Width [cm]: 44 - YCBA Collections Search Search Results

101. Aldborough, Suffolk

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1827-1838
Materials & Techniques:: Etching and line engraving, with graphite; touched engraver's proof on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 11 3/4 × 17 1/4 inches (29.8 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

102. Stamford, Lincolnshire

Creator:: Print made by William Miller, 1796–1882
Date:: 1827-1838
Materials & Techniques:: Etching and line engraving; early engraver's proof on medium, slightly textured, beige wove paper with cream chine-collé
Dimensions:: Sheet: 12 × 17 1/4 inches (30.5 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

103. Dunstanborough Castle, Northumberland

Creator:: Print made by Robert Brandard, 1805–1862
Date:: 1827-1838
Materials & Techniques:: Etching and line engraving, with white chalk and scraping out; touched engraver's proof on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 12 1/4 × 17 1/4 inches (31.1 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

104. Richmond Hill and Bridge, Surrey

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1832
Materials & Techniques:: Etching and line engraving with graphite; touched engraver's proof (b) on moderately thick, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 12 × 17 1/8 inches (30.5 × 43.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

105. Aldborough

Creator:: Print made by James C. Allen, active 1821–1831
Date:: ca. 1830
Materials & Techniques:: Etching and engraving; engraver's proof (a) on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 7/8 × 17 1/4 inches (30.2 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

106. Virginia Water, No. 1

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1828-1832
Materials & Techniques:: Etching and line engraving; engraver's proof on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 7/8 × 17 1/4 inches (30.2 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

107. Virginia Water, No. 1

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1828
Materials & Techniques:: Etching; open etched state on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 3/4 × 17 1/8 inches (29.8 × 43.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

108. St. Germain-en-Laye

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1828-1837
Materials & Techniques:: Etching and line engraving; engraver's proof (b) on thick, moderately textured, beige wove paper, with cream chine collé
Dimensions:: Sheet: 11 7/8 × 17 1/8 inches (30.2 × 43.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

109. Ehrenbreitstein

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1833
Materials & Techniques:: Line engraving, first published state on thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:: Sheet: 11 13/16 × 17 3/16 inches (30 × 43.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

110. Florence, from the Chiesa al Monte

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1831
Materials & Techniques:: Line engraving, first published state on thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:: Sheet: 11 5/8 × 17 3/16 inches (29.5 × 43.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

111. Fonthill

Creator:: Print made by Thomas Crostick, active ca. 1828
Date:: 1828
Materials & Techniques:: Line engraving, first published state on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 11 5/8 × 17 3/8 inches (29.5 × 44.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

112. Launceston, Cornwall

Creator:: Print made by J. C. Varrall, active 1815–1827
Date:: 1827-1838
Materials & Techniques:: Etching and line engraving; early engraver's proof on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 11 3/4 × 17 3/8 inches (29.8 × 44.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

113. Military Weapons, Female Ornaments, Utencils for Culinary and Religious Purposes

Creator:: Gangaram Chintaman Tambat, active 1790s
Date:: undated
Materials & Techniques:: Watercolor, graphite, and gouache with pen and black ink and pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 22 1/4 × 17 1/4 inches (56.5 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

114. Pine Tree

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream laid paper mounted on fabric
Dimensions:: Sheet: 23 1/8 × 17 1/4 inches (58.7 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

115. View of the Pantheon, Paris

Creator:: Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Soft ground etching with gray, blue, and yellow wash on medium, slightly textured, cream wove paper
Dimensions:: Mount: 9 3/8 x 21 inches (23.8 x 53.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

116. Gil Blas, While Practising Medicine under Dr. Sangrado, Encounters Dr. Cuchillo at the Bedside of the Grocer

Creator:: Alfred Edward Chalon, 1780–1860
Date:: ca. 1820
Materials & Techniques:: Graphite and brown wash on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 12 1/2 × 13 1/2 inches (31.8 × 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

