Width [cm]: 45 - YCBA Collections Search Search Results

201. Connubial Happiness

Creator:: Print made by E. J. Dumée, active 1790
Date:: 1786
Materials & Techniques:: Stipple engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 22 1/16 × 17 1/2 inches (56 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

202. La Baiser Envoye

Creator:: Print made by Charles Turner, 1774–1857
Date:: 1807
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 21 1/2 × 17 13/16 inches (54.6 × 45.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

203. Mary Hale (née Chaloner) as Euphrosyne in 'L'Allegro'

Creator:: Print made by James Watson, 1740–1790
Date:: between 1762 and 1764
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 26 3/8 × 17 3/4 inches (67 × 45.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

204. General Washington

Creator:: Print made by Thomas Cheesman, 1760–1834/35
Date:: 1796
Materials & Techniques:: Color-printed stipple engraving and etching with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 29 3/4 x 19 5/8in. (75.6 x 49.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

205. Crook of the Lune, Looking towards Hornby Castle

Creator:: Print made by John Wykeham Archer, 1808–1864
Date:: 1821
Materials & Techniques:: Etching and line engraving with chine collé; engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 5/8 × 20 15/16 inches (37.1 × 53.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

206. Hardraw Fall

Creator:: Print made by Samuel Middiman, ca. 1750–1831
Date:: 1817
Materials & Techniques:: Etching; open etched state on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 13 5/8 × 20 1/16 inches (34.6 × 51 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

207. Brussels, Distant View

Creator:: Print made by William Miller, 1796–1882
Date:: 1834
Materials & Techniques:: Etching and line engraving with chine collé; engraver's proof (a) on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 × 17 1/2 inches (30.5 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

208. Richmond, Yorkshire

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1818-1823
Materials & Techniques:: Etching and line engraving, with chine collé and graphite; touched engraver's proof on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 15 9/16 × 20 1/8 inches (39.5 × 51.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

209. Weathercote Cave when Half Filled with Water

Creator:: Print made by Samuel Middiman, ca. 1750–1831
Date:: 1821
Materials & Techniques:: Etching and line engraving with chine collé; engraver's proof (b) on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 15 3/8 × 22 3/8 inches (39.1 × 56.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

210. Caerlaverock Castle

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1834
Materials & Techniques:: Etching and line engraving with chine collé; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/4 × 17 5/8 inches (23.5 × 44.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

211. Junction of the Greta and the Tees

Creator:: Print made by John Pye, 1782–1874
Date:: 1834
Materials & Techniques:: Etching and line engraving with chine collé; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 × 17 1/2 inches (30.5 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

212. Weathercote Cave when Half Filled with Water

Creator:: Print made by Samuel Middiman, ca. 1750–1831
Date:: 1821
Materials & Techniques:: Etching and line engraving with chine collé; engraver's proof (a) on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/2 × 17 1/2 inches (29.2 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

213. Rouen Cathedral

Creator:: Print made by Thomas Higham, 1796–1844
Date:: 1834
Materials & Techniques:: Etching with chine collé; open etched state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 × 17 1/2 inches (30.5 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

214. Jerusalem

Creator:: Print made by William Miller, 1796–1882
Date:: 1834
Materials & Techniques:: Etching and engraving with chine collé; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 1/2 × 13 1/8 inches (21.6 × 33.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

215. Weathercote Cave when Half Filled with Water

Creator:: Print made by Samuel Middiman, ca. 1750–1831
Date:: 1821
Materials & Techniques:: Etching; open etched state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 11/16 × 18 15/16 inches (32.2 × 48.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

216. Paris from the Barriere de Passy

Creator:: Print made by James Tibbits Willmore, 1800–1863
Date:: 1835
Materials & Techniques:: Etching and line engraving, with chine collé, graphite, and scraping out; touched engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 1/8 × 17 1/2 inches (30.8 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

217. Straits of Dover

Creator:: Print made by William Miller, 1796–1882
Date:: 1827-1838
Materials & Techniques:: Etching and line engraving with chine collé; early engraver's proof on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 1/4 × 17 1/2 inches (31.1 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

218. Havre

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1833
Materials & Techniques:: Etching and line engraving with chine collé; engraver's proof on thick, rough, cream wove paper
Dimensions:: Sheet: 12 1/8 × 17 1/2 inches (30.8 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

