniques:: Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:: Sheet: 12 7/8 × 19 3/4 inches (32.7 × 50.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

340. The State Wagon in Difficulties

Creator:: Print made by John Doyle ('H.B.'), 1797–1868
Date:: 1847
Materials & Techniques:: Lithograph in tan and black ink on moderately thick, smooth, beige wove paper
Dimensions:: Sheet: 12 x 17 9/16 inches (30.5 x 44.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

341. A Brummagem Don Quixote, Meditating his Grand Attack Upon the Leading Giant

Creator:: Print made by John Doyle ('H.B.'), 1797–1868
Date:: 1847
Materials & Techniques:: Lithograph in tan and black ink on moderately thick, smooth, beige wove paper
Dimensions:: Sheet: 12 x 17 1/2 inches (30.5 x 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

342. The Seven Bold Swabians - Who Sallied forth with One Spear, Vide Fairy Ring

Creator:: Print made by John Doyle ('H.B.'), 1797–1868
Date:: 1847
Materials & Techniques:: Lithograph in tan and black ink on moderately thick, smooth, beige wove paper
Dimensions:: Sheet: 12 3/16 x 17 1/2 inches (31 x 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

343. The Old Donkey Turned Restive at Last

Creator:: Print made by John Doyle ('H.B.'), 1797–1868
Date:: 1848
Materials & Techniques:: Lithograph in tan and black ink on moderately thick, smooth, beige wove paper
Dimensions:: Sheet: 12 x 17 7/8 inches (30.5 x 45.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

344. Havre

Creator:: Print made by James Baylis Allen, 1803–1876
Date:: 1834
Materials & Techniques:: Etching and line engraving with chine collé; engraver's proof (2) on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 × 17 1/2 inches (30.5 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

345. "Tween the Gloamin' and the Mirk, When the Kye Come Hame"

Creator:: Mary Nimmo Moran, 1842–1899
Date:: 1883
Materials & Techniques:: Etching, and plate tone
Dimensions:: Plate: 7 3/4 x 11 3/8in. (19.7 x 28.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

346. Vol. 6, Plate XXXVII: The Coronation of Edward the Confessor. Warriors Flying for Refuge into a City.

Creator:: Print made by James Basire II, 1769–1822
Date:: 1842
Materials & Techniques:: Hand colored engraving on smooth, moderately thick, white wove paper
Dimensions:: Sheet: 15 1/8 × 21 7/8 inches (38.4 × 55.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

347. Destruction of the Houses of Parliament, Oct 16th, 1834, as Seen from Henry VIIth's Chapel

Creator:: Print made by unknown artist
Date:: undated
Materials & Techniques:: Lithograph on smooth, moderately thick, white wove paper
Dimensions:: Sheet: 12 3/4 × 17 3/4 inches (32.4 × 45.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

348. View of the East End of Henry VIIth Chapel as Restored in 1813

Creator:: Print made by George Hawkins, active 1795–1810
Date:: 1814
Materials & Techniques:: Line engraving on smooth, moderately thick, white wove paper
Dimensions:: Sheet: 23 1/2 × 17 5/8 inches (59.7 × 44.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

349. View of Palace Yard on the day of the Coronation of His Majesty George IV

Creator:: Print made by Charles J. Hullmandel, 1789–1850
Date:: 1821
Materials & Techniques:: Hand colored lithograph on moderately thick, slightly textured, white wove paper
Dimensions:: Sheet: 9 × 17 1/2 inches (22.8 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

350. A Landscape in Ceylon, With Barking Deer and Fawn and a Pair of Paradise Fly-Catchers

Creator:: Samuel Daniell, 1775–1811
Date:: between 1808 and 1811
Materials & Techniques:: Watercolor, graphite, pen and brown ink, and gouache on medium, moderately textured, beige wove paper
Dimensions:: Sheet: 12 3/4 × 17 5/8 inches (32.4 × 44.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

351. Vol. 6, Plate XXXVI: Continuation of the Acts of the Maccabees. The Battle of Judas Maccabeus with Timotheus and the Fall of Maspha.