117. A Sailing Canoe of Otaheite

Creator:: John Webber, 1752–1793
Date:: 1792
Materials & Techniques:: Graphite; verso: transferred soft ground on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 × 17 1/4 inches (30.2 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

118. Waheiadooa, Chief of Oheitepha, Lying in State

Creator:: John Webber, 1752–1793
Date:: 1789
Materials & Techniques:: Graphite; verso: transferred soft ground on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/2 × 17 1/8 inches (29.2 × 43.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

119. The Narta or Sledge for Burdens in Kamtschatka

Creator:: John Webber, 1752–1793
Date:: 1789
Materials & Techniques:: Graphite; verso: transferred soft ground on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/8 × 17 1/8 inches (28.3 × 43.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

120. The Balagans or Summer Habitations, with the Method of Drying Fish, at St. Peter and Paul, Kamtschatka

Creator:: John Webber, 1752–1793
Date:: 1792
Materials & Techniques:: Graphite; verso: transferred soft ground on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 11 5/8 × 17 1/8 inches (29.5 × 43.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

121. View in the Island of Cracatoa

Creator:: John Webber, 1752–1793
Date:: undated
Materials & Techniques:: Graphite; verso: transferred soft ground on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 11 5/16 × 17 1/8 inches (28.8 × 43.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

122. View in Macao, Including the Residence of Camoens, When He Wrote his Lusiad

Creator:: John Webber, 1752–1793
Date:: 1788
Materials & Techniques:: Graphite; verso: transferred soft ground on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 11 5/8 × 17 1/4 inches (29.5 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

123. Mrs. Gregory

Creator:: Print made by Joseph Bishop Pratt, 1854–1910
Date:: 1898
Materials & Techniques:: Mezzotint (artist's proof) on thick, smooth, cream wove paper, with cream chine-collé
Dimensions:: Sheet: 26 1/2 × 22 11/16 inches (67.3 × 57.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

124. The Sleeping Child

Creator:: William Doughty, 1757–1782
Date:: 1780
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 15 7/8 × 17 3/16 inches (40.3 × 43.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

125. Mill near the Grande Chartreuse

Creator:: Print made by Sir Frank Short, 1857–1945
Date:: 1886
Materials & Techniques:: Etching printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 1/2 × 17 1/8 inches (31.8 × 43.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Daniel Bell

126. The Source of the Arveron

Creator:: Print made by Sir Frank Short, 1857–1945
Date:: 1886
Materials & Techniques:: Etching printed in brown ink on medium, slightly textured, cream laid paper
Dimensions:: Spine:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Daniel Bell

127. Bonneville, Savoy

Creator:: Print made by Sir Frank Short, 1857–1945
Date:: 1887
Materials & Techniques:: Etching printed in brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 12 5/8 × 17 1/4 inches (32.1 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Daniel Bell

128. Ben Arthur, Scotland

Creator:: Print made by Sir Frank Short, 1857–1945
Date:: 1888
Materials & Techniques:: Etching printed in brown ink
Dimensions:: Sheet: 12 5/8 × 17 3/8 inches (32.1 × 44.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Daniel Bell

129. Francis Bartolozzi, R.A.

Creator:: Print made by Thomas Watson, 1743–1781
Date:: 1785
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 21 3/4 × 17 1/4 inches (55.2 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

130. Celebration on the Thames near Whitehall

Creator:: Willem van de Velde the Elder, ca. 1611–1693
Date:: 1685
Materials & Techniques:: Pen and brown ink, graphite, and gray wash on two joined sheets of medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 1/8 x 17 3/8 inches (28.3 x 44.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

131. Tarbert Castle

Creator:: Joshua Cristall, 1768–1847
Date:: undated
Materials & Techniques:: Watercolor with gouache over graphite on thick, slightly textured, beige wove paper
Dimensions:: Sheet: 12 x 17 1/4 inches (30.5 x 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

132. Chain of Alps

Creator:: Print made by Sir Frank Short, 1857–1945
Date:: 1887
Materials & Techniques:: Etching printed in brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 12 5/8 × 17 3/8 inches (32.1 × 44.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Daniel Bell