219. The Custom House

Creator:: Print made by James C. Allen, active 1821–1831
Date:: 1827
Materials & Techniques:: Etching and line engraving with chine collé; engraver's proof (b) on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 11 7/8 × 17 5/8 inches (30.2 × 44.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

220. Ideas for Metal Sculpture I

Creator:: Print made by Henry Moore, 1898–1986
Date:: 1981
Materials & Techniques:: Lithograph
Dimensions:: Sheet: 17 5/8 x 17 11/16in. (44.8 x 44.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Lillian Heidenberg Reitman

221. Lago Maggiore

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1828
Materials & Techniques:: Etching with chine collé; open etched state on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 11 15/16 × 17 1/2 inches (30.3 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

222. Virginia Water, No. 2

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1828-1837
Materials & Techniques:: Etching and line engraving with chine collé; engraver's proof on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 12 1/16 × 17 1/2 inches (30.6 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

223. Ideas for Metal Sculpture VI

Creator:: Print made by Henry Moore, 1898–1986
Date:: 1981
Materials & Techniques:: Lithograph
Dimensions:: Sheet: 17 5/16 x 17 5/8in. (44 x 44.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Lillian Heidenberg Reitman

224. A Sailing Canoe of Otaheite

Creator:: John Webber, 1752–1793
Date:: 1792
Materials & Techniques:: Graphite; verso: transferred soft ground on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 12 1/2 × 17 1/2 inches (31.8 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

225. A Midnight Modern Conversation

Creator:: Print made by Elisha Kirkall, ca. 1682–1742
Date:: ca. 1733, printed after 1779
Materials & Techniques:: Mezzotint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 5/8 × 17 3/4 inches (37.1 × 45.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

226. Monachum Non Facit Cucullus - The Cowl Does Not Make the Monk

Creator:: Print made by Nathaniel Hone, 1718–1784
Date:: 1772
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 14 × 18 inches (35.6 × 45.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

227. Two Women Listening to a Bird, with a Man Holding a Gun

Creator:: Print made by Johann Gottfried Haid, 1704–1767
Date:: undated
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 13 7/16 x 17 5/8 inches (34.1 x 44.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

228. Sir John Borlase Warren

Creator:: James Fittler, 1758–1835
Date:: 1799
Materials & Techniques:: Line engraving
Dimensions:: Sheet: 12 1/4 x 17 1/2in. (31.1 x 44.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Mr. and Mrs. J. Richardson Dilworth

229. Study of an Antique Head

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Black chalk and white chalk on medium, slightly textured, blue wove paper
Dimensions:: Sheet: 22 1/4 × 17 1/2 inches (56.5 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

230. [Shooting]: Setters

Creator:: William Ward, 1766–1826
Date:: 1806
Materials & Techniques:: Mezzotint, hand-colored
Dimensions:: Sheet: 15 x 17 1/2in. (38.1 x 44.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

231. A False Alarm on the Road to Gretna 'tis only the Mail!

Creator:: Richard Gilson Reeve, 1803–1889
Date:: 1838
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 13 3/8 x 17 1/2in. (34 x 44.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

232. Opposition Coaches at Speed

Creator:: Frederick Rosenberg, active 1816–1832
Date:: 1832
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 13 1/16 x 17 3/4in. (33.2 x 45.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

233. One Mile from Gretna, Our Governor in Sight, --with a screw loose!

Creator:: Richard Gilson Reeve, 1803–1889
Date:: 1836
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 13 1/8 x 17 3/4in. (33.3 x 45.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

234. Various Engravings of York Cathedral

Creator:: unknown artist
Date:: 1813
Materials & Techniques:: Engraving
Dimensions:: Sheet: 13 1/4 x 17 3/4in. (33.7 x 45.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art

235. Various Engravings of York Cathedral

Creator:: unknown artist
Date:: 1813
Materials & Techniques:: Engraving
Dimensions:: Sheet: 13 1/4 x 17 3/4in. (33.7 x 45.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art

236. Various Engravings of York Cathedral

Creator:: unknown artist
Date:: 1813
Materials & Techniques:: Engraving
Dimensions:: Sheet: 13 1/4 x 17 3/4in. (33.7 x 45.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art