Creator:: Print made by James Basire II, 1769–1822
Date:: 1842
Materials & Techniques:: Hand colored engraving on smooth, moderately thick, white wove paper
Dimensions:: Sheet: 15 1/8 × 21 7/8 inches (38.4 × 55.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

352. Two of a set of four: The Royal Hunt. 1.The Meeting Place.

Creator:: Thomas Sutherland, ca. 1785–1838
Date:: 1826
Materials & Techniques:: Hand colored and color printed aquatint
Dimensions:: Sheet: 10 7/8 x 17 3/4in. (27.6 x 45.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

353. Two of a set of four: 1. Pheasant Shooting

Creator:: James Barenger, 1780–after 1831
Date:: 1809
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 7 5/8 x 17 3/4in. (19.4 x 45.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

354. Designs for a Gothic Church Altar and Organ

Creator:: Augustus Welby Northmore Pugin, 1812–1852
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 × 17 3/4 inches (30.5 × 45.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

355. View of the Thuilleries and Bridge taken f rom the Quai d'Orsai

Creator:: Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Soft-ground etched outline on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

356. View of the Louvre & Bridge of the Thuilleries taken from Pont Neuf

Creator:: Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Aquatint with soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

357. View of the Louvre & Bridge of the Thuilleries taken from Pont Neuf

Creator:: Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Soft-ground etched outline on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

358. Irish Fortune Hunters storming the Bristol Boarding School; or, Potatoe Artillery for ever

Creator:: unknown artist
Date:: 1791
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 12 3/16 x 17 7/8in. (31 x 45.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

359. The Grand Review on Sydenham Common

Creator:: Isaac Cruikshank, 1764–1811
Date:: 1792
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 11 3/8 x 17 3/4in. (28.9 x 45.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art

360. Design for a Chapel at Enfield: Longitudinal Section

Creator:: Lewis Vulliamy, 1791–1871
Date:: undated
Materials & Techniques:: Pen and black ink with watercolor on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 12 5/8 x 18 13/16 inches (32.1 x 47.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

361. An Unidentified Country House: Elevation of the Entrance Front

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Graphite, pen and black ink and watercolor on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 23 1/2 × 17 9/16 inches (59.7 × 44.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

362. "The Poacher's Progress:" Poachers Before the Magistrates

Creator:: C. Blake, active 1825–1826
Date:: undated
Materials & Techniques:: Graphite, watercolor, and varnish on very thick, moderately textured, brown wove paper
Dimensions:: Sheet: 12 3/4 × 17 5/8 inches (32.4 × 44.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

363. "The Poacher's Progress:" Poachers Scuffling with the Constables in the Skittle Ground

Creator:: C. Blake, active 1825–1826
Date:: undated
Materials & Techniques:: Graphite, watercolor, and varnish on very thick, moderately textured, brown wove paper
Dimensions:: Sheet: 12 11/16 × 17 5/8 inches (32.2 × 44.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

364. Foxhunting: At Fault

Creator:: Samuel Howitt, 1756–1822
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, gray ink, and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 12 3/8 × 17 13/16 inches (31.4 × 45.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

365. "The Poacher's Progress:" 'Poachers Stalking for Partridges'

Creator:: C. Blake, active 1825–1826
Date:: undated
Materials & Techniques:: Graphite, watercolor, and varnish on very thick, moderately textured, brown wove paper
Dimensions:: Sheet: 12 1/4 × 17 1/2 inches (31.1 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

366. Design for a Chapel at Enfield: Transverse Sections, East and West End

Creator:: Lewis Vulliamy, 1791–1871
Date:: undated
Materials & Techniques:: Pen and black ink with watercolor on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 12 7/16 x 18 7/16 inches (31.6 x 46.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

367. Foxhunting: Stopping Hounds That Have Changed

Creator:: Samuel Howitt, 1756–1822
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, gray ink, and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 12 1/2 × 17 7/8 inches (31.8 × 45.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

368. Foxhunting: Going to Cover

Creator:: Samuel Howitt, 1756–1822
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, gray ink, and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 12 7/16 × 17 13/16 inches (31.6 × 45.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

369. Myles Sandys' Hounds and Huntsmen Scenting a Hare

Creator:: Thomas Sunderland, 1744–1828
Date:: undated
Materials & Techniques:: Pen and brown ink, graphite, gray wash, and blue wash on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 12 × 17 13/16 inches (30.5 × 45.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