133. Mercury and Argus

Creator:: Print made by James Tibbits Willmore, 1800–1863
Date:: 1841
Materials & Techniques:: Etching and line engraving; first published state on thick, moderately textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 33 × 25 1/4 inches (83.8 × 64.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

134. Sir John Moore

Creator:: Charles Turner, 1774–1857
Date:: 1809
Materials & Techniques:: Mezzotint on thick, moderately textured, cream laid paper
Dimensions:: Sheet: 24 3/8 × 17 3/8 inches (61.9 × 44.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

135. Water Mill

Creator:: Print made by Sir Frank Short, 1857–1945
Date:: 1885
Materials & Techniques:: Etching on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 12 7/8 × 17 1/8 inches (32.7 × 43.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Daniel Bell

136. Solway Moss

Creator:: Print made by Sir Frank Short, 1857–1945
Date:: 1887
Materials & Techniques:: Etching printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 3/4 × 17 3/8 inches (32.4 × 44.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Daniel Bell

137. Ancient Aqueduct Ruins

Creator:: Sir Robert Smirke the younger, 1781–1867
Date:: 1802-1804
Materials & Techniques:: Brown wash, gray wash, blue wash and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 11 9/16 × 17 1/4 inches (29.4 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

138. Asian Openbill Stork (Anastomus oscitans)

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, gray ink, gouache, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 25 7/16 × 17 5/16 inches (64.6 × 44 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

139. A Jewish Rabbi

Creator:: Print made by William Pether, ca. 1738–1821
Date:: 1775
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 19 1/4 × 17 3/8 inches (48.9 × 44.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

140. Abraham Lincoln

Creator:: Print made by Otto J. Schneider, 1875–1946
Date:: 1906
Materials & Techniques:: Etching and dry point on vellum
Dimensions:: Sheet: 21 3/8 × 17 3/8 inches (54.3 × 44.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

141. Castle Fraser, Aberdeenshire, Scotland: East Elevation

Creator:: William Wilkins, 1778–1839
Date:: 1819
Materials & Techniques:: Graphite, pen and black and brown ink, watercolor on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 12 3/4 × 17 1/4 inches (32.4 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

142. Castle Fraser, Aberdeenshire, Scotland: North Elevation

Creator:: William Wilkins, 1778–1839
Date:: 1819
Materials & Techniques:: Graphite, pen and black and brown ink, watercolor on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 12 × 17 3/8 inches (30.5 × 44.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

143. Lovelace in Prison

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1788
Materials & Techniques:: Stipple engraving and etching on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 15 3/8 x 17 7/16 inches (39 x 44.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

144. Ploughing, Eton

Creator:: Print made by Thomas Goff Lupton, 1791–1873
Date:: 1818, printed after 1851
Materials & Techniques:: Etching and mezzotint, printed in brown ink; engraver's proof on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 3/4 × 17 1/4 inches (29.8 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

145. Shipping at the Entrance of the Medway

Creator:: Print made by Sir Frank Short, 1857–1945
Date:: 1896
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 1/8 × 17 1/8 inches (30.8 × 43.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

146. Brougham Castle, near the Junction of the Rivers Eamont and Lowther

Creator:: Print made by William Say, 1768–1834
Date:: 1823 to 1827
Materials & Techniques:: Mezzotint; engraver's proof (c) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 1/2 × 17 1/4 inches (29.2 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

147. View of the Pantheon taken from the Arsenal

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Soft ground etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 3/4 x 26 1/2 inches (42.5 x 67.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

148. Walls of Rome: The Aurelian Wall, with the Pyramid of Cestius

Creator:: Isaac Weld, 1774–1856
Date:: 1818
Materials & Techniques:: Watercolor, pen and brown ink, gouache, gum arabic, and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 7 3/16 × 17 3/16 inches (18.3 × 43.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

149. Lulworth Cove, Dorset

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1811-1812
Materials & Techniques:: Etching; second state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 5/8 × 17 3/16 inches (29.5 × 43.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