237. Various Engravings of York Cathedral

Creator:: unknown artist
Date:: 1813
Materials & Techniques:: Engraving
Dimensions:: Sheet: 13 1/4 x 17 3/4in. (33.7 x 45.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art

238. Various Engravings of York Cathedral

Creator:: unknown artist
Date:: 1813
Materials & Techniques:: Engraving
Dimensions:: Sheet: 13 1/4 x 17 3/4in. (33.7 x 45.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art

239. Various Engravings of York Cathedral

Creator:: unknown artist
Date:: 1813
Materials & Techniques:: Engraving
Dimensions:: Sheet: 13 1/4 x 17 3/4in. (33.7 x 45.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art

240. Garrick Reading the Ode at the Shakespeare Jubilee

Creator:: Caroline Watson, 1760–1814
Date:: 1784
Materials & Techniques:: Stipple engraving and etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 24 7/16 x 17 13/16 inches (62 x 45.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of David Alexander

241. Coaching: The Taglioni Windsor Coach

Creator:: Richard Gilson Reeve, 1803–1889
Date:: 1837
Materials & Techniques:: Aquatint, hand-colored (figure of Taglioni, the dancer, etched in center of title)
Dimensions:: Sheet: 13 7/16 x 17 1/2in. (34.1 x 44.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

242. Coaching: Four in Hand

Creator:: unknown artist
Date:: 1835
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 13 7/8 x 17 9/16in. (35.2 x 44.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

243. Various Engravings of York Cathedral

Creator:: unknown artist
Date:: 1813
Materials & Techniques:: Engraving
Dimensions:: Sheet: 13 1/4 x 17 3/4in. (33.7 x 45.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art

244. Various Engravings of York Cathedral

Creator:: unknown artist
Date:: 1813
Materials & Techniques:: Engraving
Dimensions:: Sheet: 13 1/4 x 17 3/4in. (33.7 x 45.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art

245. Various Engravings of York Cathedral

Creator:: unknown artist
Date:: 1813
Materials & Techniques:: Engraving
Dimensions:: Sheet: 13 1/4 x 17 3/4in. (33.7 x 45.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art

246. Various Engravings of York Cathedral

Creator:: unknown artist
Date:: 1813
Materials & Techniques:: Engraving
Dimensions:: Sheet: 13 1/4 x 17 3/4in. (33.7 x 45.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art

247. Various Engravings of York Cathedral

Creator:: unknown artist
Date:: 1813
Materials & Techniques:: Engraving
Dimensions:: Sheet: 13 1/4 x 17 3/4in. (33.7 x 45.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art

248. Various Engravings of York Cathedral

Creator:: unknown artist
Date:: 1813
Materials & Techniques:: Engraving
Dimensions:: Sheet: 13 1/4 x 17 3/4in. (33.7 x 45.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art

249. Various Engravings of York Cathedral

Creator:: unknown artist
Date:: 1813
Materials & Techniques:: Engraving
Dimensions:: Sheet: 13 1/4 x 17 3/4in. (33.7 x 45.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art

250. Various Engravings of York Cathedral

Creator:: unknown artist
Date:: 1813
Materials & Techniques:: Engraving
Dimensions:: Sheet: 13 1/4 x 17 3/4in. (33.7 x 45.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art

251. Various Engravings of York Cathedral

Creator:: unknown artist
Date:: 1813
Materials & Techniques:: Engraving
Dimensions:: Sheet: 13 1/4 x 17 3/4in. (33.7 x 45.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art

252. Oakhampton Castle

Creator:: Francis Towne, 1740–1816
Date:: 1772
Materials & Techniques:: Gray wash and black ink on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 7 7/8 x 12 5/8 inches (20 x 32.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

253. Unhappy Ghosts Wandering on the Banks of Styx, while Charon in his Boat Ferries over the Elect to the Elysian Fields

Creator:: Print made by John Doyle ('H.B.'), 1797–1868
Date:: 1847
Materials & Techniques:: Lithograph on moderately thick, smooth, beige wove paper
Dimensions:: Sheet: 12 1/16 x 17 5/8 inches (30.6 x 44.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

254. Another Saint Sebastian, Shot at by Cruel Archers

Creator:: Print made by John Doyle ('H.B.'), 1797–1868
Date:: 1847
Materials & Techniques:: Lithograph in tan and black ink on moderately thick, smooth, beige wove paper
Dimensions:: Sheet: 12 x 17 9/16 inches (30.5 x 44.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

255. A Study for a Caius Marius Sitting amidst the Ruins of Carthage, Rather a Serious Subject: "Napoleon was in the habit of comparing England to Carthage!"