370. Three Racehorses with Jockeys Up Galloping in a Group to Left

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Graphite and watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 11/16 × 17 3/4 inches (27.1 × 45.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

371. Design after a Greek Vase

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, and gouache on medium, slightly textured, cream wove paper
Dimensions:: Mount: 19 1/16 × 27 1/4 inches (48.4 × 69.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

372. View from the Vidette Near Hakin on Signal Hill, Looking Beyond Nangle Point and Thorn Island, Pembrokeshire

Creator:: John Warwick Smith, 1749–1831
Date:: 1764-1831
Materials & Techniques:: Watercolor and graphite on medium, smooth, cream wove paper
Dimensions:: Mount: 11 5/8 × 17 9/16 inches (29.5 × 44.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

373. Map of North America from Florida to Chesapeake Bay, after the original by John White in the British Museum [Sir Walter Raleigh's Virginia, No. 110]

Map of North America from Florida to Chesapeake Bay, after the original by John White in the British Museum [Sir Walter Raleigh's Virginia, No. 110]

Creator:: Mrs. P. D. H. Page, 20th century
Date:: undated
Materials & Techniques:: Watercolor over graphite, pen and brown ink, and gouache on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 14 1/4 × 17 11/16 inches (36.2 × 44.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

374. The Cover

Creator:: George Hunt, active 1820–1840
Date:: 1823
Materials & Techniques:: Aquatint, printed in color and colored by hand
Dimensions:: Sheet: 13 3/4 x 17 7/8in. (34.9 x 45.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

375. The Death

Creator:: George Hunt, active 1820–1840
Date:: 1823
Materials & Techniques:: Aquatint, printed in color and colored by hand
Dimensions:: Sheet: 13 3/4 x 17 7/8in. (34.9 x 45.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

376. Threshing Corn

Creator:: Peter DeWint, 1784–1849
Date:: ca. 1845-1849
Materials & Techniques:: Watercolor and graphite on moderately thick, rough, cream wove paper
Dimensions:: Sheet: 11 3/8 x 17 5/8 inches (28.9 x 44.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

377. A View of Paris

Creator:: Print made by Paul Angier, active 1749
Materials & Techniques:: Etching and engraving hand-colored in watercolor and gouache on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 5/16 x 18 1/16 inches (31.2 x 45.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

378. An Indoor Military Riding School With an Instructor Teaching Recruits to Trot

Creator:: Charles Samuel Keene, 1823–1891
Date:: undated
Materials & Techniques:: Pen and brown ink on medium, smooth, cream wove paper
Dimensions:: Sheet: 7 15/16 × 12 3/8 inches (20.2 × 31.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

379. Full Cry

Creator:: George Hunt, active 1820–1840
Date:: 1823
Materials & Techniques:: Aquatint, printed in color and colored by hand
Dimensions:: Sheet: 13 3/4 x 17 7/8in. (34.9 x 45.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

380. Breaking Cover

Creator:: George Hunt, active 1820–1840
Date:: 1823
Materials & Techniques:: Aquatint, printed in color and colored by hand
Dimensions:: Sheet: 13 3/4 x 17 7/8in. (34.9 x 45.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

381. The Toast

Creator:: George Hunt, active 1820–1840
Date:: 1824
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 13 7/8 x 17 3/4in. (35.2 x 45.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

382. Paris from the Barriere de Passy

Creator:: Print made by James Tibbits Willmore, 1800–1863
Date:: 1835
Materials & Techniques:: Etching; open etched state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 1/8 × 17 1/2 inches (30.8 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

383. Rietz, near Saumur

Creator:: Print made by Robert Brandard, 1805–1862
Date:: 1833
Materials & Techniques:: Etching and line engraving; engraver's proof (early) on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 × 17 3/4 inches (30.5 × 45.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

384. Tancarville

Creator:: Print made by James Tibbits Willmore, 1800–1863
Date:: 1834
Materials & Techniques:: Etching with chine collé; open etched state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 1/2 × 17 7/8 inches (31.8 × 45.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

385. Lillebonne, Château

Creator:: Print made by James Tibbits Willmore, 1800–1863
Date:: 1834
Materials & Techniques:: Etching with chine collé; open etched state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 × 17 1/2 inches (30.5 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