150. De la Parade de Seconde sur le Coup de Seconde

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 15/16 × 17 1/4 inches (27.8 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

151. De la Risposte en Tierce de Pied Ferme sur le Coup de Tierce

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 11 × 17 3/8 inches (27.9 × 44.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

152. De la Risposte en Quinte de Pied forme sur le Coup de Seconde

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 5/8 × 17 1/4 inches (27 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

153. Circle Enclosed

Creator:: Alastair Morton, 1910–1963
Date:: ca. 1941
Materials & Techniques:: Gouache, crayon, graphite, and scraping out on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 x 20 inches (35.6 x 50.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

154. Jacob Bryant Esq.

Creator:: Print made by T. Blood, active 1812–1814
Date:: between 1812 and 1814
Materials & Techniques:: Stipple engraving on medium, moderately textured, cream wove paper, laid in mount made of moderately thick, smooth, cream wove paper
Dimensions:: Mount: 11 3/8 x 17 3/16 inches (28.9 x 43.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

155. Sir Christopher Hatton

Creator:: Edward Scriven, 1775–1841
Date:: 1823
Materials & Techniques:: Engraving on medium, slightly textured, beige wove paper
Dimensions:: Mount: 24 × 17 1/8 inches (61 × 43.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

156. His Excellency Thomas Earl of Strafford

Creator:: George Vertue, 1684–1756
Date:: 1714
Materials & Techniques:: Engraving on medium, slightly textured, cream laid paper
Dimensions:: Mount: 24 × 17 1/4 inches (61 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

157. Henry James Pye, Esq

Creator:: B. Pym, active 1793–1805
Date:: 1801
Materials & Techniques:: Mezzotint on medium, slightly textured, beige wove paper
Dimensions:: Mount: 23 7/8 × 17 1/8 inches (60.6 × 43.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

158. King William the Conquerer

Creator:: George Vertue, 1684–1756
Date:: 1745
Materials & Techniques:: Engraving on medium, slightly textured, cream laid paper
Dimensions:: Mount: 24 × 17 1/4 inches (61 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

159. Richard III, King of England

Creator:: George Vertue, 1684–1756
Date:: 1732
Materials & Techniques:: Line engraving on medium, slightly textured, cream laid paper
Dimensions:: Mount: 23 15/16 × 17 3/16 inches (60.8 × 43.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

160. Edward Prince of Wales and Aquitaine, Duke of Cornwall

Creator:: George Vertue, 1684–1756
Date:: undated
Materials & Techniques:: Engraving on medium, slightly textured, cream laid paper
Dimensions:: Mount: 24 × 17 3/16 inches (61 × 43.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

161. Designs for Blackfriars Bridge

Creator:: Benjamin Cole, 1697–1783
Date:: 1756
Materials & Techniques:: Engraving
Dimensions:: Sheet: 14 1/2 x 17 1/4in. (36.8 x 43.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

162. View of Charing Cross and Northumberland House

Creator:: after unknown artist
Date:: 1830
Materials & Techniques:: Hand colored lithograph
Dimensions:: Sheet: 13 5/8 x 17 1/8in. (34.6 x 43.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

163. George Horne D.D. Late Lord Bishop of Norwich

Creator:: Alfred William Warren, active 1791–1809
Date:: undated
Materials & Techniques:: Steel engraving on medium, slightly textured, cream wove paper
Dimensions:: Mount: 24 × 17 1/4 inches (61 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

164. Study of a Youth Wearing a Cloak

Creator:: W. Raddon, active 1817–1862
Date:: undated
Materials & Techniques:: Engraving on medium, slightly textured, cream wove paper
Dimensions:: Mount: 24 1/8 × 17 1/8 inches (61.3 × 43.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

165. The Effigies of John Rushworth Esq.

Creator:: Robert White, 1645–1703
Date:: undated
Materials & Techniques:: Engraving on medium, slightly textured, cream laid paper
Dimensions:: Mount: 24 × 17 1/8 inches (61 × 43.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