A Study for a Caius Marius Sitting amidst the Ruins of Carthage, Rather a Serious Subject: "Napoleon was in the habit of comparing England to Carthage!"

Creator:: Print made by John Doyle ('H.B.'), 1797–1868
Date:: 1847
Materials & Techniques:: Lithograph in tan and black ink on moderately thick, smooth, beige wove paper
Dimensions:: Sheet: 12 1/16 x 17 9/16 inches (30.6 x 44.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

256. The Mask of Comus. As Now Being Performed at the Theatre Royal, Madrid, with Amazing Success

Creator:: Print made by John Doyle ('H.B.'), 1797–1868
Date:: 1847
Materials & Techniques:: Lithograph in tan and black ink on moderately thick, smooth, beige wove paper
Dimensions:: Sheet: 12 1/16 x 17 5/8 inches (30.7 x 44.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

257. View of Pont St. Michel, taken from Pont Neuf

Creator:: Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Soft-ground etched outline on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

258. View of Pont St. Michel, taken from Pont Neuf

Creator:: Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Aquatint with soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

259. Views in the Levant: Malta

Creator:: Attributed to Willey Reveley, 1760–1799
Date:: ca. 1785
Materials & Techniques:: Watercolor and pen and gray ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 1/2 x 17 7/8in. (26.7 x 45.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

260. James Gillray

Creator:: Charles Turner, 1774–1857
Date:: 1819
Materials & Techniques:: Hand colored mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Mount: 23 9/16 × 17 1/2 inches (59.8 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

261. Two of a set of four: The Royal Hunt. 2. Taking the Stag

Creator:: Thomas Sutherland, ca. 1785–1838
Date:: 1826
Materials & Techniques:: Hand colored and color printed aquatint
Dimensions:: Sheet: 10 7/8 x 17 3/4in. (27.6 x 45.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

262. Pantheum Romanum nunc Mariae Cognomento

Creator:: Print made by Nicolas Beatrizet, 1507 or 1515–ca. 1565
Date:: between 1546 and 1590
Materials & Techniques:: Line engraving on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 14 × 17 3/4 inches (35.6 × 45.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

263. Two of a set of four: 2. Pheasant Shooting

Creator:: James Barenger, 1780–after 1831
Date:: 1809
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 7 5/8 x 17 3/4in. (19.4 x 45.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

264. Racing [set of four]: The High Mettled Racer. 2. The Hunter

Creator:: John Hassell, 1767–1825
Date:: 1789
Materials & Techniques:: Aquatint, hand-colored, with engraved titles and verses with aquatinted border
Dimensions:: Sheet: 13 3/4 x 17 1/2in. (34.9 x 44.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

265. Racing [set of four]: The High Mettled Racer. 4. The Cart-horse

Creator:: John Hassell, 1767–1825
Date:: 1789
Materials & Techniques:: Aquatint, hand-colored, with engraved titles and verses with aquatinted border
Dimensions:: Sheet: 13 3/4 x 17 1/2in. (34.9 x 44.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

266. Racing [set of four]: The High Mettled Racer. 3. The Hack

Creator:: John Hassell, 1767–1825
Date:: 1789
Materials & Techniques:: Aquatint, hand-colored, with engraved titles and verses with aquatinted border
Dimensions:: Sheet: 13 3/4 x 17 1/2in. (34.9 x 44.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

267. The South-West View of Battel-Abbey, in the County of Sussex

Creator:: Print made by Samuel Buck, 1696–1779
Date:: 1737
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 11 3/16 x 17 13/16 inches (28.4 x 45.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

268. Study for The Wedding Feast of Sir Degrevaunt

Creator:: Edward Burne-Jones, 1833–1898
Date:: undated
Materials & Techniques:: Pen and brown ink and graphite on thick, moderately textured, cream wove paper
Dimensions:: Mount: 15 1/4 × 17 7/8 inches (38.7 × 45.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

269. Colchester, Essex

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1827-1838
Materials & Techniques:: Etching; open etched state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 × 17 1/2 inches (30.5 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