386. Rouen Cathedral

Creator:: Print made by Thomas Higham, 1796–1844
Date:: 1834
Materials & Techniques:: Etching and line engraving with chine collé; engraver's proof, before (a) on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 × 17 1/2 inches (30.5 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

387. Marche aux Fleurs and Pont-au-Change

Creator:: Print made by William Radclyffe, 1780–1855
Date:: 1835
Materials & Techniques:: Etching and line engraving with chine collé; early engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 × 17 1/2 inches (30.5 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

388. Pont de l'Arche

Creator:: Print made by James Tibbits Willmore, 1800–1863
Date:: 1835
Materials & Techniques:: Etching; open etched state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 × 17 1/2 inches (30.5 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

389. Vernon

Creator:: Print made by James Tibbits Willmore, 1800–1863
Date:: 1835
Materials & Techniques:: Etching; open etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 1/8 × 17 1/2 inches (30.8 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

390. The Obelisk in the Garden at Versailles

Creator:: Print made by unknown artist
Date:: between 1740 and 1757
Materials & Techniques:: Etching and engraving hand-coloured in watercolor and gouache on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 12 5/16 x 18 1/16 inches (31.2 x 45.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

391. Jamaica: Lucea, Montego Bay, in the Early Morning, From the Steamer

Creator:: Lionel Grimston Fawkes, 1849–1931
Date:: undated
Materials & Techniques:: Watercolor and graphite on moderately thick, rough, cream wove paper
Dimensions:: Mount: 10 1/4 × 22 1/4 inches (26 × 56.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

392. The Westminster Mountebank, or Palace Yard Pranks

Creator:: Isaac Cruikshank, 1764–1811
Date:: 1795
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 11 1/8 x 17 5/8in. (28.3 x 44.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art

393. Johnny in a Flatting Mill

Creator:: George Moutard Woodward, ca. 1760–1809
Date:: 1796
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 7 15/16 x 17 1/2in. (20.2 x 44.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

394. Freedom (France) - Slavery (Britain)

Creator:: James Gillray, 1756–1815
Date:: 1789
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 10 1/4 x 17 5/8in. (26 x 44.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

395. British Plenty

Creator:: Charles Knight, 1743–c.1826
Date:: 1794
Materials & Techniques:: Stipple engraving, partially printed in color
Dimensions:: Plate: 20 1/4 x 16in. (51.4 x 40.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

396. Weathercote Cave when Half Filled with Water

Creator:: Print made by Samuel Middiman, ca. 1750–1831
Date:: 1821
Materials & Techniques:: Etching and line engraving with chine collé on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 11 5/8 × 17 11/16 inches (29.5 × 44.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

397. Mrs. Stables and Two Daughters, Harriet & Maria

Creator:: John Raphael Smith, 1752–1812
Date:: 1781
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 23 1/8 × 17 3/4 inches (58.7 × 45.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

398. High Force or Fall of Tees

Creator:: Print made by John Landseer, 1769–1852
Date:: 1821
Materials & Techniques:: Etching and line engraving with chine collé; first published state on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 12 1/8 × 17 3/4 inches (30.8 × 45.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

399. Merrick Abbey, Swaledale

Creator:: Print made by J. C. Varrall, active 1815–1827
Date:: 1822
Materials & Techniques:: Etching and line engraving with chine collé on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 13/16 × 17 11/16 inches (30 × 44.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

400. His Royal Highness George, Prince of Wales

Creator:: John Raphael Smith, 1752–1812
Date:: 1792
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 26 1/16 × 18 7/16 inches (66.2 × 46.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

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301. Eucomis Punctata, Plate 208 from Les Liliacées, volume 4, Paris, 1802-1816

302. Galazia Ovata / Galaxia à Feuilles Ovales, Plate 246 from Les Liliacées, volume 5, Paris, 1802-1816

303. Crocus Luteus (Crocus Aureus or Golden Crocus) and Safran Jaune, Plate 196 from Les Liliacées, volume 4, Paris, 1802-1816