166. Devonport and Dockyard, Devonshire

Creator:: Print made by Thomas Jeavons, ca. 1800–1867
Date:: 1827-1838
Materials & Techniques:: Etching and line engraving; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/4 × 17 3/8 inches (28.6 × 44.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

167. The Diplomatic Squad or Harmony Interrupted

Creator:: Charles Ansell, ca.1752–active 1790
Date:: 1797
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 10 1/2 x 17 3/8in. (26.7 x 44.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

168. Angling: Anglers Packing Up

Creator:: Richard Gilson Reeve, 1803–1889
Date:: 1831
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 13 1/4 x 17 1/8in. (33.7 x 43.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

169. A View of the Printing House (a), the Theatre (b), the Museum (c), part of the Schools (d), part of All Souls College (e), & St. Mary's Church (f), & c. in the University of Oxford

A View of the Printing House (a), the Theatre (b), the Museum (c), part of the Schools (d), part of All Souls College (e), & St. Mary's Church (f), & c. in the University of Oxford

Creator:: unknown artist
Materials & Techniques:: Hand-colored engraving on laid paper
Dimensions:: Plate: 10 1/2 × 17 1/8 inches (26.7 × 43.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

170. A Proclamation in Lilliput

Creator:: Richard Newton, 1777–1798
Date:: 1792
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 12 x 17 3/8in. (30.5 x 44.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art

171. View of the Pantheon, taken from the Arsenal

Creator:: Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Graphite tracing on thin, brown, laid paper
Dimensions:: Sheet: 7 x 17 1/8in. (17.8 x 43.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

172. The Obelisk in the Garden at Versailles

Creator:: Print made by unknown artist
Date:: between 1740 and 1757
Materials & Techniques:: Etching and engraving hand-coloured in watercolor and gouache on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 12 5/16 x 18 1/16 inches (31.2 x 45.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

173. The Death of the Great Wolf

Creator:: James Gillray, 1756–1815
Date:: 1795
Materials & Techniques:: Etching and stipple engraving, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 13 3/8 × 17 7/16 inches (34 × 44.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

174. Light Expelling Darkness, - Evaporation of Stygian Exhalations, - or - The Sun of the Constitution, Rising Superior to the Clouds of Opposition

Creator:: James Gillray, 1756–1815
Date:: 1795
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 13 1/8 x 17 3/8in. (33.3 x 44.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

175. A Trial for a Rape

Creator:: unknown artist
Date:: 1799
Materials & Techniques:: Etching & aquatint, hand-colored
Dimensions:: Sheet: 11 x 17 1/4in. (27.9 x 43.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

176. The British Menagerie

Creator:: Isaac Cruikshank, 1764–1811
Date:: 1796
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 11 3/8 x 17 1/8in. (28.9 x 43.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

177. The Bridal-Night

Creator:: James Gillray, 1756–1815
Date:: 1797
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 11 1/4 x 17 1/4in. (28.6 x 43.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

178. The Forge

Creator:: Print made by James Sharples, 1825–1892
Date:: 1859
Materials & Techniques:: Line engraving on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 22 × 30 inches (55.9 × 76.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Tim Barringer in honour of Amy Meyers

179. Foxhunting: The Meet, With Hounds Coming Out of Kennel

Creator:: Samuel Alken, 1756–1815
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 10 3/4 × 17 7/16 inches (27.3 × 44.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

180. The 'Royal' Coach Outside the White Lion Inn

Creator:: William Evans of Bristol, 1809–1858
Date:: ca. 1845
Materials & Techniques:: Watercolor, pen and brown ink, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Mount: 13 1/16 × 17 3/8 inches (33.2 × 44.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

181. The Cornfield

Creator:: Peter DeWint, 1784–1849
Date:: undated
Materials & Techniques:: Watercolor and graphite on moderately thick, rough, beige wove paper
Dimensions:: Sheet: 11 11/16 × 17 1/4 inches (29.7 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