270. Three Sculpture Ideas

Creator:: Print made by Henry Moore, 1898–1986
Date:: 1981
Materials & Techniques:: Lithograph
Dimensions:: Sheet: 22 x 17 3/4in. (55.9 x 45.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Lillian Heidenberg Reitman

271. An Encampment in St. James Park

Creator:: Paul Sandby, 1731–1809
Date:: ca. 1780
Materials & Techniques:: Watercolor, graphite, and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 x 17 7/8 inches (30.2 x 45.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

272. A set of seven, untitled, each dedicated: To the Right Hon'ble. Thomas Lord Viscount Weymouth...from the Original Painting in Long Leat Hall. [The kill: two riders dismounted, one holding fox above clamouring hounds; the huntsman blowing his horn ...]

A set of seven, untitled, each dedicated: To the Right Hon'ble. Thomas Lord Viscount Weymouth...from the Original Painting in Long Leat Hall. [The kill: two riders dismounted, one holding fox above clamouring hounds; the huntsman blowing his horn ...]

Creator:: L. Truchy, 1721–1764
Date:: 1735
Materials & Techniques:: Engraving
Dimensions:: Sheet: 19 1/2 x 17 3/4in. (49.5 x 45.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

273. A set of seven, untitled, each dedicated: To the Right Hon'ble. Thomas Lord Viscount Weymouth...from the Original Painting in Long Leat Hall. [Riders and hounds resting in a rocky landscape.]

A set of seven, untitled, each dedicated: To the Right Hon'ble. Thomas Lord Viscount Weymouth...from the Original Painting in Long Leat Hall. [Riders and hounds resting in a rocky landscape.]

Creator:: L. Truchy, 1721–1764
Date:: 1735
Materials & Techniques:: Engraving
Dimensions:: Sheet: 19 1/2 x 17 3/4in. (49.5 x 45.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

274. Siccre Gully

Creator:: Samuel Davis, 1760–1819
Date:: undated
Materials & Techniques:: Watercolor and graphite on moderately thick, moderately textured, cream laid paper
Dimensions:: Mount: 15 1/2 × 21 5/16 inches (39.4 × 54.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

275. Unharbouring the Stag

Creator:: Robert Sheppard, active 1730–1740
Date:: undated
Materials & Techniques:: Line engraving
Dimensions:: Sheet: 11 5/8 x 17 1/2in. (29.5 x 44.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

276. The Stag at Bay

Creator:: Pierre Charles Canot, ca. 1710–1777
Date:: undated
Materials & Techniques:: Line engraving
Dimensions:: Sheet: 11 5/8 x 17 1/2in. (29.5 x 44.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

277. View in Suffolk

Creator:: Cornelius Varley, 1781–1873
Date:: 1803
Materials & Techniques:: Watercolor and graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 10 1/2 x 17 5/8 inches (26.7 x 44.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

278. Set of four: (1) Stag Hunting

Creator:: Richard Gilson Reeve, 1803–1889
Date:: 1808
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 14 1/8 x 17 7/8in. (35.9 x 45.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

279. Set of four: (2) Stag Hunting

Creator:: Richard Gilson Reeve, 1803–1889
Date:: 1808
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 14 1/8 x 17 7/8in. (35.9 x 45.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

280. Barmouth Bay, the Junction of the Rivers Mowddach and Gwinion

Creator:: Moses Griffith, 1747–1819
Date:: 1805
Materials & Techniques:: Watercolor over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 1/8 x 17 11/16 inches (30.8 x 44.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

281. The Stag taking Soil

Creator:: Robert Sheppard, active 1730–1740
Date:: undated
Materials & Techniques:: Line engraving
Dimensions:: Sheet: 11 5/8 x 17 1/2in. (29.5 x 44.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

282. The Death and taking Say of the Stag

Creator:: Robert Sheppard, active 1730–1740
Date:: undated
Materials & Techniques:: Line engraving
Dimensions:: Sheet: 11 5/8 x 17 1/2in. (29.5 x 44.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

283. Lady Isabella Hamilton

Creator:: Print made by James Walker, 1748–1808
Date:: 1782
Materials & Techniques:: Mezzotint (first state?) on thick, rough, beige laid paper
Dimensions:: Sheet: 25 5/8 × 17 1/2 inches (65.1 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