304. Pigs, near Santa Fe, 1983

305. Untitled

306. Estuary on the River Taw, Devon

307. A Review in a Market Place

308. A Merchant's Office

309. Visitors at a Ruined Abbey

310. Pines in Snow

311. Endsleigh Cottage, Devon: Ground Plan

312. Trees in Hyde Park, London

313. Stokesay Castle: Interior of a Raftered Hall

314. A Burial at Carisbrooke, Isle of Wight

315. Skating on the Serpentine

316. Michael driving Satan out of Paradise

317. Marriage A-La-Mode, Plate III: The Scene with the Quack

318. French Barracks

319. A Court Calender for the Year 1803!!!

320. A Bugaboo!!!

321. The Duel, or Sir Dicky Dab Thro' and Thrl' The Captain

322. Design for the Mansion House of the Rt. Hon. The Lord Mayor

323. British Queen Steam Ship

324. Marriage A-La-Mode, Plate IV: The Toilet Scene

325. Marriage A-La-Mode, Plate II: The Breakfast Scene

326. Hats

327. Three Tigers in a Rocky Landscape

328. Cottager's Hospitality to Travellers of The Coach Broke Down

329. Foxhunting: The Chase

330. Travelling in France

331. Myles Sandys' Hounds and Huntsmen Starting a Hare

332. The Stable of an Inn

333. Racing [set of four]: The High Mettled Racer. 1. The Racehorse

334. Racing: Sedbury was for the justness of Shape the most Beautiful and ...the Best Horse of His Size at that time

335. North Front of Castle Ashby, Northamptonshire; The Seat of the Marquis of Northampton

336. South East View of Castle Ashby, Northamptonshire; the Seat of the Marquis of Northampton

337. South East View of Hatfield House, The Seat of the Marquis of Salisbury

338. North Front of Belton house Lincolnshire

339. West View of the Ruins of Cowdray House, Sussex; from the Court

340. The State Wagon in Difficulties

341. A Brummagem Don Quixote, Meditating his Grand Attack Upon the Leading Giant

342. The Seven Bold Swabians - Who Sallied forth with One Spear, Vide Fairy Ring

343. The Old Donkey Turned Restive at Last

344. Havre

345. "Tween the Gloamin' and the Mirk, When the Kye Come Hame"

346. Vol. 6, Plate XXXVII: The Coronation of Edward the Confessor. Warriors Flying for Refuge into a City.

347. Destruction of the Houses of Parliament, Oct 16th, 1834, as Seen from Henry VIIth's Chapel

348. View of the East End of Henry VIIth Chapel as Restored in 1813

349. View of Palace Yard on the day of the Coronation of His Majesty George IV

350. A Landscape in Ceylon, With Barking Deer and Fawn and a Pair of Paradise Fly-Catchers

351. Vol. 6, Plate XXXVI: Continuation of the Acts of the Maccabees. The Battle of Judas Maccabeus with Timotheus and the Fall of Maspha.

352. Two of a set of four: The Royal Hunt. 1.The Meeting Place.

353. Two of a set of four: 1. Pheasant Shooting

354. Designs for a Gothic Church Altar and Organ

355. View of the Thuilleries and Bridge taken f rom the Quai d'Orsai

356. View of the Louvre & Bridge of the Thuilleries taken from Pont Neuf

357. View of the Louvre & Bridge of the Thuilleries taken from Pont Neuf

358. Irish Fortune Hunters storming the Bristol Boarding School; or, Potatoe Artillery for ever

359. The Grand Review on Sydenham Common

360. Design for a Chapel at Enfield: Longitudinal Section

361. An Unidentified Country House: Elevation of the Entrance Front

362. "The Poacher's Progress:" Poachers Before the Magistrates

363. "The Poacher's Progress:" Poachers Scuffling with the Constables in the Skittle Ground

364. Foxhunting: At Fault

365. "The Poacher's Progress:" 'Poachers Stalking for Partridges'

366. Design for a Chapel at Enfield: Transverse Sections, East and West End

367. Foxhunting: Stopping Hounds That Have Changed

368. Foxhunting: Going to Cover

369. Myles Sandys' Hounds and Huntsmen Scenting a Hare

370. Three Racehorses with Jockeys Up Galloping in a Group to Left

371. Design after a Greek Vase

372. View from the Vidette Near Hakin on Signal Hill, Looking Beyond Nangle Point and Thorn Island, Pembrokeshire

373. Map of North America from Florida to Chesapeake Bay, after the original by John White in the British Museum [Sir Walter Raleigh's Virginia, No. 110]

374. The Cover

375. The Death