182. A View of the Pont de la Tournelle and Notre Dame Taken From the Arsenal

Creator:: Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Soft ground etching with gray, green, and yellow wash on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 7/8 × 17 5/16 inches (14.9 × 44 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

183. The Death: The Fox Hoist to a Fence

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, and graphite on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 10 1/4 × 17 5/16 inches (26 × 44 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

184. Alecto and Her Train, at the Gate of Pandeomonium; - or - The Recruiting Sargeant Enlisting John Bull, Into the Revolution Service

Creator:: James Gillray, 1756–1815
Date:: 1791
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 14 3/4 x 17 1/4in. (37.5 x 43.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

185. Future Prospects, or, Symptoms of Love in High Life

Creator:: unknown artist
Date:: 1796
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 11 1/2 x 17 3/8in. (29.2 x 44.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

186. Eastwell Park in Kent - Seat of George Finch Hutton, Esquire

Creator:: William Green, 1760–1823
Materials & Techniques:: Colored aquatint
Dimensions:: Sheet: 15 1/4 x 17 1/4in. (38.7 x 43.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

187. "Maid of the Mill"

Creator:: William Woollett, 1735–1785
Date:: ca. 1765
Materials & Techniques:: Line engraving
Dimensions:: Sheet: 13 1/4 x 17 5/16in. (33.7 x 44cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

188. Design after a Greek Vase

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, and gouache on medium, slightly textured, cream wove paper
Dimensions:: Mount: 21 13/16 × 17 3/8 inches (55.4 × 44.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

189. Oare Church

Creator:: Rev. James Bulwer, 1794–1879
Date:: 1837
Materials & Techniques:: Pen and brown ink, watercolor, graphite on smooth, moderately thick, cream wove paper
Dimensions:: Sheet: 13 1/2 × 17 1/4 inches (34.3 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

190. [One from] A Volume of Drawings and Prints

Creator:: Rev. James Bulwer, 1794–1879
Date:: undated
Materials & Techniques:: Pen and brown ink, watercolor, graphite on smooth, moderately thick, cream wove paper
Dimensions:: Sheet: 13 5/8 × 17 3/8 inches (34.6 × 44.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

191. [One from] A Volume of Drawings and Prints

Creator:: Rev. James Bulwer, 1794–1879
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, and graphite on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 13 1/2 × 17 1/4 inches (34.3 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

192. [One from] A Volume of Drawings and Prints

Creator:: Rev. James Bulwer, 1794–1879
Date:: 1837
Materials & Techniques:: Pen and brown ink, watercolor, graphite on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 13 3/8 × 17 5/16 inches (34 × 44 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

193. [One from] A Volume of Drawings and Prints

Creator:: Rev. James Bulwer, 1794–1879
Date:: 1837
Materials & Techniques:: brown ink, graphite, watercolor
Dimensions:: Sheet: 13 1/2 × 17 1/4 inches (34.3 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

194. [One from] A Volume of Drawings and Prints

Creator:: Rev. James Bulwer, 1794–1879
Materials & Techniques:: Pen and brown ink, graphite, watercolor on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 13 5/8 × 17 1/8 inches (34.6 × 43.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

195. South View of Montacute House

Creator:: John Buckler FSA, 1770–1851
Date:: 1811
Materials & Techniques:: Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:: Sheet: 19 3/4 × 14 inches (50.2 × 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

196. North West View of Montacute House, Somersetshire, The Seat of John Phelips Esqr.

Creator:: John Buckler FSA, 1770–1851
Date:: 1811
Materials & Techniques:: Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:: Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

197. South View of Longleat, Wiltshire; the Seat of the Marquis of Bath

Creator:: John Buckler FSA, 1770–1851
Date:: 1821
Materials & Techniques:: Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:: Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

198. Westwood Park near Droitwich, Worcestershire, the Seat of Sir John Packington Bart.

Creator:: John Buckler FSA, 1770–1851
Date:: 1820
Materials & Techniques:: Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:: Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

199. Ghazipur

Creator:: Thomas Daniell, 1749–1840
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, cream laid paper
Dimensions:: Mount: 12 1/2 × 18 15/16 inches (31.8 × 48.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Paul F. Walter