284. Sheet of Figure Sketches

Creator:: William Payne, active 1850s
Date:: undated
Materials & Techniques:: Black ink, gray wash, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/2 × 17 3/4 inches (29.2 × 45.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

285. Mary Isabella, Duchess of Rutland

Creator:: Print made by John Keyse Sherwin, c.1751–1790
Date:: 1791
Materials & Techniques:: Line engraving (only state) on thick, rough, cream laid paper
Dimensions:: Sheet: 23 3/4 × 17 1/2 inches (60.3 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

286. Barmouth Bay

Creator:: Moses Griffith, 1747–1819
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper mounted on thick card
Dimensions:: Sheet: 10 x 16 3/4 inches (25.4 x 42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

287. Hon. George Cranfield Berkeley

Creator:: Print made by Henry Birche, active 1790–1795
Date:: 1793
Materials & Techniques:: Mezzotint with etching on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 27 × 19 1/8 inches (68.6 × 48.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

288. The Fortune Teller

Creator:: Print made by John Keyse Sherwin, c.1751–1790
Date:: 1784
Materials & Techniques:: Line engraving (first state) on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 15 15/16 × 17 1/2 inches (40.5 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

289. The Douglas Children

Creator:: Print made by James Ward, 1769–1859
Date:: 1796
Materials & Techniques:: Mezzotint (second state) on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 21 5/8 × 17 3/4 inches (54.9 × 45.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

290. Study of a Cottage Interior

Creator:: John Henry Mole, 1814–1886
Date:: undated
Materials & Techniques:: Watercolor over graphite on thick, slightly textured, beige wove paper
Dimensions:: Sheet: 11 5/8 x 17 11/16 inches (29.5 x 45 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

291. Knaresborough, Yorkshire

Creator:: Print made by Thomas Jeavons, ca. 1800–1867
Date:: 1827-1838
Materials & Techniques:: Etching and line engraving; early engraver's proof on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 11 5/8 × 17 1/2 inches (29.5 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

292. Louth, Lincolnshire

Creator:: Print made by William Radclyffe, 1780–1855
Date:: 1827-1838
Materials & Techniques:: Etching and line engraving with chine collé; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 × 17 5/8 inches (30.5 × 44.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

293. Devonport and Dockyard, Devonshire

Creator:: Print made by Thomas Jeavons, ca. 1800–1867
Date:: 1827-1838
Materials & Techniques:: Etching and line engraving, with chine collé, graphite, and white chalk; touched engraver's proof on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/2 × 17 1/2 inches (29.2 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

294. Ely Cathedral, Cambridgeshire

Creator:: Print made by Thomas Higham, 1796–1844
Date:: 1833
Materials & Techniques:: Etching and line engraving; first published state on thick, smooth, cream wove paper
Dimensions:: Sheet: 12 1/4 × 17 1/2 inches (31.1 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

295. Aldborough

Creator:: Print made by James C. Allen, active 1821–1831
Date:: ca. 1830
Materials & Techniques:: Etching and line engraving with chine collé; engraver's proof (c) on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 3/16 × 17 9/16 inches (31 × 44.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

296. 'Eclipse' / 'He was bred in 1764, by H.R.H. Wm. Cuke of Cumberland, got by Marsk, son of squirt, a son of Gartletts Childers, own brother to Flying Childers...

Creator:: Charles Hunt, 1803–1877
Date:: 1839
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 15 3/4 x 17 3/4in. (40 x 45.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

297. Falstaff Reproved by King Henry

Creator:: unknown artist
Date:: 1792
Materials & Techniques:: Engraving and stipple engraving
Dimensions:: Sheet: 13 7/8 x 17 9/16in. (35.2 x 44.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

298. Sir Andrew Aguecheek, Sir Toby Belch and the Clown - "Twelfth Night", Act II, Scene III

Creator:: Peltro W. Tomkins, 1760–1840
Date:: 1792
Materials & Techniques:: Line engraving and stipple engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 5/8 × 19 1/4 inches (42.2 × 48.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

299. A House of Assembly, Quebec: Elevation

Creator:: Studio of Sir Jeffry Wyatville, 1766–1840
Date:: ca. 1812
Materials & Techniques:: Watercolor, pen and black ink on slightly textured, medium, cream wove paper
Dimensions:: Sheet: 12 13/16 × 17 7/8 inches (32.5 × 45.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

300. Isola Madre, Lago Maggiore

Creator:: John Warwick Smith, 1749–1831
Date:: ca. 1781
Materials & Techniques:: Watercolor over graphite on medium, moderately textured, cream laid paper, laid down on original mount
Dimensions:: Sheet: 12 3/16 x 17 1/2 inches (31 x 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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201. Connubial Happiness

202. La Baiser Envoye

203. Mary Hale (née Chaloner) as Euphrosyne in 'L'Allegro'

204. General Washington

205. Crook of the Lune, Looking towards Hornby Castle

206. Hardraw Fall

207. Brussels, Distant View

208. Richmond, Yorkshire

209. Weathercote Cave when Half Filled with Water

210. Caerlaverock Castle

211. Junction of the Greta and the Tees

212. Weathercote Cave when Half Filled with Water

213. Rouen Cathedral

214. Jerusalem

215. Weathercote Cave when Half Filled with Water

216. Paris from the Barriere de Passy

217. Straits of Dover

218. Havre

219. The Custom House

220. Ideas for Metal Sculpture I

221. Lago Maggiore

222. Virginia Water, No. 2

223. Ideas for Metal Sculpture VI

224. A Sailing Canoe of Otaheite

225. A Midnight Modern Conversation

226. Monachum Non Facit Cucullus - The Cowl Does Not Make the Monk

227. Two Women Listening to a Bird, with a Man Holding a Gun

228. Sir John Borlase Warren

229. Study of an Antique Head

230. [Shooting]: Setters

231. A False Alarm on the Road to Gretna 'tis only the Mail!

232. Opposition Coaches at Speed

233. One Mile from Gretna, Our Governor in Sight, --with a screw loose!

234. Various Engravings of York Cathedral

235. Various Engravings of York Cathedral

236. Various Engravings of York Cathedral

237. Various Engravings of York Cathedral

238. Various Engravings of York Cathedral

239. Various Engravings of York Cathedral

240. Garrick Reading the Ode at the Shakespeare Jubilee

241. Coaching: The Taglioni Windsor Coach

242. Coaching: Four in Hand

243. Various Engravings of York Cathedral

244. Various Engravings of York Cathedral

245. Various Engravings of York Cathedral

246. Various Engravings of York Cathedral

247. Various Engravings of York Cathedral

248. Various Engravings of York Cathedral

249. Various Engravings of York Cathedral

250. Various Engravings of York Cathedral

251. Various Engravings of York Cathedral

252. Oakhampton Castle

253. Unhappy Ghosts Wandering on the Banks of Styx, while Charon in his Boat Ferries over the Elect to the Elysian Fields

254. Another Saint Sebastian, Shot at by Cruel Archers

255. A Study for a Caius Marius Sitting amidst the Ruins of Carthage, Rather a Serious Subject: "Napoleon was in the habit of comparing England to Carthage!"

256. The Mask of Comus. As Now Being Performed at the Theatre Royal, Madrid, with Amazing Success

257. View of Pont St. Michel, taken from Pont Neuf

258. View of Pont St. Michel, taken from Pont Neuf

259. Views in the Levant: Malta

260. James Gillray

261. Two of a set of four: The Royal Hunt. 2. Taking the Stag

262. Pantheum Romanum nunc Mariae Cognomento

263. Two of a set of four: 2. Pheasant Shooting

264. Racing [set of four]: The High Mettled Racer. 2. The Hunter

265. Racing [set of four]: The High Mettled Racer. 4. The Cart-horse

266. Racing [set of four]: The High Mettled Racer. 3. The Hack

267. The South-West View of Battel-Abbey, in the County of Sussex

268. Study for The Wedding Feast of Sir Degrevaunt

269. Colchester, Essex

270. Three Sculpture Ideas

271. An Encampment in St. James Park

272. A set of seven, untitled, each dedicated: To the Right Hon'ble. Thomas Lord Viscount Weymouth...from the Original Painting in Long Leat Hall. [The kill: two riders dismounted, one holding fox above clamouring hounds; the huntsman blowing his horn ...]

273. A set of seven, untitled, each dedicated: To the Right Hon'ble. Thomas Lord Viscount Weymouth...from the Original Painting in Long Leat Hall. [Riders and hounds resting in a rocky landscape.]

274. Siccre Gully

275. Unharbouring the Stag