200. Shoreline Landscape

Creator:: Thomas Daniell, 1749–1840
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 7/8 x 15 1/4 inches (20 x 38.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Paul F. Walter

YCBA Collections Search

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101. Aldborough, Suffolk

102. Stamford, Lincolnshire

103. Dunstanborough Castle, Northumberland

104. Richmond Hill and Bridge, Surrey

105. Aldborough

106. Virginia Water, No. 1

107. Virginia Water, No. 1

108. St. Germain-en-Laye

109. Ehrenbreitstein

110. Florence, from the Chiesa al Monte

111. Fonthill

112. Launceston, Cornwall

113. Military Weapons, Female Ornaments, Utencils for Culinary and Religious Purposes

114. Pine Tree

115. View of the Pantheon, Paris

116. Gil Blas, While Practising Medicine under Dr. Sangrado, Encounters Dr. Cuchillo at the Bedside of the Grocer

117. A Sailing Canoe of Otaheite

118. Waheiadooa, Chief of Oheitepha, Lying in State

119. The Narta or Sledge for Burdens in Kamtschatka

120. The Balagans or Summer Habitations, with the Method of Drying Fish, at St. Peter and Paul, Kamtschatka

121. View in the Island of Cracatoa

122. View in Macao, Including the Residence of Camoens, When He Wrote his Lusiad

123. Mrs. Gregory

124. The Sleeping Child

125. Mill near the Grande Chartreuse

126. The Source of the Arveron

127. Bonneville, Savoy

128. Ben Arthur, Scotland

129. Francis Bartolozzi, R.A.

130. Celebration on the Thames near Whitehall

131. Tarbert Castle

132. Chain of Alps

133. Mercury and Argus

134. Sir John Moore

135. Water Mill

136. Solway Moss

137. Ancient Aqueduct Ruins

138. Asian Openbill Stork (Anastomus oscitans)

139. A Jewish Rabbi

140. Abraham Lincoln

141. Castle Fraser, Aberdeenshire, Scotland: East Elevation

142. Castle Fraser, Aberdeenshire, Scotland: North Elevation

143. Lovelace in Prison

144. Ploughing, Eton

145. Shipping at the Entrance of the Medway

146. Brougham Castle, near the Junction of the Rivers Eamont and Lowther

147. View of the Pantheon taken from the Arsenal

148. Walls of Rome: The Aurelian Wall, with the Pyramid of Cestius

149. Lulworth Cove, Dorset

150. De la Parade de Seconde sur le Coup de Seconde

151. De la Risposte en Tierce de Pied Ferme sur le Coup de Tierce

152. De la Risposte en Quinte de Pied forme sur le Coup de Seconde

153. Circle Enclosed

154. Jacob Bryant Esq.

155. Sir Christopher Hatton

156. His Excellency Thomas Earl of Strafford

157. Henry James Pye, Esq

158. King William the Conquerer

159. Richard III, King of England

160. Edward Prince of Wales and Aquitaine, Duke of Cornwall

161. Designs for Blackfriars Bridge

162. View of Charing Cross and Northumberland House

163. George Horne D.D. Late Lord Bishop of Norwich

164. Study of a Youth Wearing a Cloak

165. The Effigies of John Rushworth Esq.

166. Devonport and Dockyard, Devonshire

167. The Diplomatic Squad or Harmony Interrupted

168. Angling: Anglers Packing Up

169. A View of the Printing House (a), the Theatre (b), the Museum (c), part of the Schools (d), part of All Souls College (e), & St. Mary's Church (f), & c. in the University of Oxford

170. A Proclamation in Lilliput

171. View of the Pantheon, taken from the Arsenal

172. The Obelisk in the Garden at Versailles

173. The Death of the Great Wolf

174. Light Expelling Darkness, - Evaporation of Stygian Exhalations, - or - The Sun of the Constitution, Rising Superior to the Clouds of Opposition

175. A Trial for a Rape